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Chimli Retouch & Motion
Chimli Retouch & MotionKnown Participant

Reset Camera Raw per Smart Object instanceOpen for Voting

When opening a photo from Lightroom into Photoshop as a Smart Object, Lightroom/Camera Raw settings are embedded in the Smart Object. Please allow resetting Camera Raw settings per duplicated Smart Object layer, so one instance can remain edited while another can be reset to the true RAW/original — without duplicating files or reopening Camera Raw. This would enable clean, non-destructive comparison between edited and original RAW data inside a single Photoshop document.

0
Chimli Retouch & Motion
Forum|Forum|8 months ago
Rubens MorenoParticipant

P: On-canvas Credit Tracker for Adobe and Partner ModelsOpen for Voting

Hi Team, With the integration of more AI models (Firefly and Third-Party Partner Models), managing generative credits has become a workflow bottleneck. Currently, we have to leave the app and check the web dashboard to see our balance, which breaks the creative flow. I would like to suggest two UI improvements: Real-time Balance: Display the remaining generative credits directly on the Contextual Task Bar or within the Generative Fill/Expand dialogs. Cost Transparency: Show exactly how many credits a specific generation will consume before we click "Generate," especially when using high-compute Partner Models (like Nano Banana or Video models) that might have different credit costs than standard Firefly. Knowing the "cost per click" and our total balance in-app would allow for much better resource management and a smoother professional experience. Thank you!

1
CShubert
Forum|Forum|8 months ago
athletic_fact6385Known Participant

Add option to include sequence markes when inserting from source sequenceOpen for Voting

There already is an option to copy & paste sequence markers but what's missing for me is the possibility to insert sequence markers when opening a sequence as a source. When I open a squence as source that has sequence markers, those will be ignored when inserting or overwriting.The only way is to select all the clips in the in to out area and copy them, then paste them in the desired sequence but that adds an extra step and I need to open the source sequence as timeline (in that case opening the sequence as source is useless in the first place as the only option is copy & paste). This feature would make working with source sequences more painless and more logical (compared to normal sources that will include their markers on insert).

0
Forum|Forum|8 months ago
Alexandrios

Language supportOpen for Voting

Dear Adobe, I would love you to have Speech-to-text Support for the Romanian Language.Should be something easy for you to impliment and I am sure that all romanians using Premiere Pro or no more Pro would appreciate the attention. Good luck,Alexandru

1
mattchristensen
Forum|Forum|8 months ago
hussam_5159

Speech to text in Arabic not supported in Premiere Pro 26!Open for Voting

Adobe Premiere Pro 26 has just been released, and overall it’s an impressive update.However, it’s also deeply disappointing that Speech-to-Text still does not support Arabic. This has unfortunately become a recurring issue.Arabic is one of the most widely spoken languages in the world, yet it continues to be excluded while many other languages are supported. In 2026, this is difficult to justify—especially when multiple competing platforms already provide accurate Arabic speech recognition.For creators who produce Arabic content, this limitation is not a minor inconvenience; it directly affects workflow efficiency and accessibility. It’s frustrating to see such a powerful tool fall short in an area that the industry has already moved past.

1
mattchristensen
Forum|Forum|8 months ago

P: (Masking) Multi-select and batch manage multiple selections within a single maskOpen for Voting

In the current masking panel, it is not possible to select multiple selections within the same mask.For example, when a mask contains several selections such as Object 1, Object 2, etc., I cannot Shift-click to select both and perform actions on them together. Currently, we are forced to: Move selections to another mask one by one Delete selections one by one Invert or manage each selection individually I would like to have the ability to: Shift-click / multi-select multiple selections within one mask Move selected selections together into another mask group Delete, invert, or manage multiple selections at once This would greatly improve efficiency when working with complex masks and multiple detected objects.

1
Forum|Forum|8 months ago
Outofstep

Instagram border update 2026Open for Voting

Lightroom on iPad needs the borders updated for instagram ASAP. All my images are 2:3 so I've been using the instagram border for 4:5. Well instagram decided to just shift to 3:4 and ruin everyone's day. It's been a couple months since I posted there. I just bordered and exported around 200 images to upload and then saw my first image had the top and bottom cut off. Now there is no way to upload any of my images in full.

