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After Effects 26.5 is here! Bringing powerful new features designed to speed up everyday workflows and reduce manual effort.Leading this release is the new Guides functionality, giving you percentage-based positioning, edge pinning, and custom guide colors for more precise, flexible layouts. Alongside it, you can now keep your propagated Object Matte results cached to disk between sessions, assign color labels to individual effects, and manage your effects in a modernized Effect Controls panel. This release focuses on helping you get more done with fewer steps. What's new in 26.5 New guides functionality Use the new guides, which support percentage-based positioning, edge pinning, custom guide colors, and improved guide editing controls.Learn about grids, guides, and rulers › Disk Caching for Object Matte Disk caching keeps your propagated Object Matte results even after you close the project, freeing up RAM and speeding up work on long clips.Learn about Object M
Welcome back to our series on free After Effects resources from across the web. If you're just joining us, we've already covered Camera Crew by Motion Ape, DUIK Ángela, and Motion Tools Classic, all worth a look.This time we're looking at a big one for anyone who does motion graphics, social content, or fast-turnaround client work. If you've ever wished you had a library of ready-made transitions and elements you could just drag into a comp, the AEJuice Starter Pack is exactly that, and it's free. Meet the AEJuice Starter PackThe AEJuice Starter Pack is a free collection of 100+ drag-and-drop motion graphics assets, delivered through AEJuice's Pack Manager panel. Instead of building common elements from scratch every time, you browse a visual library right inside After Effects, drag what you need onto your timeline, and keep moving.A nice bonus: the Starter Pack works in Premiere Pro too, so it's not just an After Effects tool. What you can do with itThe Starter Pack packs a lot into
Welcome back to our series on free After Effects resources from across the web. If you missed the earlier posts, we covered Camera Crew by Motion Ape and DUIK Ángela, both well worth a look.This time we're keeping it simple, with a small toolkit that a lot of you have probably already used without thinking about it. Motion Tools Classic is one of those tools that just quietly speeds up the boring parts of every animation. Meet Motion Tools ClassicMotion Tools Classic, from the team at Motion Design School, is the original free version of Motion Tools, the everyday animation toolkit that's been trusted by motion designers since 2017. In a world of heavy, do-everything plugins, this one goes the other way on purpose. It's a small, focused set of the tools you actually reach for every day, with nothing extra to get in the way.And it's completely free. What you can do with itMotion Tools Classic keeps things tight and practical:Easing – apply and adjust easing with clean, simple controls
When After Effects enacts an auto-save, the auto-save window should not appear if the user is currently using another program. For example, I was in the middle of a complex selection in Photoshop when the After Effects Auto save window popped up over the work I was in the middle of. I was unable to see my cursor until the auto-save window disappeared so I had to stop was I was doing and wait. I don’t think it’s necessary for an After Effects alert to encroach on the screen of another program being used.
The Object Matte tool initially worked correctly in this project and I was able to identify and isolate several cars in the footage very accurately. After working for a while, however, it suddenly stopped functioning properly.Now, when I hover over a car, After Effects still appears to recognise the object and highlights it correctly. But when I click to confirm the selection, one of two things happens: The entire frame/layer becomes outlined in purple, as if Object Matte has selected the whole image instead of the car. Nothing happens at all and no object matte is created. The same problem can also occur when using the brush selection.I have already tried restarting After Effects, reopening the project, clearing memory and disk cache, reopening the footage in the Layer panel, switching tools, resetting preferences and trying again from frames where the tool had previously worked. None of this has resolved the issue.This is particularly frustrating because the exact same footage and
Dear Adobe Support Team,I am currently developing a Premiere Pro C++ plugin. We are creating a plugin that is intended to be localized in Chinese. However, when modifying the PiPL file to define the Name and Category fields, we have encountered issues with using Chinese characters:If we set the Category to Chinese, the plugin can be built, but the displayed text in Premiere Pro becomes garbled.If we set the Name to Chinese, the project fails to build entirely.Could you please let us know if there is an official way to support Chinese characters in the PiPL file, or if there are recommended best practices to handle plugin names and categories in non-ASCII languages?Thank you very much for your assistance.Best regards,
in After Effects 26.5 custom controls feel a lot slower than the same controls in AE 25.In After Effects 26.5, PF_Event_DRAW for an effect's custom UI in the Effect Controls panel is delivered at about 10fps for as long as the mouse is captured in a send_drag drag. The same plugin build on AE 25 receives 40fps under identical conditions. Hovering is unaffected — 26.5 delivers 90–130 there, which is faster than AE 25.You can reproduce the issue with any plugin shipped with AE that features custom parameters, for example “Curves”. I tried to fiddle around with update flags and working around the drag system but was not able to find a solution or any significant improvement.This is what I’m working with:Windows 11 Pro 26200, NVIDIA GPU. Effect uses PF_OutFlag_CUSTOM_UI, PF_OutFlag_SEND_UPDATE_PARAMS_UI, PF_OutFlag2_SUPPORTS_SMART_RENDER, PF_OutFlag2_SUPPORTS_THREADED_RENDERING. Custom UI drawn via PF_GetDrawingReference + the Drawbot suites, on an arbitrary-data parameter.Here’s a video s
Manually changing the position of a guideline now requires an additional step. Steps to Reproduce:Add a guideline to a composition. Right click it, and select “Edit Guide”.In the old Edit Guide dialog box, I used to be able to press the Delete key one time, type the new number, press Enter, and the guideline would move without ever having to click the box. Now, I have to highlight the FULL text in the text box and delete it, then type the new number.
