Feature Requests

If you all haven't used the Facetune app, you're missing out. It's incredible. It can autotrack your footage and with just a few clicks do a great face refinement that includes a ton of stuff (Even more stuff than what DaVinci Resolve can do). It's really good. Adobe should just buy the FaceTune company and build it into Premiere. It seriously is a game changer. No masking/rotoing/tracking, or any other time consuming tasks. Seriously, it's a 10/10 for features and how well it works. It costs like $72/year though, so I canceled after the free trial.It blows my mind that Premiere isn't the leader in all of this. For the cost of Creative Cloud, Adobe should be the ones with all of these amazing features.PLEASE build into Premiere Pro quick-use features like the FaceTune app.Features that are a must from the Facetune app that are needed in Premiere (All of these auto-track and apply the effect with a slider bar for how much you want the effect):Smooth skin (Softens the skin on your face a

I would love to see the Markers Panel to act more like a Excel Sheet Table. Especially becuase I tend to write a bit more into the "Name" field and that is caped at a fixed length and there apperas to be now way to make it expand to be able to see the full name or at least more of it. Maybe adding the abilitty to resize the left side of the markers panel next to the comments field?Maybe it'd be an option to make the name field also visually line break and display the full title (or at least give the option to do this)? Not sure what the solution would be that would be able to be added. But I'd like to see this updated / improved. Warm Regards,Chris

The new Color tab is a great addition, and I’d love to see it expanded further.First, when opening the Color tab, the Effects Controls panel should automatically open alongside the sequence and viewer windows. In the current beta, using the object mask tool without that panel visible makes it impossible to view keyframes or use auto-tracking, which disrupts the workflow.Second, while it’s helpful that we can target either a Clip or an entire Sequence within the Color tab, it would be even more useful to include the ability to target individual tracks. Editors often work with footage from multiple cameras, each with different log curves, and LUTs aren’t always consistent across them. This is especially important since footage isn’t always organized onto a single track.A potential UI structure could look like:Clip > Sequence > TrackThis added level of control would make color workflows more flexible and efficient.

- Transition effects on film impact dashboard panel not working!!!- Enable mercury transmit shortcut for second monitor not working unless I open the preferences window- Default media scaling: fit to frame not working- Grow effect is croping the borders of the object a lot of the times- Marking the in on the source panel is not always resulting in the same frame when put on the timeline- audio scrubbing keeps turning on for some reason- increasing the crossfade audio breaks the clips if the timeline is too zoomed out

The size of keyframes are often easy to miss when trying to click on them. A size preference would be nice to add to the timeline settings. At least twice the size would be ideal.

Hi, I know we got the fancy new search panel but as I see, it’s lacking basic filter functionality based on folder structure.Often I get folder structures with selects, shootings dates, color labels and to put that into context, I need to see the location of those files, best by seeing the folder structure.(Sure, if all was logged into metadata it would be nice but that is not always possible and to be honest, showing a few metadata panels more in the project panel hits the performance a lot and often leads to UI bugs like input fields getting stuck while scrolling and such things).So what do I want to do?The situation is following:A structure like-Day 1--Scene 1--Scene 2-Day 2--Scene 3In each “Scene” folder, there are numerous files, color coded to be selected or to be excluded.Now I want to filter for specific labels but unfortunately the search doesn’t allow for something like Label:Green or Label=Green.A search like “Green” isn’t working either, despite this search/filter is also p

It would be a nice quality of life improvement, if you could export a list from all offline media during or after the scan.I don’t only talking about a file list but with their last known location that is shown during scan/relinking.This would make quick communication way easier with lots of missing files spread over different paths.Just export a file list (txt or csv) and send it of to the person that gave you the project to search for the missing stuff instead of compile the list yourself manually.

