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Premiere (Beta)

Premiere (Beta)

4824 Posts
Community Manager
Adolfo H.Community Manager
Now in Beta: New Audio Stretching Modes in PremiereNews

Hey everyone! One of the oldest, most persistent things you've asked us for just landed in Premiere Beta 27.0 (Build 29): New Audio Stretching Modes.Here's the pain we're finally going after. If you've ever needed to re-time a line of dialogue or pull a music bed to fit, you know the drill. You change the speed or duration in Premiere, listen back, and it sounds like a chipmunk or a robot. So you give up, round-trip the clip out to Audition, get a clean render over there, and bring it back. Every single time. That detour has been the default for years, and it breaks your flow for what should be a two-second edit.This changes that. We're introducing new stretching modes that hold pitch through speed and duration changes without the artifacts and the processed, robotic quality you get today. Re-time the clip, keep the pitch, keep the character, and stay on your timeline the whole time.What's New?You now get a choice of stretching modes right inside the Speed/Duration workflow you already

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Community Manager
Alexis Van Hurkman
Community Manager
Alexis Van HurkmanCommunity Manager
Now in Beta: Introducing Color Mode
Now in Beta: Introducing Color ModeNews

Welcome to the public beta of our brand new Color Mode! This is a colossal release that's been years in the making, months in private beta, and now we're excited to share it with you. Here's all the most important information to get you started.Resources for Learning About Color ModeGiven how new this is, we've prepared the following videos and articles to get you up to speed on Color Mode as quickly as possible. Color Mode Announcement Video Color Mode in Premiere Page Color Mode Training Course Frequently Asked Questions Videos HelpX ArticlesAbout Color ModeColor Mode is a brand new approach to color grading created specifically for the needs of editors. It's been designed to be an accessible, fast to learn, and efficient environment for making every clip in your sequence look its best right inside of Premiere. However, Color Mode has also been built to provide the full functionality necessary for users at every level to make highly detailed improvements as well as the broad stylisti

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Community Manager
Adolfo H.Community Manager
Now in Beta: Timeline Track Header Labels

Hey everyone! A new quality of life feature just landed in Premiere Beta 27.0 Build 39: color labels for timeline track headers. If you've ever wanted an at-a-glance way to tell your tracks apart on a busy timeline, this is for you.What's New?You can now assign a color label directly to any track header, video, audio, or caption track. It works just like clip labels: pick from any of your project's 16 label colors and apply it to the track itself. This colors just the track header, not the clips sitting on that track, so your timeline stays readable without re-labeling everything on it. Where to find itRight-click any timeline track header and choose a color label from your project's label colors. Click the swatch to toggle it off if you want the track back to no color, and click again to reapply a color. Track Header right-clic menuClick the swatch to toggle it off Why this mattersOn a timeline with a lot of tracks, it's easy to lose track of which is which, especially once you're jug

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Shebbe
Community Expert
Community Manager
Adolfo H.Community Manager
Now in Beta: Audio Leveling in Premiere

Hey everyone! We're excited to share a new dialogue tool that just landed in Premiere Beta 27.0 Build 39: Audio Leveling. It analyzes a dialogue clip and automatically writes volume keyframes that even out the level, so your dialogue sits at a consistent, balanced loudness without you drawing automation by hand.What's New?Audio Leveling listens to your dialogue clip and rides the volume keyframes for you. It detects where the level jumps too hot or drops too low, then lays down clip volume keyframes that attenuate the loud spots and lift the quiet ones toward a steady target. Instead of one static volume adjustment for the whole clip, you get moment-to-moment level balancing that follows the performance. And because the result is real keyframes on your clip, nothing is locked in. You can nudge, reshape, or remove any of them just like keyframes you drew yourself. Where to find itSelect a dialogue clip and you'll find Audio Leveling inside the Loudness module of the Essential Sound pane

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DJP2014
Community Manager
Adolfo H.Community Manager
Now in Beta: Enhance Audio in Premiere