Issue #1:I used to change the state of the On/Off icon for an effect with no restrictions. The state would change as fast as I could click the button. Now, I must move the cursor off the eye icon and back on to change the state. Steps to Reproduce:Add any effect to a layer. Click the eye icon next to the effect name in the Effects Control panel more than once per second. The state (on/off) of the effect does not change. The faster the eye is clicked the less likely it is to change states.It seems like moving the cursor off of the eye icon then back on resets the eye icon’s ability to be changed. Moderator: Unrelated bug report moved to separate post:.
So as you can see, in this particular project, the timeline is ghosted, when you mouse over it, some of the timeline comes back, then if you click elsewhere, the timeline vanishes again. I’ve deleted the cash files, no effect. The really strange thing is other projects do not do this, I get these random ones that just won’t load. You can enter text on the playback but you can’t select anything in the timeline. Vanishes as soon as you attempt to mouse over it. I am working with the latest AE 26.5. Any ideas? And don’t come back with add the comp to a new comp, that does not work and it’s a workaround.
어도비의 어떤 프로그램을 사용해도 멈추거나 하지 않지만애프터 이펙트만 실행하자마자 응답없음으로 멈추거나무사히 파일이 열린다해도 1분도 안되서 프로그램이 응답없음으로 멈추게 됩니다.얼마전까지 25.3 버전으로 잘 작동되었는데 갑자기 프로그램이 멈추고 충돌현상이 일어나서최종적으로 컴퓨터까지 갈아엎었지만 여전히 제대로 작동하지 않습니다.도대체 어떻게 해야될지 모르겠어요
I’m currently using an older version of After Effects available through Creative Cloud, but it’s lagging and crashing frequently. Sometimes, I’m not even able to work for 5 minutes without facing an issue.I’m using a 2019 MacBook Pro with an Intel i9 processor, and I’m facing performance issues with the newer versions of After Effects. I would like to install an older version, preferably from 2018–2019, so that I can work more smoothly.I don’t need the latest features or updates. I just want a stable version that runs smoothly on my Mac.
I am using Advanced 3D to make an animation of a smartphone. The phone is a glb Model. Animation works fine. But when i use Depth of Field in the 3D camera, the model parts get slightly see-through. For example, looking at the back of the phone the front screen is suddenly slightly visible. This is not happening when DoF is turned off.Any suggestions how to fix this. I need DoF for this animation.So far the new 3D options in AE are pretty great and render fast, but there are still a lot of quirks and annoying things that don’t work or need complicated workarounds (no motionblur, not working with adjustment layers, etc.)
Whenever I apply 3D animation to any of my videos, it gets stuck at the 'initializing' stage and doesn't proceed any further.
