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ArcherA4Known Participant

P: Entire face mask selectionOpen for Voting

When creating a mask for an identified person it is of course great being able to create separate or combined masks for the individual facial elements - lips, eyebrow, sclera etc . While there is an option to select the entire person, there is no option to select all of the identified facial elements with one click. I often find myself having to click 3 or 4 elements on each of a sequence of shots to select the whole face (eg a sportsperson wearing a helmet) although the elements available will vary with each shot and so syncing the mask is fraught with risks. The additional feature would simply be to have an "Entire face" box below the "Entire person" box. Thanks        

1
Claire H.
Forum|Forum|1 year ago
paulie352Participating Frequently

Blue mask lines - adjust visibility option; bright canary yellow as an exampleOpen for Voting

If Blue mask lines are  hard to see at times,  as when video behind blends with the blue mask lines ; if there were a simple way to adjust the visibilty of the blue lines could allow for faster easier workflow when reducing strain of seeking the next point on the mask to adjust.  If there were an option to make the blue mask line & anchor point's brightness, hue or saturation would when necessary improve visibility of the mask lines - thus faster work flow. Bright Yellow as a color option for maks lines and points would be a useful option when background video is a heavy blue hue, swiotching to yellow the mask lines would nicely pop

1
Forum|Forum|1 year ago
marie-christinel33150984
marie-christinel33150984Participant

Feature Request: Camera Raw has a plugin/effect for After EffectsOpen for Voting

Hi everybody 🙂 I would really like if Camera Raw would be integrated in After Effects as an effects/plugin. The thing is, camera raw is really a great tool that adobe has develop for color correction. Unfortunatly, camera raw is only easy to use in Photoshop. If you want to use it on your footage in AE, you need first to convert it to a raw image sequence. You can only use camera raw at the moment of the import, after that when you close the window, you cannot do further adjustement. That's why I think that it would be wonderful if camera raw was use has a effect and fin it in the Effect Control pannel where it belong, a bit like mocha! It's such a great tool,  and AE lack of this type of tool for color correction. Yes, there is lumetri, but there is alot of feature in Camera Raw that Lumetri just doesn't have. Thanks alot for considering it! Marie-Christine Laniel

2
Forum|Forum|1 year ago
Ruslan_Isaev_EditorInspiring

Shortcut for "Toggle individual source patching", Audio track names and Duration in Timecode PanelOpen for Voting

Hello my lovely adobe community!1) In Avid MC we can toggle individualy evey source audio tracks (select or diselect) with the shortcuts and it is very helpfull when we use a multiple audio tracks.In Adobe we can only switch OFF or switch ON all tracks. For Individual selection we should use mouse. Can your engineers solve this problem?2) And from our friends from audio department , they names every channel for us, in Avid MC and DaVinci Resolve we can see in Source Monitor(and probably in timeline they named channels), in Adobe we use only Metadata panel and they cant see names though Mcam(avid can and DaVinci Resolve). 3) And my Final pain (file duration). We can see it in "Info panel"(not comfortable) or when we select file in TL with the mouse(not confortable), BUT not in the TIMECODE panel. I thing, TIMECODE panel should be for any TIMECODE, and for duration. Probably you will add Duration in TIMECODE panel?    

0
Forum|Forum|1 year ago
hellopaul4
hellopaul4Inspiring

Audio ducking should create TRACK keyframes not CLIP keyframesOpen for Voting

I'd love this to be an option! I am, once again, trying out different music clips against an interview, and want to apply my ducking keyframes to the TRACK and not the CLIP. That way, I could easily delete the music clip from the track, drop a new one on there, and it would be ducked in all the right places. PPro does not need to know or care what clip I have on my music track - it just does the ducking at the TRACK level, regardless of what music is on the track. The ducking keyframes that PPro creates are in no way related to what's on the music track - they depend solely on the presence of dialogue and the settings in the Ducking panel. Talking of those controls - the "Sensitivity" is the wrong way round - setting it to High creates fewer keyframes, and setting it to "Low" creates a keyframe for even the briefest pause in the dialogue. It would be wonderful if we had two "Generate Keyframes" buttons: one that says "Generate Clip Keyframes" and one that says "Generate Track Keyframes"...and did just that! Or at least if PPro had the ability to copy keyframes from a clip to a track, that would mean I'd only have to do the ducking process once (on the clip, as it currently does), then I could copy the clip keyframes to the track, then delete the keyframes from the clip. And then do whatever I liked with the clip(s) (eg. extending it via Remix or replacing the clip with another music clip) knowing that my ducking keyframes are safely tucked away on the track. OR possibly even better - the ducking keyframes could be applied to a Submix track; that way, it'd be possible to route several tracks (music, FX, etc) to the submix track and they'd ALL get auto-ducked! Upvote! Upvote! Let's get this happening!