Hi everyone! As a dialogue editor, I've always chased the same thing: the tool that gets me the best-sounding result in the least amount of time, and the most control over my dialogue, whether I recorded it myself or it came back from set in whatever shape it happened to be in.For years, the answer meant reaching for a few different tools. One to make the voice sound better, another to wrestle down the background noise. And production audio is never just "speech." There's ambience, there's music, there are effects, all baked into the same recording, and that's exactly what makes cleaning it up so hard.This is where Enhance Audio comes to shine. In the same spirit as what we showed at MAX Sneaks last year, it hands you control over the ambience, the music, the sound effects, and the dialogue, and lets you rebalance every stem as much as you need. That's what makes it one of the most powerful noise reduction tools in Premiere today.For a couple of years now, the one thing you've told us

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Community Manager
Community Manager
AbhiSingh12Community Manager
Now in Beta: Generate Sound Effects and Video in the Premiere TimelineNews

We’re excited to introduce a new generative workflow in Premiere. The new Generative Media Tool lets you generate sound effects and video exactly where you need them, directly in your timeline.  Simply select a range in your timeline, describe what you want, and you can generate media directly into your edit. Whether you need missing ambience, a custom sound effect, b-roll, a cutaway or an establishing shot, you can stay focused on editing without switching applications. To add the visual context of your project, use the eyedropper to sample reference frames without leaving the timeline.   Generate Sound Effects in ContextNow you can generate custom sound effects directly in the Premiere timeline.Select any audio range, describe the sound you want, and generate multiple variations that match the duration of your selection.Need more control? You can use your voice to guide the timing and intensity of the sound effect, making it easier to create sound effects that feel natural in your ed

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Mike McCarthy
Community Expert
Community Manager
Adolfo H.Community Manager
Now in Beta: Sync to Video for Generate Sound Effects in Premiere
Now in Beta: Sync to Video for Generate Sound Effects in Premiere

Hey everyone! Sync to Video just landed in Premiere Beta 27.0 (Build 30), and it's small enough to miss and big enough to change how you use Generate Sound Effects. It's really the next input we've handed the tool. First you told it what you wanted with text. Then you could shape the timing with your voice using Record a Guide. Now Premiere can watch the footage and time the effect to what's happening on screen for you.What's New?Sync to Video lets the picture drive the result. Instead of placing or timing your effect by hand, you let Premiere read the footage in your selection and match the generated sound to the action in frame. Type "dog barking," and if there's a dog barking on screen, the effect lands on that bark.Think of the three inputs as doing three different jobs. Text says what the sound is. A voice guide lets you perform the timing and intensity. Sync to Video reads the action straight off the picture, so the hit lands without you tapping it out by hand. Sync to Video for

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Community Manager
Community Manager
Adolfo H.Community Manager
Now in Beta: Generate Soundscape in Premiere
Now in Beta: Generate Soundscape in Premiere

Hey everyone! You know the moment. Picture's basically there, the scene is dead quiet, and you can already hear what it should sound like. Getting that out of your head and onto the timeline is the slow part. And on the flip side, sometimes you're staring at a silent scene with no idea where to start, and you just need something to build from. That's the whole reason for Generate Soundscape, and it's live now in Premiere Beta 27.0 (Build 30).What's New?Select a range in your timeline and Premiere "listens" to the picture, then builds a soundscape that moves with it. It creates two background layers and two foreground layers, all landing where the action does. And you're not stuck with one baked-in mix, you get four editable stems. Regenerate a layer until it clicks, nudge one that's almost there, or rebalance the whole thing.If you've used Generate Sound Effects, this picks up right where that leaves off. Generate Sound Effects hands you one sound; Soundscape hands you a whole bed, wit

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Community Manager
Community Manager
Adolfo H.Community Manager
Now in Beta: iXML Metadata in Clip Headers and Source Monitor in Premiere

Hey everyone! We're excited to share a new addition that just landed in Premiere Beta 26.5.0 Build 66: iXML metadata right in your audio clip headers and source monitor. Production sound carries a wealth of metadata, and now you can see it without leaving the timeline or the source monitor.What's New?When your audio has iXML metadata, Premiere now surfaces it directly on the clip header. No more digging through panels or cross-referencing sound reports to know what you're looking at. The same metadata shows up in the source monitor too, displayed at the level of the channel labels, so you can make sorting and selection decisions before a clip ever hits your sequence. It's a global setting, so once you turn it on, it applies in the timeline and the source monitor.Where to find itThe control lives in Settings > Media, under a preference called Show iXML metadata in audio clip headers and source monitor. Flip it on to display the metadata across the timeline and source monitor and flip

