Feature Request: Duplicate Detection & Select All in Effects Panel I would like to request two improvements to the Premiere Pro Effects panel: 1. Duplicate Preset DetectionPremiere currently allows the same preset to be imported multiple times without any warning or duplicate detection. This can quickly create unnecessary duplicates in large preset libraries. Please consider adding automatic duplicate detection with options such as: - Replace- Skip- Keep Both An “Apply to All” option would also be useful during batch imports. 2. Select All in Effects PanelPlease add a standard Select All (Ctrl/Cmd + A) function to the Effects panel, allowing users to select all visible presets/effects for bulk management, deletion, or organization. These two features would significantly improve preset-library management and workflow efficiency, especially for editors working with large Effects libraries.
i need the old trusty lumetri color panel on the new v27 premiere pro. i used it for 10 years and i cant cope with the new awfull color mode! i need to work fast to keep with the deadlines and the color mode is a joke!
Hello Adobe After Effects Team,I would like to suggest adding a small “Swap Dimensions” button next to the Width and Height fields in the Composition Settings.For example, if the composition is:Width: 1920 px Height: 1080 pxClicking the button would instantly swap them to:Width: 1080 px Height: 1920 pxThis would be especially useful when quickly converting a composition between landscape and portrait orientations, without having to manually type both values.A simple button with a ↔ or ⇄ icon next to the Width/Height fields would make this workflow much faster and more convenient.Thank you for considering this feature
Adobe, please add WebP as an option in the Export As dialog. The current option is not acceptable. I want the same interface options for WebP as PNG, JPG, etc. when I choose to export for the web. WebP is becoming very popular and I'm surprised you haven't included it yet.
why there is a box like a transition on my footage eventho im not adding any?? adobe please remove this feature, its annoyed me everytime i want to drag my footage
I just spent 10 minutes trying to find where the sequence presets are stored. So there’s this menu item where a user can save custom timeline presets to not adjust it on every edit. In Premiere it’s called Create Preset from Sequence - misleading, because you actually think you create a timeline preset, but this thing saves the entire sequence settings ind is found in the timeline menu:So what’s next? You think you can go to the same timeline menu and select one of the presets you saved previously, right? This is what logics tells you. But no, you cannot find any timeline preset anywhere in Premiere menus. Just nowhere. And the truth is that all the presets are saved here:It’s the menu you see when you create a new sequence.Who’s idea was it, who thought it’s logical and user-friendly? Why cannot I select the presets I save in the menu I use to save these presets?So this is a feature request - please, make it logical, add another menu in the timeline wrench settings where one can easily find all the presets for timelines. I’m not even asking to make timeline presets and sequence presets separate, just add a menu item to the menu where you actually save timeline presets. Please.
Batch tasks already created with a button, like applying printer color profiles to individual images, converting RGB to CMYK, jpeg to Tiff etc. These are time consuming tasks if done individually and the batch function is clunky. We have to create with the video recording. Really, hasn’t technology come further than that. Use AI to do this for us. We are on tight schedules and shortcuts like this save time.Start thinking about what would really benefit the user, not some fancy one off thing that less than 2 % of users will actually use.
I work in digital creative production and regularly need to loop short pre-comps (e.g. a 16-frame frame-by-frame sequence) across a longer main comp. This is one of the most common tasks in animation, yet After Effects still has no simple way to do it.The current workarounds are Time Remapping with loopOut(), custom expressions, or duplicating the layer and using Sequence Layers. All of them are fiddly and easy to get wrong. The default Time Remap setup even puts the end keyframe one frame past the last frame of the pre-comp, which produces a blank frame on every loop unless you know to fix it.What made this far worse: I spent a long time troubleshooting a blank frame in my main comp that turned out to be the cache. The loop was working correctly, but After Effects kept displaying a stale blank frame through multiple edits and setting changes. Only a manual Purge > All Memory & Disk Cache showed the correct result. I've had this problem many times over the years, and I suspect the cache has been hiding working fixes every time.Two requests:1. A native loop option for pre-comp layers, like the Loop setting that already exists in Interpret Footage. Make it a switch in the timeline or a layer menu toggle. Turn it on, drag the out point, and the pre-comp loops for as long as the layer runs.2. Reliable cache invalidation. When a nested comp's contents, duration or Time Remap settings change, cached frames for any comp using it should be invalidated automatically. Stale frames should never be shown as if they were the current render.This is basic, everyday animation work, and it shouldn't take expressions, workarounds and cache purging to get a short comp to loop.
Many times a mask is used to separate a subject from a background. This feature will enable one mask for the subject to be connected to a “mirror mask” that will be updated inversely according to modifications to the original.For example, if you reduce the contour of the subject mask, the “mirror mask” of the background is enhanced to the same pixels that were reduced from the subject mask. instead of updating 2 masks continuously, a solution that never achieves the aimed precise separation.
