Bug Reports

Issue:Panasonic VariCam LT AVC-Intra LT MXF footage shows severe green frame corruption in Adobe Premiere Pro 2026 version 26.5.2 (Build 5) on Windows.Steps to Reproduce:Launch Adobe Premiere Pro 2026 version 26.5.2 (Build 5). Create a new empty project. Import original Panasonic VariCam LT AVC-Intra LT MXF footage. Place the clip on a timeline. Play or scrub through the footage. Parts of the decoded image turn solid bright green.Expected Result:The AVC-Intra LT footage should decode and display normally without any corruption.Actual Result:Large portions of individual frames become solid bright green during playback and scrubbing. This makes the footage unusable for editing.Premiere Version:Adobe Premiere Pro 2026Version 26.5.2 (Build 5)Operating System:Microsoft Windows 11 ProVersion 10.0.26200CPU:Intel Core i9-14900KRAM:64 GBGPU:NVIDIA GeForce RTX 4070 Ti12 GB dedicated VRAMGPU Driver:NVIDIA Studio Driver 616.92Driver version 32.0.16.1692Driver date: September 9, 2026Video Format:Pa

Changing the timeline (sequence) resolution updates the displayed image correctly, but the Direct Manipulation overlay (transform bounding box) remains at the previous resolution, resulting in an incorrect frame position and size.Steps to ReproduceHave sequence with some footage. Change the sequence/timeline resolution (either upscale or downscale). Select a clip and enable Direct Manipulation. Observe the Direct Manipulation overlay.Expected ResultThe Direct Manipulation overlay should immediately update to match the new timeline resolution and remain correctly aligned with the displayed footage.Actual ResultThe displayed image updates to the new timeline resolution, but the Direct Manipulation overlay retains its previous dimensions and position.When the timeline resolution is increased (upscaled), the overlay appears much farther away from the footage. When the timeline resolution is decreased (downscaled), the overlay appears smaller and is positioned inside the footage instead of

Premiere has always lacked some really great functions the AE that just makes sense, like holding shift to uniformly scale a shape layer, either the height, width or just uniformly. Premiere added the H and W slider and it was great, scaling either axis uniformly without breaking the anchor points position, plus roundness is uniform and doesn’t warp, but recently I noticed the H and W sliders now scale from one side and in one direction,completely ignoring the visual anchor point with a hardcoded unseen anchor point that rests at the top left side of the shape completely taking away the uniform scaling that made it great. The shape with the anchor point centeredAfter using the W sliderPressing the reset button snaps the anchor point to the hidden point where the H and W slider now un-uniformly scale fromIn my opinion, it’s this little things that makes editing interesting, because now a simple uniform Height, means i have to tug at the shape little by little, re-allign it and keep tugg

When I import a sequence from an adobe premiere project into after effects, or when I copy layers from premiere and paste into after effects, opacity keyframes come into after effects. But audio volume level keyframes do not.  According to this page they should: https://helpx.adobe.com/premiere/desktop/use-premiere-with-other-apps/working-with-o[…]e-applications/copy-clips-from-premiere-to-after-effects.html But, I am unable to get the audio level information into AE.  In the past, the audio levels would come into After Effects in the form of the Stereo Mixer effect. I am using Premiere 26.3 and After Effects 26.3, having just updated from the previous version of AE26 and PR26 to see if an update would help, but it did not.