0
Forum|Forum|8 months ago
penguinowl

P: Option to Limit Face Detection to the Cropped AreaOpen for Voting

Feature Idea: Option to Limit Face Detection to the Cropped Area   This would be a huge time-saver!  For example, I photograph sports. I often crop tightly on the main athlete, but face detection still identifies faces outside the crop (teammates, opponents, spectators, etc.) that are no longer visible in the final framed image.   Because of this, when I create smart albums based on a specific person, many photos are included where that athlete is detected in the original file but does not appear within the cropped frame. I then have to manually review and remove outside-crop face tags to keep the album accurate.  Having to manually review everything eats up all the time I just saved using tagging and smart albums.   Having a “detect faces within crop only” option would greatly improve workflow and make face recognition much more reliable for photographers who crop heavily.  I hope other photographers would find this useful too!

0
Forum|Forum|8 months ago
RobBarrett
Community Expert
RobBarrettCommunity Expert

Don't delete files from the Scripts folder when updating After EffectsOpen for Voting

Every time I update After Effects, I have to remember to go back into the Application folder and restore the scripts that were previously in the 'Scripts' and 'Script UI Panels' folders, which is very inconvenient.   I'd like to request that updating After Effects doesn't remove files from these folders (or at least offers this as an option).

0
RobBarrett
Community Expert
Forum|Forum|8 months ago
Kanye YuskiParticipant

Feature Request: Locking Specific Clips to Absolute Timeline PositionsOpen for Voting

Dear Premiere Pro Development Team,I am a video editor specializing in commercials and music videos, and I use Premiere Pro daily. I am writing to propose a new feature: "Absolute Clip Lock" (the ability to lock selected clips to a specific point on the timeline).The Problem: Currently, when editing commercials (e.g., a 30-second spot), specific elements like the Brand Visual Identity (VI) at the final 2 seconds must remain fixed. Similarly, in music videos, certain shots must align perfectly with specific beats. However, when trimming or ripple-editing adjacent clips, these "fixed" shots often shift. Constantly double-checking their alignment is a significant source of stress and slows down the creative process.The Solution: I request a feature that allows users to lock an individual clip (or multiple selected clips) to its absolute position on the timeline. •Unlike the current Track Lock, this would only affect the specific clip, allowing other clips on the same track to be edited freely.•This would be invaluable not only for CM and MV editors but also for TV editors who need to lock commercial break timings to specific timestamps. Additional Suggestion: It would also be incredibly helpful to have a "Solo" button for individual clips, allowing us to isolate a specific clip’s audio/video without muting entire tracks.Thank you for your hard work and for considering these ideas to make Premiere Pro even more powerful for professional editors.Best regards,   

1
Forum|Forum|8 months ago
Vadym B.
Vadym B.Inspiring

Adjust audio volume for multiple clipsOpen for Voting

Hi! There should be an option to adjust the volume of selected clips. It's strange that when you select multiple clips, the volume only changes for one.

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Vadym B.
Forum|Forum|8 months ago

P: Different style of cursor for Masking/HealingOpen for Voting

Hi, here's what I think after some months using the app on a Pixel 8 Pro phone and a Samsung a9+ tablet.    I have some issues with the UI   Let me see what I'm doing:   For ALL drawing operations - brush mask, heal, clone, etc. - give us something that looks like a dodging tool or a brush: an easily grasped handle at one end and an actual representation of the brush size, feathering , and opacity at the other, and enough distance between them so that we can see what we're doing.      OR   Allow much more zooming in, so that the area I'm working on is much bigger than my fingertip.       (The current mode of trying to do this with the affected area HIDDEN by the fingertip is awf       Make it easier to grab the handles:       Disable context menus and actions when handles are visible and the fingers are touching *anywhere* near them.  (Example: when moving/rotating/shaping a radial mask.)         Since I'm clearly trying to use the handles:  Make it easier to grab the handle!        Don't show me the original image if I touch the screen "too long".  There's nearly zero chance the I want that.       Don't show me the context menu when I'm trying to move the mask. I can get that from the right side of the screen, it's just in the way when I'm touching the mask itself.       Don't flip something back to it's default position based on your interpretation of how I'm touching near it. I already moved it  away from the default, there is pretty much zero chance I want it back there. Make it easier to grab the handle and I' ll put it where I want it.            Thank you.      