Add green screen remover, and add audio beat marker, add doubls screen like premiere pro pc for easy to cut and split video and audio
Hola,Quisiera informar nuevamente un problema con la generación de videos. Hoy, 15 de septiembre, he intentado generar videos varias veces y el sistema vuelve a arrojar error, por lo que actualmente no puedo utilizar esta función.Este problema ya se había presentado anteriormente y, lamentablemente, ha vuelto a ocurrir. Les agradecería mucho que pudieran revisar mi cuenta o el funcionamiento de la herramienta y darme una solución, ya que necesito utilizar la generación de video y en este momento no me es posible.Agradezco desde ya su ayuda y quedo atenta a una respuesta.
Would love to see edge feather added to the Pen Tool. Mocha Pro has had this for a very long time and it doesn't seem to be on Adobe's radar. Would be super powerful and is much needed IMO. For those of you who haven't seen it before I have attached a quick screen capture that illustrates what it looks like and I have provided a video link that demonstrates how it's used in Mocha. Having this in PS would be a big step forward. https://vimeo.com/258256789
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Adobe Acrobat should remove all features that result in automatically resizing the window, or automatically adjusting the zoom level, of a newly opened document. I do not want window size or initial zoom level to ever change, except when I make manual adjustments. The automatic functions are a major hindrance and time-waster.
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From the Transcript tab in the Text panel, click the hamburger menu and choose Create Captions.In the Create Captions dialog, click the blue arrow to expand "Captioning Preferences"Slide the "Minimum length in characters" and "Minimum duration in seconds" sliders all the way to the leftUnder "Lines," choose "Single" Expected: The intent is to have a single-word caption for each word spoken. No captions should be on multiple lines. No captions should contain more than one word.Actual:Captions frequently (and randomly?) occupy multiple lines, despite me explicitly telling PPro i want single lines. Captions frequently (and randomly?) contain more than one word, despite me dragging those sliders all the way to the left.i read this response to someone else having this problem:https://community.adobe.com/t5/premiere-pro-discussions/captions/m-p/13311192... but the size of the text box is not the issue. Premiere Pro will frequently put two words in a single caption, and will frequently multiple-word captions on multiple lines. If i go in and delete the line break, the words can clearly fit on a single line. But there shouldn't even BE multiple words in a caption to begin with, because i have the sliders pulled all the way to the left, and the software should be smart enough to know that a SPACE character indicates a separate word.The net result is that instead of "set it and forget it," i have to spend a lot of time combing through my entire video to make numerous annoying little tweaks to the captions to break up multiple words and multiple lines. i shouldn't have to.
Freeze first layers on timeline (like you can do on excel/sheets) so you can reach them quickly even at the bottom of a 150 layer composition)
Sometimes freezing a rotoscope demands minutes, and you use that waiting time for something else. It would be very useful hearing a notification when rotoscoping it’s over so you can continue working
I would like to propose an editable 2D grid warp workflow for Substance 3D Painter, and request a supported public API for integrating tools like this into Painter’s native 2D viewport.I have developed a working plugin called 2D Warp Grid. It lets artists reshape projected logos, decals and other layer content in UV space without changing the mesh UVs. A typical use case is correcting the shape of a logo on a curved surface after it has already been placed.Video demonstration:Watch the 2D Warp Grid demonstration on Google Drive (no sign-in required).Current plugin capabilitiesGlobal: a grid over the full 0–1 UV area. Local: a rectangular grid fitted around the layer content. Custom: draw a rectangular area directly in the 2D editor. Independent row and column resolution, up to 10 × 10 control points, with Smooth and Linear interpolation. Move individual points, or select multiple points with Shift and move them together. Move, rotate and uniformly scale the whole grid in Local and Custom modes. Edit area in Custom mode: position, rotate and scale the selection area before deforming, without changing the texture during area setup. Undo and redo a complete drag as one action. Multiple editable warp stages in the layer stack, with synchronized Base Color and layer-mask deformation. The open 2D editor follows the selected warp filter and refreshes its texture preview when layers are reordered.Request for Adobe: native 2D viewport integrationThe plugin currently uses its own 2D window. A documented extension API for Painter’s standard 2D viewport would help us improve integration and avoid maintaining a separate preview and navigation system. The most useful capabilities would be:Draw interactive overlays, control points and selection rectangles in UV coordinates. Receive mouse and keyboard events for custom tools while cooperating with Painter’s normal navigation. Read viewport transforms and convert between screen and UV coordinates; access supported pan, zoom and rotation controls. Receive notifications when the displayed texture, selected layer/filter, layer order, display mode or lighting changes. Request an efficient viewport redraw and, where appropriate, access the current rendered 2D preview through a supported mechanism.If supported APIs already cover any of these needs, guidance or examples would be very welcome. Otherwise, could Adobe consider exposing them? A native editable grid warp tool would also be valuable for this workflow.I am sharing the video and workflow for feedback here; plugin files are not attached. I would appreciate feedback from the Painter team and artists who need to adjust logos and decals directly in 2D UV space.
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