Feature Requests

Having to do re-versions is becoming more and more common (social media reosloution, resoloution and colour space for TV deliveries), it would be great if we could group timelines that appear along the tabs across where we keep sequences. So for example having a timeline panel saying, HD, 4K, HDR, and then click into that and then be able to select the correct timeline.  Thanks 

It would be extremely useful to be able to map the extended keyboard 1 to 9 keys to relate to the 3x3, 9 camera layout in the multicam view rather than relating to specific camera angles. That way when selecting a different page of cameras in the 3x3 view the keys would always relate to the cameras / positions you see in the GUI rather than just cutting to cameras 1 - 9 regardless.

Does Premier Pro have plans to upscale and enhance video like Topaz Video AI?

I would love to see Premiere Pro for the iPad. Considering my iPad Pro M4 is more powerful than my wife's MacBook Air, I don't see a good reason not to port it over. 

Afaik, it's still not possible to apply time remapping for the whole clip so that both video and audio parts will be changed simultaneously without making the audio out of sync. It has long been a feature request, I saw the post dated as far as 2009, asking for this to be implemented and the numerous posts after that with the same request, but it seems that all the requests of users were to no avail. So, my question is, why hasn't it still been implemented, if it's so in demand and would be really useful for users? Adobe never intends to listen to users and actually do that? And why to have this feature request thing at all, if the ideas posted there are never actually being implemented in practice?

The Properties Panel does not display decimal values like the Effect Controls Panel does. It rounds them up or down. If you type a decimal value it will correctly change and save the value, but not display it precisely.  If I type 0.5 in rotation I expect it to show 0.5 and not 1. This behaviour makes me feel like it's not saving the correct values on manual input. To double check the number, I return to the Effect Controls to see if it's using the correct value. I'm spot-checking conformed media between different sequences, and I can't rely on the Properties Panel if it's not accurate. Using Premiere Pro 2025.1.0 on macOS 14.7.1 with M1. 

P: finding cuts would be hassle compared to older versions of pr pro. is there a way to fix this. please try to bring back the old ui back it was better than this   

I would love to be able to cycle between the most recently opened sequences in the timeline panel, using a keyboard shortcut. I understand there is shift-3, but that just cycles one way, and not in the most recently used order. Thanks for your consideration! Matt

Premiere 24.6.1 (experiencing issues with 25 so staying in 24 for now)MacBook Pro 14 inch 2021 M1 MaxVentura 13.7 I am working on a scripted show with multicam sequences. Inside the sequences are 2 cameras and 6 tracks of audio. Sometimes, there are multiple takes of a scene within each multicam sequences. It would be great to sub out each of these takes into a multicam group that doesn't turn into a sequence, so that when the new subbed out multicam is double clicked, it loads in the source monitor rather than a program sequence. Right clicking and loading into the source monitor is not ideal (and I dont think even works).  I know Avid had a sub-group shortcut that you set an in-out within a multicam group and you could make sub-groups. Is this possible in Premiere? It would help me find lines within each take easier than scrubbing through the three takes in one multicam sequence.

Hi, I would like to request the following feature!The ability to select multiple audio clips and adjust all their volume levels, panning configurations to specific numbers at the same time, without making any adjustments to the actual track itself. *This would be more convenient that copying and pasting audio attributes.  Thank you

In the "Locate file" panel, when linking media, is it possible to justify the "Last Path:" and "Path:" paths on the right side of the window rather than on the left? This would make it easier to compare and select from similarly named files the directory.

Hi, I would like to reques the following feature.  The ability to lock clips to their corresponding tracks without losing any editing capabilities.  For example, after dragging clips to your timeline, once you enable this feature, all clips are locked to their corresponding tracks however, you still have all the editing capabilities as normal, so only you can't accidently move clips from one track to a different track by accident. Meaning, you can edit your timeline as usually, only all the audio tracks on track 01 can't be moved to track 02 or track 03 by accident, they can only be moved to other spots on track 01. And all other editing features are still available.  Thank you

Hi, I would like to request the following feature!The ability to use the Track Select Forward Tool to move both clips AND markers, located up on the timeline, together at the sametime.

I have been using Premiere for years, and I'm suprsied that this is still an issue in 2024.  When I go to import media into a newly created project, the default location from which to import media is the folder of the last project I worked on before this project.  And when I go to export a timeline from my new project, the default export location is the folder of the last project I worked on.  This is nuts!  Why can't the import and export folder locations for my project be the folder that I've created for my new project by default?