Issue - When working in a composition larger than 10,000px horizontal, guides can no longer be placed at positions further than 10,000 pixels when using the “Edit Guide...” dialog. The dialog accepts values larger than 10,000 in the text box, but will always snap back to 10,000 after clicking “ok”.Steps to Reproduce:Create a comp with a horizontal resolution larger than 10,000 pixels (for example, 11,000) This step doesn’t seem to be 100% necessary, the issue occurs when placing a guide further than 10,000px even with a comp size smaller than 10,000px wide. Turn on rulers and drag a vertical guide out from the ruler. Right click the guide and click “Edit Guide...” to open the dialog box. Edit the “position” value to be a number larger than 10,000 pixels. Click “OK” Observe the guide snapping to the 10,000px position, right click the guide again to see that it is at 10,000px instead of the position entered.Expected Result - Guide should be placed at the position value entered in the “E
Eyedropper next to color properties in Effect Controls panel does notapply the sampled color (26.5, macOS) — regression vs 25.6.6Environment- After Effects 26.5.0 (also installed: 25.6.6, Beta 27.0)- macOS 26.2 (25C56), Apple silicon MacBook Pro- Two displays (scaled external + built-in); reproduces on bothSteps to reproduce1. New comp, add a solid with a saturated color.2. Add an adjustment layer, apply the Tint effect.3. In Effect Controls, click the eyedropper next to "Map White To" and drag onto the colored solid in the Composition panel.ExpectedThe swatch takes the sampled color.ActualNothing is applied — the swatch stays unchanged. During the drag, the colorfield in the Info panel switches from the correct color to black, while thenumeric RGB readout in the Info panel remains correct.Scope- The eyedropper INSIDE the Adobe Color Picker dialog (click the swatch, then use the dialog's eyedropper) works perfectly in 26.5.- The same steps work perfectly in After Effects 25.6.6 on t
Здравствуйте, хотелось бы видеть на сайте адекватные переводы с английского на русский и украинский языки, особенно это касается справки "After Effects Help" то есть обучающие и помогающие материалы. Особенно на украинском языке где перевод справки отсутствует как таковой, а при переключении на русский постоянно появляется уведомление о смене региона что к проблеме не относится. Ну вот я захожу в справку, она на английском, хотя язык выбран украинский, самое простое это переключить язык на русский НО такой функции нет, есть только смена региона на россию, а зачем мне менять регион если я в Украине. Я хочу иметь возможность получить нужную информацию о приложении за которое я заплатила на укр. языке (потому что он то заявлен, он прописан, но сам перевод отсутсвует) не заморачиваясь с переключением на регион который пришел в мою страну с войной. Я даже могла бы предложить вам помощь с переводом на добровольных началах.
Hi!In my company we are thre people with the Self-Service-Subscription But I am the only one who can’t update anymore. There is no new version in the CC, nor in the direct Link: https://helpx.adobe.com/after-effects/desktop/troubleshooting/fixed-and-known-issues/fixed-issues.htmlany solution?Thanks a lot!
I’ve just upgraded to macOS 27 and, it seems, I can no longer debug a C++ plug-in I’m working on because Apple’s security blocks the debugger from attaching to After Effects. Specifically, I’m getting the following error:macOSTaskPolicy: (com.apple.debugserver) may not get the task control port of (After Effects) (pid: 5646): (After Effects) is hardened, (After Effects) doesn't have get-task-allow, (com.apple.debugserver) is a declared debugger(com.apple.debugserver) is not a declared read-only debugger LLMs recommend re-signing AE, but that does not seem to be a reasonable thing to do. I’m worried that doing so might trigger copy protection or break something. Not all issues can be solved by simply logging to files, so, what’s the suggested approach to debugging on macOS 27?
Hi, I’ve been trying to bring iphone clips into After Effects via Dynamic Link from Premiere (“Replace with After Effects Composition”).The iphone clips color seems ok before I bring them into After Effects:But after I click “Replace with After Effects Composition” - if my After Effects “Working Color Space” is set to None then it causes issues in Premiere and often I have to restart Premiere.If I set the Working Color Space to Rec 709 Gamma 2.4, then I don’t get an error message but the iphone clips show up extremely over-exposed and weirdly colored in After Effects:I imagine that that if I just convert the clips to Prores or something then I won’t have this error, but is there a way that I can avoid these error messages and issues without having to convert the clips to prores for every project I work on? This doesn’t seem to be an issue with non-iphone clips and this wasn’t happening at all with any clips until the past couple years. I’ve tried disabling the color in Premiere, but th
I am relatively new to AE, but havent had this issue before. I have a few files that simply crash when trying to open on mac. They get to about 40% (although that varies slightly file to file, but seem to be in that region), but then just get the spinning beach ball and they dont progress. I have a PC too, so installed AE on that and the file opens instantly with no issue. Resaved the file from the PC version, tried to open that on Mac but crashed again. I have tried;• Opening file from different locations on the computer• Safe Mode• Empty Caches• Reset Prefs• Uninstall, restart, reinstallBut nothing works. Baffled, especially where it opens immediately on PC, which would rule out file corruption. Files were all created on the same Mac that now wont open them.Any ideas?
Motion Tracker has an issue tracking a time-manipulated layer. Make a Right-click → Render in Place before it’s too late. Pre-compose - Render - Import - Replace is 90s level solution.
Hoje em dia descobrir qual plugin está consumindo memória e CPU e gpu é impossível, se tivesse um painel onde pudéssemos ver separadamente quanto cada plugin usa poderíamos saber quem é o causador da falta de memória ou uso excessivo de gpu ou cpu
Many years ago it was possible to import AAFs directly into After Effects with Automatic Duck. Now the workaround is to import the AAF into Premiere and then open the premiere project in After Effects. I would love the ability to start my compositing without the circuitous import process.
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