Questions

Looking for this online, but I can't find a clear answer. Out of nowhere, channels one and two are of subtitles no longer shown, and I can't make them appear again.     Also, there are active, since there are almost 1:50 minutes of "ghost" subtitles.   Any guide about this?        

The mogrt shows up in essential graphics, the mogrt's preview works, but it just doesn't show up in plackback. It seems that this issue was never discussed before and I wasn't able to find any answers, as every tutorial just shows them drag the mogrt above the video and it just working flawlessly each time. I followed a tutorial on creating mogrts from start to finish, doesn't work. I did everything by myself on a different computer, doesn't work. What could I possibly be doing wrong? 

大家好:我使用Adobe Premiere上遇到了一些問題，目前我訂閱CC正版，主要使用Premiere、Media encoder、Lightroom電腦配置: 主機板-Gigabyte x670 Aorus Elite AX CPU-AMD ryzen7950X RAM-Crucial DDR5 5600 32GBx2GPU-RTX3080 10GBPremiere版本-V25.1問題：我是一名紀錄片工作者，主要剪輯處得的素材大多為1080p、4K 10bit 422的H.264素材1.當我在剪輯這些H.264的素材時，常常會非常卡頓，或是整台電腦當機，或是CPU/100%等等，這些都是很簡單的剪輯中發生的，尤其是在剪輯1080P的素材時，我不明白為何還有這種情況。2.我在處理ARRI拍攝的Prores4444，LogC素材，已經進行色彩空間轉換成Rec709，卻在輸出時呈現Log畫面3.25.1版本宣稱有H.264加速性能是支援AMD CPU嗎？我的感受：呼籲Adobe正視AMD CPU的用戶，目前我聽到的很多消息都是Adobe對Intel的支援較好，但現在AMD的用戶非常多，沒理由不去優化你的的軟體對AMD的支援。

In the thread below I discussed the problem of editing my MTS files, which are recorded in the full color range.It found that these are files in the xvYCC format.So according to the format description:xvYCC expands the chroma values ​​to 1-254 (i.e. a raw value of -0.567–0.567) while keeping the luma (Y) value range at 16-235 (though Superwhite may be supported ***), the same as Rec. 709.(*** - In my case, the Y range is 16-255)And here I have questions.1. Does Premiere natively recognize xvYCC?If not, then:2. Can I edit movies in Premiere in the full chrominance (1-254) and luminance (16-255) range?That would be enough for me, because I would do the following:1. I would keep the UV chrominance range in the range of 1-254 (as required by the standard).2. I would correct the Y luminance to the level of 16-235 (my camera records in the range of 16-255).After saving the file, all I would have to do is edit the headers and add information about the xvYCC format (modify the Transfer-Encodin

Hi, everyone. These features here were announced almost a year ago: Can Adobe staff give at least approximate date of those being implemented at least on the Beta level? Blackmagic is releasing such features this year, so I hope like it was remoured the AI tools will be added to Premiere Pro this year too. Or the "soon" is an inappropriate word... 

Halo, I downloaded the zxp file from Adobe plugins page and it seems to not work. Can you attach the working zxp file? Thanks

Hi,I'm about to set up an ecosystem of Mac and Windows workstations around shared storage, and the workstations will need to be connected to the Internet.Is there any antivirus software recommended for working on Adobe Premiere?Thanks.

After updating, when I try to apply a video transition by dragging and dropping a transition to my desired clip, the transition won't apply. Additionally, the default video transition keyboard shortcut is not working. Premiere pro version 25.2.0 (build 147)Windows 11I7 10gen cpu64GB RAMRTX 2060 OC

I have the most recently updated version of Premiere Pro and I read that it is supposed to now have a Background Removal Effect under "video effects" and "utility" and it is not there. 

I was trying to use some of my LUTs I had bought from a content creator last year on a current wedding edit, and none of them are working suddenly. I know Premiere Pro had to update to its 2025 version, so I assume that has something to do with this. The first thing I did when I noticed they weren't showing up in Premiere is open the file location and see that they were gone. I simply dragged and dropped them back in, and after doing this, they now show up in the "creative" tab under the "Lumetri Color" like they should. However, when I click to use them in Premiere, it doesn't work. When I click any of them, it simply defaults to the last usable LUT above them, no matter which of those LUTs I click. Is there something I'm doing wrong? Any help is appreciated as this is holding up my workflow.

I have a drop shadow on a resized Multiclip.  If I engage the new 'Crop' inside the Motion panel, it eliminates the drop shadow.  So, 0% crop – the Drop Shadow is fine. But at 1% crop the shadow dissapears. This is not an issue with the older 'Crop' effect that is drag and drop.  That builds out just fine above the Drop Shadow and works as expected. 

Bonjour à tous, depuis quelque temps le bug avait disparu mais depuis la dernière mise à jour il est de retour, quand je fait du flou gaussien avec un suivi "tracé du masque"  habituellement en quelque seconde le tour été jouer et maintenant le chargement ne démarre plus. J'ai essayé de vidé les différents caches, reset aussi l'appli rien à faire cela revient toujours. Avez vous une astuce pour régler le soucis ?  Merci d'avance. Cordialement, 

Hi, I installed the RedGiant 2025.3.0 plugin, but there are no effects in Premiere (I have the latest version of Premiere). There are no plugins in the C:\Program Files\Adobe\Common\Plug-ins\7.0\MediaCore folder! Anyone know what's going on?