Description:When importing h.264 mp4 files that are from Xbox game bar capture or other h.264 mp4 files that are imported and the exported through Microsoft Clipchamp, it causes them to be stretched/distorted from square pixels to pixel aspect ratio of 1.778. In both the library and sequence they are distorted and and selecting modify clip> interpret foots shows that it is defaulting to pixel aspect ratio of 1.778. The senquence setting still show the correct resolution/aspect ratio and if you conform to square pixels it will correct the aspect ratio of the clip but the sequence video aspect ratio will still be stretched and since the sequence is still saying the correct aspect ratio one cannot simply correct the sequence ratio. Note this issue is not present in version 25.1.0 (build 73).Setps to reproduce:Launch Adobe Premiere Pro version 26.3.0 (build 93) Import an Xbox Game Bar capture video or Clipchamp exported video into project Drag video clip into sequence Right click on vid

It's 2026, almost 2027. Adobe pushes so many AI features and annoying bugs every single update, but YET they never seemed to care to fix the most important bug...The keyframe player overlapping the numbers is something so annoying to see, and to know that they ignore this every single update is infuriating .. can someone from Adobe please see this and let them know to update and fix...In my screenshot you can see the Position Y value covered by the keyframe diamonds.Steps to reproduce:Open Effect Controls with Show Timeline View on Add a couple of Position keyframes to a clip Make the panel narrower The keyframe area starts overlapping the values columnExpected: the values column should keep a minimum width, or the timeline view should shrink or auto-hide when there isn't enough space. Basically one column shouldn't render over the other.This bug has been in Premiere for as long as I've been using it and it's never been fixed. It's really annoying when you're working with keyframes and

If you record footage in obs that contains multiple audio tracks and then import that footage into obs, all audio channels but the first one will be offset by exactly 1 frame. This issue does not occur in other editing software and only occurs within adobe premiere pro 26.3.0 (Build 93). Audio remains synced but this causes issues when creating cuts or snapping footage together, as the 1 frame difference will cause clips to not snap together properly. Zoom in of the clip in Premiere Pro, 1 frame of audio is missing. Audio is still synced.Same clip in Davinci Resolve, no frame of audio missing, audio is still synced. 

I’ve found that when I copy a clip that has been transcribed from one project to another project in a productions workflow set up, and then go back and reopen the original project, all of my text changes (speaker naming, text changes, text separations etc) in the updated version in the separate project will be deleted.The problem seems to be caused by having two copies of the same transcribed clip open in separate projects.this is in Premiere  26.5.2,Mac OS 26.6.2

When using the multi-camera view, using the `Go to Next/Previous Edit Point on Any Track` hotkey can get stuck almost within the multicam nest if the user has changes the camera multiple times without focusing another window, then refocusing the timeline.I've attached a video showcasing this behaviour and it seems rather simple to replicate. 1. happens on 25.0 -> 25.3. Pretty sure this has been happening for years though, I know I experienced it as far back as 24.x releases2. Windows 113. Setup a multicam nest with multiple camera layers within. Spam change the camera a few times (best way is to just hold 1 button for a few seconds). Attempt to use the hotkey. You will no longer be able to move outside the bounds of that clip. If you then press `Step back/forward 1 frame` the playhead will suddenly warp to where you would expect it to be even though visually it hasn't moved4. Expected result is that the hotkey would continue to act like normal or as if you only adjust the

I've been dealing with this really annoying bug for years, and today it's driving me crazy -  so i thought i'd ask if anyone else has run into it?   Issue: When editing Multicam footage if I make an edit while the CTI is playing (like a Cut, Insert, or Overwrite), the Go To Next/Previous Edit Point commands stop controlling the timeline and instead start switching camera angles in the Program Monitor?!    I've discovered this only happens if the Multi-Cam View is turned on. Each time it happens I have to nudge the CTI to return control to the Timeline. Really annoying.   MacBook Pro M1 15.4.1  Pr 25.4.0  

I am receiving this error message whenever I try to backup a project.I have reviewed the "Project Manager Error" thread in the Adobe Community and attempted to perform the workaround suggestions.  I have had no success.I am using:  Premiere Pro 25.5.0 on a Mac Pro running Tahoe OS.

