Feature Requests

one suggestion, create a subtitle system that is similar to the transcription in relation to the cuts, for example, the video transcription is separated when we make the cuts in the audio, so the subtitles could follow this idea too, the timecode follows the cuts of the audio on timeline

As this very old post shows, audio time remapping has not been an option when working with Premiere Pro, making the process of speed ramping videos with audio (or even audio by itself) not possible within the software.This very simple feature is already present in After Effect and even Premiere Rush, but still requires you to move to AE or AU to do it when working on Premiere Pro.Would be very useful for our workflow to get a "Time remap audio too" checkbox when time remapping a clip, or better yet making time remapping of an audio clip possible and available by right clicking the fx square on an audio clip.  

Hi,Now there is a hype with the introduction of new features. There's a lot of fun in there, but I wanted to ask for something to work with.If I have a movie in which it is necessary to replace the titles with lower third, the sourcesare no longer available, then this turns into a real quest. I would like to suggest considering a replacement by example mechanism when you need to change something that already exists to another option. Sometimes you need to remove the titles or subtitles completely, this is also often impossible to do without artifacts.I think many in the industry will appreciate it.Thank you

Hey. Not sure if posting here would help. But Im a film student, videographer and photrapher based in NY and very interested in helping test out GEN AI implementation in Premiere Pro. Not sure who has access to it right now but I would love to help be apart of the testing team and provide content and possibly use it for my thesis. 

Hi, when can you please update Premiere to work with vtt-Files?I become more and more vtt-Files from costumers. I van convert thisbut its not a proper way.Thanks!

Hi,I need to do some image analysis over extracted frames and I need to extract 10bits stills from 10bit footage.I've shot the footage with a GH5 and recorded into the SD card (1080p, 4:2:2) and also on an Atomos Ninja V with ProRes.I've loaded the .MOVs into Premiere, activated "maximum bith depth" and "maximum processing quality" into the sequence settings (I'm using the spanish version of premiere, so no sure of the exact names of this options in english) and I cannot get more than 8 bit neither if I load .MOVs from the GH5 nor ProRes from Ninja V.To check this I've extracted a frame in TIFF and opened in Photoshop with no luck, it's just 8 bits (why not offering an option to choose between 8 or 16bit?). Then I extracted a DPX and its 16 bit but after saving in 16bit TIFF and analyzing it with a special software (called Histogrammar) it shows it's filled with just 256 different levels. So unless there's another option hidden anywhere, this is clearly a bug.

When entering Essential Graphics text, there is a lag between typing it on the keyboard and seeing it appear.   The more complicated the timeline, the worse the response. In YouTube editing, captions are often attached to all comments, and the slow response of text input is directly linked to the speed of work, so please improve it. Especially in editing work in Japan, "text input" occupies a considerable weight.   エッセンシャルグラフィックステキストの入力レスポンスを改善してほしい   エッセンシャルグラフィックステキストを入力する時、キーボードで打ち込んでから表示されるまでにタイムラグがある。   複雑なタイムラインになればなるほど、レスポンスが悪くなっていく。 YouTubeの編集では、全てのコメントにテロップをつけることが多く、テキスト入力のレスポンス低下は業務スピードに直結するので改善して欲しい。 特に日本における編集作業において「テキスト入力」はかなりウエイトを占めている。

I'm a shortcuts person, and I like customizability. Please make the new Header Bar feature of Version 22.3 optional. I have no use for any of the buttons or information on the header, all of which are redundant and can be accessed either through the toolbar or via keyboard shortcuts. I appreciate that the Header may be convenient for new Premiere users, but for power users it is wasted screen real estate.

In After Effects, to change the speed of a bunch of keyframes you can select all of them and then option drag them left or right depending on if you wish to speed up or slow down the overall animation speed. How would I do this in Premiere Pro? When I select a bunch of keyframes and I option drag them nothing happens in Premiere Pro. What am I doing wrong or missing? Thank you very much in advance for any help with this.

I have some ideas which can improve the home screen of Premiere: 1. Selecting another home screen folder location is very slow. There is such a thing: copy the folder location in Explorer and then paste in Premiere to immediately access the folder. Instead, users have to endlessly click to traverse the folders to reach the destination. An input where the folder can be simply pasted would be welcome. As in Windows Explorer or as in Adobe Bridge, clicking on the folder path transforms it into an input field. 2. The scroll speed. It seems that every Adobe application is contaminated with this slow scroll speed. It is incredible that the software designers, project managers, IT specialists, beta testers, all those folks are completely unaware of the slooow scroll speeds? One whole rotation of the mouse wheel scrolls several tens of pixels. When the list is long, it takes hours to scroll to the bottom! 3. Expand to the current folder - when restarting Premiere, the home scree

I would like to add a news text ticker in all my videos. I create a video regulary. But using AE for news ticker inifite scrolling tech is a pain. Any better options? 

