I am not sure if Adobe Firefly already provides a flexible aspect ratio. I want to specify an aspect ratio, such as a width of 1000px and a height of 300px. Please let me know if this is already possible or not. Thanks.
Once a "character" (particularly their face) has been rendered, we should have the choice to render the exact same character with different expressions, poses, etc.. This would allow for more sequence imaging. For example I could show a character brushing his teeth, and then show him smiling in the mirror.
In general, I noticed that any words written in the search box, is considered as preferences and results are shown based on that.I would very much like to have an option to, exclude results as per my preferences as well. It really would save a lot of time to narrow the results down and refine them. For example,I would like a painting, impressionism style, pastel blue and rose colors used, NO faces or people included in the result.I can simply type "aesthetic painting, impressionism, pastel blue and rose colors", to which the results are provided accordingly. But once I type "no faces" "no people" the AI doesn't seem to be able to understand that, instead, assumes I might be wanting faces or people in my results and starts including those more. Hence, it ultimately led me to, waiting and repeating my preferences, until the AI on it's own, just randomly, starts showing results without people or faces. So an option to exclude certain tags or words by adding "-" infront or s,ome other way to exclude certain results by exclusing keywords, would be very useful.
Hi Adobe Express team,We are an agency using Adobe Express regularly for client presentations, workshops, and internal training materials. Overall, we are happy with the tool and appreciate how easy it is to create visually strong presentations.However, the current 99-page limit for Adobe Express presentations is a major limitation for professional use cases.In our workflow, we often create longer client presentations that need to be shown live in fullscreen mode. Splitting the presentation into multiple Adobe Express files is not a practical solution, because it forces the presenter to leave fullscreen mode, open a second file, and restart the presentation. This creates an interruption in front of the client and breaks the flow of the presentation.Exporting to PDF can work for static presentations, but it is not a real solution for presentations with animated content, videos, transitions, or other motion-based elements. Exporting to PowerPoint is also limited, because animations, videos, audio, and presenter notes are not fully preserved.For professional teams and agencies, it would be extremely helpful if Adobe Express could support one of the following improvements:Remove or significantly increase the 99-page limit for presentations. Add a way to link multiple Adobe Express presentations and present them as one seamless fullscreen presentation. Add a “presentation playlist” feature that allows several Express files to be played continuously without leaving fullscreen mode. Improve export options so full presentations, including animations and videos, can be exported as a single MP4 or fully editable presentation file.This would make Adobe Express much more suitable for longer client decks, trainings, keynotes, and workshops.Thank you for considering this feature request. It would make a big difference for teams using Adobe Express in professional presentation workflows.
Feature Request: Light UI Theme AlternativeIs there any plan to add a white/light UI theme as an alternative option?My workstation is located right next to a bright window in the office. For the sake of eye care and general screen visibility, I rely on light themes everywhere. Currently, Substance Designer and Painter are the only exceptions in my pipeline—I already use light themes in Maya, Blender, ZBrush, Houdini, and Photoshop.I believe many users working in similar lighting conditions would greatly appreciate the ability to customize their UI.
Currently only regular layers support the very useful Drop shadow filter.I would like Drop shadow to work with Fill layers too because Fill layers are a much more flexible and non-destructive workflow
ich möchte gern bei der Generierung von Videos einstellen statische Kamera, das heißt keine Kamera Fahrt, kein Zoom. Ich kann es leider in den Einstellungen nicht finden und auf allen Videos wird gezoomt, was ich nicht möchte.Es wird in dem Video immer automatisch gezoomt und mein Motiv angeschnitten. Ich möchte den Zoom gern ausstellen, keine Kamera Fahrt, sondern nur das Motiv an sich soll sich bewegen
Add a Transcription Dictionary feature that allows users to define custom terms (e.g., acronyms, brand names, technical jargon) for auto transcription and captions. Users can manually add terms or upload a document (TXT, CSV, Word) with approved terminology. Premiere Pro then prioritizes these terms during speech recognition and applies correct spelling and casing. Value: Improves transcription accuracy and eliminates repetitive manual corrections, especially for corporate and technical content.
