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hi there good folks!i'm loving windows 11 light theme, the tone and contrast is perfect for me.when i tried adobe CC latest apps, i switch to light theme, but the experience is not the same as dark or darkest theme, which to me, many many things need to be considered. icons, texts in some parts. still at grey or light grey. please consider to overhaul the light theme. thanks and regards,me.
Right now, you can only change the time of an image. But this does not revise the timezone UTC metadata. Lightroom needs the ability to change the time zone data, as there are many times where the time is correct but the time zone was offset. exif:OffsetTimeOriginal/EXIF:OffsetTimeDigitized/EXIF:OffsetTime Some apps, such as Apple Photos, uses the utc offset when organizing images. This means exports from Lightroom would be out of order - not great.
The new project option which allows you to quickly and easily select a template is a great improvement on the previous iteration. However as a firm that works heavily in productions for a lot of our workflows, creating a new project from a template is awkward and requires many extra steps which requires additional training for users.Instead, when in a template, could an option of create new project with template be added, defaulting the save location to the current production, and allowing a user to pick from the list of current templates.
Please add Ripple and Roll edits to the Multitrack interface. I'm not talking about Ripple Delete. I understand that Ripple Delete exists, and how it works. I'm talking about ripple editing, where a change made cascades down the Timeline. Premiere has Ripple/Roll/Slip/Slide. The idea of a digital media editor without that functionality is, well, hard to believe. Premiere can do it for both video and audio, even keeping transitions intact while the underlying edit is changed! Just port that functionality over to Audition, please! Particularly in Multitrack, this shortcoming needlessly complicates the editing process. If I need to go back and modify an edit earlier in the Timeline, I have to manually ensure that all subsequent edits are preserved by selecting the remaining content and repositioning it to accomodate the change. If it weren't for some of Auditions other features, I'd edit all my audio in Premiere simply to gain that functionality.
Hi, we all love Warp Stabilizer. However, it keeps losing its information/internal keyframes or whatever.So it needs to keep analyzing agagin and again. I am now reanalyzing clips for more than10 time...So, Adobe please add a "locking feature" that just keeps it. Yes I can render and reimport, but guess what..
For the home page where example images and prompts are given why not have them in specific categories like food, people, landscapes etc.
si crean una funcionalidad que apartir de una foto se cree un avatar tipo pixel para los perfiles de las personas o mascotas seria genial
Hey community, I want a feature that would allow me to switch to a tool that can stretch a graphic to the endpoint of other files; ie, audio/voice. That feature would optimize time.
Hello Premiers. Can we please get a locking feature for Audio enhancement. As of now, latest beta (27th of Nov.24) it keeps reanalyzing...
I would love to have the option to click on a text that I already created, and then have the option to click on a motion button that allows the text to have some type of motion, opposed to it being static. It would save a ton of time for people that want the illusion that the text is floating.
Can we have an Alt+click shortcut for collapsing/opening all effects in The Effects Panel in one go. Same as in the Project Panel/Effect Controls etc
Currently, when you Edit > Insert > Insert Silence into a session, the automation keyframes on busses will move accordingly. Great.But when you Edit > Ripple Delete > Time Selection in All Tracks, automation keyframes on busses will not move accordingly. Not great at all.Like so: https://youtu.be/_hq7BsYotrgIf there's some advantage to Audition performing this way, I can't imagine it. But it'd be great to at least have an "Adjust track keyframes when performing ripple edits in busses" option in Preferences > Multitrack.
Adobe, please enable folder sharing for Cloud documents – the same way that synced CC folders can be shared now - but this functionality is being discontinued. This folder sharing functionality is really important for those of us working on entire projects for clients with multiple documents involved – we need to be able to file and share multiple docs under one sharing link. Also - clients like to refer back to previous versions and check how/if comments have all been resolved. The folder sharing functionality enables this. SO IN SUMMARY: We need the ability to share folders containing Cloud documents. Please make this happen before synced files are discontinued. Please comment if you agree as Adobe have told me to request this and if enough people agree, they will take notice!
Just curious with all the developers and QA how this does not stand out as ridiculous?! Every other situation where an app shows you the complete output path you can also click on it to get there. Including all other Adobe products. lollolol
Are you kidding me? It's 2025, and I STILL can't rotate videos directly from the bin in Premiere Pro? How is this even possible? This is basic functionality! I'm wasting time jumping through hoops for something that should have been implemented ages ago. FIX THIS. NOW. Thanks.