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DJP2014
Community Manager
Adolfo H.Community Manager
Now in Beta: Generate Music in Premiere
Now in Beta: Generate Music in Premiere

Hey everyone!We're excited to share that Generate Music is now available in Premiere Beta 27.0 (build 22), powered by the Firefly Music model. It brings AI-generated background music right into your timeline, so you can score a scene without ever leaving your project.What's New?Generate Music lets you create original music without stepping outside Premiere, right from your timeline.You've got a few different ways to generate:Describe the music you want in a prompt, with built-in prompt enhancement to help you get better results. Generate from your video with Video to Prompt: make a range selection under a video clip, choose Video to Prompt, and the music is generated to match what's happening on screen. Generate loops for music that needs to repeat seamlessly.You're in control of the details, too. Set the tempo yourself in BPM, or leave it automatic and let the model choose, and pick a duration anywhere from five seconds up to five minutes. Every generation returns four variations, so

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Community Manager
Community Manager
Adolfo H.Community Manager
Now in Beta: Separate Crosstalk in PremiereNews

Hey everyone! We're excited to share a new Firefly AI-powered audio feature that just landed in Premiere Beta [26.5.0 (Build 75)]: Separate Crosstalk.If you've ever shot a scene on a single mic – whether that's a boom, a phone, or just one lavalier on set – you know the moment: two people start talking at the same time, the mic can't tell the voices apart, and the only real fix is a re-record. Now Separate Crosstalk gives you a way to pull those overlapping voices apart, right inside your timeline! What's New?Separate Crosstalk is built for one specific moment: when two speakers talk over each other at the same time on a single recording – actual overlapping speech, not just two people who happen to be in the same scene. It works on mono and stereo clips and separates up to two overlapping speakers from that shared audio. This isn't full diarization and it isn't meant to split every speaker onto their own track across a whole project. It's meant to solve the crosstalk moment that today

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Community Manager
Francis-Crossman
Community Manager
Francis-CrossmanPrincipal Product Manager
Now in Beta: Effects panel visual previewsNews

The Effects panel just got a major glow-up! Animated previews give you a sense of what an effect does, and advanced search makes it more likely you'll find what you're looking for. It's visual, it's fun, and it just might help you find something creative that's been hiding in plain sight.Say hello to the New Effects Panel — a reimagined Effects panel that shows you what an effect actually does before you commit to it.What's NewAnimated preview thumbnails. Hover over an effect or transition and you'll see a short animated preview of it in action, so you know what you're getting before you drag it onto a clip. Preview from Source. Want to know what an effect will look like on your footage, not a generic clip? Preview from Source is an option that shows the effect applied to whatever's under your playhead in the Program Monitor. Scrubbing stays smooth — previews update once you let go of the playhead, not while you're dragging through it. Smarter search. We overhauled search with keyword

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Homosolus
jacquelinek16431674Participant
 Questions
PaulCorey
PaulCoreyParticipant
 Questions
Ann Bens
Community Expert
Ann BensCommunity Expert
 Questions
BeratGL
BeratGLKnown Participant
 Bug Reports
Dropdown Menus Can No Longer Be Changed Using the Mouse Wheel

 Previously, when the mouse cursor was on a dropdown menu, scrolling the mouse wheel allowed the user to cycle through and select the available options. This functionality no longer appears to work.Steps to ReproduceHover the mouse cursor over the dropdown menu. Scroll the mouse wheel.Expected ResultScrolling the mouse wheel while hovering over the dropdown menu should allow the user to cycle through the available options and change the selected value.Actual ResultScrolling the mouse wheel does not change or navigate through the options in the dropdown menu. ImpactZoom and preview resolution menus now go 1 frame forward/backward upon scroll and blend modes on both ECP and Properties panel can’t be changed by scrolling anymore. I haven’t tested every dropdown menu but issue seems to be global across all dropdown menus. System info    Application: Premiere Pro (Beta) v27.0.0.29    OS: Windows v10.0.26200, RAM: 31.82 GB GB, CPUs (logical): 24     GPU: Rtx 3060 Ti  Nvidia Studio Driver ver

