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Welcome back to our series on free After Effects resources from across the web. If you're just joining us, we've already covered Camera Crew by Motion Ape, DUIK Ángela, and Motion Tools Classic, all worth a look.This time we're looking at a big one for anyone who does motion graphics, social content, or fast-turnaround client work. If you've ever wished you had a library of ready-made transitions and elements you could just drag into a comp, the AEJuice Starter Pack is exactly that, and it's free. Meet the AEJuice Starter PackThe AEJuice Starter Pack is a free collection of 100+ drag-and-drop motion graphics assets, delivered through AEJuice's Pack Manager panel. Instead of building common elements from scratch every time, you browse a visual library right inside After Effects, drag what you need onto your timeline, and keep moving.A nice bonus: the Starter Pack works in Premiere Pro too, so it's not just an After Effects tool. What you can do with itThe Starter Pack packs a lot into
Welcome back to our series on free After Effects resources from across the web. If you missed the earlier posts, we covered Camera Crew by Motion Ape and DUIK Ángela, both well worth a look.This time we're keeping it simple, with a small toolkit that a lot of you have probably already used without thinking about it. Motion Tools Classic is one of those tools that just quietly speeds up the boring parts of every animation. Meet Motion Tools ClassicMotion Tools Classic, from the team at Motion Design School, is the original free version of Motion Tools, the everyday animation toolkit that's been trusted by motion designers since 2017. In a world of heavy, do-everything plugins, this one goes the other way on purpose. It's a small, focused set of the tools you actually reach for every day, with nothing extra to get in the way.And it's completely free. What you can do with itMotion Tools Classic keeps things tight and practical:Easing – apply and adjust easing with clean, simple controls
Hi everyone,I’m writing to bring attention to ongoing, severe performance issues in After Effects starting from the 2025 releases. As a paying Creative Cloud subscriber, the current state of the software has severely impacted my workflow and daily productivity. I cannot work anymore smoothly with the latest AE versions.The Key Issues: Memory & Resource Spikes: Rapid, unexplained RAM/disk usage leading to lag and full app freezes. Preview & Timeline Lag: Severe slowdowns during simple composition playback and UI interaction compared to previous versions (e.g., AE 2024). System Instability: Frequent crashes and memory leak behaviors even when standard troubleshooting steps are taken (purging media cache, resetting preferences, allocation adjustments). Sudden File Incompatibility (MP4 & MOV): Files that worked fine previously—especially standard .mp4 and .mov containers—are suddenly throwing errors, failing to import, or displaying as unsupported/corrupted media without
Hello!! I have to make a video template that features a single line of text which repeats using an echo effect and moves along a frame, similar to what the Montreal Victoire did for their goal videos as seen here. Because I’ll have to make about 30 of these videos and the text that needs to travel along the path will be different lengths, I set up a separate comp to use as a parent layer with an expression to scale text in that comp to its width (in this case, 200px), so I would only have to set up the number of echoes/delay between echoes one time. I tried using the expression “comp("Dynamic Text (player names)").layer("Player Name").transform.scale;” in my main composition to adjust the text moving along the path to match this scale, but this changes the scale of the path the text is travelling along as well. Is there an expression I can use to scale the text, but not the mask/mask path it’s travelling along? Alternatively, is there a way for me to have text move along a path in this
I am migrating my multi-application video editing workstation to a new laptop. Not having a way to migrate my After Effects settings, workspaces, plugins, and scripts is incredibly disappointing and frustrating. It’s even more upsetting to see this used to be possible in After Effects a few years ago through the “Sync Settings” feature. Please add this feature back. Thank you.
Working on an animation project and I ran into an issue with a piece of text where the percentage was supposed to be listed. The text read “...greater than or equal to %25 of...” and I flagged it as a typo. However, when I tried to fix it, no matter what I did or where I copied the text from, my “25%” formatted to “%25”. Was working in v26, but the issue carried over when I downgraded to v25 as well.Haven’t had this issue with any other project. I just tested it in another recent project (also v25) and was able to type the percentages okay, so not sure if this is project specific, v26 specific, or user/formatting error. Saw another couple posts on the Photoshop forums with the same issue, but no real fix.Two things I noticed/did to resolve the issue.For some reason, Hindi digits was checked. I got my project file from another editor, so maybe they had it enabled. Unchecked that box. It may help others, although I saw no change. I selected all my text, went to the Text settings on the s
Hi There,I'm doing a School of Motion tutorial, and am a little confused on a very basic function.When I hold cmd, the anchor point of a shape layer does not snap to either the center or corners etc. When I hold cmd on other layers, like a vector shape or comp, the anchor point snaps.Would you have any idea why this isn't working for shape layers? I've tried toggling the snapping box on the toolbar, and that doesn't seem to change the functionality.Thanks!
