Feature Requests

Can we have the ability of pining the text layer to a tracked mask (Unassigned Masks) so the text can move along with the tracked mask.Or you give us the ability to track features on the screen and review them at [Tracking Panel] so you can link them to any layers (transform) text or clip.Linking any transform (text or clip) to any tracked feature on the timeline. 

Hi There, can you please put back the Essential Graphics panel in Adobe Premiere Pro 2026 Thanks Kevin

 I am a professional editor and I need Premiere Pro to support the Greek language for automatic transcription and captions. Currently, Greek is missing from the language packs, forcing us to use third-party tools or manual work. Please prioritize adding Greek to the supported languages for Speech-to-Text in Premiere Pro 2025. It is a vital feature for the Greek creator community. 

Integrate a real useful AI-tool to Premiere Pro (and other softwares like After Effects) - Add an AI-prompt tool that responds to all functions and commands in Premiere Pro. For example you can type “Add a Gaussian Blur to all the clips in the timeline with the blur level of 50”. Think of all the possibilities and effective workflow this could contribute to!(And while we’re at it - integrate an AI-optical flow that competes with DaVinci Resolves optical flow)

The enhancement from (formerly Project Shasta) Adobe Podcast is AMAZING.  It transforms (most) bad audio into professional sounding audio and professional audio into beautifully-curated EQ'd and Compressed, pristine audio.  If you haven't tried it first-hand, you MUST give it a shot.  It could make you a believer. The good: For single-channel, vocal driven audio, there is literally nothing that sounds better to me.  The bad: 1. I have to export a Raw Waveform and submit it to the website. 2. I have to wait for the file to process. 3. If there are any anomalies that created unwanted compression/limiting/EQ, I have to keyframe the audio's gain in those parts and rinse and repeat until I get the result I want.  4. There are NO parameters to fiddle with, but the end result is usually 99% perfection, I kind of don't care: it is quickly becoming part of my editing workflow on every project.The hope: Whether the process could live locally on Premiere or

It would be great to assign a Keyboard Shortcut to delete all Essential Sound Audio Tags from all selected clips at once. Right now deleting all tags from a couple of clips is many steps because you have to do this independently for each category. The reason is that Premiere can auto detect the correct label but it cannot detect Ambience very well. So I would delete the Tag from a couple of Music, Dialog and SFX-Clips on my Ambient-Track in order to quickly tag them all as Ambience-Clips in one step.

Subject: Feature Request: High-Priority Audio Workflow Improvements & Multicam Efficiency​Dear Adobe Premiere Pro Development Team,​I am a professional video director and producer. While I follow Adobe’s AI advancements with interest, I would like to request several practical updates that are crucial for high-end production environments. If implementing complex AI features like "Multicam SmartSwitch" (as seen in DaVinci Resolve) is not feasible in the immediate future, I strongly urge you to prioritize the following audio and source management improvements:​1. Seamless Multi-track Audio Support in Multicam ClipsCurrently, managing numerous audio tracks within a multicam clip is highly inefficient. Please update the system so that a large number of external audio tracks can be bundled with video into a single multiclip. It is technically counterintuitive that audio and video remain disconnected when using 'Match Frame' during multicam editing. We need a unified structure where audio

La verdad que lo que hizo premiere con las máscaras en esta última función ES UN ASCO. Estoy perdiendo dinero pagando esta “herramienta que más que ayudarte te complican”.NO PAGUEN POR ESTO, NO LO USEN, ES MUY MALO.

Hello Adobe Team,I wanted to share some feedback regarding the upcoming Premiere Pro update and the new Color Panel changes.I noticed that in the beta version, the Lumetri Color panel seems to have been removed or replaced. I would strongly like to request that the Lumetri Color panel remains available in future updates.For many editors, including myself, Lumetri is a core part of the workflow. It is fast, familiar, and highly efficient for color correction and grading, especially in professional editing environments where speed matters.While I appreciate the new features and improvements, removing Lumetri could significantly disrupt established workflows for many users who rely on it daily.Please consider keeping the Lumetri Color panel as an option alongside the new Color Panel, so users can choose the workflow that best fits their editing style.Thank you for continuously improving Premiere Pro.

I have just tested the new Object mask from Premiere in After Effects. And I have a question - why is the AE-variant so much better than its original baby from Premiere?I mean you have thought it through and added not only the standard Object mask tracking but also a means to properly correct the mask. I mean these guys:I’ll explain.A Premiere Object mask workflow is this:You select a clip You click on the object mask and get an AI-selection If you want to exclude something from this selection you use the negative mask. But there’s a problem with it - it’s AI too and it often does not deselect what you need to be deselected.Here’s an example:Premiere 26.2, Object mask selected the bridge stand AND the wires. Whatever you do next you will NEVER deselect the wire here:In after effects you have a selection brush tool which works as a brush and it does work in such situations - you draw a negative mask and the selection is gone: So my feature request is adding at least the brush tool to Pr

Great it is, the sequence index misses several essential features that the community has asked for ages.Show black frames or gaps (including the end ones, when you place the playhead at the end of the last element and hit O to select everything to the playhead - it always includes 1 black frame at the end):Show unfinalized effects like Warp Stabilizer not analyzed, an object mask added but not assigned to a single property or effect: Duplicates of the same effects on the same clip\adj layer\nest: Texts having gone past the text layer frame due to the font scale or type:Effects or transitions that have the worst impact on the software performance, i.e. make the timeline red (in huge timelines with many nests and multitrack layer constructions it is often really hard to tell what worsens the performance): 

Please add option to have all red/yellow line sections render in the background to green! Thank you...

