Feature Requests

Title: Angle Gradient: let us set the center, sweep range, and direction (e.g., fan out from a corner)Body: The Angle gradient always sweeps a full 360°, clockwise from the drag direction, centered on the point where the drag starts. That makes a very common design impossible to create directly: a gradient that fans out from one corner of a selection, for example white along the left edge turning to black along the bottom edge, rotating clockwise around the bottom-left corner.What happens today:Dragging diagonally from the corner puts the hard seam (where 0% meets 100%) right through the middle of the selection. Dragging straight down moves the seam outside, but then only the 50–75% part of the gradient lands inside the square, so it starts in gray instead of white. The only workaround: squeeze the stops into 0–25%, repeat the start color at 100%, and drag exactly along an edge with Shift. It works, but almost nobody can discover it, and it is hard to hit the corner precisely.Request:

Dear Adobe Photoshop Team,I am a professional photographer and a paying Adobe customer. I have always been willing to pay for high-quality professional software, and I would like to continue using Photoshop.However, I am increasingly disappointed with Adobe's generative AI credit policy.Photoshop is already a subscription-based product. Despite paying for it every month, customers face additional usage limits on features such as Harmonize.My current subscription includes only 25 generative credits per month. This is not enough to make regular professional use of AI features. It barely allows me to experiment with them.My request is simple: Remove generative AI credit limits for paying Photoshop subscribers.I am not asking for Photoshop to be free. I am asking Adobe to stop restricting access to its integrated AI tools for customers who already pay for the software.I use Capture One for most of my photographic editing and other AI solutions for creative tasks. Photoshop is still an impo

Bonjour. Ne serait-il pas possible d'avoir des suppressions de zone asynchrone?Quand on fait la moindre suppression il faut attendre que ce soit fini pour savoir utiliser Photoshop mais quand on travaille par exemple sur 10 photos ouvertes, il serait bien que cette photo en attente se mette "sur le côté" pour pouvoir faire des retouches sur les autres photos en attendant. On pourrait même envisager une "file d'attente" avec chaque zone de suppression demandée et qu'on puisse en lancer une ou l'ensemble. On pers beaucoup de temps avec ce blocage.    

Putting in a request for a full featured native Adobe MCP server for Photoshop (for each Adobe app for that matter). This would be a game changer in production environments and also for individual users.

You can edit your color table in the properties panel the same as you would with any other Adjustment Layer. Having a non destructive way edit index colors would be amazing for production. 

The ability to select and hold the "content aware fill" in cropping.  Don't reset to Background

Feature Enhancement Request: Include an option to Export As with Content Credentials AND all metadata, i.e. EXIF Camera Data, IPTC, GPS, etc.   What: I value the concept of Content Credentials, and the Photoshop beta works as designed for me in release 24 but... its only availble via 'export as' which has an option for no metadata or just copyright metadata but no option to include/retain all original metadata (Camera Data, IPTC, GPS, etc.). Why: If content credentials are going to enhance protection and authenticity then an option to inlcude original EXIF metadata further supports authenticity.   For me Content Crediential are of very limited value if metadata GPS, dates, camera etc. is excluded.  

I was just chatting with a group of other artists about the need to convert a color into transparency sometimes, and we've all needed such a function, then somebody said that in GIMP there's just a simple button for it, "Color to Alpha."  It does exactly what we need and very easily.  In Photshop this is possible but very cumbersome, having to use the channels to make a selection, then apply a mask. Googling leads to 10 year old articles and people recommending plugins.  But yeah, I'd just like to suggest this as an official feature request. You know how in Photoshop you can use Replace Color?  And you can pick a color, and vary the fuzziness of the selection, then change the color to something else?  It would be just like that I imagine, but instead of changing the color, you increase the opacity of those pixels.

Currently, the latest version of Photoshop v27.10.0 will only produce Intel droplets and not Apple Silicon droplets. With the ending of support for Rosetta not too far in the future we would like to see this addressed so that we can begin to upgrade our collection of droplets to be native. 

Illustrator and InDesign have supported this OpenType feature for many years, but Photoshop has not. This is very annoying for us type designers, because this limits our work, it also makes the user experience inconsistent among these 3 important Adobe softwares. References:https://docs.microsoft.com/en-us/typography/opentype/spec/features_pt#tag-ss01---ss20

Currently, Photoshop's Perspective Warp tool only allows users to move individual corner points independently. While Shift-clicking an edge constrains it to a horizontal or vertical alignment, there is no way to select two adjacent corner points and move them together freely while preserving their existing orientation.This is a surprisingly limiting restriction for such a fundamental transformation tool.Suggested improvement: Allow users to select multiple corner points using Shift-click and move them simultaneously. Alternatively, simply allow Shift + Drag on an edge to move both connected corner points together, without snapping, straightening, or changing the edge's orientation. Preserve the relative positions of the selected points. Keep unselected corner points stationary. Example use case:Imagine a rectangular graphic positioned at an angle in a photograph. I want to extend the graphic in one direction while preserving its existing perspective.Currently, I have to repositio

It’d be so helpful to have a sound notification when AI finishes generating fills. Since it usually takes a minute or so, people often switch over to something else while they wait, and then forget they have work to do! A quick sound cue would save time and make the workflow smoother. Alternatives (mas user) could be a pop up badge, a shaking PS icon in the dock.  Thank you!J

It's really time to add all the color adjustments to the masking function. I don't know how many times clients have to ask for this, and yet only a tiny bit more is ever added to the masks. It's just such an essential part to be able to adjust colors, saturations and luminances (HSL) in the masks. I can't believe this hasn't been added yet again.

