Feature Requests

Premiere Pro urgently needs a native tool for creating modern social media captions without relying on plugins or MOGRTs.Right now, the workflow is far too cumbersome compared to CapCut. To achieve the caption styles that are now standard on TikTok, Instagram Reels, and YouTube Shorts, users often have to convert captions to graphics, manually animate them, or purchase third-party solutions.In CapCut, these styles can be applied in seconds. In Premiere Pro, the same result requires significantly more time and effort, making the process inefficient for creators who produce short-form content regularly.Features that would make a huge difference include:Word-by-word highlighting. Automatic pop-in and scale animations. Presets for popular Reel and TikTok caption styles. Easy customization of fonts, outlines, shadows, backgrounds, and colors. Automatic emphasis of key words through animation or color changes. The ability to apply these styles directly to generated captions without convertin

We that bought Canon EOS R6 mk3 (many of us) loves shooting in RAW and 7k and Open Gate, etc… But coming to Premiere and not being able to drop it and edit it… Makes me, my team, my freinds and a lot of people question the money we spendon this app while there’re assistants encouraging us to use competitor’s software like DV do transfer it to ProRes and then export it to Premiere… If I need to do that then might as well spend the same amount of money on the other software than this…No hate but please team, work faster… R6 mk3 came out Nov 2025… We are 3months into 2026...

Thank you implementing transcripts in Premiere Pro. It's a very useful feature. Currently, you choose your default language before transcript is executed, then PP transcribes the entire clip. What is your clip has multiple languages spoken within the audio? It would be great to PP auto detect different languages, or at the very least be able to select some text and change the default language for that particular text. Right now I am cutting different sections of my clip in different sequences and transcribing them in the approriate language. It creates a transcript that has timecode that is inconsistent. It would be great if it was possible to toggle the language within a clip / transcript to preserve the time code continuity. Thank you.

Since it’s obvious that Premiere will never get a Warp stabilizer that:will not reset if a stabilized clip length is changed work with a time-remapped footage… it needs a simple but powerful upgrade like this:The new Lock button in Warp StabilizerSince every time you stabilize footage Premiere writes data (you can tell it by the size of the project file that becomes bigger with every stabilization alone), this new Lock button would lock this data preventing Warp stabilizer from resetting with every minor change to a clip. In case you want to unlock the effect you hit this button again (it changes from “Lock” to “Unlock” and back). So locking is a fast (instantaneous, unlike Freezing for Roto in AE) and nondestructive process, it just locks the data of the part of the clip where the stabilization was applied so if you just drag the clip out beyond the stabilization part the rest of it will still be not stabilized but the locked stabilization will remain locked no matter what you do to i

In Adobe Premiere Pro when a text box is created, it can be resized with the mouse by dragging the text box handles. But there is no way to specify the exact size of the text box...For example, the anchor point position can be specified by entering values, but it has no sense if the box size may not be specified...What I'm missing? Is there a hidden setting somewhere outside the "Effect Controls" panel?

The fade handle function was added in the 24.4.1 update.However, when controlling an audio clip with the mouse, you end up grabbing the fade handle when you want to grab the edge of the clip.It should be made so that this doesn't happen by mistake, or it should be possible to turn the fade handle on and off.   オーディオクリップを縮めたい時、フェードハンドルの小さな四角形をつかんでしまう24.4.1のアップデートでフェードハンドル機能が搭載されました。しかしながら、オーディオクリップをマウス操作でコントロールする時、クリップの端をつかみたいのにフェードハンドルをつかんでしまいます。誤操作しないように工夫してほしい、もしくは、フェードハンドルのオン／オフの切り替えできるようにしてほしい。  

Case: I have a video with a shaky camera and a moving object in it. In older cases you would have to mask out the object to make Warp stabilizer ignore it and stabilize the rest of the picture. Since Warp stabilizer though an effect had never had a mask option you would have to add the mask and then nest the clip in order to make Warp stabilizer ignore the moving object. Now that we have a new masking mechanism that can added to effects as a separate masking layer with a set of adjustable tools of its own, I don;t a see any reason why a tracked object or normal mask can’t be added to Warp stabilizer to make it ignore an object without nesting  

Hi Adobe, Can you please iclude an "editors notes" or todo list, inside of Premiere Pro? This would improve the worflow a lot (especially when passing over projects to new editors). Just having a dedicated window for comments/notes (that are saved with the project) seems like a no brainer and should not be too difficult to add in a future update?Thanks in advance!

