Questions

I am trying to put a black box over the eyes of children to disguise them in photos. I want the box applied to the photo itself, not a matte that sits on the track above. I plan to add motion to the photos once I get this resolved. I don't want to nest either.I don't know if there is something wrong with my copy of Premiere, but I've been trying to figure this out for the past two hours using Gemini, and the things suggested just don't seem to exist in my version. As far as I know, I have the latest version (26.0.2) but when I apply things like Gaussian Blur, I don't get the circle & square icons to use for creating a matte (not that I want to do a Gaussian Blur, just using it as an example as I've lost track of all the things I've attempted so far). I just am NEVER finding the circle & square icon under effects in Effect Controls panels when they are applied to clips. Yet when I look at YouTube videos, this seems to be how it works. Any ideas as far as why it's not working, or

I have a color theme that I use inside of Premiere Pro, to which I’ve imported to Libraries, that I use to quickly apply color variations to captions in Essental Graphics via eyedropper.Typical behavior: When I have text highlighted, I hit the eyedropper icon next to Appearance > Fill inside the Essential Graphics panel and choose a color from my color theme.Irregular behavior: I had a power outage blip, and since returning online with my computer, the color is now desaturated both visually, and when I use the eyedropper. It picks a completely different color than what the HEX code states. Meaning, the HEX is still correct, but the eyedropper does not choose that color.It is like the Libraries tab is on a different color profile than the rest of the application. My yellow is #FFD800 where the HEX is correct still in the color profile, but eyedropper chooses #F9DA42 for some reason.Any idea what’s going on here?Issue with image:Green is #A8FF00, but eyedropper from ‘Fill’ chooses #B9

When will Premiere pro natively accept R3D NE RAW files into its workflow for INTEL based macs? Alot of people switching to davinci to get around this, but I’d rather not.

Bonjour, Je rencontre un problème avec l'effet flou gaussien. J'ai un mac M3 avec une carte graphique metal 4 et j'ai uniquement le Flou gaussien hérité. Premier est a jour, j'ai déjà effacé le cache et réinitialiser les préférences, je ne trouve pas de solution. Quelq'un peut m'aider ?  Merci d'avance. 

After working, foolishly, on a new project in the latest upgrade (26.0.2) and masking is a mess, so need to save it out to previous 2025 version - is this possible?    

Cannot find my previous topic about this issue, so I have to start a new one, and I have an update.The issue: when inside a multicam if you try and change settings in the Lumetri color panel for some of the tracks there, the active window looses focus as soon as you do it, and the Effect Controls window will say “Multiple clips selected” though you select only one clip, obviously. This is how it looks:restarting Pr, applying another instance of a lumetri, deleting cache, resetting preferences - nothing helps, or helps for one second. The issue always comes back. This issue started to happen in Premiere 25.6.x, goes on in the current 26.0.2Steps to reproduce: start a project, import your files create a multicam sequence. I used 2 cameras + external sound in wav. start working with multicam.  go inside multicam (ctrl+click), apply colorgrading to the video tracks, apply a podcast preset to the external mic audio track. At this point or later when you adjust the colors in the Lumetri tab

Hi, I am very confused as to what settings need to be adjusted in Premiere to be able to use my iPhone 17 Pro Apple Log 2 HEVC footage (4k 60 fps) and apply a LUT via Lumetri. Scouring the net and AI none of the settings are worded as they are in the application and I have played around with no luck.I’ve been using Premiere for many years but this is my first foray into using Log footage. I understand the concepts but can’t get the correct combination of setting in Premiere.Please forgive me if this has been asked before. George

¿Me pueden ayudar? No se porque no me deja eliminar las pausas, tengo la ultima version de premier pro y tambien la beta. Adjunto imagen

Hey forum,Searched high and low for a solution for this - seems like Mac people had this problem but nothing in stone fixed.After using Premiere for a few minutes the mouse cursor will "stick" to a cursor.For example between switching the Arrow, Razor and Move tools the mouse cursor won't change.Image below shows what I mean, since it should be showing the razor instead of the default mouse icon.One thing that instantly fixes it for a minute is switching between workspaces - though it comes back very shortly.It's not a program crashing bug, but extremely infuriating since I keep messing up edits since I don't know what tool I'm using.What I've tried:-Resetting cache and prefs while booting Premiere.-Uninstalling and Reinstalling using the Adobe Uninstaller tool-Create new workspaces-Create new keyboard preferences-Disable Import WorkspacesUsing:-Windows 10 64 Bit-Premiere Pro CC 12.1 KentosAll the best.Example Pic:

