Questions

Hi - and thanks for any help in advance. I am editing four videos with much of the same content and when exporting, two of them come up with the warning  along the lines of "Offline content will be replaced with proxies". When I open the project, no offline content is noted. When I pre-render the sequences, all the lines above are happy green. When I go to export a couple of clips then turn yellow in that same line but in the metadata they show as online. I see no issues with the renders. I don't make proxies upon import and don't have a file for them. New computer, never set that up. I think I am OK with the renders but don't want to have an issue when presenting or delivering. Help, please.   MacBook Pro, 48GB, Sequoia 15.6.1, PPro and Media Encoder 25.5, clips are GH7 in .mov and Black Magic recording in HQ422. All 4K being output to 1080P.

I have multiple AEP files from after effects in premiere pro it was working fine after closing the pp, now its not working i tried deleting cache, dynamic link connection, closed all apps. (opening AE then PP still the same issue) adobe does not respect its users, with all that budget and it can't fix bugs?? i wasted 3 hours and client is waiting for the project, It is my mistake to put trust in adobe

It seems my Creative Cloud auto updated to include Premiere 2023 last night. Now if I open a project I was working on yesterday in 2022, the playback on the timeline, even rendered clips appear to be in slow motion even playing at a lower resolution.I changed nothing.Tried a new, basic project with some small JPGs as footage, same thing. So it's not related to one project. It's not the specs of my machine, nothing changed. I have a fast ProArt Studiobook. Is there anyway to get the playback to normal so 1 second doesn't equal 1.5 or 2 seconds of time? If I hold up a stopwatch I can confirm it is indeed this slow.Stumped. Thanks.

Hello,I’ve been experiencing an issue since upgrading to the 2025 versions of AE and Premiere Pro. When I transfer my media from Premiere Pro to After Effects, the video colors appear too dark.I understand that I need to go to After Effects’ project color management and set the Working Color Space to “None,” but it’s very inconvenient that I have to reset the color management to None for every import via Dynamic Link.In Premiere Pro, I have already set Preserve RGB Values and Input LUT to None, but despite this, I haven’t been able to find a solution that keeps the Dynamic Link import automatically set to None.This problem did not exist in the 2024 versions, so I’m asking if anyone knows a solution to fix this issue without having to manually adjust the color management for every transfer.Thank you in advance for your responses. I look forward to hearing from you.

 I have my media synced on my timeline and I would like to get rid of all the gaps with audio only. Is there an easy way to do that? It seems unnecessarily complicated to do that manually. So is there a way to get rid of all the parts of the timeline with audio only?

  Dear Adobe Support,   I am experiencing an issue while exporting a project in Adobe Premiere Pro. The export fails with the following error: Error compiling movie GPU Render Error – Unable to process frame Timecode: ~00:00:26 Rendering Effect: AE.ADBE Lumetri Component: EffectFilter of type GPUVideoFilter Error Code: -1609629695   I am exporting in H.264 format, but the render consistently stops at the same timecode. The issue appears tied to the Lumetri Color effect.   Steps already attempted: Checked the clip around the error time for corruption. Reapplied the Lumetri effect. Cleared media cache. Disabled the Lumetri Color layer. Export completed successfully afterward. Switched to software-only rendering. Export still failed to complete.   System details: Premiere Pro version: 25.5 (latest version installed) OS: Windows 11 Home Single Language 64-bit GPU: NVIDIA GeForce RTX 3050 Ti 4GB Driver version: 581.29 (Released Sep

HI Adobe, if you provide text to audio option in Premiere pro or audition any one.  that will very helpful and game chnager in the industry. because every time when i doing video for VO  iam using other 3rd party softwares so cosider text to voice over option

Hey everyone, I recently did a shoot for a major event but my mic seemed to not be recording well. When checking footage there's a distorted noise over every other sound. I think I may have plugged up the wrong cables, but is there a way I can get rid of that noise and have my regular sound back? 