Hello, I'm trying to open Premiere Pro 2023 from the Creative Cloud but I'm just getting the following message: Does anyone have any insights on what to do? I can't even move it to the bin as it tells me I have to manually move it to the bin, Help!

Bonjour Adobe.Je suis très contrarié, car j'ai installé la version d'essai de Première v25 pour l'utiliser durant quelques jours, après quoi je l'ai désinstallé.Depuis lors, mon Adobe Media Encoder CS4 ne fonctionne plus ! Toute tentative d'export de vidéo avec Adobe Première CS4 est impossible, car le Media Encoder reste systématiquement bloqué sur "Waiting".Avez-une solution ? Merci ^^

App Version: 25.1 and 25.2Platform: Windows 11Problem: Adding workspaces to the "Do Not Show" group changes nothing in the actual Workspaces drop down list.Expect Results: Workspaces added to the "Do Not Show" group should not show up in the Workspaces drop down list (and should be hidden). This is important for simplifying your workflow to only use workspaces that pertain to you workflow, and to put them in the order you prefer. Thank you!

Adobe Premiere Pro > Sequence/Timeline > Match Frame (Shortcut):This used to pop the clip from the timeline into the Source Viewer and automatically bring the Source Viewer into focus (highlighting the Source Viewer). Then, I would use the "Reveal in Project" shortcut, which would automatically highlight the clip and the bin. From there, I could use the "Reveal in Finder" shortcut to locate my clip(s) in Finder. Three easy steps—it worked great! After the latest Premiere Pro update, there's no more automatic highlighting of the Source Viewer or Bin.So now, I have to:Adobe Premiere Pro > Sequence/Timeline > Match Frame (Shortcut), manually click the Source Viewer, use the "Reveal in Project" shortcut, then click the Bin (being careful to click the correct clip, or I’ll have to start all over), and finally use the "Reveal in Finder" shortcut! From 3 easy steps to SIX! Thanks, Adobe Engineers—you’ve made things more cumbersome!Would you please fix this? 

The NVIDIA 50 series graphics cards have been released for some time. The new video decoder supports 10-bit HEVC 4:2:2 hardware decoding, but the current version of the software does not support it yet. Could you please tell me when a version supporting this decoder will be released?

Hi there and here's the deal...Have just been on a 2 week shoot with multiple DJI Osmo Action 4 cameras all running time-of-day timecode that were at times running longer than needed.I need to quickly view and trim down all the camera footage (there's a hell of a lot to go through) to make it more manageable for not only myself, but for another party who will be doing the primary edit of this footage.I've checked out LosslessCut as a quick and simple app to do this, but although It's really great, it unfortunately has major hiccups handling timecode from the cameras. So much so that it exports the clips with anything from a 13sec to 1+ min shift away from the original camera timecode.After a lot of 3rd party app experimenting and reading, I've had to come back to Premier Pro to do this, and the only successful way to make sure I can shorten/trim camera footage into small segs and still keep the original timecode and filename, is to...drop each recorded cam file on to a PP timeline,then

So I'm making a video and the first video I used as the intro made the playback screen smaller.Sorry the screenshot being huge lol. Basically the guide lines are where the screen should be so is there a way to make it bigger? It's downgrading the image and video quality too which annoys me a bit. The video I used for the intro is 480x854

Why does Premiere tend to lag when displaying changes to Motion parameters?However, if I select the Motion tab and adjust the parameters, the lag disappears—the Program Monitor displays the changes quickly, smoothly, and without issues.This bug is present in all versions, for years. I have even developed a habit to select it, but it's annoying. (please fix)

Hi Premiere Experts!My question for you today is about how to move all the elements from one Sequence (in for example 9:16) to another Sequence (in 4:5 or 1:1) without having a bunch of video/image/text layers shift their positions relative to each other - in differing amounts - resulting in a mess. What is the best and correct way to do this to avoid the mis-aligned mess and all the extra work that results from that?The situation: I have a sequence that is done and 100% ready in one aspect ratio, 9:16 in this case, and want to work on it now in another aspect ratio, 4:5. This should be a very common thing to do these days because of Social Media and the varying placement sizes, right? In the new 4:5 sequence I want to move all the elements to, I need to ensure that everything is properly in the viewport and not obscured by any of the interface elements that apply to this aspect ratio and make best use of the available space. That usually mean moving text layers and a bunch of vid

I am working on a film and I was editing it last night, I saved the project and renamed the folder in which I held all my content (which is a big no no apparently). Every single piece of media now appears as offline. Its all red, the edits are saved, the color grading for each clip and the sound, but its all offline. All the media is on my computer but PP for some reason isnt doing 2+2, it is very frustrating and I have no idea how to fix it.

After updating Premiere Pro to version 24.2.1, the numbering of cameras in multi-camera mode on the Timeline disappeared. Is it possible to somehow restore this?

25.2 Premiere Update for MAC is corrupted. I had to roll back to 25.0, todat, 04/05/2025. Fix that and please: transcription / CC sloud be way easier to make and locate... Thanks!