So, I try to work in a non-destructive workflow. That means I duplicate sequences a lot when I have edits to make. It is THE MOST ANNOYING THING that even though I iterate my sequences (The name always ends in _v1 or whatever version I'm on) but when I duplicate it, it renames it _v1 Copy 01. After Effects recognizes I have a number at the end and just adds 1. Perfect! But no, Premiere makes me rename it. Then when I hit enter, it thinks I want to rename the next file in my project. SO DUMB. This really gets my goat if you couldn't tell. If they are going to make a stupid naming convention, at least let me have some input to what it gets renamed, right? AE has it figured out, why can't the Premiere team just copy and paste?  If anyone has a solution I'd love to hear it. Is anyone else bothered by this? Is there anyone on the Dev team that reads these? It seems to me like a rather simple fix, but I'm just a guy that has used this software for 15+ years that finally got fed up

Any time I move my Magic Mouse over the image, if my finger moves even a micron, the image zooms wildly in or out.  It happens all day long, and I know I'm not the only one!  So basically, unless you click on the drop-down menu to adjust the size, please let us turn off the scroll-zoom capability. Lock that size until actual adjustments are made.  And if scroll-zoom is still popular, then have it be an Option- modifier move, that only activates but that means.  Thank you for your attention to this matter!

In a proxy-first or proxy-only ingest workflow, when a 25i high-resolution source is later connected to a pre-existing 50p proxy, Premiere Pro incorrectly inherits the proxy's interpreted frame rate (50fps) and applies it to the 25i source, causing it to play back at double speed.Importantly, this issue does not occur in the reverse workflow: when a 25i source is ingested first and a 50p proxy is generated from it, toggling between proxy and high-res works correctly. The problem is exclusive to the proxy-first path.Context:This is a real and growing workflow challenge for broadcasters and post-production facilities transitioning from interlaced (25i) to progressive (50p) acquisition. Archive footage shot in 25i must regularly be cut alongside new 50p material. Using 50p proxies for archive 25i clips is desirable because: All 50 fields per second are represented as individual frames, enabling frame-accurate editing Progressive proxies play back more efficiently on laptops and office w

Swahili is spoken by over 100 million people across East and Central Africa, yet creators still rely on manual or external tools for subtitles. This slows down workflows and limits accessibility. Supporting Swahili would:Speed up editing workflow, Improve accessibility, Empower a fast-growing creator market This would be a big step toward true global inclusion.

Building production UXP panels at a broadcaster to restyle broadcast → online sequences (different caption styles).Issue: UXP can access CaptionTrack objects but lacks APIs to:- Edit caption track styles  - Copy/move caption track items between tracks- Modify caption item propertiesImpact: Cannot automate caption workflow despite full video track/MOGRT support existing.Request: Add UXP APIs for:1. CaptionTrack.setStyle() or applyTrackStyle()2. Caption track item copy/move between tracks  3. Caption item property editing (similar to ComponentParam for MOGRTs)Caption-heavy newsroom workflows cannot be automated without these APIs.Thanks for considering! 

We're building UXP panels at a newsroom to automate broadcast → online sequence conversion. Issue: Custom sequence presets (.sqpreset) cannot store Caption Tracks. Every new Online sequence requires manual caption track creation (~30sec x 20 items = 10min daily handwork).Impact: Blocks sequence preset automation despite UXP having createSequenceWithPresetPath() API ready.Workaround: Save template sequences in projects (many extra steps).Request: Add Caption Track support to .sqpreset format so automation workflows can create complete sequences with caption tracks included.Real production workflow blocked. Thanks! 

Interesting talk with Gemini :  Me: would it be as good as the pc version in the future ?  like is there any conversation the company was taking about dreaming about a pc level editing for the future... you know? Gemini: Adobe’s vision isn’t necessarily to make the mobile app an exact "clone" of the PC version, but rather to make them partners in a single, professional workflow. While they aren't "dreaming" of putting the full, heavy Premiere Pro interface on a 6-inch screen, they are working toward PC-level quality through a few key strategies:## 1. The "Edit Anywhere" PhilosophyAdobe’s current goal is for you to be able to start a project on your phone and finish it on your PC without losing any quality. [1, 2]  * Seamless Sync: Projects from the new [Premiere on iPhone](https://www.adobe.com/products/premiere/app.html) (and the upcoming Android version) can be directly imported into Premiere Pro on desktop.* Unified Engine: The new mobile app is powered by the same high-quality rend

