Feature Requests

Hello everyone! Excuse my automatic translator English 😞I have Premiere Pro 22.6.2 (Build 2)When I create a multichannel audio sequence and export it by choosing Quicktime, everything works, but the tracks all have the same name, for example:Track 1 - EnglishTrack 2 - EnglishTrack 3 - Englishetc.How can I make the tracks have the names of the different languages?Track 1 - EnglishTrack 2 - SpanishTrack 3 - Frenchetc.Thank you very much!   Mod note: Title was changed slightly.

Are adobe planing to add ability to export LUT's from Premiere Pro in more quality way?It's little bit strange that i can exports high quality LUT'S from Photoshop, but can not do this in Premiere Pro... only 16 table size can be exported from Premiere Pro and in many cases it's not usable for color grading.

I've seen this feature in some of the best captioning apps, Premiere is not up there yet, but has definitely improved a lot in the last few years. It would be infinitely useful if the software can balance the length of the caption lines better when using two-line captions. A lot of the issues I have to correct manually is having a full caption with two lines, then the next one is a single word. There's no use or need for this unless there's a long pause in between words when speaking and 90% of the time this is not the case.So if Premiere could automatically fix a caption that reads like this:This time we will presenta deep dive into the softwareAnd turn it into this:This time we will presenta deep dive into the softwareAlso automatically fix this:For today's presentation we have apanelAnd turn it into this:For today's presentation,we have a panelThanks!

Hi, Can Adobe add a function or option to preserve folder structure on import? CMD+I to import and the folders are deleted, and my media is brought in as a mess of clips.I saw a post saying this was used for newsrooms working quickly. An option to "Preserve Folder Structure on Import" would help immensely as I create a strict folder structure on my hard drives and shared server.   - Joe   [Moderator note for clarity of request: this is during import processes (especially) using the Project or Media Browser panels.]

When using the caption feature you can automatically transcribe the audio into text and it can split up speakers (Speaker 1, Speaker 2, Speaker 3, etc.). Currently, I have to manualy add [Speaker 1]: and [Speaker 2] infront of the subtitle text. It would super helpful and efficient for Premierto have an option to add those speaker names in front of subtitle text when speakers are overlapping eachother, or the current speaker is changing.

  put the interpret footage back to the top of this dropdown. it's the most used by far for anyone who works with slow motion footage. OR better yet, let us choose what order the options show up! so we can put whatever one we use most at the top. stop forcing bad changes on us adobe

Color Checker chart in Lumitri. Auto tracks the colors on the board in the shot so I can make sure I have perfect white balance in one button click.  Davinci has this. I don't think it has auto-tracking for the color boxes, but that would be SUPER helpful.  Having to download a third-party plugin is annoying. Especially when Davinci has this feature "Minus the tracking" built in. 

Please make different open projects have different color bin backrounds or a color marker on each tab relating to the open project.  Sometimes when multiple projects are open, it gets confusing which bin or sequence you are using.

 Premiere Pro- Node-based color grading workspace option. - More robust color grading workspace like Davinci. Including Gamma, Lift, Gain, and other features that make selecting specific colors easier. The HSL is good, but it's difficult to use sometimes because of the pen tool not being very accurate for masking and not very fast in responsiveness. - Face tracking for color grading.- Basically, just take Davinci and make it Adobe lol Features like this would make Premiere a dream to work in. Color grading in here is kind of a pain right now. Basic grading is easy, but masking is not so good. Improved responsiveness and precision of the pen tool would be a major upgrade. The Lumitri Section is small and not so precise when it comes to using the pen tool to select colors in the different categories for HUE vs Sat and so on.The hit point for the pen tool needs to be improved. Its not as accurate as After Effects. That would be such a huge improvement. It's also v

I've spent countless hours copying and pasting text from PowerPoint into Premiere so I can animate the text and images and make the PowerPoint look nice. Also adding other broll clips and music/sfx. The usual video creation process.  I know you can make videos in PowerPoint, but doing it in Premiere allows for much more flexibility.  This would be very useful. This would allow for adding interview videos and then adding captions right in Premiere, instead of going back and forth between the two programs.  Thanks!

Sending an XML + Media to a Resolve colorist is difficiult in Premiere. Divinci Resovle has an export type in their Deliver page which is a "XML Export to Premiere" option. It exports an XML of the sequence, then exports each clip in the timeline, with handles (if desired). This XML then imports nicley into Premiere, linked to the clips it created. I'm suggesting PPRO have the exact same export type, but instead sending and XML + Clips to Resolve. This would streamline the roundtrip to color in situations where the colorist does not have all the full source media on-hand. My current worflow for this would be to Render & Replace the sequence I intened to send to color and send and XML of that sequence - but R&R has an issue where it copies the entire source media along with transcoding which is very impractical (I have another feature request on this topic). So instead, I am sending and XML to Resolve, then creating the clips there by doing the "XML to Premiere" e

Auto translate captions and replace ons creen in any language. PLEASE. Could have used this so many times. Thanks!

