Feature Requests

While it does come off as lazy that a whole bunch of highly needed effects and transitions were bought rather than existing tools upgraded and new ones designed, the Film Impact toolset is still highly welcome.    There is a big problem however which is interopability with After Effects. If we have the desire to finish deliverables in AE rather than Premiere it is currently impossible to transfer this data over.   Please port all effects and transitions to AE. I know AE doesn't have transition functionality in the way it works in Premiere. But the way Red Giant Universe tackles it is by making effects able to select another target layer to blend the transition to and you keyframe the transition % slider. This is a perfectly acceptable solution that can be implemented. It won't copy paste from PR -> AE but you can at least manually recreate the exact same data.At the minimum I hope to at least see the effects being ported over.

When working with multiple clips in the timeline, adjusting the same video effect across all of them is unnecessarily complicated. Right now, if I change one effect setting, I have to remove the effect from all other clips, copy the new version, paste it back onto each clip, and in the case of Warp Stabilizer, manually restart the analysis for every single one.This becomes especially painful with stabilization. For example: if I want to change the smoothness from 1% to 20% and switch the method from “Subspace Warp” to “Position/Scale/Rotation,” I can’t just update the setting once. Instead, I need to delete Warp Stabilizer on all clips, paste a new instance, and then click “Analyze” on each clip individually—waiting for them to process one after another. Iterating quickly is practically impossible under these conditions. A better approach would be:When multiple clips have the same effect, let users adjust those effect parameters across all selected clips at once.For Warp Stabilize

I get Adobe changed to this annual release cycle when it moved to a subscription model and they wanted to make it seem like we're getting our money's worth - but we've accepted that the subscription model is here to stay, so we don't need this ridiculous rushed out cycle any more.  It's not helping anyone or anything, it's actually a hinderance and I'm actually quite sick of being a beta tester for a product I pay for annually. Let's go back to the days of stable software and features that have the kins worked out before release.  Thanks

I would like to see the technology for generative extend be used for a generative fill - where you can have two clips on the timeline, that you have cut out a section of the speaker talking, where normally you could use a morph cut or b-roll, but generative fill would use the last and first frames as referance, and create video to seamlessly fill the missing video sort of like morph cut,   maybe the this could be called generative morph cut.....

Is there any chance you can consider adding the ability to WARP STABILIZE to support keyframes, so you can turn up or down the levels of stabilize (or even style) on a clip. The technical use case is where clip could just needs different parameters but you want/need it to not be frame aligned between the transition of the strength of warp stabilize. Creative use case, basically if you have an already shaky shot, and just want a frame aligned transition where the stabilize comes in, and stops (eased in and out) to show for example a situation where the action needs to be calmed down. Just some ideas,  I have been fusing with warp stabilize to try and get to know it better, and felt this could be something worth while having as I was experimenting with settings.

The keyframes displayed in a clip in the timeline should auto-scale. Take this example:I have a clip in my timeline with an animated gaussian blur on it. It starts at 0, then after a second it ramps up to 60. In the timeline, if I right-click the clip and do Show Clip Keyframes > Gaussian Blur > Blurriness, I see the keyframes. But there appears to be no difference (in the y-axis) between the "0" keyframe and the "60" keyframe. Ah - I realise why - it's because the Blurriness value can go all the way up to 30,000, so the keyframes are displayed accordingly - ie. there is an imperceptible difference between a "0" keyframe and a "60" keyframe in the grand scheme of 30,000 things. I suggest that the keyframe graph displayed in a clip works just like the graph displayed in the Effect Controls panel - it auto-scales to show the lowest value at the bottom and the highest value (be it 60 or 30,000 or whatever) at the top. All other valeus are plotted accordingly in between. By

Whenever you retime a clip / change it's speed/duration, and you apply "Maintain Audio Pitch" it goes from sounding natural to sounding like its passing though a metallic filter, and it becomes more dissonant and tinny, or misaligned stereo-wise. You don't have that problem when you do not maintain audio pitch, however, now it is helium sounding. Both are unusable. I've heard you can work around with using Retime with no maintain audio pitch, and then also apply a Pitch Shifter. That is too time consuming when I need to retime 3-400 clips per project. If Adobe is expecting editors to have to load up all their audio into Audition then back into Premiere, that's a horrendously clunky solution. Is there any way to make it so that Retime along with Maintain Audio Pitch doesn't make clips sound tinny and dissonant? My client hates it and is urging me to use Final Cut because it does not have that problem. Real professionals use Premiere for their work and income source, this is fa