Most DLCs and other compositing software support OCIO 2.5+ configs now and it would be nice for After Effects to support them as well in the Custom OCIO Configuration. A popular example: Using Blender 5+ OCIO configs in After Effects.
I saw this reference. -https://www.instagram.com/p/DcAvkW6DZVo/?igsh=bGp6d2Q0amRycm9iand really liked it. It is clearly based on images, turns them into particles, and morphs them. Is this possible in AE or does it look more like an effect in a 3D software? Thanks,J
Still spending hours rotoscoping frame by frame?With the latest version of After Effects, Object Matte introduces a faster, AI-powered way to isolate subjects—so you can create clean mattes with just a few clicks.Object Matte combines one-click selection + manual refinement + smart tracking, making rotoscoping significantly faster and more intuitive. What can you do with it?Instantly select and isolate objects using AI Automatically propagate mattes across frames Refine edges (like hair and fine details) with dedicated toolsPut it to use in your workflow: Remove or replace backgrounds (no green screen needed) Apply effects to specific objects Create clean composites for VFX and motion graphics How to use it Import your footage and add it to a composition Select the Object Matte Tool Click or drag to select your subject Let After Effects propagate the matte across frames Use refinement tools (like Refine Edge) if needed
I can't play through my sequence in Adobe After Effects my time bar keeps resetting mid session when I try to preview.
This strategy of dropping new features unannounced into a beta release isn't good enough. There seems to be a growing disconnect between users' needs and what Adobe is actually doing, and honestly it feels like the overall strategy is driven entirely by marketing people and has nothing to do with our requests or modern needs.Look at this forum, there are YEARS of requests ignored and bug reports coming up again and again. Every update just feels arbitrary at this point. The rotobrush improvements were great, but a long time coming. I often think AE is going to go the same way as Animate because it already feels like a legacy product because of such a profound lack of innovation - or maybe you have big plans for it? It would be nice to know.
So I open a file through either Recent or from selecting a file on the Welcome screen when I open AE… and go to save it, and it saves into the last folder I had used from a previous different client job. This has been a PITA for years now. PLEASE FIX!
We want to hear your ideas about how we can improve After Effects. Your opinion is very important to us and the ideas provided here regularly appear in future versions. When posting an idea, here are a couple of things to keep in mind: How will the idea help your workflow? You're the expert on your workflow, so tell us how your idea would improve your workflow. What problem are you having today that the idea could solve? That helps us understand your idea better. It also makes it easier for us to follow up with you to get more info on your idea. One idea per thread If you've got two (or more!) ideas, make each of them a separate thread. Doing this will allow others to vote on a single, specific idea and not confuse up-votes amongst a list of feature requests. Enlist support! If you feel strongly about a feature, and you know other people do too, get them to vote on it.
I'm sure this has been posted before on here, but for visibility and emphasis how does AE not have a relinking system like Premiere after 10+ years?? I'm working on a particular project where despite all the assets being scattered across mutliple folders on a server, AE insists as relinking one by one. Most times I don't have this issue as it finds them on it's own, but for whatever reason it's going very slow, manually relinking file by file. This is on a collected project. Regardless of the reason or situation, it wouldn't be an issue if we had a relinking system like Premiere's file manager for footage. Is there some technical reason Adobe hasn't addressed or improved such an important function on large AE projects after a decade??
In after Effects, it is easy to drag a layer in time. For compositing, this can give problems, when it happens accidentally. Please make a ‘smpte’ lock - that keeps Layers on their time whatever happens. The current layer lock locks all modifications - that is not suitable to prevent time change, while working on color and effects.