Guten Morgen,Seit der Version 26.0 habe ich ein für meinen Workflow sehr störendes Verhalten beim Speichern von Projekten festgestellt.Adobe speichert neue Projekte bzw. Änderungen standardmäßig nicht mehr im ursprünglich vorgesehenen Projektordner, sondern automatisch im zuletzt geöffneten Ordner. Dieses Verhalten weicht deutlich von der bisherigen Arbeitsweise ab und führt in der Praxis sehr schnell zu falsch abgelegten Dateien.Zwar lässt sich das über „Speichern unter…“ manuell korrigieren, allerdings ist das im täglichen Arbeiten unnötig umständlich und fehleranfällig – insbesondere bei vielen Projekten oder hohem Zeitdruck.Daher stellt sich für mich die Frage:Handelt es sich hierbei um eine bewusst eingeführte Änderung in Version 26.0 oder um einen Fehler in den Programmeinstellungen bzw. ein mögliches Bug-Verhalten?Für eine Klärung bzw. eine Option, den Standard-Speicherpfad wieder fest an den Projektordner zu binden, wäre ich sehr dankbar, da das aktuelle Verhalten den Workflow

Ich habe jetzt in kleineren Projekten die Beta Versionen von Premiere ausprobiert, ein nerviges Problem, wenn man den Enkoder neu installiert hat, steht beim Renderer “Mercury Playback Engine GPU Beschleunigung (Cuda), in der Konfiguration redert er dann übergebene Clips. Schließe ich den Encoder und öffne ihm im gleichen Projekt  den Encoder wieder dann steht beim Renderer …… Software. Da hilft nichts mit irgendwelchen Vorgaben, die Zeile ist ausgegraut. Es ist ein Win11 AMD System 64 GB Geforce 3080TI. Auf einem zweiten Rechner win11 48Gb  AMD Geforce GTX 1060 rendert er ohne Probleme über die GPU

I added an MP4 to Premiere Pro through the import Media Browser import, and the playback in Premiere Pro is distorted.  It sounds fine in Audition, and in the export.  But, the playback in Premiere Pro makes it sound like the audio is unusable.  Any suggestions?  It sounds like I'd try the DesEsser effect.  Again, the audio was fine  outside of Premiere Pro.  It was just not playing back well in Premiere Pro. 

Hi everyone,for a while now I’ve been running into a problem with Sony S-Log footage in Premiere Pro.My usual workflow was: Import Sony S-Log footage In the Project panel: right-click the clips → Modify → Color Enable Override Media Color Space Select Sony S-Log3 / S-Gamut3.Cine This always worked fine in the past and immediately converted the footage out of the flat log look.However, this no longer works at all: The override is selectable, but nothing changes visually Even if I intentionally choose a completely wrong color space, there is no effect Restarting Premiere, new projects, different clips – same result So it seems the Override Media Color Space is being ignored entirely.Has anyone else experienced this?Is this a known bug or a change in Premiere’s color management?And if this function is broken now: what is your current, technically correct way to convert Sony S-Log3 to Rec.709 in Premiere Pro?What confuses me most is that I can barely find anyone online describing

after the last update of premier pro there is no longer the option to crop a clip/image/video with handles but only with % (right, left, bottom, up). when applying the crop effect and using the pen mask tool, i can use handles but i can’t succeed to get to the result that the cropped area is left and all the rest is erased. it weas so much easier before, why did you change it? how can i set an area manually to be cropped easily?

I had the exact issue of an another thread for a while and finally found a fix that no one seems to mention.Setup: Windows 10, Premiere Pro 2023, Nvidia RTX 3050, footage shot in HDR (MOV, ~60fps).The problem: With hardware decoding enabled (ImporterMPEG.decoder_pref = hw in the debug console), colors appeared cooler/washed out compared to software decoding. Switching back to SW decode showed correct colors, but with higher CPU load.What I tried that did NOT work:Tweaking color flags in Premiere's debug console (ColorSpaceConverter.AttemptFinalPixelFormatConversion, Host.ColorConversion.EnableDisplayColorManagementForSWRenderer, etc.) Nvidia Control Panel dynamic range was already set to Limited — no change Disabling IntelEncoder.UseHwAccEncoding to prioritize NVENCWhat actually fixed it: Enabling HDR on the monitor.The footage was shot in HDR. With the monitor in SDR mode, Premiere's HW decoder was mishandling the HDR color space, displaying it incorrectly. Once HDR was enabled on the

I am exporting directly from Premiere, not via AME. I have used some mogarts but I have made sure all the fonts are there and synced. I keep getting an error half way through the export stating "a font that is required has changed restart the export."   I have tried a few fonts, Algerian, Arial, I have made sure they are authorized and I keep getting this error. The first time it exported ok, and ever since, all exports fail with this error. I cant go through AME.   Obviously this is somthing new as I never got this issue till 2020, does anyone have any ideas on what the cause is please?

what is happening here? why the now legacy is like that and when i drug the Gaussian Blur is like suprise me??? where is the shapes?

