Feature Requests

When using a project manager, all files are placed in one folder.   When using a project manager, all newly generated files are placed in one folder. File management becomes complicated and very inefficient. Please generate the file while keeping the original folder structure!   プロジェクトマネージャーを使うと１つのフォルダにすべてのファイルが入れられてしまう   プロジェクトマネージャーを使用すると、新たに生成されたファイルは、すべて１つのフォルダに入れられてしまいます。 ファイル管理が煩雑になり、とても非効率的です。 元々のフォルダ構成を保ったまま、ファイルを生成してください！

When using the function Removing Attributes, the checkboxes are not sticky and always revert to a default. This is different from Paste Attributes, where if you change the attributes that are to be pasted, the checkboxes stick - they are “sticky.” This needs to be the same for Remove Attributes.This causes needless extra clicks when I have a multicam sequence and decide to change the colour grade of an angle. But want to keep the Motion settings, for example if the camera was on a slight angle and needs to be reframed.But when I hit my key combo for remove attributes, I always need to uncheck Motion. Every single time. I wonder how many hours over the years have gone to unchecking this box, over and over.So please, make the Remove Attributes checkboxes sticky, so that I only need to do this once. Thanks.

 Rather than “maximum length in characters”, or even just as another option. It’s far more intuitive to think in words rather than characters. I can’t instantly think of what 42 characters means but I can think what 5 words means.

The Problem (Workflow Bottleneck):I operate a single-person creative studio with two local workstations. When Station A is locked down by a heavy background render or export (e.g., Premiere Pro encoding 4K video), my single-user license prevents me from maximizing my efficiency by editing photos on Station B.Why Current Solutions Fail Solo Creators:Creative Cloud for Teams: Forcing a 1-person business to purchase multiple seats at triple the cost simply to use two machines locally is economically unviable. Account Stacking (Separate IDs): Binds users to separate cloud storage systems, fractured asset ecosystems, and complex billing. The Strategic Business Risk for Adobe (Churn to Open-Source):Because individual plans enforce a hard digital block on concurrent use, solo creators are actively looking at free, open-source alternatives (like Darktable, Luminance HDR, or DaVinci Resolve) to fill the gap on their secondary rendering machines. Once these programs are introduced into a studio

In the current version, the speakers can be separated during voice transcription, but the create captions is still combined together.And you can't select one of the speakers for create captions through the filter in the transcription window.Suggest to add the option to separate the speakers when create captions

The Request: Please expose the native 'Audio Gain' property (adjusted via the 'G' hotkey) in the UXP API for both AudioClipTrackItem and ClipProjectItem. The Problem:Currently, there is absolutely no way to read or write the native audio gain via scripting. It seems that the native gain sits internally on the clip object itself (as a linear amplitude multiplier) and is completely inaccessible, even via the QE DOM.See this post:The Use Case:For editors, the most intuitive and frequently used method to change a clip's basic volume is to adjust the audio gain via the 'G' hotkey. My plugin is specifically designed to support and enhance this workflow.To achieve this, the plugin must be able to read and modify the native audio gain. Using the standard "Volume" effect as a workaround is not sufficient, as users rarely use it for basic volume adjustments. Forcing them to use the 'Volume' effect instead of the ingrained 'G' hotkey would completely undermine the core use case and value of the p

I’ve been looking at Beta 27.0 and playing with the new Colour Management tools.Overall - looks to be good.Using V26.2.2 for main projects.One thing in parallel that is new for me having a new DJI Device with D-Log2 capability.At present this requires manual entry for the downloadable DJI D-Log 2 to Rec 709.If I’m using Panasonic VLog I normally have that covered by ‘Detect Log /Raw footage ‘ settingIt would be useful to have the new D-Log2 conversion done as part of Premiere to avoid mistakenly applying conversion twice.Can we put this on the list for DJI D-Log2 to Rec 709 detected by Premiere?.Thanks 

Colour labels for tracks. A feature I would find really useful in Premiere would be to assign a colour label to various tracks.I'm a bit of an obsessive when it comes to keeping my sequences in order and since I do a lot of work with different media formats as well as working alongside lots of different industry creatives involving VFX, animation, live action, documentary and drama workflows it's crucial that I can manage all of that in the edit. So when it comes to organising all the layers of audio and video it would be really useful to be able to select a colour, much like After Effects, and assign it to the different tracks so you can easily keep track of what should be where.I know this might look a bit ridiculous but I made this mock up to help illustrate my point.

Premiere Pro UXP API: Add Read/Write Access to Text and MOGRT PropertiesI would like to request expanded text and MOGRT property access in the Premiere Pro UXP API.Current ProblemI am developing a Premiere Pro UXP extension to automate repetitive editing tasks, especially subtitle and title workflows.Currently, UXP provides useful capabilities for timeline automation, MOGRT insertion, effects, and other editing operations.However, access to text and graphic properties is still limited.This makes it difficult to build a complete automated workflow for text-based editing.What I Would Like to BuildA typical workflow would be:Existing text/graphic clip"Hello World"↓Read the text through the UXP API"Hello World"↓Insert a predefined MOGRT↓Write the retrieved text into the MOGRT↓Result:The original text is automatically converted into a designed MOGRT while preserving its text content.This would make it possible to automatically convert large numbers of transcript-generated titles or subtitle

object masking needs to be updated, its not clean and smooth when tracking moving objects or putting it over a layer of something

Speech to text caption generation is not available in Marathi language in premiere pro 

Color wheels in Lumetri need granular numeric controls for hue angle, magnitude and so on. Resolve has It, Premiere used to have It in the old color factory plugins. Why can't we have It now? They're essential for professional and efficient color grading.  

