Premiere (Beta)

I have a PiP that that consists of an mp4 (V1) with an orb going from foreground to background (it gets smaller) and left to right. A man is running in the second mp4 (V2) inside the orb. This mp4 (V2) is masked. How do I get the masked mp4 on v2 to follow the orb in v1. I’ve tried manually keyframing the movements and following/shrinking the masked mp4, but the keyframes keep wanting to go backwards instead of forward. I’ve done multiple tutorials like the new auto tracking and also manual tracking, and keyframes going backwards, and many I can’t recall off-hand for almost two weeks now and still haven’t got it figured out. I’m sure it can be done, I’m just not sure what I’m missing. I’m about to start the whole process again but thought I would ask here if anyone can think of what I’m missing or where I should look to find what I need. Thanks!

I reported this in beta several months ago. Now it’s propagated to the release version 26.0.2.Steps to reproduce:1. Open a project, or create a project and add footage to it.Configure Playback Preferences so that Mercury Transmit is enabled for a monitor. Confirm that it works. Save project and Close Premier Reopen the same (or any other) projectResult: ...Mercury Transmit does not transmit to the monitor UNLESS you first visit Preferences, choose ANY category without changing anything, and then OK. Then Mercury Transmit will work for the duration of the session. (If you look at Playback preferences, Mercury Transmit will have retained it settings.)Expected: … For the system to remember to engage Mercury Transmit without having to visit Settings. System info    Application: Premiere Pro (Beta) v26.3.0.32 - AND RELEASE v26.0.2.    OS: Windows v10.0.26200, RAM: 63.79 GB GB, CPUs (logical): 16

Steps to reproduce:    1. Zoom into program monitor  System info    Application: Premiere Pro (Beta) v26.3.0.23    OS: Windows v10.0.26200, RAM: 31.82 GB GB, CPUs (logical): 24

I have gettign a lot of buffering Lately and I don’t undetadnd why..I just saved a copy of my project and it buffered for several minres; and went into “white-out” before it finallyb finished.Sometimes when I go into the workspace menu the same thing happens. Yesterday it went into buffering several times when I was accessing my workspaces. I couldn't duplicate to day. So it's inconsistent.  

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Getting a lot of events like these latelyJust cutting, trimming and moving the clips around. No effects.Footage : DV-AVI 25 fps.W11pro, Nvidia RTX5060 most current studio driver.As of now Build 26.3.0.32  

Anyone experiencing Media Encoder 26.0 running extremely slow and only using a small percentage of their GPUs?

See screen shots.

We’re excited to introduce a powerful new tool in Premiere Pro Beta: Sequence Index – a smarter, faster way to navigate complex edits.   Built for professionals working with dense, multi-track sequences, Sequence Index provides a comprehensive, spreadsheet-style view of all assets and attributes in a sequence. Whether you're trying to locate specific clips, identify flash frames, or filter for clips with effects or speed changes, this new feature makes it dramatically easier to search, sort, and troubleshoot your timeline. Why this matters Today, searching for specific clips or effects in long timelines is a manual, time-consuming process. There’s no simple way to surface offline media, spot transitions, identify what effects are used where, or track down issues without scanning every edit. With Sequence Index, we’re removing that friction, giving you an interactive, sortable table of your entire sequence that updates in real time as you edit. What you can do with it View every c

Hey everyone! We are excited to share that Global and Contextual Audio Mute is now available in Premiere Beta (Build 36). This has been a long standing request from many of you, and we are finally bringing it to life.What’s New? With Global Mute you now have full control over how and when Premiere plays audio. You can mute the entire application or mute only the Program Monitor or Source Monitor depending on your workflow.     Where to find it There are multiple ways to access these new mute controls: Transport ControlsYou will find a mute button directly in the transport bar of both the Program Monitor and the Source Monitor. The icon clearly shows mute and unmute states, and it works together with the contextual meters of your active sequence or clip. When mute is enabled, the contextual meters will gray out to give you an extra visual confirmation of the mute state.       Universal Header BarWe have also added a mute control in the Universal Header Bar. This

We’re excited to announce that you can now view audio waveforms and video playback simultaneously in the Source Monitor in Premiere Pro (Beta)!    This highly requested feature (739 upvotes in the Adobe Community!!!) helps editors save time and tell better stories by making it easier to line up audio cues with video. Whether you’re cutting interviews, syncing dialogue, or finessing sound design, you can now see audio and video tracks together, allowing you to edit with greater precision and efficiency.      What You Can Do with Audio + Video Waveforms  Toggle to show both audio waveform and video playback at the same time  Scrub through media while monitoring both visual and audio tracks  Set In/Out points as usual   Add and move markers with full A/V visibility  Works seamlessly with multiple audio channels    Why It Matters  Previously, users had to switch between video view and waveform view in the Source Mo

When using AI Enhance audio on dialogue the audio sounds great within premiere pro, but viewing the export afterwards there is random bits of audio that is showing up in quiet moments. Please see this video here at  10:04 Should be completely quiet and some audio from another part of my timeline is showing up here and repeating. Inside of Premiere Pro this glitch isn't present https://youtu.be/iw5eLAt7yzw?si=tSkpGfU4pjepDFRV&t=603 

WS does not work properly on a clip which has a mask applied.Render bar stays red: hence bad playback. W11Pro26.3.0.26 Nesting is not always a solution

Delete from disk (ctrl+delete) does not delete the original file. I still need to navigate to the folder in the file explorer to delete it manualy. 