I started yesterday to work on Premiere Pro 2026 and have been experiencing the following issue: when editing with headphones, the audio track on channels 1 and 2 come out only from my left headphone, and channels 3 and forward are muted even if the “M” button is obviously off. Without headphones the problem doesn’t exist. I have already checked the settings on “Audio Channels”  and it is set to Stereo L+R, so the issue really doesn’t make sense.I am not experiencing this issue on the 2025 version or on the Beta version, while using the same settings.Applying audio effects such as Fill also doesn’t work - and even if it did it would be highly impractical to apply an effect to each audio track for this purpose. I have also checked with colleagues and compared settings - mine seems to be an isolated case. Is there anyone who could help me fixing this? It is really a drag. Thank you!

Issue I am experiencing severe system instability and a massive memory leak while using Premiere Pro. Randomly during a session, the software freezes and becomes completely unresponsive. On Windows 11 25H2, Task Manager showed RAM usage maxed out at 90%+, whereas on other builds (24H2/23H2), the system would freeze even when RAM usage was stable at 50%–60%. Even after closing the program, the memory is frequently not released by the OS, necessitating 3–4 full system restarts daily to continue working. This happens whether I am working from Suite Studios (Cloud) or from local 2TB NVMe storage.Steps to reproduce 1. Open Premiere Pro and load any project. 2. Add a text layer to the timeline and begin trimming the layer. 3. Continue standard editing tasks (scrubbing timeline, trimming other clips). 4. Observe the UI becoming sluggish, followed by a total system hang/freeze.Expected result Stable performance and responsive UI during basic text manipulation and trimming, with proper system-l

I use Premiere Mobile on both my iPad and iPhone. I was working on a project on my iPhone. When I opened Premiere Mobile on my iPad, I expected the project to be there, but none of the iPhone projects were available on the iPad.  How do I get the Premiere Mobile projects on my iPhone to sync and be available on my iPad?  Thanks,

I can't merge the files on the timeline using a hotkey . The unnecessary tracks are locked. What's the problem ?🙄

Hello everyone,I'm a developer working on a UXP plugin for Premiere Pro and I've run into a critical environment issue that I can't solve. My UXP Developer Tool is unable to detect my stable installation of Premiere Pro 2025. I am hoping someone in the community has seen this before and can offer some advice.My Environment:Host Application: Adobe Premiere Pro 2025 (Latest stable version, not Beta)Development Tool: Adobe UXP Developer Tool (Latest version)Operating System: WindowsThe Problem: When I launch the UXP Developer Tool, the "Select an Application" dropdown only shows "Premiere Pro Beta," which is an old version that has been uninstalled. It does not detect my current, stable installation of Premiere Pro 2025.When I try to load any plugin (including official Adobe samples), it fails with the error message: Plugin Load Failed. No applications are connected to the service.Expected Behavior: The UXP Developer Tool should list my stable "Premiere Pro 2025" installation, allowing me

Having issues with this since updating to 2019. Basically, after importing a clip into the timeline everything is as it should be (video plays, audio plays) but the audio waveform does not show up until it's played through so I cannot visually see the audio waves unless I play/skip through the whole clip, which obviously makes editing a lot slower. Attached an example. Image 1 is the clip just imported to the timeline and image 2 is after playing through a few seconds (as you can see the audio only shows up after I've played through the clip and the remaining audio waves are still blank)Any help would be appreciated!Using Windows and Adobe Premiere Pro 2019.

I'm super confused so any help welcome... I have a project with a lot of MOV. files which when orignally imported where transparent in the project and worked perfectly. I exported the project, sent to client and have some changes to make.  After going onto the project this morning, all my graphic MOV files now have a black background on them and I've no idea what has changed. I have been able to import a new transparent file and it works perfectly, but i'd rather not do this as it means remaking each MOV file and there are about 60 files included.  All help really appreciated. Thank youJosh

I’m curious how other people working in Premiere are currently using AI in a practical editorial/logging workflow. A big part of my current project involves a lot of documentary-style footage and interviews, so I’ve started using ChatGPT almost like an assistant editor for logging and note generation. My current workflow is pretty manual, but surprisingly effective: • I transcribe a clip in Premiere• Export the transcript as a text file• Paste that transcript into a ChatGPT thread• Include a still frame from the clip• Ask it to help assess what the clip is, describe visual content, suggest logging notes, categorize usefulness, etc. I often times find this to be quicker and more effective than manually scanning the clip myself and inputting “manually”. I actually shot the footage, so I have good reference on if ChatGPT is right or not, and I am finding it surprisingly effective. What makes it especially useful is that because I’ve talked extensively with ChatGPT about the larger project