нарисовать часть анимации(в крывых) и зацыклить ее, полезно под бит музыки, допустим  хочу чтобы клип менял прозрачность под бит с определеным рисунком, и увиличение кадра по бит 

The Align panel options used to sit to the right, alongside, the text alignment buttons, but now the Align buttons are all at the bottom. We click those buttons a whole lot you know! Moving them to the bottom requires me to now scroll to use them, and scrolling is great but if you scroll with a mousewheel sometimes it gets stuck on drop down menus and starts scrolling the content of a menu. So you now have to be nervously cautious about where you put the mouse as you try to scroll down just to get to a button that really belongs where it used to be. Absolutely no reason to have moved it. Would really like this panel of buttons right back where they used to be please!

My #1 biggest issue with Premiere Pro is how fast the timeline moves when I put my pointer past the timeline on the left or right.  I am generally just trying to move my pointer to the next cut, but I end up flying two minutes down the timeline and then I have no idea where I was at.  When I can remember, I will carefully move my mouse to the edge of the timeline which will move the timeline slower. But it's always hard to remember that when I am cutting quickly. Has anyone figured out a way to slow down the scrubbing?  Slowing down the mouse speed in the Mac preferences does not work.  Thanks.

As of 2026, State mandates are now requiring Descriptive Audio (DA) captioning for cable television and YouTube videos. DA is when sound effects are also transcribed: a car horn showing the word "beep" for example. This issue is now a high priority for government television stations and non-profits, and includes online video content as well. Currently there is no option beside text captioning in Premiere.

It would be great to have a built-in project management panel in Adobe Premiere Pro, especially for Premiere Productions.A simple dashboard could show project status, progress, and responsibilities, with features like:Kanban-style boards (To Do, In Progress, Done) Deadlines and assigned team members Visual progress overviewThis would improve collaboration, transparency, and efficiency like a lightweight monday.com inside Premiere. Let’s do it :) 

It's been some time since introduction of an automatic transcription feature in Adobe Premiere and I would really love to see an option to transcribe in polish language. It'd make my job a lot easier and MUCH faster. Please cosider. Thanks!

[Moderated edited subject line]   Hi there,   There have been some more accessible anamorphic lenses coming out, and my work bought a couple of them. The video comes out of the camera as 3840x2160, but it's a 1.6x aspect ratio. Currently Premiere can interpret 1.5, but not 1.6, so I end up having to place all of the footage on a timeline and adjust the scale to the right proportions. It would be great if Premiere could add 1.6 in the interpreting panel, so I can continue to use the source monitor as my rushes selection, and not need everything down in the timeline to go through it. It also makes match frame annoying to use.   Thanks!

Hello Adobe Premiere Pro team, I would like to report an issue with OTIO export/import in Premiere Pro. I tested OTIO round-trip behavior using a sequence that contains both transform keyframes and speed keyframes (time remapping keyframes).  What I tested   I created clips in Premiere Pro with:   Transform keyframes (position / scale / rotation) Speed keyframes (time remapping / variable speed)   I exported the sequence as OTIO Then I re-imported the exported OTIO back into Premiere Pro    Result   Transform keyframes were preserved correctly However, speed keyframes were not preserved In other words, time remapping keyframes were lost during OTIO export/import round-trip    Expected result   OTIO export/import should preserve speed keyframes, just like transform keyframes At minimum, Premiere Pro should be able to round-trip its own OTIO export without losing time remapping keyframe information    Actual result   Edit order, cuts, and some other basic information a

Dear Adobe Team,I would like to share an issue that has been a challenge for me for quite some time. First of all, I am grateful for Adobe’s user-friendly approach and pricing policies. As a student, I was able to benefit from affordable local pricing throughout much of my education.However, since Premiere Pro does not currently support Turkish transcription, I have had to either purchase third-party plugins (which are difficult to fit into my budget) or spend a lot of time manually creating subtitles. I am sure there are thousands of users like me who have been waiting for this feature.I kindly ask you to consider adding Turkish language support for transcription in future updates.Thank you for your time and support.