Premiere (Beta)

I understand current beta is allowing transcript data to percolate up from nested sequences. Am working with Chinese audio and SRT caption data... I can't re-transcrtibe this. Since captions can't percolate up... (they can only be baked in visually)...is there any way to convert prtranscript to SRT ? I understand the format is intended for word-by-word timing, and also to indentify speakers. But if the format can allow entire sentences to be given a single timecode, I can imagine some sort of tranlation tool could allow this.  Then I could try percolate the transcript up through the nested sequences, and ultimately have an edit that doesn't just have baked-in captions but could also export SRT.

Version: Adobe Premiere Pro BetaWindows Inspiron 77913. Steps: tried to follow instructions for beta useResult: expected to import media and set up autotranscribe. Actual: can't import, sequence or practice editng. And there is no sound at one point in the clip which brings up a yellow sign, stops the playback, and then continues playback.I'm not sure if this is a bug. I believe I imported the Kerstin Interview as a source because it plays. It loses audio at one point, but other than that, it seems to work. I checked the Transcription Settings and set them to ID speakers, since I thought there might be two speakers. However, there's no create transcript button at that point and no way to make this a sequence. So I have no transcript and no way to test edit per instructions. What did I do wrong? Every option in the menus is greyed out except for the few options, and I don't know if this is because I'm in a field or because only certain options are available.

The export panels do not show up after closing and opening the betas, the only way to fix this is to clear the preferences every single time Premiere is opened. Is there any final solution to this issue? much appreciated !

Hi, After the latest update which happened this morning 3/20, playback is sluggish. I get the beachball spinning forever soon after launching the application and starting to play a clip in the sequence. And I'm quickly stuck and need to force quit. Help!

We have improved our display pipeline to provide smoother playback and to reduce screen tearing artifacts. The change is effective in the latest public betas of Premiere Pro and After Effects.The changes we've made slightly increase memory usage, so the improvements are available on computers with a GPU that have 2 GB or more of VRAM.If you have been affected by screen tearing, we'd love to get your feedback on this change.

If I create a mogrt in AE and bring it into PPro, any sliders I added cannot (easily) have non-integer values. For example, I have just made a mogrt where you can specify (in seconds) the time before a piece of text fades off. This would normally be somewhere around 5 seconds...maybe 4.5....maybe 8.3....whatever. But the only way for the PPro user to specify these decimal values is to click on the number and type in the value - not very user-friendly. And then, the value displayed beside the slider is an integer - not the actual value.A solution to this would be if, when creating the mogrt in AE, we had some kind of "precision" attribute we could set, and PPro would respect this and display the value with the correct number of decimal places. And the slider woudn't round the value to integers when being dragged. 

I am able to mark a clip in the timeline. However when I use the Clear Selected Marker command (default keyboard shortcut is option+M) it does not perform the task.

The Tone Mapping option in Premiere Pro and Adobe Media Encoder (AME) is now available as an effect in the Export Panel. This new feature improves upon the previous SDR Conform effect found in the export effects. The Export Tone Map Effect allows users to tone map a timeline or clip to the designated export color space. It provides three tone mapping methods and additional controls for exposure and highlight saturation to fine-tune the tone mapped output. Tone Mapping Methods:   iPhone HDR: Ideal for exporting an iPhone HDR timeline or clip to an SDR export color space. Log Video: Recommended for exporting a log clip in a supported format (S log, V log, and Canon log) to an SDR export color space. Other HDR: Suitable for exporting non-iPhone, non-log HDR timelines or clips to an SDR color space. This option can also be used for exporting a PQ timeline or clip to an HLG export color space. These tone mapping methods ensure the best results when converting content between differen

Dear Adobe Support Team,I am writing to you to report an issue that I am experiencing with my AMD RX 7900XTX graphics card and the activation of OPENCL in Premiere Pro. When I enable OPENCL, I experience significant lag, and the preview barely works.I can only preview 10-15 images before the application freezes entirely. My system configuration includes a Ryzen 7 3700X processor and 32GB of RAM, all hosted on NVME SSDs. I have also updated my graphics card drivers to the latest version. I have attempted to resolve the issue by switching to CPU-only rendering, but the performance is still suboptimal.I believe that the issue may be related to a conflict between Premiere Pro and the AMD RX 7900XTX graphics card. Could you please advise me on how to resolve this issue or provide any updates on when a fix might be available? I would greatly appreciate your assistance. Thank you in advance for your help.

Is the Auto Tone feature being updated in Beta or is it the same in the non-beta version?

Occasionally when switching into the multi-cam mode. The "Media Pending" error fills the screen. The media is obviously there as it plays from the timeline when not in multi-cam mode. I give it time (minutes) to find things and sometimes it works sometimes it doesn't. Running 3 camera sources. All source material on SSD drives. A combination of MXF and Prores footage. All HD. This is a new issue with recent beta builds. Duplicatable on a MacBook Pro and on an iMac.

I spent a good deal of time trying to migrate a big documentary project into a production. Here are my findings on bugs and improvements needed for productions. 1. Reassociate clips don't always work, even when the same clip has all of the same exact metadata. The clip remains in the project you don't want it in. We need to have a media tool, a page just like in Avid where you see all of the clips associated with that Production/Project. Perhaps give each piece of media a unique ID that we can see in the metadata fields. 2. If you move a clip that's used from one project into another, the video and usage shows the correct usage in the original project but then the usage disappears when moved to the new project. Then if you consolidate duplicates, it removes the clip that was moved from the original project. When you go to a sequence and match back in the original project, you get an error saying that clip is no longer in the project. This happens on clips that don't reas