Trying to resize a color matte in Premiere Pro 2025, and using either the ECP or the properties panel to do it results in an image the in the playback monitor that isn't consistant. While adjust thing the scale sliders, instead of properly scaling down, it will start then the color matte will fill the program monitor even though I've reduced it's size to 5%. It's impossible to accurately turn it into a thin line. This is in the current release version.  

Hi all, I started playing around with premiere's new color management. This all looks great but there is one point that's a little frustrating to me.We mainly shoot on Sony cameras and my worflow over the past years has been to apply Sonys lc709a Lut to the footage and then start correction and grading. In my opinion this LUT gives me a great starting point and most of the footage already looks pretty good out of the box. Processing S-Log footage in the new color management gives me a starting point that's way worse than what I get via the old workflow. I fully understand the advantages of a wide gamut working color space but at this time it is more time consuming for me to get good results. Do I get something wrong here? Or is there a LUT to get the lc709a standard within ACEScct?Looking forward to get some input. 

Hello, The right side of my voice over slider is stuck out of screen and I cannot capture it to pull back to the left. Anyone have a fix for this? Thanks! 

Hey all,I'm hoping someone can help as I'm absolutely flummoxed by this issue!I'm working on a video that has quite a few nested sequences in it (nested sequences within nested sequences too). This has all worked fine in the production of this video so far but after rendering it, I've noticed that the cross fades between nested sequences just don't work - things are missing in the crossfade and pop up after the fade is finished.My video switches between three different point of view of a game. All three views last the full duration of the video. I've put each screen capture point of view video into a sub sequence so that I can layer some overlay text and a character model directly on each video so that I when choosing shots from the videos, I don't have to have loads of tracks in the main sequence with lots of fades in many layers at once etc. I originally had these nested POV sequences in the same track on the main sequence with a standard cross-fade between each clip. The first two t

Hi, This issue came up randomly, without me updating premiere pro or windows ect. I tried to play an imported video and the audio plays(albeit after a short delay), but the video is frozen. This is in both the source monitor and the timeline. This project file was working perfectly a few days ago, and when I come back, this issue has appeared. I've noticed that the media is taking way longer to load(as in the orange/yellow sign comes up saying "media pending"), even after the whole project has loaded properly. Even in the project panel where all the imported media are stored, when I try and play the video within the project panel, the "media pending" sign comes, but the audio is playing. This problem is only coming up in this particular project file, not in any other previous project I've made. This may not be relevant, but I've got over 10 timelines in this one project.I've updated my windows, but this hasn't solved the issue...Any help will be appreciated.Thank you in advance

I apologize for what I said about Adobe Premiere Pro.Throughout my time working with Premiere Pro, the program is good, but it has fatal problems that the company's developers must address in the coming years.The program requires very high requirements, and when these resources are available, the system crashes every now and then. On Mac, it's fairly good, but on Windows, it's terrible. The program constantly freezes, lags, and crashes, and dynamic drops are also bad. When path changes occur, the project crashes, and when calling new links, it takes a very long time and sometimes fails after multiple attempts.The program's interface has been unchanged for years, and it has problems and lags a lot. It's not as smooth as other programs like Final Cut, Da Vinci, and CapCut.There's a problem with path tracking and rendering. Some background isolation features are missing.The biggest problem I face, and that all users of the program I know personally, is the time that passes in extreme bore

Hello, I have many footage (I suppose they were shot on different phones). Some of them Rec. 709, some Rec. 2100 HLGMy sequence is Rec.709So, if I add footage Rec.709 they look good. But if I add Rec.2100 HLG they look wrong. If I change their Color Space to Rec.709, they look a bit better, but still too gray (not as the original ones).So, my question. How to combine Rec.709 and Rec.2100 HLG in one sequence, so both look like the original? Thank you!

HOW?