I like Adobe and I prefer Adobe in everything, but lately Capcut has facilitated the creation of short content in a very versatile way, very quickly and with the possibility of a medium quality sufficient to communicate in short content. I have used Adobe Rush, but it is totally unable to create quick content, they also have Adobe Express which is like Adobe's Vanvas, but it does not do what Capcut does with people who do not have much knowledge and want to publish their things, this is why I leave you the idea that you put all the effort for short content to Adobe Rush, include Adobe Firefly for the creation of short content and create a number of preset effects and make them viral for the main social networks and Adobe Premiere Pro leave it for content made by more creative professionals, and Adobe Rush is automated with AI, you can include an AI that creates scripts for images and scripts for videos. I hope this text gets somewhere. /////////////////////////////////////////////

I use the Retime feature somewhere between 300-400 times per project, so around 1,200 times per month. Whenever I retime a clip, I have never once not applied "Maintain Audio Pitch". I set my retime keyboard shortcut to 'R'. I like very much that the text field to type in your new percentage number is, by default, highlighted so that I do not have to switch over to my mouse to highlight the text field to type my new speed. I also love that if I select "Ripple Edit" under Retime just once in a project, it remains sticky and does it with every other clip I retime.However I do have to switch over to my mouse every single time to select "Maintain Audio Pitch". It is painstaking and probably compounds to add an extra hour to my edit time just to make all these clicks. As far as I am aware there is no option to turn this on as the default setting. Please, please, please - could Adobe add this, at least as an option. I know many other editors that would cry in relief for this featur

I'd like a way to assign a keyboard shortcut to change the FX badge focus on a selected clip in the timeline (motion, opacity, time remapping). I do a lot of keyframe time remapping, and right-clicking each clip gets old. Even changing the default to time remapping instead of opacity would be a win. Any of these solutions would save time in my workflow.  Thanks for considering. Upvote if you'd benefit too!

Dear Adobe Team, I’m writing to request the addition of Urdu language support in the Captions and Transcript feature of Adobe Premiere Pro. As a content creator in Pakistan, I often work with Urdu videos, and the lack of this language in the transcription options creates difficulties in producing accessible and accurate content. Urdu is spoken by over 170 million people globally, and its inclusion would greatly benefit creators across South Asia and beyond. Adding Urdu support would be a huge step forward in making Premiere Pro more inclusive and creator-friendly. Thank you for your attention to this request. Best regards,Qasim Zia [personal info deleted by mod]

Hi, One thing that would be a good shortcut in my workflow would be the ability to select while using the ripple edit tool.  As it is now, I have to go back to the selection tool, select the clips I want to trim, hit B for ripple edit tool and then trim.  Even though I'm fairly quick and I know the keyboard shortcuts instinctively, it still feels like an unneccessary extra step in the process.  Thanks!

There should be an option to keep the Project panel automatically and continuiously alphabetized. If I add a new clip it goes to the bottom, and my numbered items are always losing order if I duplicate things, which I do constantly. I want that panel to stay A-Z at all times (like Avid). 

If I want to modify a sequence's settings,  the custom presets are not available and I literally have to change the sequence settings on every sequence manually.  This is relevant when I need to make, for instance, social formatted versions of edits, which I prefer to do manually.  Say I have 30 sequences I need to make vertical versions of, this is going to take me for ever!  Is there a reason custom settings are not available when modifying a sequence's settings? This would speed this process up immensely.  Better yet, having the ability to drop a preset onto an existing sequence in order to change its settings would be even better, similar to the way I can drop a LUT preset onto multiple log clips at the same time.

When subtitling long conversations, I have a style preference of removing full stops/periods at the ends of sentences, especially if the subtitle is just a single sentence. It makes the subtitles cleaner and the conversation seem less stilted. I'd love to see an option in the Create Captions dialogue box to automatically remove these trailing punctuation marks at the end of subtitles.

When copy/pasting a Lumetri effect (or crop effect, etc) to one or more clips that already have that same effect applied, I often want to replace the existing effect in the clip(s) rather than add a second copy of it.  Giving users a new "Paste & Replace" shortcut such as Ctrl+Shift+V so that they can decide on-the-fly if they want to add an effect or replace any existing copies of that same effect would be extremely handy! If the "Paste & Replace" shortcut is used on a clip that doesn't already have a copy of the effect being pasted, it would simply work as a regular paste (Ctrl+V). If a clip already contains several instances of an effect, then using "Paste & Replace" would remove all previous instances. If the user wants to always replace existing effects by default, they could simply change the "Paste & Replace" shortcut from Ctrl+Shift+V to Ctrl+V. This would put full control in the hands of the users! Please consider adding this simple little shortc

Enable Hover Scrub in Source, Project, and Timeline. Pls.