I would like to request a specialized Generative Extend feature for Premiere Pro and After Effects designed for interview footage, talking-head clips, documentary editing, corporate video, and other dialogue-based production.A common editing problem occurs when an interview clip contains strong usable content, but the subject restarts a sentence, opens their mouth, blinks, leans back, changes expression, or moves awkwardly near the edit point. Even if the content is good, the last few frames can make it difficult to create a clean transition, dissolve, J-cut, L-cut, title overlay, or cutaway return.Current generative extension tools are promising, but for interview editing the goal is often not to create new motion. The goal is to create a short, usable editorial handle that preserves continuity while keeping the subject natural, stable, and believable.I would like Premiere Pro and After Effects to include a Pose-Locked Generative Interview Hold mode.Suggested workflow:The editor selec

I have a video track with audio from Squadcast. I have an audio wav from a Rodefaster Duo. Add them to Preimere. Select them in the sequence. Select sync and they are off dramatically every single time. I can see the peaks. I can manaully do it, why can’t you?OK I’m not an video/audio engineer and I get the general idea behind clock speeds and drift as well as FPS and variable vs constant but come on, can’t we at least align the beginning so it’s somewhat in sync?Maybe I don’t know what I’m doing here but this seem basic, no? Can’t we get this part right?I get drift is probably complicated. (oh and why do I have to do math myself to get it right?) I also sort of get how audio units are hard to sync with FPS.  I’ve also now learned I have to open my vid in handbrake to make it constant rate vs stupid variable. Then bring it into premiere and then go through sync again which will eventually work with maybe some time stretch at the end to get it right, maybe. But for gods sake, can’t we a

Hello, some basic software UI design conventions for Premiere Pro: -Revert feature would be greyed out until document edits have been made (similar standard to Undo and Redo stack).-Close document dialogue button order would be the primary action Save on the right, Cancel next to it and additional buttons such as Don’t Save towards the left.(Would seem easy to correct here, since the buttons Cancel and Don’t Save are almost the same use case anyway.)Thanks!

Hopefully, Adobe will improve the most basic features for users…. After animating a Text, resizing works fine, since it’s included in the Properties, when the Text is selected. However, the position then moves relative to the animation… The goal for this use case is to align the Text to compensate for the resize.Thanks!

Replace or upgrade the current clip-based Time Remapping rubber band with a dedicated, track-expanding Graph Editor that includes a visual speed/value curve axis and independent Bézier handles. The goal is to allow editors to execute precise, frame-accurate speed ramps directly inside Premiere Pro without being forced to use Dynamic Link to After Effects for standard speed design. Core Pain Points with Current Tool:- Lack of Visual Feedback: The tiny timeline rubber band offers no precise Y-axis percentage scaling, making it incredibly difficult to gauge exact speeds or match curves across multiple clips.- Timeline Destructiveness: Adjusting speed percentages constantly shifts the clip’s internal In/Out points and boundary handles, disrupting the surrounding timeline structure.- Finicky Keyframe Controls: Splitting keyframe markers and adjusting the blue ease handles on a narrow track is notoriously micro-intensive and prone to accidental selection errors. Proposed Features & Funct

Apologies if this comes off as a gripe, but the UI for time remapping in Premiere really needs to be rethought. It is incredibly difficult to use, for many reasons:keyframe adding and adjustment with the selection arrows is non-obvious touch targets for bezier controls are minuscule in the Effects Control Panel, if you move past an edit, suddenly everything disappears as your display shifts to the next clip the height of the relevant UI elements in the Effect Control Panel are all tiny, and need to be manually expanded every time you use it  it is nearly impossible to make smooth speed ramps if you adjust them at all if you adjust the speed of a clip on the timeline, the new length of the clip pushes everything on your timeline aroundI could go on, but hopefully you get my point. Adjusting a clip’s speed is a painful process in Premiere, and I’d love it if some of the amazing brains that worked on the new color process in the Beta version could focus on time remapping.