Automatic captioning in Dutch works well overall in Adobe Premiere Pro and is a valuable feature for accessibility.In my work within the Dutch government, I produce many educational and communication videos where accurate subtitles are essential. However, I currently spend significant time correcting captions because the AI does not recognize organization-specific terminology and abbreviations.The main challenges are:Domain-specific abbreviations that are not recognized Differences in pronunciation (some abbreviations are spoken as words, others letter-by-letter) Strict formatting requirements (e.g., specific uppercase/lowercase conventions)These issues are understandable given the specialized nature of this terminology. However, many organizations already maintain standardized abbreviation and terminology lists.Suggested improvement:Add support for importing or linking a custom terminology dictionary (e.g., glossary or abbreviation list) that can be used by the speech-to-text engine when generating captions.Value:Reduces manual editing time significantly Improves consistency and accuracy Supports enterprise and government workflows Strengthens accessibility complianceThis feature would make automatic captioning much more effective for professional environments where controlled vocabulary is essential.
Im devastated by rhe changes in fresco. I had been able to easily access my tools on pro by double tapping: brush size and colors: gonei know have to move my entire hand of the I pad to reach the upper right awkwardly.the vector erase with the touch circle: gone it is as if a someone who does not sketch jumbled the tools around. There is no video explaining the changes and their intent. Shay can’t I place my tools myself anyways?Makes me so frustrated to have to stumble around the app on a deadline and will check out procreate again, because this is not user friendlyPlease fix it fast, Mimi
Hello Adobe Substance 3D Team,I would like to request a highly useful quality-of-life feature for the texture export pipeline in Substance 3D Painter.The Feature Idea:Please add a new official naming token (keyword) for the Output Templates, such as $textureSetSize or $textureSize. This token should dynamically output the texture resolution width chosen in the export window (e.g., 2048, 4096, etc.).Why this is needed (Use Case):When exporting complex assets with multiple texture sets, we often need to organize files hierarchically by resolution into subfolders. For example, a project folder structure might require something like this:$textureSet/$textureSize/$textureSet.basecolor(.$udim)This should automatically generate a clean, isolated directory structure on the hard drive, like:.../pants/2048/pants_basecolor_2048.exr .../helmet/4096/helmet_basecolor_4096.exr Current workaround and limitations:Right now, the application completely lacks any global built-in variable to get the texture size in the text string of the naming convention. The only way to achieve this at the moment is by writing custom background Python scripts to intercept and modify the paths on the fly. This approach is prone to API breaking changes and requires custom maintenance for production teams.Having a native token accessible via the standard $ button in the Export Textures GUI would make the export workflow incredibly flexible and industry-standard without forcing users to rely on custom plug-ins.Thank you for considering this request!
Add the capabiity to use and specify same character voices across all video models in Firefly. It helps with character voice consistency while generating videos using various models in Firefly.
This would be very useful for underwater photographers who use Lightroom Classic as their main RAW workflow and want to remove backscatter without having to export every image to Photoshop. Backscatter removal is especially important in underwater macro and wide-angle photography, where particles in the water often appear as bright spots across many images from the same dive. Ideally, the tool should work non-destructively inside Lightroom Classic, preferably as a Develop module tool, masking-based tool, or plugin-compatible workflow. It would make the editing process much faster for photographers who need to clean up large batches of underwater images while keeping the full Lightroom Classic catalog, RAW, rating, and batch-editing workflow. A Lightroom Classic-compatible backscatter removal tool would be a major benefit for underwater photographers and would reduce the need to round-trip many images through Photoshop only for this specific correction.
I’m fighting to get the “add photos from or use camera” overlay to not be in the way of the bottom right hand photo when I want to select it. There seems to be some sort of logic to make the overlay disappear but it’s not consistent.I think this logic could be better. Or maybe the overlay could be flickable to the left side like the front face camera preview in FaceTime.
