I have all my clients set up as Libraries in my CC, including the colour schemes for their brand. It would be handy if the colour scheme part actually did something – I can pull the brand up, but double clicking on the colour scheme would ideally bring up the hex codes or some other sort of detailed view, so that I can refer to it outside of Adobe products. Currently I have to open up PS, dig up the Library, and select the colour to get the hex code.
For returning projects, it would be be nice when Freeze files could be stored outside the cache folders, in a user chosen project folder. This prevents from pre-rendering Freeze files when the caches are cleared (which is necessary once in a while).
I have been an Adobe user since 1986. Maybe as I ease into retirement, I should get a discount? Yes, as an Adobe customer for 40 years, I should definitely get a discount.
In Premiere 26.3.0 (build 93), blue alerts currently slide in at the bottom-right of the UI to confirm actions like exports and imports. For example:Exporting a still frame shows a blue alert with the full path to the exported file, such as: “Exported frame /Volumes/WK_SSD_4TB_A/GFX/STILLS/…Still003.jpg.” Using the Watchtower panel to import files from a monitored Finder folder into a specific bin shows a blue alert like: “[PROJECT].prproj: 1 file imported in 03C_PHOTOS, STILLS.” However, clicking these alerts only opens the Events panel. The Events panel shows a log of recent events, but in the moment when the alert appears, what I actually need is quick navigation to the asset or bin referenced in the notification. The alert already contains the exact filename, path, project, and bin information—yet none of that is actionable with a click. This creates friction in everyday workflows:When I export a still, the very next step is usually to reveal that image in Finder/Explorer or bring it into another app. Right now I have to manually navigate through Finder to find it. When Watchtower imports new files into a bin, the a nice optional next step would be to go straight to that bin in the Project panel and start working with those assets. Instead, I have to scroll/search in the Project panel to locate the bin and then the newly imported clip or still.Requested behavior:Export alerts Clicking a blue export alert should reveal the exported file in Finder/Explorer (or at least provide a clear “Reveal in Finder/Explorer” action). This would mirror Adobe Media Encoder, where clicking an export path reveals the rendered file. Users already expect that behavior across Adobe video tools. Import alerts (including third‑party panels like Watchtower) Clicking an import alert should open the bin mentioned in the alert within the Project panel and select the newly imported asset. If the alert references only the bin, selecting the bin is still better than opening the Events panel, because it gets the editor directly to the relevant part of the project. Why this matters:It turns passive notifications into active navigation shortcuts. It reduces repetitive panel and Finder hunting, which is especially painful in large projects with deep bin structures. It improves integration with third‑party panels like Watchtower that already use the alerts to communicate exactly where assets were imported. It makes Premiere’s behavior more consistent with Media Encoder and other Adobe tools, where clicking something that references a file helps you get to that file.From a UX perspective, even a preference option such as: “On notification click: Open Events panel / Reveal asset / Ask each time” would allow different kinds of editors to choose the behavior that fits their workflow, while still making the alerts more useful than they are today.
The Copy Frame to Clipboard button is a really good addition, and being able to paste to disk is a great improvement.I’d like to suggest that it could be improved further by adding modifiers to the button, adding extra functionality.For example, Alt+Shift+Click could open a file browser, allowing the user to choose the save location and amend the filename if needed.Alt+Click could directly save the current frame to the last used location. If no previous location was found it would bring up the file browser to set a location as above. It would be useful if the last used file path was shown in a tooltip on hover, as well as the modifiers and their uses.An unmodified click would continue to work as-is.The benefit of this would be reducing friction and repetitive tasks when exporting frames for use in decks/presentations etc, freeing up artist time and helping to keep the flow. Adding these features as modifiers to an existing button mean it would not add to the amount of UI buttons, and be a good quality of life upgrade for users that need to export stills.Currently I use Conigs’ FX Console script on a KBar button to achieve similar functionality, and that is already quite a big timesaver when working on a lot of styleframes for example.Ref: https://conigs.com/fx-console-kbar
Adobe has discontinued a number of products over the years: Animate, Dimension, and some others.In our organization, we would like to restrict our user from using these applications, as they create potential support issues and security concerns. For Single App users, we’ve removed the application profiles for these discontinued apps. But the apps remain available for install by our users with the All Apps license. We deploy Creative Cloud as a Self Service package, so our All Apps users have the ability to install every application, even those that have been discontinued. As an administrator, I would like to have greater control over this, at the product profile level, to select/deselect the list of applications that are available to those All Apps users who have been assigned a given product profile. I can foresee this being useful in a multitude of ways. Not only could we disable specific applications which we do not wish to support, such as the discontinued products as I mentioned above. But we could create bundles that are specific to a particular role or profession, so we can bundle and deploy an All Apps license that has just those applications useful for, for example, Video Production, or Print Publishing, or Graphic Design, for example, and this would enable us to deploy the specific apps that a user in such role needs, and realize a cost savings vs. assigning multiple Single App licenses to the user’s account, while still controlling the user’s access to the suite such that they only have the ability to install and use those apps that are specific to their role or job title.
I would like to be able to name custom crops in Lightroom. Saving them as ratios is great but one step further would be the ability to give them a relative name for certain projects or uses.Perhaps also not limit me to 5 custom ratios. Image is not available
Right now, Adobe only offers the option to use Adobe Account Access for app-based MFA. I'm sure I'm not alone when I say that I want to keep my logins under one MFA app as much as possible. Adobe should allow users to connect their accounts to third-party authenticator apps like Duo Mobile, Authy, LastPass Authenticator, Google Authenticator, Microsoft Authenticator, etc.