0
Forum|Forum|8 months ago
Ami33161657c7zy

Importing DuplicatesOpen for Voting

Hey there. I work off the cloud based lightroom and I know that Classic has the option to "import selected duplicates". I edit off my laptop with a drive but at times I would like to upload them into my iphone to edit off of. I am unable to download photos that i've duplicated with one being the natural edit and the other being black and white. But since it is under the same file name it shows as a duplicate and will only let me import one. I think this tool should definitely be added into lightroom mobile. 

0
Forum|Forum|8 months ago
finian_7518

Interesecting mask with existing maskOpen for Voting

I think it'd be cool if you could use the "intersect with mask using" option and pick a pre-existing mask to intersect with, if that makes sense. I just feel the options are kind of limited as of right now.

0
Forum|Forum|8 months ago
AndrewTheGreat
AndrewTheGreatKnown Participant

FEATURE REQUEST: Premiere Pro 26.x > 25.x\24.x project downgraderOpen for Voting

Now that version 26.0 of Premiere Pro has been released I'd like to draw everyone's attention to the main problem of this update - projects created in Pr 26 cannot be opened in its earlier versions. Trying to do so leads to a project error. Project downgrader sites you can find in the Internet are useless, they don't work with this release. So what should do those Premiere Pro users that cannot update? I work in a big company with not-so-modern hardware which has Pr 25 and 25 installed and the company isn't gonna update because the newer Pr version the better hardware you need.Since Adobe does not recommend to use third-party project downgraders because:and they haven't come up with a credible solution of their own, I'd like to request an Adobe tool or a Premiere Pro feature (like in After Effects where you can save a project as 24.x or 23.x versions) to be able to downgrade a project or save it downgraded. I understand that the new Object mask needed to rework the save structure, but between saving a project with a mask but in 26.0 only and saving it without a mask but in any older version I think most people will choose the second variant. 

1
Forum|Forum|8 months ago
mstfbgcvn41265063

P: Turkish Language SupportOpen for Voting

Merhaba, Lightroom kullanıcıları olarak uzun süredir Türkiye’de ve Türkçe konuşan pazarda bu ürünleri aktif olarak kullanıyoruz. Lightroom iPad ve iPhone uygulamalarında Türkçe arayüz desteğinin olması harika, ancak Lightroom Classic ve Lightroom Web masaüstü sürümlerinde Türkçe dil desteği olmaması, erişilebilirlik ve verimlilik açısından önemli bir eksiklik yaratıyor. Türkçe arayüz desteği olması şu açılardan çok değerli olur:• Profesyonel kullanıcılar için yerel dilde netlik ve hız: Özellikle katalog, koleksiyon, metadata, senkronizasyon gibi teknik terimlerin yerel dilde olması, Lightroom Classic kullanıcılarının iş akışlarını ciddi biçimde etkiler.• Erişilebilirlik ve öğrenme eğrisi: Türkçe dil desteği olmayan bir arayüz, ürünün öğrenilmesini ve verimli kullanılmasını zorlaştırıyor.• Eşit kullanıcı deneyimi: Mobilde Türkçe desteğin varken masaüstünde olmaması, kullanıcı deneyiminde tutarsızlık yaratıyor. Bu konuda bir Türkçe arayüz seçeneğinin eklenmesi, ürünün Türkiye ve Türkçe konuşan kullanıcılar için daha kapsayıcı, erişilebilir ve profesyonel bir düzeye ulaşmasını sağlayacaktır. Katkılarınız ve değerlendirmeleriniz için teşekkürler.

0
Forum|Forum|8 months ago

Add Resolution and Scaling Options to Nest Pop-Up WindowOpen for Voting

By default, Premier creates a nest with the same resolution as the sequence it was created in. The problem with this is that if you are working with video/images that are higher resolution than the source sequence, and you nest them in the sequence, scaling the nest does not preserve the source media's resolution. For example, nesting a 4k clip in a 1080p timeline effectively converts it to 1080p, resulting in a drop in video quality when you increase the nest's scale.The typical workaround is to scale/reposition the clips within the nest (instead of the nest itself), change the nest sequence settings after you create it, or skip the nest feature and create a new sequence with your desired resolution, adding what you want nested to it, and then bringing that sequence into your main sequence. These workarounds involve way too many steps for something that should be simple. After all, a nest is just a regular sequence and has all the same settings as any other sequence.I propose adding resolution settings to the pop-up window when creating a nest. You can manually change the resolution or have it autodetect the highest resolution clip being nested. If the resolution is changed from the default, there should be additional options to resize the clips/media being nested (None, Scale, Fit, Fill), and how you want the nest resized in the main sequence (None, Scale, Fit, Fill).