Hi Adobe Team,I would love to see a Voice Isolation feature in Premiere Pro, similar to the one in DaVinci Resolve. This would allow users to easily remove background music from a track with dialogue or vocals while preserving speech clarity.How would this improve my workflow?Currently, removing background music from voice recordings in Premiere Pro requires complex EQ adjustments, noise reduction plugins, or third-party tools. These methods can be time-consuming and often don't yield the best results. DaVinci Resolve's Voice Isolation feature simplifies this process with just one click, using AI to separate vocals from background noise.Adding a similar AI-powered Voice Isolation tool in Premiere Pro would:Save time by reducing the need for manual audio editing.Improve audio quality by enhancing dialogue clarity without affecting the voice.Enhance workflow efficiency for content creators, video editors, and filmmakers.This feature would be incredibly useful for interviews, vlogs, podca

Dear Adobe Team,I would like to share an issue that has been a challenge for me for quite some time. First of all, I am grateful for Adobe’s user-friendly approach and pricing policies. As a student, I was able to benefit from affordable local pricing throughout much of my education.However, since Premiere Pro does not currently support Turkish transcription, I have had to either purchase third-party plugins (which are difficult to fit into my budget) or spend a lot of time manually creating subtitles. I am sure there are thousands of users like me who have been waiting for this feature.I kindly ask you to consider adding Turkish language support for transcription in future updates.Thank you for your time and support.

The Sony A7Siii has the ability to add Shot Marks whilst recording video. Premiere Pro has no way of reading these shot marks. It would be great to have this metadata be imported with each clip? All the added Shot Marks should be visible in the Time Ruler of the Source window for quick access to these points in a long recording.

When doing Voice Overs the Auto-Scrolling for the timeline is diabled.Would be nice, if scrolling also works while your are in Voice Over Mode. Not sure if it is a bug, so I ask for a feature request.

Premiere Pro’s current font sizing system (0–400) feels arbitrary and creates unnecessary friction for editors who need consistency across platforms. In most design and creative software—such as Photoshop, Illustrator, and After Effects—font size is measured in pixels (px) or points (pt), which allows for precision and predictable scaling. By adopting “pixel size” as the standard unit in Premiere Pro, Adobe would not only align its video editor with industry norms, but also give editors a clearer, more transferable way to design supers, lower thirds, and captions that match branding guidelines. This change would eliminate guesswork, improve cross-software consistency, and ultimately save time in professional workflows.

I'm surprised no one has asked for this, but, if you're doing most of your keyframing inside of premiere pro, things can get real messy real fast, especially if you need to go back and change things. Is it possible to add the option to change the keyframes colors? This would make it a lot easier to understand quickly what we're looking at when there's a jumble soup of keyframes on a single clip. Using Maya and Blender as inspiration for this and how something so simple can be so effective. Even just different colors for each attribute would already be a massive help.  Thank you!

CURRENT WORKFLOW:I used extended markers to mark good sections of clips, sounds bites, etc.... This is useful because when I'm editing I can open a long interview clip, or long b-roll clip, and quickly see every section of the clip that has good moments or sound bites. THE PROBLEM:There is no quick way to mark an In and Out point that matches the extended marker range. I can navigate directly to the start of the marker using the keyboard and mark an In point, but there is no option to navigate to the end of the extended marker range to mark an Out point. Instead, I have to manually play or click near the end to mark my out point. This is time consuming and inaccurate. FEATURE REQUEST:My feature request is a keyboard shortcut that sets an In/Out point that matches the In/Out point of an extended marker. This would make it faster and more accurate to edit from clips with extended markers.

Can't figure out how I can make a keyboard shortcut to directly go into the master clip settings of a clip selected in the timeline... I'm thinking Shift + 5 goes to the effects panel, but switching to the master clip settings has to be by mouse click??? Would be great to be able to assign 1 keyboard key combo.Keyboard shortcuts:Under Panels > Effect Controls Panel there should be:Select Clip TabSelect Master Tab  But this isn't available. Would be great since I'm colour correcting a lot of R3D footage on a daily basis from within Premiere.