I'm not here to advertising other products, but I really think PR should adopt some of the text2speech features. There are advanced Microsoft Text2Speech, and many other open source solutions.  Apart from text2speech, there are many other AI-based video editing features back in those Tiktok videos. Maybe Premier Pro is too traditional?    

I want to be able to select all my media, import it into a new project, and have every single piece of it sync on the timeline (where possible). Most of my projects are like 2-5 minutes. I don't want to deal with multi cam setups or other more elegant solutions - quick and dirty is the order of the day. I'd like there to be an option to choose between having each file sync to a different track and having them sync to already used tracks if there is room and it won't overwrite other media. If I'm importing 70 video files for instance, I don't want to deal with 70 video tracks - that would be an insane timeline to navigate. Where an audio sync can't be made, I'd like it to fall back to timestamps and have it placed on the timeline where it should be according to the timestamp, and highlighted to indicate an imperfect match. This setup would save me hours. I'm sure it's not the most efficient, at least in theory, but it's how I've been doing it for more than 20 ye

Click the export confirmation window bottom right to reveal export in finder please 🙂

I have been able to use some of the burn in features to greatly reduce / automate some of my workload.   It would be extremely helpful if SEQUENCE NAME was an option for the Meta Data Burn In. It would save me having to enter the same info several times, as I format the sequence name a particular way that looks good as a file name and would also be useful on screen. Thanks!

Multicam with multiple clips from the same source. This happens for me all the time and the workarounds for this are so ridiculous. Can we just have a simple check box to place all sources from the same camera source on the same video and tracks? PLEASE???? This is pretty much automatic in Media Composer.

hey there ! just purchased Premiere Pro and want to thank all the creators of this software. Also I would like to give couple advises to make it better in new updates. First, when video has rendered the blue notification pops up in the left corner, it is better to click it and it will automatically redirect you to the rendered folder!Also sometimes when I make my cuts coloured like green or yellow after I added some music thacks and this coloured clips become default colour. Would be great to fix it) Thanks

Please add the option to add a LUT post Lumetri in the Modify Clip panel, akaOutput LUT or Correction LUT. That way, correction LUTs can be applied to clips in bulk, but not affect the operation of the Lumetri panel if they clip the highlights too much.

A side chain functionallity in Premiere would save me so much time. I understand that is a feature in audition, but when I'm just trying to use a compressor to duck music under a voice, sending the files into audition and back again is such a time suck. I still use audition if I am doing any major audio work but being able to side chain in Premiere Pro would be fantastic for those quick functions. I'd also have the ability to tweak it as I go if I change my mind instead of baking it into the audio files and sending it back to Premiere from Audition.

Especially with the advent of Productions, I'm making tons of Projects. Typically one for each scene of a film. It's really tedious and time consuming, however, because the folder/font size and the metadata display properties of a duplicated project do not carry over I need to change it repeatedly for each. Metadata display is particularly tedious because I after I load the metadata display settings,  that in itself doesn't save the order of the different columns. All in all it adds up to about 20+ seconds for each bin project. Given that I make upwards of 60 projects, this ends up taking a significant amount of time. Time I'm not moving forward on my edit, and also a very automatable process. 

I frequently am turning "Selection follows playhead" on and off, depending on what I'm doing (on for color grading or off while using keyboard ripple trim editing). I do this just as often as I toggle snapping or linked selection. Would love if there was a toggle in the sequence panel controls, in the red highlighted area in the screenshot below: 

FilmImpact's powerful suite of tools includes one must-have tool for every vlogger - Motion Tween. It will animate your layer from the A side position/scale to the B side position/scale with a tween which you can control the easing of. Basically it removes the need for keyframes when doing zoom ins and outs. However, while it will work to move from one part of the image to another with a position adjustment, the borders of the image disappear when doing this. This is of course a FilmImpact problem that they need to solve, but it's also a Premiere limitation. Premiere doesn't think like After Effects does. If you take a clip, zoom in on it, then put Transform on an Adjustment Layer above that clip, the Transform effect will only see the visible pixels and ignore the fact that there are pixels to this clip outside the boundaries of the visible frame. That's the main issue that is being addressed here, because of how Premiere looks at what is happening on the clips in the f