I think, will be great to add ready aspect ratio in Premiere as an effects, like Avid MC does. Sometimes I need 16:9 or differect aspect ratio and yes, I can use adjustment layer and crop effect or download png file from Internet, But will be cool to have Astect Ratio as an effect and then choose in effect control what kid of ratio do you want in list menu

Disable the zoom feature via Magic Mouse scroll only in the “Settings” and “Program” windows, because accidental zooming is very annoying.Bonus Request: Social Captions. Dynamic captions for social media in the style of Instagram’s features, where the spoken word appears in a colored box. This would be a huge help for those who edit content for social media.I’m eagerly awaiting thistnx!

HiI' want to make some captions with a background, that does not change in height when using letters like "g" or "y". So it should only adapt when shorten or lengthen the text (one line). The problem is, that the height changes when using some specific letters (like "g", "y" or "p"). Is there a way to fix that? Best regards  

User option to automatically return the playhead to the previous position, when pressing stop, so that the user can keep editing and adjusting a section of the video sequence. Thanks!

Greetings Community, There are occasions where I've nested a still image or a video clip as an element in a graphic clip.It would be helpful to be able to right click on these nested clips in the "Properties" panel (and the graphic clip's Effect Controls panel for that matter) and have the ability to "Reveal in Project" and "Reveal in Finder".In a large project with many clips and bins, it can be tedious to locate these stills/clips when the need arises.A bonus would be to have the abilty to right click and have the "Replace with clip    >" function as well.Hopefully, others would find this useful as well. Regards,Dan 

Desativar o recurso zoom pelo scroll do Magic Mouse apenas nos monitores de “Ajuste” e “Programa” pois quando ocorre o zoom acidental é muito irritante.Request Bonus: Social Captions. legendas dinâmicas para redes sociais ao estilo das features do Instagram, onde a palavra falada fica com uma caixa colorida. Isso ajudaria muito o trabalho de quem edita para redes sociais.aguardo ansiosamente tnx!

Whenever I go to add music to my project, and I listen through my music from the source preview screen. Even though my project audio is leveled. Premiere always blasts my music at the highest full volume, and I always have to turn my computer audio down just to pick a song. If we can add an option in the source preview screen to turn down the volume while I preview songs and audios, that would be amazing 

Right now the timeline Snap feature has no options - it works for all assets, and clips snap not to each other, but to TRANSITIONS, leaving gaps and unsynced layers, it's very annoying. Users have to manually check every clip for whether it snapped to other clip's border, or to it's transition border.It would be great to have an option to disable Snap for transitions or for keyframes or for other types of assets, like we have in "Snap to" feature in Effect Controls panel.Link to the discussion on Adobe forums https://forums.adobe.com/message/10377154

Can anyone help me? I just recently turn off my computer for a night's rest then the next day this pops up. My premiere cant seem to find the change to color filter and I dont know how to get it back. pls help need this asap, big thanks.     I altered lot using this filter!!! Pls help me need this asap!! Big thanks!!!   Mod note: Title changed slightly.

Is this the most bureaucratic feature in video editing? Why would a video editor click and select a clip without the frame appearing in the monitor for editing? Selection moves the playhead to the IN of the selected clip. Thanks!

The search function able to identify different people. You can then name them and search for them in any shots they are included in. An extra layer could be their dominance in the frame, foreground vs background, large vs small, glasses or not, hat or not.