Audition

I have a very long reverb added to a track, and I want to have the reverb sustain past the last note, but it cuts off at the end of the clip ...I've tried adding silence to the end of the track, but it doesn't seem to stick...the playhead stops at the end of the clip, and returns to the beginning. What am I missing? What's the right way to do this?Thanks.(latest version of Audition, on a Mac, using iZotope's NeoVerb if that makes a difference)

I used the "Export to Adobe Premiere Pro" function, and once in Premiere found that my mix was off and that my levels were now slightly peaking.  I have 16 tracks with a fair amount of pre-rendered effects in Adobe Audition before exporting. I had to remix my tracks once in Adobe Premiere. Any one have a resolution for this? Also, a real shame there isn't more of a dynamic link to move back and forth between these softwares. The work flow feels so restricted and cumbersome. I tried an OMF export, which failed everytime I tried to export it out of Audition. Just wanted to address some technical problems I've been bumping into to.

I was using audition the other day and it was working but now when im in multitrack I cant even hit the little R record or select a device nothing is showing up, I know im doing something wrong and im super new to this program just looking for some help

After working perfectly for most of today, I now can't hear my multitrack play out. I can the individual tracks perfectly when I switch to waveform view. None of the tracks are muted so it isn't that. The volume indicators for each track react fine as the multitrack plays out but nothing registers in the levels window below, when the multitrack is playing. Any ideas?

Recorded linear PCM audio through Sony camera with lave mic.  Audio fluctuates with volume and sibilance hissing.Any way to repair/correct in Audition?ThanksKevin

I suppose as long as I can equal out the audio that would be a help. No matter what I do I either make everything quiter or louder. I would like to make the quiet sounds louder and the loud tones quiter. I am having issues with the audio, and I would really like some help trying to fix my problem.

Hallo! Ich erhalte die Fehlermeldung "Die Vorgabe XY konnte nicht geladen werden", wenn ich Voreinstellungen verwenden möchte. Kann mir jemand sagen, warum? 

i've heard adobe audion is a great voice enhancer for discord, but i cannot for the life of me figure out how to set it up. 

Hi I am currently trying to export my vocal stems from Adobe Audition 2020 & have tried this in the earliest version that the creative cloud allows to have installed. I have changed the bit rate and tried using earlier versions to export my audio without the popping but no matter what I change, some of the stems always have popping on the stem. there's no effects or anything on the stem it's just the stem alone and it has popping noises. Any idea how to fix this?

Any insights would be greatly appreciated as I have a lot of files with dead space at the beginning and end of a music track I would like to easily delete.

When I duplicate a session and try to remove old, unused clip references, which I’ll never need in the future, it warns me it’ll delete these references in every other session in which they're used, and it cannot be undone. This is ludicrous. I didn't believe it would actually gut a previous session, but lo and behold it did! How does this make sense? I reverted to backup. Disaster averted. But now I'm terrified. I want to save the layout, track names, the base starting time code of 10:00:00:00, etc., as a template. And it should not have any baggage from previous sessions. What do I do?

Hello, I've never understood how to convert the raw audio values found in a WAV file to absolute pressure values, and also how to interpret the waveformsdisplayed in Audition in concrete physical terms (i.e. in units of Pascals)For instance, assume I have WAV file, and I parse it to determine which format the data is stored in, and also extract the raw numerical data for one channel, with no conversion from the natural representation used by the format (i.e. ints stay as ints, floats are floats, etc).  Now assume that some "oracle" tells me that a numeric value of x (e.g. x= 0.8) in the file represents an excess pressure (over ambient air pressure) of 2x10-3 Pa at my ear drum.Question:  Given this calibration point, what formula do I use to then calculate the sound pressure (in Pa) associated with a numeric value of y (e.g. y = -0.3)?(I understand that this could depend on the format that the data is stored in -- so, what are the formats that are commonly used, and how would

For a voice-over (narration) of a slideshow, once the audio clip has been edited initially, how is it best "finished" for acceptable loudness and avoidance of clipping or overly soft (inaudible) speech? Should I use Normalize and/or Hard Limit? Should I simply use a broadcast standard (even though I'm not broadcasting), such as in the Match Loudness for ATSC or ITU. Note that I don't know precisely which settings to choose, so please include exact recommendations.If there is a written or video reference which answers these questions, I'm also willing to read or watch it/them.Thank youKeith

Hey guys!  Question about the Remix song feature in Adobe Audition. I use it a lot to quickly cut down songs to shorter lengths for social media. Sometimes it works flawlessly on the first try, but it seems to make cuts at random depending on what length you tell it to make the song. I'd love to be able to more precisely choose which sections of the song it keeps, for example: Shorten the Intro from 30 seconds to 10, keep this drop, this middle section and the outro and make it all :30 seconds. There may be a way to do that but I don't know the program very well, this is pretty much the only feature I use it for.  I'm a one man band filmmaker and not an Audio guy. Any help is very much appreciated!