Feature Requests

Hi, I hope somebody could help me with this. I am doing a recurrent task where I have to level audio peaks of 11 different people (so 11 different mics) to -1db for sequences about 10 minutes. Each time I have around 10 sequences of this kind, so I hope you understand is a pretty hard work to do. People don't talk at same levels, tones change, some scream, some talk very low, things like is those you can find in these timelines.The only solution I've found is to make cuts at each time the waveform goes up or down and when finishing all the timeline and all audio tracks, normalize peaks to -1db. It's for a year now that I am with this stuff. My question is :Is out there some tool or plugin that can detect this decibel changes inside an audio clip to make some cuts on it when the decibels are more than X decibels ? I would like to try to avoid all this work to try to win some time. Anybody knows something that could help ? Even if it's not exactly what I am searching for I woul

if premiere can give us a specific column in keyboard shortcut for user define presets, then it will make the whole software more efficient than any other editing software. and we won't need any 3rd party plugins like excalibur anymore. please add this feature as soon as you can

A feature request: I spend my day importing footage from one place, audio from another and graphics from another. Relative to the project template, the source folder for each is always the same separate folder (Footage, Audio, Titles). The Premiere import path defaults to the last used source folder, so if I've just imported audio, and now want to import graphics, the import dialogue opens to the Audio folder and I have to navigate to the Titles folder. It's a few seconds and clicks that really add up. I'd love to specify, maybe in a template, that importing to the 'audio' bin, for example, opens the Audio source folder first. A different default from each bin. Hope that makes sense.

Is there a way to change the color of multiple markers all at once?(or names, comments, etc?)In Avid, you can select multiple markers in the MARKERS window and click change color.In Premiere, it seems like you have to go one by one.I use this frequently, because I'm often watching 20-30 takes of a scene,and I want to place a red marker for each instance of a specific line--other colors for other lines, etc.Please let me know if this is possible. Thanks.

Trim selected clip to playhead, instead of trim all unlocked tracks.

I want to be able to trim my clips using Q and W, just by selecting them and placing the playhead to where I want the trim to go, just like I do in Davinci Resolve. Is this possible in Premiere Pro?   I know I can manually lock and unlock all the other tracks, but the point here is to use the shortcut to work fast, not slowly. Imagine having multiple tracks and having to manually lock all the other tracks just to be able to edit a single clip, this is a joke!   And if that's not possible in Premiere Pro, is there any plugin that can solve this problem?

 Sometimes I need to see the duration of a clip that is on my timeline, and everytime select In/Out and looking in Timecode panel a little bit annoying. Okey, we got a "info panel", wich is work great, but looking averytime a small duration info - not a good idea.I think, will be great to put a clip Duration information from "info panel" into "Timecode panel" or as an Avid, put this info in clip wich on the timeline.

My problem is very simple: In Premiere, when I export a video using Media Encoder, I want it to automatically set the output folder to same folder as my project. Right now, it always set the output folder to last location I exported a video.  To be clear, I don't want no manually choose the output folder everytime I export a video. I work with multiple projects in different folders. I also don't want to set the option to "export to a single location", in Media Encoder preferences. I want it to be the same behaviour as in After Effects. In AE, when I export a video using Media Encoder, it always set up the output folder to the same location as the project. I never understood why Premiere does things diferently.

Hi,Please consider bringing back the Essential Graphics Panel.  You could make it an option in Preferences, and those who want it could have it back. The Properties Panel is a step back for me because it adds time to my workflow.  If you look at comments online, you know I'm not the only one. For example, the alignment controls used to be on top--now they are way down.  Other things I use are harder to get to.  Also the Essential Graphics was solidly in place.  The Properties Panel seems to show up all over the place in my projects.  At first I was scrolling every time to get to the tools I wanted, but someone showed me there are drop-down arrows-- and it is not as slow as before. A helpful workaround,  but still, not as efficient as Essential Graphics was for me. Everybody has their own way of working.  Everybody uses Premiere for different purposes.  I am sure that for many,  getting rid of Essential Graphics is an impr

Translate captions in Premiere Pro does not support Vietnamese

Hello,The playhead is not selecting clips during playback; it only selects them when playback is stopped.As a result, it is impossible to add markers to clips on the fly—markers are instead applied to the sequence timecode.See the attached file.System: macOS 14.7.1 (Sonoma)Premiere Pro 25.1.0 (Build 73) Regards, Alex

Gewiss! Hier ist deine Idee für das Adobe Community-Portal, auf Englisch formuliert:Title: Enhanced Automatic Transcription with Lyrics File ReferenceProblem:Users who utilize the automatic transcription feature for worship/lyrics videos with subtitles often encounter significant errors. These errors misrepresent the lyrics, leading to inaccuracies in the final video.Proposed Solution:Implement a feature that allows users to upload a lyrics file as a reference for the automatic transcription process. By providing the correct lyrics, the AI can cross-reference and adjust the transcription accordingly. This would significantly improve the accuracy of lyrics transcription and reduce the need for extensive manual corrections.Benefits:Increased Accuracy:By providing the AI with a lyrics reference, the accuracy of the transcription would be improved drastically.Time Efficiency:Reduced need for manual correction.Improved Workflow:Streamlines the workflow for creating worship/lyrics videos wit