Bug Description below  Since updating to the latest version of Adobe Premiere Pro, the masking/object tracking tool has become extremely slow or completely unresponsive.When I attempt to create or track a mask around a moving object, Premiere displays a watch/stopwatch-style loading icon and appears to get stuck processing indefinitely. In previous versions of Premiere Pro, I was able to perform the same masking tasks quickly and reliably on the same system and with the same type of footage.Steps to ReproduceOpen a project in Premiere Pro. Select a video clip. Attempt to create/use a mask and track a moving object. Premiere displays the watch/processing icon. The masking process becomes extremely slow or appears to freeze indefinitely.Expected BehaviorThe masking tool should begin processing/tracking the object within a reasonable amount of time, as it did in previous versions of Premiere Pro.Actual BehaviorPremiere becomes stuck displaying the processing/watch icon, making the masking

Issue: After the initial mask is produced, all subsequent masking done by “Object Mask” has severe aliasing/stepping.  Steps to Reproduce: When I click on Object Mask on any object, the first mask visual is very good. Once you click on “track selected mask” in any direction and any number of frames, all subsequent masking has very severe aliasing. Expected Result: I would expect that the really good and clean first mask that is created would continue throughtout the tracking. Premiere Version: 26.0.1 and 26.0.2 Operating System: Both on Windows 11 and MacOS (currently on Sequoia 15.5) This was recreated on a friend’s machine as well. Friend’s footage. Initially a clean and good mask.Subsequent frames are heavily aliased. This is true even if there is a Frame Hold. 

Bug Title: Imported Images Disappear During Timeline Playback in Adobe Premiere Pro 2026 (Version 26.5.2)Software Version: Adobe Premiere Pro 26.5.2 Bug Description:When I play my video timeline in Adobe Premiere Pro 26.5.2, imported images disappear from the Program Monitor during playback. However, as soon as I pause the timeline, the images immediately reappear in their correct positions.This issue makes it difficult to preview and edit my video accurately because the images are visible when the timeline is paused but disappear when playback starts. I am using MacOS.

In Premiere Pro on macOS, I can add a guide in Program Monitor, but using the guide for clip alignment is not working as expected. When I change Motion > Position X values (for example 960 to 420), the guide does not help with accurate placement the way I expect. I need to know whether this is a bug or intended behavior, because guide-based alignment is confusing in the current workflow.

So recently whenever I open a project on premiere the timeline lags on playback. Meaning, the blue playhead lags for 3 seconds and nothing in timeline window appears responsive. Then it plays normally just fine. The video plays fine during the lag and every other part of premiere is responsive, just not the timeline window. The temporary solution for this that seems to work is undock timeline window then redock it. Once I do this the issue disappears. This is not a permanent solution. It’s a very dumb bug. I’m on Windows, 4060ti 16gb (most recent studio driver), cpu 7700x, Premiere 26.3. 

-MacBook Pro M4 max (2024) MacOS Sequoia 15.8.1-Premiere Pro 26.5.2Saved workspaces all default to the same Premiere Pro window layout. Old saved workspaces are gone. Newly created saved workspaces don’t save. Phenomena began I believe with the most recent update. Please fix. Thank you!

When changing color parameters inside Texts or Graphic shapes. Program allows us to go beyond the valid 0-255. We can go negative values or over 255. This doesn’t happen with the color values inside effects such as Drop Shadow. System info    Application: Premiere Pro v26.5.2 (build 5)    OS: Windows v10.0.26200, RAM: 31.82 GB GB, CPUs (logical): 24     GPU: Rtx 3060 Ti  Nvidia Studio Driver ver. 617.42

I’ve paid thousands of dollars on Premiere and I can’t get the colors right when editing footage from my iphone in HDR. I’ve tried all solutions online: different color profiles, settings, different LUT filters. And still the Iphone footage gets exported with a completely different color. Capcut does it in two clicks. Wtf Adobe? This is completely unacceptable! Please fix your software ASAP! This is especially embarrassing because the video looks fine on Premiere’s preview. Then looks fine on Premiere’s export preview. And then the final file is screwed. I’ve been editing for almost 20 years and this is the most annoying Premiere issue. PLEASE FIX!!I’ll post every day till you fix it