2
R Neil Haugen
Forum|Forum|1 year ago
P0stup
P0stupParticipant

Feature Request: Apply Silence Detection and Removal Only Between In/Out PointsOpen for Voting

Dear Adobe,Please explain why in the year 2025, after multiple AI updates and workflow "improvements," I still can't apply silence detection only between In and Out points on a timeline?The current limitations:Silence detection runs on the entire sequence, ignoring In/Out.No way to apply cleanup just to a selected range or lassoed clips.No distinction between awkward pauses and intentional beats unless we cut, nest, or play XML games.Real-world use case:I'm editing a long interview with an ESL speaker.They pause mid-sentence, stutter, drop filler words — but sometimes take intentional dramatic pauses for emphasis or topic shifts.I don’t want to kill all pauses. I just want to:Tighten mid-sentence dead airRemove “uh, um, like” automaticallyPreserve pacing and story flowApply this only to a selected chunk using In/Out pointsIs that really too much to ask from software that costs this much?

1
P0stup
Forum|Forum|1 year ago
Tshepo38904403eamwParticipant

P: Generative Remove: Add a text promptOpen for Voting

I am really enjoying Lightroom's generative removal feature. Would you kindly think about incorporating generative fill, which allows for text generation similar to Photoshop?

4
Forum|Forum|1 year ago
John28928224j9nyParticipant

Turn table/ AnimateOpen for Voting

Beta version of AI. Windows. I Enjoy the turn table It still has trouble with very complicated images but even then it sometimes work well. I think that being able to export the turn table view into a animation in Animate would be very useful or give Illustrator a timeline to animate as its Drawing tools are better then Animate. 

1
Smriti Capoor
Forum|Forum|1 year ago
TJCRYANParticipant

P: Can we turn off copying the 'Remove' section when clicking 'Previous' or 'Sync' ?Open for Voting

The remove selection is one setting that pretty much always changes between photo to photo, plus sometimes it'll create weird looking parts of the image that can sometimes be missed if you're not careful! So I'd much prefer the 'Remove' section to be automatically disabled when using Previous or Sync, and then it can be enabled if really needed to. I know that you can select certain sections when copy and pasting settings, but this is a bit more effort than just clicking on the next image and then clicking previous.

0
Forum|Forum|1 year ago
tahinga_9959Participant

More advanced setting for TranscriptsOpen for Voting

While checking the "Transcript view options" under "Transcript" with "settings search" I noticed I can't make the "minimum pause length." any shorter than 0.10 seconds.This is waaaaaaaay to long. A lot of talking for online content needs to be snappy and fast, pauses between sentences should be instant. There are even videos who use overlaping dialog to keep the words flowing.The transcript is working amazingly other than I can't make the pauses shorter.Is there a setting to bypass the minimum pause length?

2
Ann Bens
Forum|Forum|1 year ago
jasony4857547Participant

Presentation mode in BoardsOpen for Voting

It would be great to have a way to view in a presentation mode, removing tools and generate.  I am presenting to a customer, using it as a working brand mood board.  I will have one employee in the board too, working through the concepts and design elements with the customer.  As they like something while I am presenting, I am going to have my employee move everything to a new group.  So we're basically helping them build a mood board in real time.

1
Forum|Forum|1 year ago
rajesh381110531k58Participant

Request to Add Telugu Language SupportOpen for Voting

I kindly request you to add Telugu language support to your application/website/service Telugu is one of the widely spoken languages in India, with millions of speakers. Adding Telugu language support will help users understand and use your service more effectively.I hope you will consider this request and implement Telugu language support at the earliest.Thank you,rajesh