0
Forum|Forum|8 months ago
Michiel5CBFParticipant

Language problemOpen for Voting

Hello @adobe ,I am beginning to get frustrated about the fact that is is taking soooo long to improve the language of the adobe stock website.Problem (that has been there for years now): when I open the Adobe Stock website the language is in French. I live in Belgium (Flanders) and the language spoken here is Dutch. I know that Frenche is teached in schools here but the language spoken is Dutch.Questions: can you please improve the language module of adobe accounts???Ideas: 1 - change the settings for people in Belgium:- When people live in Flandersregion of Belgium, change the language standard to Dutch.- When people live in Walloon region of Belgium, change the language standard to French. 2 - If the first idea is so hard, please make it easier to change the language with a simple dropdow or switch at the top of the website. Please be so kind and make finaly make this change after al these years.

1
Forum|Forum|8 months ago
Lovedeep_Badyal1770

Solve Video Noise & Grain Problem.Open for Voting

I think Premiere Pro should have a powerful tool that removes noise and grain from videos without making them blurry or compromising quality. The VR-Denoise tool is too basic. Develop a powerful tool that removes noise and grain in one click. Kudos to the Adobe team for the new masking tool, but they should also do something to remove noise and grain from videos.

2
R Neil Haugen
Forum|Forum|8 months ago
kirkr5689Inspiring

Please instead of low or ultra in material settings show as pixel resolutionOpen for Voting

That term ultra  tells me nothing,   I want to figure out what resolution of sbsar material my 1024x4096 document  needs  to have this sbsar rasterized in same resulution .   Please make it clear . And BTW what setting I need so set currently?   Ultra or High?  

0
Forum|Forum|8 months ago

Improvements to the Film Impact EffectsOpen for Voting

This is something that's always been the case with the Film Impact effects, but now that they're the defualt effects it's a glaring issue - effects like Blurs, and Mossaics are capped at arbitrary values that make specific looks and effects impossible to achieve. For instance:- Gaussian Blur is capped at 100. Most of the time, I'm using Gausian blur at much higher values, typically closer to 500. It should be capped at the same limit as the original effect 30000.0. I never use it at that value, but it should still be an option. I'm aware the original is still available but that's still stupid that the legacy version is better than the replacement - the only benefit the new versions offer is built in chromatic abberation. This applies to all blurs, not just Gaussian Blur.- Mosaic is capped at 200, which is terrible. Not only that, but it's locked to uniform scaling rather than individual axis like the original effect. A lot of the time when I use mosaic, I use it to create a slight pixelation effect where items are still legible in which case I might not want a uniform scale, or in other cases I'm keyframing it so it mosiacs out to reveal an unblured image, which requires the pixel count to be identical to the resolution which isn't possible when it's capped at 200. Granted, this effect offers a lot of benefits to the original mosaic effect, but it's still not something I can use practically because of this arbitrary cap

3
Peru Bob
Forum|Forum|8 months ago
Ann Bens
Community Expert
Ann BensCommunity Expert

tutorials missing audio files.Open for Voting

https://adobevideotraining.com/video/getting-started/ https://community.adobe.com/t5/premiere-pro-discussions/premiere-pro-beginner-tutorials-missing-audio-files/m-p/15658230#M577688 https://community.adobe.com/t5/premiere-pro-discussions/tutorial-files/td-p/15674271 There are several tutorials with audio files missing in their project files.      

