Feature Requests

Disable the zoom feature via Magic Mouse scroll only in the “Settings” and “Program” windows, because accidental zooming is very annoying.Bonus Request: Social Captions. Dynamic captions for social media in the style of Instagram’s features, where the spoken word appears in a colored box. This would be a huge help for those who edit content for social media.I’m eagerly awaiting thistnx!

Please add the Polish language support

HiI' want to make some captions with a background, that does not change in height when using letters like "g" or "y". So it should only adapt when shorten or lengthen the text (one line). The problem is, that the height changes when using some specific letters (like "g", "y" or "p"). Is there a way to fix that? Best regards  

User option to automatically return the playhead to the previous position, when pressing stop, so that the user can keep editing and adjusting a section of the video sequence. Thanks!

Greetings Community, There are occasions where I've nested a still image or a video clip as an element in a graphic clip.It would be helpful to be able to right click on these nested clips in the "Properties" panel (and the graphic clip's Effect Controls panel for that matter) and have the ability to "Reveal in Project" and "Reveal in Finder".In a large project with many clips and bins, it can be tedious to locate these stills/clips when the need arises.A bonus would be to have the abilty to right click and have the "Replace with clip    >" function as well.Hopefully, others would find this useful as well. Regards,Dan 

Desativar o recurso zoom pelo scroll do Magic Mouse apenas nos monitores de “Ajuste” e “Programa” pois quando ocorre o zoom acidental é muito irritante.Request Bonus: Social Captions. legendas dinâmicas para redes sociais ao estilo das features do Instagram, onde a palavra falada fica com uma caixa colorida. Isso ajudaria muito o trabalho de quem edita para redes sociais.aguardo ansiosamente tnx!

Whenever I go to add music to my project, and I listen through my music from the source preview screen. Even though my project audio is leveled. Premiere always blasts my music at the highest full volume, and I always have to turn my computer audio down just to pick a song. If we can add an option in the source preview screen to turn down the volume while I preview songs and audios, that would be amazing 

Right now the timeline Snap feature has no options - it works for all assets, and clips snap not to each other, but to TRANSITIONS, leaving gaps and unsynced layers, it's very annoying. Users have to manually check every clip for whether it snapped to other clip's border, or to it's transition border.It would be great to have an option to disable Snap for transitions or for keyframes or for other types of assets, like we have in "Snap to" feature in Effect Controls panel.Link to the discussion on Adobe forums https://forums.adobe.com/message/10377154

Can anyone help me? I just recently turn off my computer for a night's rest then the next day this pops up. My premiere cant seem to find the change to color filter and I dont know how to get it back. pls help need this asap, big thanks.     I altered lot using this filter!!! Pls help me need this asap!! Big thanks!!!   Mod note: Title changed slightly.

Is this the most bureaucratic feature in video editing? Why would a video editor click and select a clip without the frame appearing in the monitor for editing? Selection moves the playhead to the IN of the selected clip. Thanks!

The search function able to identify different people. You can then name them and search for them in any shots they are included in. An extra layer could be their dominance in the frame, foreground vs background, large vs small, glasses or not, hat or not.

Adobe products should be easier to use without requiring extra work for the same result. Most notably, the sequencer features. Pro Tools figured this out 30 years ago. Smooth. Now you’re saying, well we don’t benchmark Pro Tools, because this isn’t a sequencer. Really? How hard is it to select all clips in a track? How hard is it to align the video clips to the audio track? I hope for easier features for editing music and brand videos.

When editing with photos and videos often we’ll shrink an image on a top layer incorrectly (v1 for instance).  [Think 4K video on 1080P timeline 48% scale - the image on top does not fill the screen completely].  But because V1 image might be dark and it’s over “system black” (default layer) it’s tough to see.  We then export the video and only notice that V2 isn’t sized large enough when watching playback.  So we need to go back into Premiere and fix. When working with a lot of image resizes I often make an orange colored background and put it on v1, then do the rest of the editing on the layers on top (V2+).  If any are not sized correctly I’ll see the orange and know to fix.Perhaps something like SAFE MARGINS that you can click on and off, yet doesn’t show up in the actual output.

The idea is as simple as it can get, just let me change the Guide from the preview window. It’s totally unnecessary to go the ‘view’ section and change it from there, I’m constantly with my cursor near to the timeline and preview.A right click on the ‘Show Guides’ tab of the preview window should make the saved templates of guides pop up so we can switch it from there.NOTHING ELSE. 