It’s very simple and is reproduceable every time.  I upgraded to 26.3 today, and everytime I click file, export, media encoder… media encoder does not start, and premiere just closes. When I open it back up, it says ‘it unexpectedly shut down’, and ask if I want to open the file.  Every time I try, this happens. Restarting does nothing. When i go back to using the non-beta version, everything works perfectly as expected. It’s only a problem in the newest beta. 

This is an annoying behavior that did not happen before and is still present even in the Premiere Pro Beta. When you modify the value of an existing keyframe, its interpolation resets from Bezier to Linear.For example, if a Scale keyframe is set to 50 with a custom Bezier speed curve, and I later change that same keyframe value to 60, the keyframe immediately becomes Linear. This forces me to manually recreate the Bezier speed curve every time I need to adjust a value, which significantly slows down the workflow and breaks fine motion adjustments.The expected behavior is that modifying a keyframe’s value should preserve its interpolation type and Bezier curve unless the user explicitly changes it. 

We’ve taken a fresh look at the application, panel, and context menus across Premiere Pro and developed a new organizational system to bring editors all the same functionality in a more concise and discoverable way. Even on a 13-inch laptop, you’ll never have to scroll a menu to get your work done.   Our approach to organizing the menus: Aggressively organize into submenus. Commands stay in the same menu as before, but the submenus mean the menu stays short and readable. Give useful names to the new submenus. Editors new to Premiere Pro can more quickly learn what the menu items do. Be consistent when similar items appear in different menus. Whether in the Project or Timeline panel, common items like “Label” or “Media File Properties” appear in the same parts of menus.   Across the application, menus that were updated average a 40% reduction in height, with some menus shrinking by half.   This is a big change to the feel of using Premiere Pro, and while we took time an

In Premiere, our Speech to Text transcription model supports 18 languages. I am pleased to announce a new drop of our Speech to Text model in Premiere Beta, targeted for version 26.2. When you run transcription in Premiere, you should notice improved accuracy in languages, dialects, and overlapping dialogue.AccuracyExpanded language accuracy improvements: All of Premiere’s languages are showing higher accuracy. Some languages are seeing up to 36% reduction in errors.Better handling of overlapping dialogue: You should notice more words being attributed to the correct speaker as well improvements in the change points between speakers.English dialogue improvements: Premiere should be better at recognizing dialects for English speakers. When tested on both African American and Singaporean English data sets, Premiere has a 28% relative improvement in word error rate (tested in CORAAL and National Singapore Corpus).PerformanceTranscription wait time should be reduced, as long as you are on r

We’re excited to release a new Smooth mode in Object mask to Beta which will let you create masks which handle fine edges better.  When creating an Object Mask, you can now choose between Sharp and Smooth modes to achieve the best results for your specific masking needs. What's new The new Smooth mode creates masks with softer edges that are better suited for fine edges and detailed objects. This enhancement allows you to handle complex masking scenarios more effectively without compromising quality.  Sharp mode Smooth modeMask quality modes Sharp mode Sharp mode continues to create masks as they are currently created, with crisp, well-defined edges. This mode is ideal for: Objects with clear, distinct boundaries  Standard masking workflows Smooth mode Smooth mode creates masks with softer edges that provide superior handling of fine details. This mode is particularly useful for: Objects with intricate or delicate edges  Hair, fur, or fabric textures  Subjects with semi-transparent or

I launch Premiere 2026, I give the project a name then go to my external hard drive to give the project a location…. when I click the create button, Premiere freezes

The Premiere Pro Team is excited to introduce a new Beta feature: Ripple Edit Live Feedback. This enhancement brings real-time visual feedback to ripple edits, allowing editors to instantly see how their changes affect the timeline as they work. By making ripple edits more transparent and intuitive, this feature helps streamline workflows, reduce errors, and improve sync across complex edits.   Key Enhancement: Ripple Edit Live FeedbackWatch the timeline update dynamically as you perform ripple edits. Whether you're trimming clips or shifting content downstream, changes are reflected in real time. This eliminates guesswork and reduces the need to scrub back and forth.   Why It Matters: Provides immediate visual confirmation of ripple edit impact. Helps maintain sync and rhythm across edits. Reduces the need for backtracking or rechecking. Makes the editing process faster, more precise, and more intuitive.   Try It OutThis feature is available in the latest Beta build. Jump