The People often marks non-people as faces. The most notable one is anytime there is a Starbucks cup, it always marks the Starbucks Woman logo as a person. Though of course course countless other misidentifications but that is the most common one I've noticed in the years in LR Classic and now in LR Cloud. While hopefully the algoritm improves, in the meantime is there a way to mark a face as not a face to help teach the system? The only option is "Hide Face" that I see. But that won't signal to LR that it's not a face thus it won't improve and also not sure if Hide Face may mean it will still try to find that non face in other photos?
Gracias a la IA la detección de rostros será más fácil y sencillo de esa forma se podría agregar un blur a los rostros de personas seleccionadas o al usar un pincel,no sería solo un desenfoque pero si un bloqueo para eliminar las facciones y evitar el reconocimiento de las cosas ya seleccionadas
Sony cameras such as the a6700, FX30, A7sIV can capture photos in HEIF format, with a .HIF file extension. These files are supported by current versions of Adobe Camera Raw, Lightroom, and Photoshop. However they are not supported in Adobe Premiere. HEIF is the standard format of the Apple / iPhone ecosystem since 2017 (iOS 11). It is a superior alternative to JPEG for Sony shooters along with / instead of RAW. Sony HEIF supports 10-bit color 4:2:2 and HLG color space for HDR. A HEIF photo taken on an iPhone 12 with .HEIC file extension will open correctly in Premiere. However trying to import an HEIF photo from a Sony FX30 with .HIF file extension results in “File format not supported” error in Premiere 26.2.2.If I rename the .HIF Sony photo to .HEIC or .HEIF file extensions, then Premiere will allow them to import, however the photo never appears in the Source or Preview monitor, instead it just shows black.Please support Sony .HIF photos in Premiere, as they are already supported in other Adobe products. They are supported in Davinci Resolve 20 and Final Cut Pro 11 as well. The Sony .HIF photos open perfectly in MacOS Sequoia 15.7.7 Preview app and Photos app.The only workaround to get these photos into Premiere is to export them from Photoshop, Lightroom, or Apple Photos into another format like TIFF that supports > 8-bit colors and HLG. Until Premiere supports Sony .HIF files, this seems like the perfect opportunity for me to finally learn Resolve.Sample .HIF 4:2:2 HLG HEIF photo from Sony FX30 is attached, and Premiere errors. FX30 firmware v6.0.1. (Your website wouldn’t allow uploading a .HIF file extension, so I put it in a .zip file.)
Please consider adding an On-Device Harmonize feature to Photoshop. I believe this would be one of the biggest and most impactful updates ever made to the application. Faster processing, better privacy, and local AI support would greatly improve the user experience.This is Biggest Feature For Photoshop if Comes Photoshop On Device
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Why can’t I assign a keyboard shortcut to File > New > Black Video?Hi everyone,I’m trying to assign a custom keyboard shortcut in Adobe Premiere Pro for:File > New > Black VideoBut I can’t seem to find this exact command in the Keyboard Shortcuts panel, or I’m not able to assign a shortcut to it.I use Black Video often, and it would be much faster if I could create it with a keyboard shortcut instead of going through the menu every time.Is there a reason why Black Video is not available as a shortcut command?Is this a limitation in Premiere Pro, or am I missing the correct command name in the Keyboard Shortcuts search?Also, if there is any workaround, such as using a preset, macro, script, or extension, I’d appreciate any suggestions.Thanks!
We need the ability to resolve missing fonts by selecting an alternative installed font from the computer, not just an Adobe font. Ideally it would also be possible to replace specific fonts in a project, even if they aren't missing. The same way most other Adobe apps handle it.
Feather and Edge on LR Mobile for Sky mask. Some of these features can be exclusively added for us that have the subscription. I'd like to see anything you are adding in Camera Raw/LR for desktop on mobile as well. I edit more with mobile that desktop and these features would help a lot of us.
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