1
Forum|Forum|1 year ago
Edgar_HuParticipating Frequently

Thoughts about important updatesOpen for Voting

Hello everyone,I only use After Effects with ACES 32-bit. That's why my wish list only refers to effects that support 32-bit.I hope this will not only be helpful, but also show what could make this programme more popular.1. There is no denoiser or renoiser for the 32-bit version. And even if existing 16 effects were optimised for 32-bit, these effects would be 10 years behind the times. Currently, it is necessary to purchase DaVinci separately, add or remove noise there, and then export it to After Effects.2. The camera lens blur is far too limited. This effect needs to be updated, as absolutely every other programme offers more bokeh options than this one. Even Premiere has announced an effects library that can create better bokeh than After Effects, which is very strange. 3. Rotoskoping gets worse with every update. In my opinion, the best version is V25.1. But even this is much too slow or much too inaccurate compared to other options such as magic mask in DaVinci. Here, you have to go back to DaVinci and export for After Effects. The biggest problem with the tool in After Effects is that the refinement brush does not follow the contour of the Roto brush, which is incomprehensible to me. When the light in the scene changes stroboscopically and the Roto Brush follows the contour cleanly, the refinement brush completely freaks out. AI is much more advanced today than what After Effects offers, and I am very sure that a mind-blowing improvement is possible.4. Working with mask effects: I have already mentioned in a post that these should function more like stencils and not be determined by the position and scaling of the layer.5. It would be good if After Effects didn't blindly interpret all imported footage as ACES2065-1. Sometimes it says that After Effects has recognized the footage as rec 709, but still interprets it as ACES. Completely incomprehensible.It would be good if After Effects didn't blindly interpret all imported footage as ACES2065-1. Sometimes it says that After Effects has recognized the footage as rec 709, but still interprets it as ACES. Completely confusing.6. It would be good to make all effects, or as many as possible, accessible for 32-bit as well. For example, why is Vibrance still in 16? Is it because it needs a 100% limit? Can't that be worked around? Color Boost in Davinci does the same job in 32-bit depth.7. Tracking can now also be done with AI using photogrammetry, which would be a brilliant option to switch to. The free point tracking system, where you track more points yourself, could create a 3D camera as a result. Then it would be similar to the solution in Blender. What is definitely missing is a preview of the track points you select. A square window that displays the track point live. This allows you to see very clearly if there is any deviation, even if the footage is blurry. And while we're at it, a lens distortion pipeline is essential if you want to create clean, professional tracks. This needs to be built into the track, either with precise AI recognition or presets, or the ability to interpret distortion grids. Mask tracking can also be improved, perhaps with better shape recognition. 8. Removing objects in After Effects is only possible in a tutorial. When it comes to real shots, you can forget about it. Manual frame-by-frame retouching in Photoshop is more accurate. Please enhance this with AI. Today, it is possible to replace and remove anything, and it must work with 32-bit. The only workaround right now is to convert the project to ACES CC, create a reference frame, retouch it in Photoshop, update it in After Effects, and switch back to ACES CG. That can't be normal. (This workflow is not optimal because the retouched colors and highlights are not displayed correctly.) 9. Small but annoying 😄 When I save a new render job and select the storage location, can the location be saved by project or render job? Currently, the location that was last used is selected (no matter wich project you worked on). For example: If you create a project file for each shot and render V1 everywhere, it would be good if you could also save V2 in the same folder when duplicating the render job without having to search for it again in the folder structure. This problem arises when you are working on several projects at the same time and have to jump back and forth between them. Then you have to select the new storage location each time. This saves sooooooo much time on a large project with hundreds of shots.  So, thank you very much for reading this far 🙂 I would be pleased to receive your feedback. These are the most important aspects of my workflow, and perhaps they will be helpful to others as well.Thank you! 🙂 

0
Forum|Forum|1 year ago
Jordan FishParticipating Frequently

Export Panel should allow you to set frame size by percentageOpen for Voting

If I want to send multiple sequences to the media encoder at, for example, half-resolution there is currently no way to do this. This becomes a bottleneck in particular when I have a number of sequences at different aspect ratios, and there should be a simple way to apply this 50% downscale to all of them, but instead I need to go through them one by one, or send to media encoder in batches. This extra time and effort really adds up for complex deliverables.

0
Forum|Forum|1 year ago
tkellerKnown Participant

Bring back FX badge colors on clipsOpen for Voting

Please bring back the different colors for FX badges, Have it just go from white to grey doesn't tell me at a quick glance what kind of FX are applied. If we could even just have the FX text change color if design doesn't want the box, that is fine too.  

0
Forum|Forum|1 year ago
SeriamonParticipant

Option to Hide One Channel in Stereo Waveform Display in TimelineOpen for Voting

Premiere Pro currently displays both Left and Right channels for stereo audio clips in the timeline waveform view. This is often unnecessary and visually cluttered, especially when only one channel is relevant (e.g., dual-mono interview tracks, camera scratch audio, or boom/lav recordings with split tracks).Request:Please add a simple toggle or preference that allows users to hide either the Left or Right channel in the stereo waveform display, or to show just a mono/mixed waveform without needing to collapse the track height or remap channels.Why this matters:It’s difficult to work efficiently with stereo clips that only use one channel.Reducing waveform clutter improves timeline readability and precision.Audio interpretation workarounds are destructive or time-consuming.Collapsing track height is not a viable solution for serious audio work.Ideal Implementation:Right-click clip or track option: “Display Left Only / Right Only / Mix / Stereo”Global preference for default waveform display modeNon-destructive (doesn’t alter audio channel configuration)This would significantly improve workflow for editors who regularly work with dual-mono audio or multi-mic setups. Thank you for considering this!P.S. I've spent hours searching for a workaround or plugin to solve this, and it’s clear that no such feature currently exists in Premiere Pro. After many years of using Adobe’s product suite, I’m seriously considering switching to a competing platform if this issue isn’t addressed. It’s a surprisingly basic and frustrating limitation that significantly impacts my workflow.