Hace tiempo que vengo con problemas en el flujo de trabajo en premiere, la interfaz no va fluida, va como congelada y se tilda, luego viene el pantallazo azul de error de windows 11 y mi pc se reinicia, solo me pasa en premiere.Trabajo con archivos de video en 4k 60 fps y utilizo archivos proxies para poder trabajar más fluido.Versión de premiere 25 (aunque el error proviene de versiones anteriores 24 en adelante).(En la captura muestro que a veces cuando se  tilda aunque corra la linea de tiempo no me muestra imagen y debo reiniciar el programa)pantalla azul que aparece luego de que el programa se tilde y no responda.Mi pc:Motherboard: Gigabyte B460MDS3HV2procesador: Intel i7-10700F 2.90GHzWindows 11 Pro.RAM: 64 gb (x2 16gb 3200hz fury beast kingston, x1 32gb 3200hz fury beast kingston)GPU: NVIDIA GeForce GTX 1650 ti 4GB   (controlador game ready versión 566.03 21/10/2024)Fuente alimentación: 600wts 80plus broncedisco principal donde opera premiere pro: m2 kin

I've added a multicamera sequence to my timeline just as I have many times before but no matter what I try, I can't get it to display the other angles in the multicamera view. I've even tried a clean reinstall. Did something change with this version? How do I get the multicamera view back?

Has anyone noticed a slight lag when doing Track Select Forward?  I edit podcasts and I work with the Track Select Forward heavily when editing and trimming down interviews and with the new update I noticed a lag when moving clips/audio with the track select forward.  I tried shorter videos/audio in a different project file, and the lag is still there.  I hope adobe can address this. Thanks

I'm working on a large complex multi-year documentary project using the Productions workflow, so my media is in separate projects than my timeline (original footage is in one project, archival footage in another project, each act of the film is in its own project, and so on, to keep file sizes and autosaves reasonable). When I go to export one of my timelines, I get the warning: "Offline material is present in this export and will be encoded using the Offline Media graphic." I'm not seeing an offline clip anywhere in the timeline, but the timeline is long and complex, so there could possibly be an offline file hiding somewhere. What is the best way to definiteively locate these clips? Because my media is in multiple different projects in Productions, it does not really work to use properties in the Project panel to find offline clips as in Gerik Parmele's method shown here https://www.youtube.com/watch?v=B4KnfCwbuvI Please let me know if you've found or can think of a different way! Th

Does anyone know how to instal Cinema Grade on Premiere Pro? I downloaded the program, turned off my fire wall, made sure premiere isnt just running on software in the general settings, but the Cine Grade Plug in still doesn't show on my effects menu. Thank you. 

Premiere won't let me save my project and won't render the files for exporting.The issue isn't storage space as I have plenty and isn't where I'm saving it.If I try to "save as" to a different location I get the same result.I have tried this on 2 different macs, and same problem persists.Also for some reason the speech enhance stopped working.I dialed that in first and it is no all over the place.It also only seems to happen in this project.I've been working on this project all week and it only started happening 3 hours ago.Anyone else having this issue? I'm open to any possibilities of user error, but I've been using Premiere regularly since 2012 and have never seen this.

Its my first time download Premiere Pro. I open it but its pop up a error notice, it said "This application was unable to start correctly (0xc0000142) My version is v24.6.1

Do proxies not play back well if the source footage is variable frame rate? I have an old GoPro clip in a 23.976 fps sequence. When I turn on the proxy, it doesn't play back well. The original GoPro footage says it's 30.01 fps (which makes me think variable frame rate). The proxy is 30 fps ProRes Proxy. The same thing happens with screen record footage for which proxies were made. 

I have a video finished and edited. It has LOTS of titles and text effects. I export my widescreen 1920x1080 version and everything looks great. Then I duplicate that sequence and change the settings to 1080 x 1080 for a square version I will post on FaceBook and instead of just cropping, it resizes all the text and it looks terrible. All my text was placed within the 1080x1080 square boundary. See screenshots. I just want it all to stay in place but Premiere automatically resizes. I have tried with and without the "Scale motion effects Proportionally when changing frame size" option in the sequence setting box. Please help! Thanks in advance.