Add a "Restore Clip Selection" shortcut, that work similary as "Restore Trim Selection" but would work with previously selected clips.In 2021 the shortcut "Restore Trim Selection" was added to recover the previous selection of the in and out points of a clip, but not the clip itself.I can’t count how many times I had to try again my complexe selection of clips because I accidently selected a clip that I didn’t wanted or missclick on nothing and losing my selection.If a short cut has been added for trim, it should be there for clips too.

A timeline baseada em faixas (tracks) rígidas do Premiere Pro exige um gerenciamento manual constante de sincronia e espaço. Ao mover, reordenar ou deletar clipes na trilha principal: É fácil gerar lacunas indesejadas (black gaps) ou sobrescrever acidentalmente trechos em outras faixas. Edições rápidas de ritmo (como cortes rápidos para redes sociais ou montagem inicial) exigem múltiplos atalhos de Ripple Delete e constante trava/destrava de trilhas para não dessincronizar áudio secundário, B-roll e títulos.  

Features I'd like to SeeThe following features would be of tremendous value to me. While continually trying to improve the workflow of my current project, I keep hitting stumbling blocks of features which I assumed were available, but aren't and then have to either find a workaround or shift gears to a different process. I think every user wants the most optimal and efficient workflow, which also includes some level of intuitively designed functionality. So with that in mind, I don't think any of these requests are unreasonable or too difficult to impliment, but the payoff would be exponentially helpful.  Thank you.-------- (Timeline Panel) Ability to hide tracks. – So you can keep your timeline clean and clutter free only seeing the tracks you are currently working with. i.e. I'm currently working with 24 different audio tracks, but for each chapter there are only about 4-6. So it's cumbersome to have to constantly scroll up and down to find the 4-6 tracks for each chapter. And

It would be amazing to simply grab a track and move it up or down in the order of the sequence. This was something I could do easily back when I used Vegas Pro. Occasionally, I have big, complex sequences and would like to reorder the tracks for organization purposes or for shipping off to audio master. Thanks!

AV1 has been becoming a more and more popular codec for not just streamers, but also content creators and filmmakers. Video hosting platforms, such as YouTube, are now implementing AV1 as a way to easily stream video content to audiences at lower bandwidths. Filmmakers, and especially content creators, are asking for AV1 for creating high quality content without too much compromise for file sizes and ease of use when viewing. Having the benefit of AV1 video will help with preserving the best image quality at a much smaller and efficient file size than codecs like H.264. HEVC/H.265 is supported in Premiere Pro and it's a very nice codec. In fact, both HEVC and AV1 perform very similarly. However, it would be wonderful to have the flexibility of additional codecs that are gaining traction in modern media. HEVC isn't supported everywhere, largely due to their licensing slowing down adoption. Meanwhile, AV1 is open source, so it would be easier to adopt without the concern for li

The little dialog box in the bottom right of the screen that shows the status of where the audio waveforms are up to in being created is sorely missed in Premiere 26 over Premiere 24. It’s so useful having that info

Hello, I just found out that you cant automatically save your projects to creative cloud.Don't get me wrong, you can autosave your projects but I think it would be really smart if your project had also a way to automatically backup to the cloud when you save it.Please make this happend 🙂

I create shapes with gradient fill for lower thirds and there is no snapping in program window for the gradient control.I have to drag guides and align it manually and it is not exact.Holding Shift while moving the gradient line control should snap it in 0-45-90 degrees as with any other tool in CS.

Would it be possible to have a simpler noise removal option for audio clips? Sometimes I just need to remove light background hiss or room noise without spending too much time tweaking settings. I’ve tried VoiceCleaner AI for this and liked the results, so something similar built into the workflow would be really useful.

Most of the time keyframes are set relative to a clip's in/out/middle point(s) and/or other edit points in the Timeline. Keyframes are seldom set relative to the content of a clip alone.  For this reason, users need a simple way to decide if keyframes should slip along with a clip or not.  The solution is SIMPLE!Slip = keyframes DO NOT move when slipping a clip (new default behavior since this is what most users want most of the time) Ctrl(Cmd)+Slip = keyframes move as they currently do when slipping a clip (when using this keyboard modifier, the slipping icon could show a keyframe icon to visually inform users that keyframes are being slipped as well.  See illustration). Note: for users that prefer the current behavior, a new option in the Preferences window could allow users to reverse this functionality, i.e.: Slip = keyframes move together with clip, Ctrl(Cmd)+Slip = keyframes don't more. This solution would work for ALL editors, since it would give ev

Hey team! Love all the improvements to the text based editing that have been added. In the world of tiktok, instagram, and youtube shorts and social media in general there's been a surge in content that has burnt in captions. I know you guys care about social media editing because you introduced a vertical profile. A lot of social content comes from longer format podcasts. I personally edit podcasts with 3+ speakers but when it comes to captioning clips for multiple speakers it's kind of a headache, sure premiere can differentiate the speakers when you transcribe but the moment you convert to captions the text kind of gets jumbled up together and it's a lot of correcting who's speaking.  With text based editing came the feature to transcribe the source clip which I wish could be used to transcribe and create captions for every track/speaker on separate caption tracks which could then be converted to graphics layers. The current workaround I've found is retranscribin

I would change literally everything about how time remapping works in premiere pro. It's just awful, fiddly, unintuitive and just poorly designed. Please change it. Anything is an improvement