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Every time I want to see the Script List under the Window Menu I run into the anoying issue to scroll down to them. The length of that Menu can be very long depending on the comps that are open. And scrolling is slow and only works by clicking on the down arrow. That menu doesn't move when I scroll my mouse wheel (Windows). Apparently on mac it does.I suggest having a side menu like the Extensions menu. (see screenshot).As I discussed this with the community a few useful tips came out of it:(Kyle Harter) With the new Quick Apply one can launch every script .Or Kbar can do that too. (Rob Barrett) One can also start typing the name of the script with the Windows menu open, and the selection will jump to that item. Typing “T” several times will cycle through all entries beginning with “T”.These tips help!However if you don’t remember the name of the script and want to see the list, the old problem stays.A Script Sidemenu would be an easy fix.Thank you for considering this!
It would be great if Audio Loudness can be added as an effect on to an Adjustment layer, and this would control the loudness of the composition’s loudness as a whole.Rendered videos frequently need to conform to a specific level like -23 LUFS, and this requires correcting the audio separately in Audition and re-importing the loudness-corrected audio.
Automatically inherit the source clip label when creating a sequenceWhen creating a new sequence from a clip, Premiere automatically assigns the default sequence label color instead of inheriting the label color already assigned to the source clip.It would be helpful to have an option such as:“Automatically inherit the source clip label when creating a sequence.”Many editors use label colors to organize clients, cameras, scenes, content types, or production stages. Keeping the same label would preserve this organization and eliminate the need to manually change the color of every new sequence.Ideally, this behavior could be enabled or disabled in the Label Preferences.
The Firefly dashboard @ Timeline needs more details. All look the same from the first frame, but I can’t see property differences e.g. size, date created, date modified. Not only would a view of details make me happy, but I’d be able to clean-up my dashboard, readily removing outdated clips on first row. See how these clips look similar from the outside with title ‘Timeline 1.’.
It would be nice to have a “Fuji recipe” like feature where you can use the presets you have created directly applied into the shootigg mode of the app. Enabling you to have them applied straight out of camera.
comment says it all
put the watermark option on the web page for Lightroom cc, I have the option on my ipad but not on my MacBook.
Hello Adobe team and community,I'm a professional film editor working primarily on narrative feature films and episodic drama. I rely on Premiere Pro as my primary NLE and use Productions extensively for multi-episode collaboration. However, there is a critical workflow gap in Premiere Pro for scripted narrative editing that I'd like to formally request as a feature.The Gap Between Premiere's Current Transcription and What Scripted Drama Editors NeedPremiere Pro's built-in transcription and Text-Based Editing are genuinely impressive features — especially for documentary, interview, and unscripted content. They allow editors to search spoken words across media, delete transcript text to drive timeline edits, and work efficiently with unscripted material.But for scripted narrative film and television, there is a fundamental workflow difference that Premiere's current transcription cannot address.The Core Workflow I'm Requesting: Script-Driven Take NavigationIn scripted drama editing, the mental model is this:"Scene 12, Character A says 'I don't regret it' — we shot nine takes of this line today. Which take has the best performance?"Avid's ScriptSync solves this with a specific workflow:Import the production script into the software AI automatically aligns the transcribed dialogue from every take to the corresponding script lines The script interface displays all available takes alongside each line of dialogue The editor clicks any take directly from the script view — the Source Monitor jumps to the exact timecode where that line is spoken in that take Takes can be quickly compared and sent directly to the timeline from the script interfaceThe fundamental difference from Premiere's existing transcription:Premiere's current approach is media-driven — you start with clips, then search what was said inside them What scripted drama editors need is script-driven — you start with the script, and every take is organized in relation to the script's structureThe direction of navigation is reversed. One asks "what did this clip say?" The other asks "which clips contain this scripted line?"Specific Feature RequestI'd like to propose the following workflow additions to Premiere Pro:1. Script Import Support for importing production scripts in .fdx (Final Draft), .pdf, and .fountain formats.2. Automatic Script-to-Media Alignment AI-powered alignment that matches transcribed dialogue from all media pool clips against the imported script, line by line, and tags each clip segment with its corresponding script position.3. Script Navigation Panel A dedicated Script View (either within the Media Panel or as a standalone panel) where each line of dialogue displays all matching takes alongside it — showing camera identifier, take number, and duration.4. Single-Click Take Access Clicking any take in the Script View should load that clip in the Source Monitor, jumping directly to the timecode where the corresponding