I constantly deal with this annoying situation: I keep locked certain audio tracks (to prevent any accidental modification), but I also often need to mute/unmute them (to focus on the edits I'm doing in other tracks). Currently, Premiere Pro does not allow locked audio tracks to be muted/unmuted without prior unlocking them. It would be great if the lock would apply to everything except the "mute" and the "solo" buttons.

This would be a game-changer. If an iPhone app can do it, then a paid editing program can too!

Auto prerendering would be a huge help, especially for people who utilize the Smart Render technique. After Effects has this. It was recently added, but it is now something I wish Premiere Pro to have. Hitting Enter and watching the screen load is a bummer. Automating this would save lots of time. 

Dear Adobe,I have been a user of Adobe's transcription services for some time now and have found them to be incredibly useful for a variety of purposes. However, I have noticed a significant gap in the available languages for transcription, and I would like to propose the addition of Hindi language support to your transcription options.Hindi is one of the most widely spoken languages in the world, with a vast and growing user base in India and across the globe. Adding Hindi language support would not only cater to the needs of millions of potential users but also extend the reach of Adobe's transcription services. This expansion would undoubtedly make Adobe a more inclusive and appealing choice for a broader audience.

Current functionality of Render & Replace will copy the entire source media file, even if the user has selected to transcode the media, trimmed to the clip lenght, + handles (if desired). This is extremely impratical beciase it creates duplicates of my source media which is exatly what I'm trying to get away from when R&Ring.  Addidionaly, if you have very large source files (hour long interviews shot at 6K, for example), you can't use R&R becuase it will take forever to copy all this media and fill up unnecessary drive space.  I would like to use R&R as a way to create trimmed clips to send to a colorist, or VFX artist, for example, and this makes it totally impratical.  This full files are apparently copied so that Premiere may revert back to the full source media file,  if the user decides to do so. I suggest that instead you:Add a checkbox which lets the user decide if they want to copy the entire media or notJust have the clips revert

Hello!How can I translate Premiere Pro into Turkish?

Hey team! Love all the improvements to the text based editing that have been added. In the world of tiktok, instagram, and youtube shorts and social media in general there's been a surge in content that has burnt in captions. I know you guys care about social media editing because you introduced a vertical profile. A lot of social content comes from longer format podcasts. I personally edit podcasts with 3+ speakers but when it comes to captioning clips for multiple speakers it's kind of a headache, sure premiere can differentiate the speakers when you transcribe but the moment you convert to captions the text kind of gets jumbled up together and it's a lot of correcting who's speaking.  With text based editing came the feature to transcribe the source clip which I wish could be used to transcribe and create captions for every track/speaker on separate caption tracks which could then be converted to graphics layers. The current workaround I've found is retranscribin

I've been editing a video and had to go through all the pauses manually, right click, ripple delete... It take so much time (even hours) for something that can be done in just one click as the software already has this information. Add it to a right click on the show pauses button, to be able to edit all of them at once. Let's Upvote this and save everyone so much time with just this little and fast to add feature!

sometimes we want to export a vertical aspect for socials from a horizontal sequence. for instance, we have worked in the timeline or sequence which is 1920×1080 and everything is picture locked! we just need to export a vertical version of our project (for example 1080×1920) from that sequence without needing to change aspects of the sequence. just like the slice tool in Photoshop! we just click and drag the slice tool to the area we want to export or put exact numbers of width and height.

Please add this feature to Premiere Pro which user can export all clips individually in Timeline. I meant not by making input or output for all single clips in the timeline it just wastes time. Just dragging and selecting many clips and exporting all of them as individual clips with just one click

Hi, if anyone could point me in the right direction, i´d appreciate I come from a programming background and i´m trying to emulate a function inside premiere that could save tons of time:I´m doing videos for my hobby and I have this major sequence receives from time to time video and image elements while the narrator is explaning stuff. For example, the narrator talks about a dog, a dog gif or video slides into the screen with a 'whooshing' sound.Thinking about [INPUT > DO SOMETHING > OUTPUT] logic:For the INPUT, i have a visual aid (img, gif or video) and an mp3 for soundeffect;For the OUTPUT, I´d like to have a nested sequence with:- visual sequence (can be a jpg, gif or video) with specific timing- soundeffect on a specific place- a slide transition to come in (with specific duration)- a fade transition to go off screen (with specific duration)Is there a way tou make this ' Input>Output builder' with premiere?I can manually resolve this issue, but it is really tim

Please modify sound syncing to Plural Eyes way.... There is many reasons why it will be better, than current way.For example i want to sync 3 cameras in PP and each camera have about 20 files... so in PP way of syncing i will have 60 cam multicam sequence...In Plural Eyes way i will have 3 cam multicam sequence.

When using source footage that has multichannel audio, Premeire - and AME to an extent - refuses to allow proxies. It will claim to need every audio channel to match, which AME will not do even on the right settings. Proxies make everything simpler on the video end, not the audio, so why should it require every audio channel to match anyway?My workaround has been to load the file into the free version of Davinci Resolve, set it to 720p, and export using their DNxHD settings that will match the audio source exactly. I then have to attach this file as a proxy to the original in Premiere. It works, but it slows me down a lot.Is there a better way to do this, or can Adobe please just allow me to use proxy footage with different audio?