Crazy Idea for the Adobe employees that occassionally look at these threads (and summarily ignore the ideas offered): the generative AI and neural filters are, on occassion, slightly useful, but they have a limited scope (and become dysfunctional with aspects like the neural filters' memory consumption and the neural filters you've been promising for forever now without hope they'll ever be finished): How about Adobe ... the "photo shopping tool"... makes... I know... CRAZY idea here... one that has somehow slipped past the army of programmers, ceo's, decision makers, and designers at Adobe:   AI Photo shopping tools!?   BOOM! I know, right? Amazing!   But, snark aside, let's be serious for a second Adobe. [cursing removed] There are (it seems like) 500 AI content generators out there, and of the 27+ I've tried: they all work better than adobe's firefly (like, epic leaps and bounds better that I don't even bother with firefly and you would have to do something AMAZING fo

What is everyones favourite way of dealing with color negatives in Photoshop? 

When I place a photo into an existing Photoshop document, I’d like Photoshop to offer an option to automatically resize and center it to fit the canvas while preserving its proportions.It would be useful to have two choices: Fit, which shows the whole photo, and Fill, which covers the canvas and crops the image only if needed. This would save me from manually resizing every image with Free Transform, especially when working with portrait, landscape, or differently sized images.

Forced AI is generating a resurgence of open source tools. Adding an “Non-AI” or “AI Free” option to installations and apps would be highly advisable. Furthermore, a lot of individuals are already running with limited hardware and resources, and these AI features are burning up computer resources rendering simple tasks like cropping a jpeg almost impossible. For the longest time the only thing preventing me, as well as a lot of other users, from switching to a Linux OS has been the power of the Adobe tools. However, as Adobe keeps up with this forced usage and installation of AI they will start to lose more users to programs like Davinci and Darkroom. 

Appears to be a minor synch when running updates. The other day I went to move an image from LrC and PS. An error message popped up stating a incompatability between the 2 apps. I had to Uninstall and then re-install PS to resolve the conflict.

I love using the Pattern Preview function for standard repeats. Is it possible to use this function for a half drop repeat?

An option to restrict Liquify mesh to layer bounds on a smart object would be a massive time saver for us, smart liquify has good potential but is too susceptible to the mesh shifting position when changing canvas size and even importing layers from other documents with a different canvas size. problem/solution stems from this thread: http://forums.adobe.com/thread/1113544 "jworthin wrote: Currently the mesh is resized to the document bounds. If we added capability, how could Liquify know if the user wanted to see the entire document bounds or just the layer bounds? Does it matter? Could Liquify only show the layer bounds and not the document bounds in future versions? Would this negatively affect any other user work flows? What if Liquify was to detect a change in the (document or layer) bounds relative to the loaded SO mesh and pop a dialog asking the user how to handle the change, ie scale the old mesh to fit, fill new areas with new mesh, or ?? Thoughts?"

There are PLENTY of times where I will be working on a large file and need to rotate or otherwise transform a layer. When transforming the layer, I need to be up close to transform very specifically. Oftentimes, the layer I want to transform is so large that the transformation handles are off screen. I would love it if the handles were always on screen and didn't require me to zoom all the way out to make a precise transformation.

Starting Adobe Photoshop, Adobe Indesign, … can take up to 13 seconds to fully load and be operational on my 2 year old M3 Pro MacBook Pro (36gb ram). Could you please improve the launch time of the apps? (Affinity Studio launches in 6 seconds, PhotoCraft launches in 1,5 seconds). Thank you. 

I use CC Libraries heavily for assets, but having to constantly drag-and-drop or right-click to place them slows down the workflow—especially when compositing repeatedly. Right now, getting an item onto the canvas requires: Drag-and-drop (defaults to a Linked Smart Object), or Right-click -> choose Place Linked or Place Layers.  I exclusively use Place Layers because I need to edit the components immediately. Going through the right-click menu every single time adds up to a lot of friction.So I’d like to suggest the following:Introduce a streamlined placement mode inside the Libraries panel—similar to how Button Mode works in the Actions panel. Single-Click to Place: Simply clicking an asset in the panel instantly drops it into the active document. Default Placement Settings: A panel option or toggle to set your preferred default behavior for single-clicks: Place Layers Place Linked Place Embedded Smart Object Modifier Keys: Alternatively, simple shortcuts like C

The recent changes to gradient layer editing have been significantly disruptive to my workflow, specifically the new behavior in which the top toolbar is no longer synced with the gradient settings in the properties panel. Previously, they served essentially the same purpose but now the top toolbar only works to generate new gradient fills.Editing the active gradient layer using the toolbar has been a constant part of my workflow for over a decade and. I require many toolset windows to create nearly all of my deliverables and I now have to have an additional tab open in my interface to accommodate the change. My workspace is already feels cramped and I prefer to keep the properties panel tucked away.It also splits my workflow into two locations unnecessarily. If the top toolbar is for creating new gradients then I don’t understand why it would modify an already existing fill. Other tools, like the paintbrush, don’t overwrite the existing layer data.. they modify it they way the old gra

Hello,  Please add a way to apply spot color to objects in Photoshop that stays live and editable, so corrections don’t require rebuilding the spot channel.Applying spot color to specific objects today means painting or filling artwork directly into a spot channel. That channel is a static raster, so any correction, such as a moved object, a revised mask edge, or a change in coverage, means deleting and recreating the channel from scratch. Layers, smart objects, masks, and adjustment layers all support non-destructive editing, but spot channels don’t.Corrections are routine in print production, and rebuilding channels adds rework on tight schedules. It also invites misregistration and ink-setting errors that can reach the press. Spot color is used across varnishes, foils, metallics, white ink, and brand colors in packaging, book covers, labels, and commercial print.Allow layers, groups, or smart objects to be assigned to a named spot channel (with ink name, solidity, and opacity contro