0
Ann Bens
Community Expert
Forum|Forum|8 months ago
Liwinmac
LiwinmacParticipant

Speed Ramping in 2026: Premiere Pro Is Falling BehindOpen for Voting

Speed ramping is now a basic requirement in professional video editing. In 2026, editors expect to create smooth, cinematic speed changes quickly and intuitively. DaVinci Resolve and Final Cut Pro meet this expectation. Adobe Premiere Pro does not.Final Cut Pro makes speed ramping straightforward and fast. Speed changes are visible directly on the clip, easing is handled automatically, and results are smooth with minimal effort. The workflow is designed for speed and consistency.DaVinci Resolve offers an equally modern experience. Its speed curve editor gives editors full visual control over motion, allowing precise shaping of ramps without unnecessary steps. The system feels current, efficient, and purpose-built for modern footage like drone and gimbal shots.Premiere Pro, on the other hand, still relies on an outdated time remapping workflow. Editors must dig through menus, split keyframes manually, and carefully adjust small handles just to achieve basic results. Even after all that, motion often feels stiff without extra tweaking.For professionals working under deadlines, this is more than an inconvenience — it’s a workflow problem. Many editors now leave Premiere entirely or use Resolve or Final Cut specifically for speed ramps.The frustration isn’t about missing features. It’s about missing modern design. In 2026, speed ramping should be visual, intuitive, and fast. Resolve and Final Cut prove this is possible. Premiere Pro’s approach feels stuck in the past — and that gap is becoming harder to ignore.

2
Liwinmac
Forum|Forum|8 months ago
X3230704530499360Participant

Edit to beat / Music grid by BPMOpen for Voting

I would appreciate having a feature Final Cut just launched and should have been in PP for a decade:Edit to beat / Music grid by BPM. Let me pick my BPM and let it display a grid where I can edit to 8th/16th 1 bar of music etc. There's no need for AI. this can be done quickly.

2
Peru Bob
Forum|Forum|8 months ago
prestonb64211432Participant

Feature Request: Performance Diagnostics PanelOpen for Voting

Quick Preface:Sorry for dumping a quick AI written feature request. I'm currently mid project and I wanted to quickly get this up before I forget, but after realizing that premiere's console feature is so robust at isolating and identifying bottlenecks, I at a loss for why they don't just translate this information for less technically inclined individuals. Of course, a lot of these issues are true RTFM or "let me google that for you" type things, but realistically it would be way easier if they were to cut out the middle man and just identify your bottlenecks and recommend solutions / link to help or FAQ threads.SummaryPremiere Pro should include a user-facing "Performance" or "Bottleneck" panel that surfaces the diagnostic information the application already collects internally. This would help users identify what's causing timeline slowdowns without needing to dig through debug logs or guess at solutions.The ProblemPremiere Pro already tracks detailed performance metrics internally:Async source timeouts (with specific file names and frame numbers)Frames dropped during playbackPreroll and prefetch timesRender times per frameCodec decode issuesGPU acceleration failuresVFR detectionProxy/source mismatches This information is logged to debug consoles and log files that most users don't know exist, can't easily interpret, and aren't designed for troubleshooting. Meanwhile, users experience sluggish timelines and have no insight into why—leading to hours of trial-and-error troubleshooting, forum searches, and frustration.The application knows exactly what's causing the slowdown. It just doesn't tell the user.Suggested SolutionAdd a "Performance" panel (Window > Performance) that displays real-time and historical diagnostics in plain language:Real-time indicators:Current playback status (smooth / dropping frames / buffering)Which clip or effect is causing delaysWhether the bottleneck is CPU decode, GPU render, disk I/O, or RAMIssue detection with recommendations:"Variable Frame Rate detected in [clip]. This may cause proxy sync issues. [Learn more] [Conform to CFR]""Async decode timeout on [clip]. Consider transcoding to an edit-friendly codec or creating proxies.""GPU acceleration unavailable for [effect]. Rendering on CPU.""Disk read speed insufficient for [resolution/codec]. Media is on [drive type]."Session log:Scrolling list of performance events during the sessionFilterable by severity (info / warning / error)Clickable entries that navigate to the problem clip in the timelineWhy This Matters:Users shouldn't need to enable debug consoles and parse log files to understand why their edit is lagging. When Premiere detects a problem—and it does detect these problems—that information should be accessible in a way that helps users take action.This is especially important as source media becomes more varied. Content from smartphones, screen recordings, streaming rips, and consumer cameras often uses codecs and frame rate modes that aren't ideal for editing. Users working with this footage deserve to understand what's happening rather than assuming their hardware is inadequate or that Premiere is simply "slow."Surfacing existing diagnostic data in a user-friendly way would significantly improve the editing experience and reduce support burden.EnvironmentPremiere Pro 2025Windows 11Issue encountered while troubleshooting VFR HEVC footage with proxy workflow

0
Forum|Forum|8 months ago
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