Hello, my current setup is a MacBook Pro with an M4 Pro chip, 24 GB of RAM, and 845 GB of free storage. I’m running macOS 27 Golden Gate, version 27.0.1. Even when I perform simple actions in Adobe Premiere Pro, such as making a small cut or moving a clip, it occasionally freezes, and a loading icon appears next to the cursor. These freezes take around 1–3 minutes to recover from. Sometimes, the application also crashes and displays an error message. Also, even when I think the lag has gone away, pressing the Play button does not start playback. The video remains frozen, and Premiere Pro continues to be unresponsive.

Issue: Random visual glitch artifacts (green/magenta tearing and horizontal macroblocking) appear at unpredictable timestamps on exported videos when rendering HEVC 10-bit 4:2:2 footage on a dual heterogeneous GPU setup (Intel Arc A380 + NVIDIA RTX 4070 Ti). Disabling Intel hardware-accelerated decoding in Adobe Media Encoder resolves the issue completely.Steps to Reproduce: Configure a Windows 11 system with an AMD Ryzen CPU (Ryzen 9 5950X), an Intel Arc discrete GPU (A380) for QuickSync decode, and an NVIDIA GPU (RTX 4070 Ti) set as the primary Mercury Playback Engine (CUDA) renderer. Ensure Preferences > Media > Enable hardware-accelerated decoding (Intel) is checked in both Premiere Pro and Adobe Media Encoder. Import Sony FX3 footage shot in XAVC HS 4K (HEVC 4:2:2 10-bit Long-GOP, 24p) into a sequence. Apply basic Lumetri color grading and queue the sequence to Adobe Media Encoder. Export to any master format (e.g., Apple ProRes 422 MOV or H.264/HEVC MP4). Inspect

i updated to MAC OS to 27 Golden Gate on a M$ MAC Mini and lost all of my audio plugins, even the Apple pre-installed ones. I noticed they were offline in a project I was working on so I tried to re-scan for them. When I tried to re-scan I got the spinning beach ball of death. It would just hang and then when it came back on-line there was nothing poulated in the plug-in window.so i tried: restting Plugin Loading Cache, Cleared all the media cache, tried reseting all app preferences. I installed Rosetta 2.I removed all of the plugins I had, which at the time were only two, Waves Clarity FX, and Izotope Elements 8. I uninstalled Izotope since it was a bit dated and updated Waves Calrity to the latest version which says its capatible with OS 27.Tried again to scan and nothing, again including all the Apple plugins. The directories were correct and the plugins were in the correct folder but all it would do is spin and then not populate.I uninstalled Premire and Media encoder including pre

IssueAdobe Premiere Pro 26.5.2 fails to import MP4 files recorded with the DJI Osmo Pocket 4 Pro when recording two stereo audio streams (4 audio channels total).The error message is: “The importer reported a generic error.”The exact same original MP4 file imports successfully in Premiere Pro 25, where both stereo audio streams are recognized and can be edited separately.SystemmacOS 14.6.1 Apple Silicon Mac (M2 Max) Premiere Pro 26.5.2 (fails) Premiere Pro 25.x (works) Camera: DJI Osmo Pocket 4 Pro Microphone: DJI Mic 3, directly connected wirelesslyMedia specificationsContainer: MP4 Video: HEVC Main 10, 3840 × 2160, 29.97 fps Audio: 2 separate AAC-LC stereo streams, 48 kHz, approximately 317 kbps each Total audio channels: 4Steps to reproduceRecord a video with DJI Osmo Pocket 4 Pro using the mode that stores two stereo audio streams in the MP4. Import the original MP4 into Premiere Pro 26.5.2. Premiere displays “The importer reported a generic error” and fails to import the file. Imp

No cargan las imágenes para crear el archivo pdf.No dice error, directamente no carga. Cómo soluciono eso para ayer, ya que estoy pagando la suscripción 💀