scripted line begins — no manual scrubbing required.5. Direct Timeline Insert Takes selected from the Script View should be insertable into the timeline using existing keyboard shortcuts (e.g., F9/F10 insert/overwrite), maintaining workflow consistency.Why This Matters for Narrative EditorsOn a typical 100-minute feature film, an editor deals with hundreds of scenes and potentially thousands of takes. During assembly and fine cut, the editor's mental frame of reference is always the script — not the media pool structure.Script-driven navigation keeps the editor in a narrative mindset: "What does this scene need?" rather than "Where did I file this clip?"The efficiency gains are significant. Instead of:Opening a bin → finding the right day's folder → scrolling through takes → scrubbing to find the line → loading in source → marking in/out → insertingThe script-driven workflow becomes:Find the line in the script → see all takes listed → click the best one → insertFor a 100+ day shoot with 8 cameras, the time savings across an entire feature are substantial.Relationship to Existing FeaturesI want to be clear that this request is not a criticism of Premiere's transcription tools — they are best-in-class for unscripted content. This request is specifically about adding a script-anchored layer on top of transcription that serves the narrative editing workflow.Productions is the reason I stay in the Premiere ecosystem for long-form work. Script-driven take navigation would make Premiere the complete solution for scripted drama, removing the last significant workflow reason to consider other NLEs for this use case.I hope this resonates with other narrative editors in the community. If you work in scripted drama and have felt this gap, please add your voice below.Thank you for considering this request.
The beta version of Adobe Text to Avatar does not give enough customization as far as pauses, speed of the speaker, the tone, and other features that other products have.
Me ha gastado cuatro imagenes, cobrandome créditos y no sacando las imagenes originales, sino cópias. Quiero poder hacer el vídeo que le pedí sin pagar más créditos!!!!!
Das Foto das ich von Lightroom zum bearbeiten nach Firefly sende wird dort nicht angezeigt
I'm sure you already have it on your radar, but it would be very helpful for users to have a loop feature available, especially since we are currently limited to 5 seconds of generation right now. Like I said, I'm sure you have it in the queue, but part of the reason I'm generating so many generations is that I am exporting the last frame of a generation, using that as the starting image for my next video in the sequence, trying to string together multiple 5 sec generations to complete one video. I know this will resolve itself as features are released and unlocked. Thanks again, Paul
Maybe I am just new to using generative text-to-image tools. Still, It turns out that getting Firefly (or DALL-E, and several others I tried) to pay attention to and follow instructions that specify or adjust the direction in which a 2D artwork subject is oriented/is facing/is gazing. This may be easier to accomplish with photography subjects, with better face detection in photos. Not so for cartoon bunnies staring dramatically in the wrong direction. It was particularly difficult (as in tens of hours of trial and error) to get Firefly to reposition a small, AI-generated drawing of a bunny (attached) with a yaw of about 45 degrees (45 degrees counterclockwise away from the viewer) to face in any other direction. Even more frustrating, bunny's position was such that his left eye was completely obscured due to the shape and position of his head, and it took hours of trial and error--and frustrated attempts at using puppet warp, liquefy, free transform, etc.--for Firefly to draw even one remotely similar bunny with two visible eyes when the original was used as a style or composition reference.I'm curious to see if I can use the new text-to-video feature to get stills of videos where my 2D subjects do nothing but turn from one side to another, but that seems awfully impractical (not to mention costly). If Firefly were to get this working, it would be incredibly valuable to me. -JasonSan Francisco, CA
Please make provision for uploading multiple source images for video compositing, like Kling "Elements".
Will there be future updates to enhance old photos into videos, similar to those on the MyHeritage website? The current version of Firefly distorts the images too much
While generally I've only lurked the Adobe forums I've finally worked up guts to post this. I also know that about every 1-2 months this question is asked but I think it deserves a another go around. My premises is this: Adobe joined the Linux Foundation in 2008 for a focus on Linux for Web 2.0 Applications like Adobe® Flash® Player and Adobe AIR™. Currently Adobe holds a silver membership status with the Linux Foundation. So why in the world do they not have any Creative Cloud Programs available in Linux without the need for WINE and other such workarounds. I think it's a sucky move to support the Linux Foundation and use Linux in the back-end while not doing anything to support actual Linux users who have for at least a decade requested Adobe desktop products on Linux. Sure it's going to take a lot of manpower, financial resources, etc. But to truly support Linux and the Linux Foundation I think it's necessary that y'all do make things like Photoshop and Lightroom available for the Linux desktop. In any regards the wider Linux community would most likely help with testing and debugging programs. We're used to it.
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