Please, After Effects development team, bring back the ability to start tracking multiple masks at once.Doing them one by one was a bit tedious.For example:https://www.instagram.com/p/Dafoc_4ucQ2/
When copying a set of layers containing a Lens Blur effect that points to a Blur Map layer, this relation breaks when the set is pasted in a new Comp. I would prefer to keep the relation intact.
Add a second prompt box that can be toggled on and off. The second prompt box is a Style Reference so you dont need to include the style text in the prompt and you dont use character space in the prompt box, allowing for better prompts since style text can be added in a second box.
When I hover over a clip in the timeline a popup appears showing the clip duration etc, which is useful.When I hover over an empty gap in the timeline, even if I’ve selected that empty gap, a hover > popup does not appear. It’d be useful if one would appear telling me the duration of that gap, so I know how much footage I need to fill it.
In a lot of situations, I find myself applying the same effects over and over. It would come in handy when these are stacked in an auto populated easy access menu with Keyboard shortcuts.
I had following problem when transcribing sources: There is no way to change the options for it (for me in that example the number of speakers). An such, there will be only one speaker using that way of transcribing the source clips.Only one button that has no way to open the settings (sorry for the German UI): Unfortunately there is no way to select that clips and trigger a transcription in the context menu from the timeline window as there only one transcription command is available “ignore transcript”: In the project window/panel however, there is a command “transcribe again” and that one will show the transcription settings window where I can set “multiple speakers”: Problem with that is, I have to search the clips in the list of files. Often I don’t want every clip to be transcribed for a reason as transcribing b-roll clips will just add clutter to the transcription panel. Easy fix(es): Add the “transcribe again” option to the context menu in the timeline window or/and a way to have the transcription settings open in the transcript panel (gear icon next to the transcribe button maybe)
gostaria de saber se é possível adicionar ao aprimoramento de imagem o modelo Magnific V2?Tem uma excelente qualidade de detalhe e resolução das texturas.
As global platform administrators, we are responsible for creating Developer Console credentials and distributing them to each sandbox administrator. These credentials are intentionally configured with the minimum permissions required to perform the requested action.Today, when a sandbox administrator requests access to a capability such as Data Ingestion, we can find the API documentation that explains the available endpoints and how to use them. However, we cannot find clear information in either the API documentation or Experience League about which specific permissions are required for each operation.For example, the documentation may describe a method such as POST – Create a new batch, including the request format and usage, but it does not indicate which AEP permissions must be assigned to the Developer Console credential in order to execute that operation successfully.Requested improvement:Please add, within each API method or endpoint documentation page, a small highlighted section that clearly states the required permissions/roles/scopes needed to use that operation.Example:For POST – Create a new batch, include a note or box indicating the exact AEP permissions that must be granted to the credential in Developer Console.Why this is important:Helps administrators assign the correct minimum permissions from the start Reduces trial and error when configuring credentials Speeds up onboarding for sandbox administrator and teams consuming the APIs Improves security by reinforcing least-privilege access Reduces support requests caused by missing or unclear permission requirements
The pane buttons on the bottom left corner of the Timeline Panel are almost too small.The first two have keyboard shortcuts attached to them - factory settings.First:A shortcut for the In/Out/Duration/Stretch panes is sorely missing, and I cannot find an option to add it via the shortcut assignment window.Please assign a shortcut for toggling it on/of, or allow such manual assignment.Second:I realize that the ToolTips of the panes that DO have shortcuts - do not show the shortcuts in their ToolTips. I suspect many users may have an epiphany realizing this.Please unify this behavior!Thanks a lot,gratefully yours!
LR 15.4 changed the representation of brush masks returned by photo:getDevelopSettings(), making it impossible for the Copy Settings plugin to provide a workaround for the numerous, longstanding bugs copying local adjustments between photos with different orientations. A relatively simple change to the implementations of SDK methods photo:getDevelopSettings() and photo:applyDevelopSettings() would restore the ability of Copy Settings to copy local adjustments correctly, lessening the need for Adobe to fix all the bugs in Copy/Sync Settings. Details Prior to LR 15.4, the strokes of a brush mask were represented by a "Dabs" array of points: Dabs = { [1] = "d 0.038236 0.022757", [2] = "d 0.037902 0.025261", [3] = "d 0.037802 0.027775", [4] = "d 0.037799 0.030289", [5] = "d 0.037798 0.032803", When copying a brush mask, the Copy Settings plugin would translate these points to match the orientation of the target photo, so that the mask would appear in the correct position. But as part of significantly improving the performance of brush masks, LR 15.4 changed the representation of strokes. When there are fewer than 250 points, it uses the original Dabs representation. But when there are more, it encodes them as an opaque BrushTable: BrushTable_31A27BD834AA19BF4C899DCF07AE14C1 = "4000010000}`800Xs0009am20U$F(tIU-d(SvmV(-cF+p]zwB]K-h@@arV7O@Lyjh1N1=qxwU[ocAW!(`m.{jnT52Ju9rgiQt9%`Ug3nOv2FNnwDs#MzBM0AAVyJM][D( This prevents the plugin from translating the points of the strokes to match the target photo's orientation. Proposal photo:getDevelopSettings() should always return the Dabs representation of brush masks, converting from the internal BrushTable representation to the Dabs format. photo:applyDevelopSettings() should accept the Dabs representation and convert it to the internal BrushRepresentation. This code already exists to handle the transition from the LR 15.3 representation to that of LR 15.4. This would have zero impact on built-in features, which would continue to use the current BrushTable representation. It would have very minimal performance impact on plugins invoking getDevelopSettings() and applyDevelopSettings().
We react to videos and images on our show and need to be able to share our screens to do this.
Please add some functionality to remove breaths. Other tools out there have this and, at least for me, Adobe Podcast would do everything I needed with the audio if it also included breath removal functionality.
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