Min ide är att man inte ska behöva betala krediter för generade video som blir väldigt konstiga
Let's say I wanted to storyboard a script and produce different angles of the same thing. It would be nice to have something that holds on to the core look and objects within the frame so we can get a wide, medium , and close shot of the same scene.
Please add an Audio effect for volume so we can apply it to an adjustment layer and effectively control volume of layers below. I often create an AUDIO MIX comp with a plethora of v/o layers chopping up audio voice files and sometimes we get low audio files from sound studio… so being able to adjust all at once within that comp would be great. And before someone says “Adjust the comp in the master comp” yes, would be great if I didn’t have 27 master comps of videos using the same AUDIO MIX….
Currently, the latest version of Photoshop v27.10.0 will only produce Intel droplets and not Apple Silicon droplets. With the ending of support for Rosetta not too far in the future we would like to see this addressed so that we can begin to upgrade our collection of droplets to be native.
You select all linked comps from the project panel and then with control click select a feature that allows you to render and replace all linked comps within a selected sequence . instead of manually having to select every linked comp in a sequence and ask to render it do a batch render and replace so you can save hundreds of hours , especially for people like me that use a lot of linked comps in premiere.
The current CC Composite (v2.0) requires manually specifying a “Top Layer”, but I’d like to request the option to use the previous version (v1.10)’s behavior, where the effect automatically composites the layer’s own original image.The old version worked fully self-contained, which made it much more practical for effect presets, templating, and layer duplication workflows.While the new version is more flexible, needing to reassign the Top Layer every time is a real bottleneck for reusability and efficiency.If possible, please consider:- Keeping or making the legacy CC Composite behavior selectable- Or allowing expressions like `thisLayer` in the Top Layer selectorThank you for your time and consideration.
It would be nice to be able to generate a voiceover from captions in order to replace poor quality voice recordings and improve consistency of videos. A part of my job is to generate voiceovers using outside tools in order to create instructional videos recorded by different people on different quality microphones, so that the final videos have a consistent audio quality regardless of who recorded it. It’s a slow task, and it occurred to me that given Adobe’s recent focus on AI QoL upgrades, this might be a good feature to add. Especially because we already have the audio timing created by the captions.
Lightroom for Linux - is it possible? Most my friends and I need it, because of not using Windows and current Linux tools can't get so great instruments for raw preprocessing and organizing...
Hi, first, I’m coming from a good place with this feedback. In the latest updates to Photoshop, it feels like you guys have been pushing AI a little too much.I understand that AI is inevitable at this point, and I’m not against AI being part of Photoshop. However, I hope Adobe doesn’t put all its eggs in one basket. Instead of focusing so much on AI, why not improve the software’s speed and performance? For example, moving a layer outside of an artboard can take a noticeable amount of time, which is a relatively simple action.I would really like to see more focus on Photoshop’s speed, responsiveness, stability, software refinement, overall performance, and quality-of-life improvements. The Creative Cloud Fonts section also needs a lot of tweaking. Loading time is slow, there is no propper font search, scrolling through is such a tedious chore, etc.I like how you combines the Light adjustments, new UI/UX for Actions window, etc. Those are great improvements, and they’re genuinely appreciated. More of this please and less of unecessray functions, we dont need notification, redandunt contents like my AI credits (image attahced).Please keep improving what’s already there—not everything needs to be replaced or augmented with AI.
Keyboard shortcuts can already be used to run scripts but they are assigned by index, not name, and are limited to the first 20 scripts in the Scripts folder. If you assign a keyboard shortcut to a script called 'Very Important Script.jsx' and later add another script called 'Another Script.jsx' to the Scripts folder, the keyboard shortcut gets unseated because A comes before V. Now the shortcut fires whatever script was before Very Important Script in the list of scripts. This is confusing behaviour for most users and is not well documented. It's especially bad because it seems to work by name, until it doesn't. There are a number of videos out there (from very reputable sources), which show users how to assign shortcuts to scripts, but don't explain this issue. Ideally, scripts would be assigned shortcuts by filename, and all the scripts in the Scripts folder would be available. This could also allow developers to access the shortcuts .txt file and add a permanent shortcut to their script (without having to know it's index), making the entire process easier for end users.
I really wish to have a fast and native light wrap plugin in After Effects. This tool is essential in compositing.
All the features of the desktop version must be addedKeyframe
When using free transform, scale, skew, distort, warp, ect. we are stuck with only being able to use the bounding box's square 90 degree default orientation. I think we need to be able to rotate the orientation of the bounding box without rotating the object so that we can perform transforms at angles other than true vertical and horizontal. Like for example if I want to make box man longer when he's square with the canvas, easy peasy. But if I want to do the same transform when hes at an angle, it wont work the same and ends up skewing him instead of just streatching him longer. If we could rotate the transform box to match the objects orientation then we could easily do transforms at any angle, but currently the only way seems to be to rotate, apply transform, scale, and then rotate to its original position. This makes it currently a destructive guess and check process, and for smart objects requires rasterizing before the first rotation since the bounding box doesn't reset once rotations are applied. I find myself needing this feature a lot, and I feel like it could be tied in with the transform box's refrence point some how, like rotating the refrence point would rotate the box without rotating the objects inside.