Reset Queue in Media Encoder will pull newly saved Premiere Pro project into Queue.  Say I make a timeline of 30 promos in Premiere Pro (in/out and add a clock number to each promo) then I send each individual one to Media Encoder.  Then I run Queue in ME and export everything.  If there’s a problem with the promo and I fix the issue in Premiere Pro, I need to do all the above again with each of the 30 promos.  You think there would be a way to ‘reset’ the Queue and when you run the Queue again it looks at your newly saved Premiere Pro project (with the promo fix) and them exports everything again with the fix.  

When I'm in Color Mode in Premiere Pro 26.5.0 (currently Beta), it would be nice to have a tracking button for the Object Mask Tool.Currently you have to open the Effects Control and go to Color Effect > Clip > Adjustment > Object Mask > Tracker.Since the Color Mode is a revamp version of the color mode, I think that the object tool selection is something to use all the time when color correcting stuff. To go to all that menues just to track, seems too much.When Toogling the Object Mask Tool, have a button somewhere, maybe like a Style Module, where you can track the subject and also change feather and stuff like that.

When I'm using a dual-monitor setup, whenever I want to attach proxies or link media, the pop-up window is too small to comfortably search for the materials, it looks like a programming error. It's very time-consuming to keep switching workspaces just to be able to properly view the material. 

Just like pressing “,” will copy an in/out selection as a clip into a sequence, I would like the option to do this between two sequences as well as if the selected clip were dragged from one to another.

Social media demands engaging content capable of “hooking” the viewer in an infinitesimally short amount of time. One way to achieve this is through a rapid succession of frames.When editing short form content, I review a longer clip at high speed and place point markers at each segment I want to include in the final edit. Currently, I go back to each marker, and select an in and out range to then drop into a rough sequence of rapid edits. It would drastically improve my workflow if I was able to convert each of those point markers in mass into duration markers, of a chosen length, and then drop them all as clips into a sequence.So the proposed workflow would look something like this:-set point markers-convert all point markers to range markers, length 3s, proceeding the marker, preceding the marker, or centered at the marker.-create new sequence with all range markers, or drop all range markers as clips into new sequence

Lots of Audition subscribers, including me, need a good desktop video editor as well but don’t need to subscribe to the whole Creative Cloud. It would be great to have a subscription option for 2-3 apps rather than having to choose between one or “Every single one.” Express is good but doesn’t have an upload to YouTube option like Premiere does.

As listeners increasingly expect to listen to audio at 1.5 or 2x normal speed, a common request I get is to speed up a voiceover. When I do this in Premiere, and recorrect the pitch, it always degrades the quality. Auditions Stretch and Pitch process does way better but it really bogs down the work flow having to jump in and out of Audition, especially when revisions or VO punch-ins needed. Would love to see Audition’s Stretch and Pitch process (or something like it) exist natively in Premiere.

Hi Adobe Team,I am a professional editor working on long-form projects. I’m currently working on a 20-minute sequence that contains over 50-60 clips with the Warp Stabilizer effect applied.Every time I move these clips to a new timeline or nest them, the effect loses its analysis and displays the "New frame sizes; click Analyze" or "Analyze" banner. Manually clicking "Analyze" for 60 individual clips in the Effect Controls panel is an incredibly tedious and time-consuming process.I request the following features: Background Auto-Analysis: An option to let Premiere Pro automatically trigger the "Analyze" button in the background whenever a clip is moved or changed. Global Analyze Button: A single command (e.g., Sequence > Analyze All Warp Stabilizers) that triggers the analysis for every clip in the active timeline at once. This would significantly improve the workflow for editors dealing with high clip volumes. Thank you.

In any other NLE, I can shift-select multiple elements to move them by hand, without nesting or pre-comping them. It seems very basic, and when doing animated titles, it’s a huge time-suck to move each word individually. It would be REALLY cool if I could shift-select multiple elements and use numerical values (in the inspector) to move them as a group. Since each element has a different position value, I assume this would mean the inspector would display an average position or “null“ position, and then sliders or numerical entry would move the entire group. 

Warp stabilizer is seemingly not smart enough to complete analaysis of multiple clips at once. I NEED to be able to set off multiple clips at once and rely upon it to complete, rather than randomly stopping half way through analysis. This has been an issue for literally years. FCPX could manage this task in 2018, so why in 2025 can Premiere Pro not?

This feature.I click on a shot in a 1080x1350 ( in this example) 60secs sequence and resize it for a 4x5 deliverable. I right click (ideally) and it finds all sequences where the same shot (clip name, in-to-out point) is used in other 1080x1350 timelines and I commit the new Motion/Opacity scaling to all other versions (these are normally cutdowns)Davinci has something now called Multimaster Trim Manager and Flame has Connected ConformPlease Adobe help me stay in Premiere a bit longer….