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TeresaDemel
Community Manager
TeresaDemelCommunity Manager
Now in Beta: Effects in Properties PanelNews

Who just got a glow-up? Effects, that's who!If I had a nickel for every time a new video editor opened up the ECP and said, "Wow, was this built in the 90s?" I wouldn't be typing this blog post right now. I'd be sitting on my veranda with a strong Manhattan in my hand and looking out at the Caribbean. If I had a penny for every time a seasoned video editor told me they had the muscle memory of an Olympic typist, but that they need to invest in 4.00 reading glasses just to SEE the parameters for Bokeh blur well... you get it. Your disdain for the ECP is loud and clear.Have we got a solution for you! Brand new to Public Beta we now have Effects in the Properties Panel! Video Effects! Audio Effects! Masks! Even some color (but you should still go over to our brand new Color Mode for adjusting your Temperature and Saturation because oo la la!)You may have noticed that we are investing in better effects experiences. Building on the acquisition of Film Impact last year, we are now surfacing

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Ann Bens
Community Expert
TeresaDemel
Community Manager
TeresaDemelCommunity Manager
Now in Beta: Paper Edit to Text-Based EditingNews

Hey everyone!We are excited to share a new feature in Text-Based Editing: Paper Edit. It is in build 34 of Premiere Beta. Many of you have asked for the ability to highlight multiple sections of a transcript and preview them before creating a new sequence.Here’s how it works:Start from a single Source Clip or an existing Sequence. Click the Paper Edit button  Highlight what you want to keep. When you click into Paper Edit mode, you can read through your transcript and highlight the sections you want to use. Before you commit anything to a sequence, select “Preview.” This allows you to playback the selections and make changes. Click on a selection to omit it. If something doesn’t sound good in your preview, just remove it by clicking on the text. Jump between sections in long sequences. If your raw footage is long, you can quickly jump between sections instead of scrolling endlessly.We would love to hear what you think! Give Paper Edit a spin and let us know if there is anything we can

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rybcoParticipating Frequently
 Questions
Rebaona
RebaonaParticipant
 Bug Reports
jason_7670Participant
 Questions
I’m experiencing a repeatable export issue in Premiere Pro Beta 27.

When I export a sequence, Premiere is creating two separate files instead of one completed video file:04 Social.mp4 — video 04 Social219ef3b2-e0b6-4d97-9bfb-7ccdfe61236f.aac — audioExpected BehaviorPremiere Pro should export one MP4 file containing both the video and audio together.Actual BehaviorThe export finishes, but Premiere creates the MP4 and AAC audio as separate files. The AAC file is also being given a long automatically generated string of characters after the original file name.This is happening repeatedly when exporting from Premiere Pro Beta 27, so it does not appear to be a one-time failed export.I have attached a screenshot showing the two files that Premiere creates after the export.Please investigate whether this is a current Beta export/muxing issue. I would be happy to provide my export settings, project information, or additional testing information if needed.

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World_photo
martinkuhnParticipating Frequently
 Questions
Rendering Issue if rendering clips using the new masking tool

As posted many times, the new masking tool of the BETA-Version is just great. Thx for that.My issue: I've generated text showing up behind masked objetcs and this shows perfectly in the program window inside PP.(3 layers original video -> Text -> Masked orginal video)If i render the video it is MISSING the "masked original video", meaning the expected effect is not shown.Tried to render in deifferent Enocder settings -> does not workTried to "nest" the clip with this effect and render then -> does not workOS: Windows 11 (most recent)APP: most recent Beta of Premiere and MediaEncodeexpected result: video rendering as shon in program monitor/ Result is: rendered video is missing the track with the masked objectany idea ?br Martin

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Jackcat249681215tfo
joea15691215
joea15691215Participant
 Bug Reports
cameron_0990Participant
 Bug Reports
defaultoo98sny14wyl
defaultoo98sny14wylParticipant
 Bug Reports
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