7
Kodee
Forum|Forum|1 year ago
kleinbc100Participating Frequently

Spell Check for embedded textOpen for Voting

I know there is spell check inside of the text panel, but I wonder if it would be possible to use a service like twelve labs to OCR a full video to spell check everything, even text that is embedded. 

0
Forum|Forum|1 year ago
grega99503882
grega99503882Inspiring

Capcut vs Premiere ProOpen for Voting

I've been playing with CapCut, and I'm extremely confused about how an app can be so powerful. The face retouching, makeup controls, effects, transitions, and more surpass anything I can do with Premiere Pro. I feel like CapCut is the biggest threat to Premiere Pro—I just don't understand how a company as big as Adobe, with its expensive subscription model, can be so far behind. I should be able to open Premiere and find a face retouching tool as easy to use as the one in CapCut. I truly don’t understand how such a young app can be so much more advanced than an industry veteran.

5
R Neil Haugen
Forum|Forum|1 year ago
Alexander Rott
Alexander RottKnown Participant

Native Spell Check for After EffectsOpen for Voting

I feel like I might be screaming at a brick wall here, but for the love, spell check for After Effects PLEASE. Yay that it finally, sort of, came to Premiere, but for those of us who animate text for a living, having to type everything out into a word processor then copy and paste into AE is an insane workflow for the year 2023. There are scripts that sort of do the trick, but they aren't live in any composition or you have to actively monitor every time you type something to see if it is incorrect (I'm talking about displaying the little red line underneath something that is incorrect). Even something like the InDesign spell check would be nice. 

3
Forum|Forum|1 year ago
Steve_3DParticipant

Unreal Engine 5 viewport wrapperOpen for Voting

Hello there!Something I would love to request is an Unreal Engine 5 viewport wrapper with lumen if its possible, I know its been done with elder scrolls oblivion so im wondering if its doable inside of substance painter? It would streamline a ton of workflow for the whole industry internally and externally and would be a very welcomed feature.

0
Forum|Forum|1 year ago
johanndjParticipating Frequently

I would like to suggest Afrikaans to be addedOpen for Voting

Adding Afrikaans to Adobe Premiere Pro's language transcribe function would greatly benefit a significant user base, particularly in South Africa, where Afrikaans is one of the most spoken languages. This addition would enhance accessibility and usability for Afrikaans-speaking content creators, enabling more accurate and efficient transcription of their projects. It would also reflect Adobe's commitment to inclusivity and global reach, supporting a diverse range of linguistic communities and improving the overall user experience for Afrikaans speakers.

2
Forum|Forum|1 year ago
Teknoid030Participant

P: Read and write video metadata into video or sidecarOpen for Voting

The new Video part is great! I really like the previews.It is a great addition to sort and tag your video's. Only one problem:The tagging system doesn't work properly, it doesn't store the tags in the video-files like it is possible with the photo's. I hope this will be working in the Final.

107
Forum|Forum|1 year ago
FeedbackCommunityMemberInspiring

Change the app languageOpen for Voting

Right now it's only possible to change the language of the installed apps, such as Illustrator, but not the Creative Cloud app itself.

3
Kalvyn Rasquinha
Forum|Forum|1 year ago
IVTore
IVToreParticipant

Please make Creative Cloud Desktop (launcher) language configurable.Open for Voting

I prefer it in english, because of its wild cryptic Turkish and finding help in english is easier.Also there are million scenarios in both personal and business use, which a program that central to applications must have a configurable language selection. 

5
Kalvyn Rasquinha
Forum|Forum|1 year ago
Mark32776780igqoParticipant

Please allow us to change the CC desktop language!Open for Voting

I'm using Windows. I can't change the language of my OS, which for some reason means I can't change the language of my Creative Cloud desktop app. This is so so frustrating! I just want to use CC in English! Please, please include language settings in the Creative Cloud.

1
Kalvyn Rasquinha
Forum|Forum|1 year ago
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