I want to put in a request as I just saw that the linear wipe effect has now been labeled “legacy” which i’m assuming means that it will no longer be updated and will eventually be removed. I often use this effect as a way to crop a slightly out-of-level video clip to a precise percentage in order to create completely vertical and horizontal elements in my videos. I understand that there is the native crop option, but there is no way to change the angle of each side of the crop so this does not work. I also understand that I could use an opacity mask but this method seems cumbersome. Not sure if anyone else uses the linear wipe effect this way, but it has been a huge help to me.

era muito mais fácil, intuitivo, e funcional o antigo 

Dear Premiere Pro Team,Let’s be honest—it's time to catch up with the competition and bring Premiere Pro to the forefront of AI-powered video editing.While some recently introduced features may seem trendy from a marketing standpoint, they don’t always reflect the actual needs of working editors who spend hours in front of the timeline.One truly useful and long-requested feature is an AI Video Upscaler.This would allow users to upscale lower-resolution footage to higher resolutions with intelligent detail enhancement—something that is already being done effectively in tools like DaVinci Resolve.Please consider implementing AI-based upscaling in future versions of Premiere Pro. I’m confident that millions of users around the world would greatly appreciate such a practical and powerful improvement.Best regards,Paul Styler

The ability to copy the text from the 'resolve fonts' dialogue,  the missing footage / relink media dialogue and missing effects. dialogue. Both Premiere and AE.Very useful for communicating/requesting with other team members or copying to search for fonts etc.. 

It should be able to arrange the Highlights in Color Management, big difference between Exposure and Hightlights.

​Please, add this tiny item to the Effects panel context menu:So that anyone can select clips or cuts and add a selected effect or transition in one button-click. It’s time.​

It’s been over a year since the CleanFont hack has been removed, and the general user interface font is still incredibly small. All of the new AI stuff is great, but being able to red the screen is something we need to do EVERY DAY.  Can we please have some kernal of knowledge that this is being addressed?

From what I can see so far, I think the new Color Mode within Premiere Beta has some awesome features that will make color grading easier, but the controls are a little bit difficult to use.  Keeping the existing controls, it would be great if users could also hover over each color control wheel and use the middle mouse scroll wheel to adjust them.  For bidirectional controls, regular scrolling could adjust vertically and scroll + shift could adjust horizontally.

Would love to see a way to change sequence settings across multiple sequences at once.Right now, if I need to convert a bunch of timelines from 1920x1080 to 1080x1920, I have to go one by one or rely on workarounds like nesting or Auto Reframe. It works, but it’s pretty time-consuming and clutters up the project.It would be great if we could:Select multiple sequences in the Project panel and apply the same changes across each sequence only using one interface If allowing each setting to change could cause problems, do something similar to the properties window where only a select amount of settings can be changed Change things like frame size/timebase/Maximum Bit Depth/Render Quality etc. all in one go Choose how clips adapt (scale to frame, keep positioning, etc.)This would be a huge help for social and multi-format workflows where you’re constantly delivering different versions of the same edits.Feels like a small addition that would save a ton of time.

Hi everybody.I think the whole mono to stereo is a mess in premiere pro.If I look at Protools for example, there is clearly a difference between a mono and a stereo track. And, if you take two mono clips that you drag onto a stereo track, they'll fit in that stereo track and play stereo. And vice versa, if you take a stereo clip, on a stereo track, and you bring it over two mono tracks, they'll split and behave mono.Premiere is lacking this basic feature. Tracks are... I don't even know if they're mono or stereo. If you bring a stereo clip, it's stereo, if you bring a mono clip, it's mono.You can split a stereo clip by going into the audio attributes of the clip in the media bin, and make it play dual mono. But there's no way to take two mono clips (L and R side of a song for example), and make them behave like a stereo clip. In my case, I'm opening an AAF that has all the audio split out in mono, and now my whole session has a ton of mono clips, that I can't bring back to stereo. I've

I have long wanted to see Premiere have the ability to “SHY” video layers.  Once you work in AE, you realize just how powerful a feature this is.  I contacted Jason Levine at Adobe about a year ago who agreed this is a great feature that would be welcomed by many in the Premiere Pro world.  When you work on projects with many layers, you quickly realize how good a feature this would be to have in Premiere.  Many users have templates they use daily with the same dozen of layers that sit there, locked but not out of sight.  Imagine being able to “shy / hide” those layers with a single click on a button.  Pure magic.  Adobe engineers, PLEASE give my idea a few moments of your time. Thank you.

The Warp Stabilizer UI, in its “Analyzing” state, can be improved. Current behavior is to alternate text between “Time remaining” and “% complete / frames processed.” This is good data, but having to wait to see “the other thing” is annoying. Recommendation:Add a simple “progress bar” behind the text, using the secondary UI color (i.e., the same fill color from the Cancel button), which tracks along with the percent figure.  It will be subtle but visible and will not impact text readability. Remove the “alternating text” behavior. Let the text read simply: “3s ~ 76% ~ 309/404 ~ 5fps” -- the numbers should be self-explanatory enough.  But just in case: Also include an on-hover tooltip to display more verbose text for anyone who’s confused.This is more and better data, in the most likely priority order, in a smaller space. Thanks.

Hi everyone, I am a daily vlogger and almost every Vlog starts with some cinematics with speed ramps. I never edit the opacity of a clip in the timeline. Every time I want to do some speed ramps I have to right-click the clip > Show Clip Keyframes > Time Remapping > Speed. I am not able to do this for several clips at once. Each clip has to go through the process individually.  Is there a way to either set up the Sequence timeline to display the Time Remapping/speed keyframes by default or is there a way to set Show Clip Keyframes > Time Remapping > Speed as a keyboard shortcut. I have tried to find both options with no success. I know it is a small task to do but with daily vlogs every second saved counts. Searching here also didn't help Thank you,Mike