When upscaling, can the pixel limit (width and height) be bigger? It’s a bit restrictive for larger scale imagery.
Imagine the name of the reference images displayed in the reference image window on simple mouse over. With properties to copy this name straight into the prompt window. (which is to small to handle longer prompts by the way).
it needs prompt editor (to enhance it), also upload image to describe. the prompt box is to narrow
Please add direct Export to PDF and Export to PowerPoint (.pptx) options to Firefly Boards, allowing creators to quickly export concepts into presentation-ready files for stakeholders.Key Suggested Features😃: Dual Format Export: Save as clean multi-page PDFs or editable PowerPoint (.pptx) decks. Standard Slide Dimensions: Presets for 16:9 (Widescreen), 4:3, and A4 with automatic image fitting (Fit/Fill/Padding). Flexible Layout Options: Export selected frames as individual slides or grid comparisons (2, 4, or 6 options per slide). Metadata & Background Control: Option to toggle prompt details (or convert them to slide notes) and export images on transparent/clean backgrounds to fit corporate presentation themes smoothly. Why it matters😍:Eliminates tedious manual screenshotting and re-aligning, making Firefly Boards an end-to-end tool from AI ideation to executive client presentations.
Please add the Mixer brush to Photoshop on iPad! I use it in my everyday Workflow when painting
Often corporate head shot sessions are done in tight spaces, with a small backdrop, so the image will show parts of the wall or other distracting things, that we need to crop out. Example belowAlso, the hight difference in i.e a corporate shoot, means you often don’t use a tripod, and all the images looks a bit different in terms of positioning and framing, focal length etc. When editing this means I’ll have to do a few tweaks to each and single image (and it might be houndres in a single shoot)Reframe and reposition Use some sort of generative fill to fill in edges or remove distractions (sometimes settings can be copied and pasted between shots, but often they are not familier enough)These features will have to be reaplied to every image.. It’s a very very time consuming task.Also - often we have a framing that’s too tight - and I want to add more head space. This would require me to go into photoshop, extend the image and do some generative fill. Image if these changes could all be applied with a single tool. “Reframe/ recrop and fill”You would simply choose one “perfect photo” - to be a template. AI would see the amount of head space, background color etc - and apply it to all other images. Reframing, filling out edges, and providing a consistent look and feel througout! Would be extremely helpful 😮💨
Users (thinking of my students, who are new to photography) should be able to import files without going through 32310 steps. If, like in Adobe Premiere, they had the ability to simply drag things from the desktop into LrC, that would streamline things immensely.For exporting JPGs, there should be an option to right-click (or hit file) > export > export as JPG to [location] without having to navigate the window with all the information specifications (and really small text). Keep that option, sure, but there should be a more simplified option.
I would like Adobe to add a customizable content-filtering system for Adobe Stock imagery that appears within Photoshop and other Adobe applications. Currently, users have very limited control over the kinds of stock images that appear in searches, recommendations, and other areas of the Adobe interface. While Adobe already restricts explicit sexual content and nudity, there can still be imagery including revealing clothing, lingerie, swimwear, suggestive posing, sexualized glamour photography, or other content that some users may strongly prefer not to see. Implementing a user-friendly filtering system could give users a cleaner, more enjoyable experience using the app. A simple filter system could include options like: Standard, Strict/Family-Safe, or Custom. Custom settings could let users control more of what they do/don’t see, allowing the removal of images including: lingerie or underwear, revealing clothing, suggestive or sexualized poses, and any other “sensitive” content. Photoshop already offers extensive workspace customization. Giving users control over the kinds of imagery they want to see would be another useful way to personalize the experience; with the purpose of making the overall usage of the app smoother and cleaner. Please give users the choice to filter content they do not want to see.
Feature Request: Duplicate Detection & Select All in Effects Panel I would like to request two improvements to the Premiere Pro Effects panel: 1. Duplicate Preset DetectionPremiere currently allows the same preset to be imported multiple times without any warning or duplicate detection. This can quickly create unnecessary duplicates in large preset libraries. Please consider adding automatic duplicate detection with options such as: - Replace- Skip- Keep Both An “Apply to All” option would also be useful during batch imports. 2. Select All in Effects PanelPlease add a standard Select All (Ctrl/Cmd + A) function to the Effects panel, allowing users to select all visible presets/effects for bulk management, deletion, or organization. These two features would significantly improve preset-library management and workflow efficiency, especially for editors working with large Effects libraries.
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