Hi,I have been going crazy looking for a solution to how to solve the 'blank frame' glitch when creating a looping composition using the loopOut() expression.I tried the current/previous solutions which involved adding a keyframe on the penultimate frame or manually setting the final keyframe value -1 frame. These worked, but I was still getting a visible animation glitch happening.My final solution, for a perfect loop with zero visible glitches or blank frames, was to open the pre-comp layer (the original composition that you're trying to loop) and for every layer that reaches the final frame, drag it beyond the end. These layers may appear to run to the very end of the comp and appear as though they reach the final frame, but manually dragging the end of the layer 'off' to the right of the comp was what was needed for that final 'missing' frame to show in the precomp loop.So, starting with a Time Wrapping comp that is showing a blank frame:1. Double-click the comp to show the content
日本語環境、windows11、複数のPC環境で再現GPUドライバー Nvidia 610.88AE2024 までは正常、AE2025以降のversionで問題あり1)画像1プロジェクトウィンドウ内の素材、コンプ名などすべてのUIフォントの英語の文字詰めがおかしく、読みづらい。AE2024 までは正常に読めていた。画像キャプチャでは「scale」の s,c や l,e がつながって見えます。その他slowの l,o がつながっていて作業しづらい。2)画像2特定のエフェクトウィンドウ 「Lumetri カラー」でホイールの説明で文字化けして読めない仕方なく英語環境で使っているがエフェクト等メニューの並び順が変わってしまって使いづらい。
After import an Adobe Illustrator file (30.7), After effects(25.0.0) displays the vector art with a white backgroundAfter effects shows me the vector art like a flattened image!This has never happened to me before, and I need a solution.
PRO TIP for After Effects users using AI Assisted Coding tools - here's a short RAG (Retrieval Augmented Generation) you can use as part of your First Prompt or System Prompt to ensure your Coding Assistant writes compatible code --------------------------------Must be ECMA3-compliant (ExtendScript's engine) — no let/const, no arrow functions, no template literals, no array/object destructuring, etc.Must work across all language versions of After Effects.Use Scripting and Expression matchNames instead of localized display names wherever possible - this is critical for cross-language compatibility.Must work on both macOS and Windows.Targets After Effects version [** insert version number **] and newer.-----------------------------If you want to learn other insightful After Effects scripting and automation tips, I've got a LIVE Event with CreativeCOW on 23rd Aug. I'll be covering the GUTS Prompt Framework which will help you immensely get more out of your prompts.I will also cover the us
This might be a long shot and I dont know if its technically possible to implement, but I think this would be a major improvement to after effects as a whole. I think the easiest way to explain it is looking at the dynamic link feature between premiere and AE, but from AE projects to AE projects.I would have plenty of usecases for this and I it would elevate professional workflows into new heights.Just like having your own library of functions in coding, that you can link in multiple scripts, updating or adding new logic to the source function which automatically integrates in the scripts where its linked to. In this case the function would be an After effects project that you can reuse and implement in other projects and automatically updates in all linked projects if theres changes to the master project.Reallife example: I have a beverage flatlabel that I wrap around a beverage can with UV Map. I use this Label in multiple projects, since theres plenty of different campaigns and
I've already managed to add the effects, but where did the subtitle files go? I can't find them. I don't know where they went. How can I get my screen back to how it was before? My screen beforeMy screen afterwards I can already do the part about adding shadows. But how can I access my previous caption text again?Thanks in advance to anyone who can help!
I’ve been using a competing vector program for creating braille signage and wondered if there was any plans on having this be something Illustrator or Indesign could incorporate natively so that I can stop using the other program entirely? The workflow currently with adobe products is:go to some conversion web page like brailletranslator.orgpaste text in for the conversion, copy resultsgo back into my Indesign doc using a braille font with a CA Standard paragraph style (that I’ve created) This works for making 1-10 signs, but I’d prefer to have this be something I was able to merge from a CSV file as we typically need to create 100 individual signs at a time--which the competing program will also not do. It does however have a TEXT TO BRAILLE and BRAILLE TO TEXT option from the TEXT menu and a panel that looks a little like this:
The user selects or imports a screenshot containing text. The panel analyzes the letterforms in the image. It searches for visually similar fonts. It displays the closest matches and allows the user to apply or activate the selected font in After Effects.Its Match font, but in after effects.
Gradient rendering issue (Grayscale) in Lottie/Bodymovin after After Effects 2026 (v26.0) update Issue: After updating to After Effects 2026 (v26.0), all gradients are being rendered in black and white (grayscale) when exported via the Lottie (Bodymovin) extension. The same project worked perfectly in the previous version (v25.x). Details: Setup: I am using standard Shape Layer Gradient Fills (not Layer Styles). Symptoms: All gradients in the project lose their color data and appear as grayscale in the exported JSON file and Lottie players. Suspected Cause: It seems like a compatibility issue between the new Color Management system (OCIO/Color Engine) in AE 2026 and the Lottie export data structure. Tested Workarounds: Changing Project Settings (Color Working Space to 'None') or saving the project before export does not resolve the issue in v26.0. However, the file exports correctly when opened in AE 2025. Environment: After Effects Version: 2026 (v26.0 or later) Extension: Bod
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