It's 2024, I've seen the most recent improvements we have to Premiere. They're all seemingly great. But that leads me to the one thing I believe we're missing.My idea consists of being able to click on the "Unresolvable" font & then having a dropdown that lets you choose any font to replace it with instead of going based on the default font.For example my issue today is Minecraft fonts. There's like 50 different default ones. They all look the same. But because I have "Minecraft" & not "Minecraft-Regular" installed all of a sudden its "Unresolvable" even though by letter definition they are the exact same font. Meanwhile, Premiere is auto resolving to use "Tahoma" when I should be able to click on "Unresolvable - Minecraft-Regular" and easily be able to switch it to "Minecraft" 

The timecode effect is very nice but when producing a video that measures timing/latency, it would be nice to have Format option for hh:mm:ss:ms (ms=milliseconds), not the very misleading SMPTE hh:mm:ss:frame. The frame is confusing for public and engineers/scientists.  Also it would be great to have a reset button in the Effect controls to reset time to zero at the playhead. 

When making videos during an NBA game, seconds are minutes. While Patrick Beverley was answering postgame questions to the media, I noticed he swore 4 times throughout his responses. I knew I would waste precious minutes listening to the whole interview again to remove the bad words. That got me thinking... how hard would it be to implement a filter in the text panel to automatically mute/remove certain cuss words? Would love to hear your thoughts/opinions!

I would love a settings option where the spell-checking dictionary changes with the transcription language. Since I create videos in English and French, it's an extra step to change the spell-check dictionary to the appropriate language after I have set the transcription language before auto-transcribing. 

I want you to work on an update in Premier Pro, for Audio syncing while recording from multi-cam setup. Also keeping in mind while recording from an external recorder. It is very difficult/time-taking to sync all the clips together. Although you have the synchronisation feature it has to be done manually to each clip. Try to incorporate wht daVinci has done, where you can select all clips and audio and with one click-sync it. So that when you drag the clips to the timeline, it will already be linked with is audio file recorded from and external recorder. The manual process took me nearly 6 hours of my time.

Building a tool to automatically find edit differences in two videos and add markers would involve several steps and technologies. Here's a high-level overview of how such a tool could be developed: 1. **Video Analysis**: The tool would need to analyze each frame of both videos to detect differences. This could involve comparing pixel values, color histograms, or other image features to identify changes between corresponding frames in the two videos. 2. **Edit Detection**: Once the tool has analyzed the frames, it would need to identify where edits occur. This could be done by looking for sudden changes in the similarity between corresponding frames in the two videos. For example, if two consecutive frames are very similar in one video but very different in the other, this might indicate an edit. 3. **Marker Placement**: After identifying the edits, the tool would need to place markers at the appropriate points in the timeline. This could involve interfacing with video e

Hi!Often I need to generate a timecode for my specific in and out area for the client. I use it because I have material before and after, that I don't want to cut and/or might need in later versions.As for now, I have to either create an adjustment layer and add the timecode effect for this specific length, or I have to offset the timecode start at the export window. Adding a "generate timecode for in/out area" would be greately appreciated 🙂BestMarkus

In the timeline window, the tab for each open timeline has an "x" to close it easily. Having this same functionality in other windows for bins (and other panels) would be much more efficient. Part of me thinks that bins USED to have such an "x" - MANY versions ago. Either way, it would be great to see it.

If AI can auto-tag the clips, it can auto-treat them too!I want to set a default preset for each audio type that it "just does" by default when clips are tagged.I want my music clips to use my own custom preset by defaultLoudness auto-match, ducking with my settings, etc.I want my voice clips to get my custom special treatment by default.Loudness auto-match, some compression, etc.I want SFX and ambience clips to be ignored.So I click Auto-tag (and maybe have an "Auto-mix" button enabled) and the mix is done!There needs to be a choice to turn this off of course. 

I'm requesting the ability to export XMLs to include captions data. which would only work within the Premiere NLE pipeline. We subtitle at scale on short form and one of which is having template projects setup to include picture edit and the captions setup embedded on export as a XML. Having a XML file that has the building blocks setup makes it easy to prep and setup. currently you can only convert captions to Essential graphics then export xml. which is good if you have that setup but i would like to also have the option convert back essential graphics to captions again for full flexiblity.

Greetings,I kindly request the inclusion of Arabic Auto-Transcribe functionality. This addition would greatly benefit the entire Arabic-speaking community as well as individuals who collaborate with Arabic speakers. With this feature, we can streamline our workflow and enhance productivity in our projects. It's the sole addition I eagerly anticipate.Warm regards, 

It would be very helpful to be able to use the easing function for mask path keyframes.  

So I realise that Essential Graphics are complicated, but I was thinking that it might not be that difficult to add the stopwatch function to sliders created in Essential Graphics. Aim/Feature request: Creating an Essential Graphic Template then importing it to Premiere and being able to add keyframes to the sliders in Premiere so that you could essentially animated the variables contained in the sliders.So here for example I could imagine a stopwatch in the usual location to the left of each slider name and have Premiere "just" change the slider value at each keyframe (affecting the variable targeted by the slider) So I realise that some functions will be quite complicated to translate from what is essentially After Effects to Premiere, but the sliders seems to be "just" values. So I am hoping that this wouldn't automatically equate to a gargantuan task to implement. The Essential Graphics function is already there and implemented quite well. You can already change the slide