Hi! I would like to suggest adding the possibilty of mass-selecting keyframes on the submix track. I try to use volume automation on the submix track to set music volumes. It could potentially be an excellent way to simplify volume automation on heavily edited tracks. However the Submix track has a major flaw that makes it unusable. The MAJOR hurdle is that there is no option to mass-select keyframes. Currently, the only way I have found to select more than one keyframe is painstalkingly shift-clicking EACH and every one of them. I may have dozens! And I need to repeat this process every time I make any tiny change in the sequence! This kills any productivity gain. (Another effect of this lack of mass selection is that there is no way to remove ALL keyframes from a submix track. You also need to remove each keyframe individually.) Allowing mass keyframe selection options, like lassoing, would make Submixes so much more viable. However powerful they ar

I love the transcription feature and the ability to add captions to video! I hope there are plans to add more language packs. Lithuanian would be valuable to me since I make videos in the Lithuanian language.

Please allow to set a standard bin view.Now it seems to default to icon view, and also it opens a new project window often times when i use "reveal in project" for a sequence or a clip.Also every time i open the project it opens up in icon view no matter which view preset i have set.I find it makes no sense to see a bin with many sequences in icon view.I always have to switch to list view manually. 

Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.But even for the versions that can be imported, support for the format is still lacking to the point of unusability.The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:White BalanceColor SpaceGammaISOColor TempTintExposureSharpnessHighlightsShadowsColor BoostSaturationMidtone DetailLiftGainContrastFinally, because we do not have access to the Color Space or Gamma, the footage comes in with a preset "LUT" applied, making the original Log footage unusable.

I would like to be able to programmatically change the application's Step forward/back frames value using external controls such as Stream Deck triggers in order to dynamically shift the value bound to that setting. Use case:  Stream Deck+ user with extensive scrubbing needs. - Using Jump forward/back with multiple interchanging values, like 5, 10, 15, 30, 60 frames gives the user a very great level of control over their UX. I do not want to record tedious screen movements and menu engagement automations.. That is the wrong way to address this.  I need an instant, one second fool-proof mechanism.  Additionally, if this change resulted in most menu options getting exposed as well, it could birth new, innovative, environment provisioning tools that set up whole user experiences. Cheers

Greetings. Let's stipulate that PP supports ProRes Raw (PRR). It can be played back and edited, and strangely, over in properties on the master clip, exposure/ISO can be manipulated. That's great. But here's my question: is there any thought of rolling out a more comprehensive package of Raw support to allow for the complete exploitation of raw sensor capture? Here in almost 2025 with lots of cameras rolling out ProRes raw internal (including my new axe), I'm very interested in being able to take full advantage of PRR capture within the PP ecosystem - which I love so much. Thanks! TL

Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.

I want to export transcribed text from the timeline without time code or "speaker 1,2,3" etc. I just want separate paragraphs of the dialog...

In the Premiere Pro Program Window, I would suggest a sizing option to include "Fit and Center at 100%" in addition to the other options ("Fit," "100%", "50%" etc.).I prefer viewing my sequences in the Program monitor at 100%, and I tend to zoom in or resize my windows for various reasons, and when going back to my 100% view, find I have to "fit" first, then size at "100%" to get back to my preference of the 100% image centered in the Preview window.  AfterEffects has a similar option ("Fit Up to 100%").

The yellow box around multicams should be disable-able considering many people multicams for single camera editing to maintain metadata (and avoid the loss of metadata with merged clips). And it should disable-able without converting the multicam to a regular sequence which defeats the clip-like functionality of the multicam. It's basically just annoying to stare at a yellow box when it's not serving any functionality since I'm only using 1 cam (but want to maintain metadata so avoiding merged clips) 

There is a lot of demand for dynamic caption for social media and i have to pay a subscription to another editing platform like capcut to provide that service, adobe needs this ASAP 

Hi, I've had Atomos Ninja V for my Sony FX3 for almost two years now, but haven't shot but 2 sequences in ProRes RAW regardless of the incredible image quality. The reason for this is that it's extremely impractical to edit with proxies from this footage, as the proxies are automatically encoded in rec.709 instead of slog3, or another color space, which you can choose for the raw files. Could Premiere/Media Encoder be set to pick up the color space you've selected for each clip and encode proxies with that color space? Thank you.Tero

I've done plenty of projects using the footage modify features to interpret to a 1.33 HD Anamporphic ratio, but it's not working anymore in 2025. Is this a known bug?