1.) It would be great if you could use Adobe Firefly in Photoshop to create the different mouth shapes for lip sync based on the artwork you created. 2.) Furthermore, it would be great if you could use Adobe Firefly to generate different head or body turns including all relevant layers of a character animator puppet. It would be grat to upload just the front view of a head or body and let Firefly generate muliple side views including all the layers.
Please could we have social media title safe guides integrated in the Program window tool menu? the broadcast ones are great but so many of us are creating content for social media these days.Thanks 🙂
I'd really like an option where Liquify automatically saves a mesh as the file name I'm working on in a specific folder.I always forget to save mesh and even though it's easy to open Liquify again to Load Last Mesh and then save it, it's still easy to forget.This would be easy to make as a script if it wasn't for the fact that Liquify is it's own program within Photoshop.
sync LR classic presets (e.g. import & export presets) between 2 or more computers (with the same Adobe account)
Although I appreicate that the crop tool has been made a default option in Premiere, it's still missing the core useful feature of the original crop effect - being able to select the effect, and then drag in from one of the 8 blue boxes around the image to crop. This is so much easier than changing each of the 4 left, top, right, bottom parameters individually for most use cases. Please add this functionality to new crop tools.
I used to be able to glance at my timeline and EASILY identify which clips had source effects, standard effects, etc. applied and now there is NO WAY to do this at a glance. When your timeline consists of dozens of clips, this is absolutely infuriating. Apparently some users were confused by the badge color-coding. To be completely honest, i was too when i was a new Premiere user. But guess what? I LOOKED IT UP AND THEY WERE SUPER HELPFUL. This is software designed for professionals who own the responsibility of learning the software if they want to use it. If you're a hobbyist, then it probably doesn't matter if you understood the badges or not Besides, if they're confused – let them be confused. The colored badges did no harm, whether you understood them or not, and served a great purpose. Apparently some users found certain badge colors hard to see. Totally valid if you needed to update it for accessibility – but that is SUCH an easy fix: simply add an accessibility mode which makes all badges the same color. Done. Everyone wins. Set the accessibility mode as the default, and those of us who want to seek out using the badge colors can go turn it on in the preferences. I have to imagine Adobe has gotten a ton of feedback echoing my sentiment, is anything in the works to add them back in future updates?
There is a fundamental programming issue with Lightroom. Many long running tasks block the user from editing pictures. Let me give a couple of examples: 1) Applying adaptive presets to a batch of photos blocks editing *any* pictures while it's being a applied 2) Importing a catalog prevents lightroom from being used for anything else 3) Using generative fill blocks any other work As photographers we're often working on multiple projects/photos concurrently. Why is there an assumption by Lightroom engineering that the photographer can only work serially? If I'm applying an adaptive preset to 1000 photos why do I need to wait for that to finish before I can edit any other photos? It should be an imperative that the UI not be blocked by any task that can be done in the background. If specific photos can't be edited because there are pending changes that's fine (lock them out) but don't block us from working completely. Please let us fully utilize our computers and time.
As an avid Premiere Pro and After Effects user, sometimes I like to bring my text in from premiere to after effects. Unfortunately, after effects cannot seamlessly transition some of settings that I've adjusted on Premiere. Features like stroke alignment, multiple strokes, gradient strokes, and shadows entirely do not transfer over, needing me to recreate them (with them not maintaining their original design.) This is because after effects does not support them. I personally suggest that after effects completely ports over the missing text features from premiere to after effects. These include:Linear and Radial Gradient FillStroke Alignment (Inner, Outer, Center)Linear and Radial StrokeThe ability to add multiple strokes.The entirety of the shadow tab to After Effects (including the ability to make multiple of them)A Slight upgrade, why not add a shadow length to make it easier to create long shadows? (Seperate from the distance setting)Implement all of these changes into the "Drop Shadow" effect in both premiere AND after effects. (Sync the settings with the text panel, e.g. Premiere Shadow Blur value is equal to Drop Shadow Softness + The length effect that was suggested earlier.)I do understand that long shadows can be created by using a combination of these preexisting features, but why not make it even easier?
I would like to recommend separating the width of the timeline columns for "Mode" and "Track Matte" which are currently locked together. These should have separate width adjustment controls so that they can each be adjusted individually.When I need to see the a long filename in the Track Matte column it doesn't mean I need the Mode column to equal it's width. Why would it?Having them connected means that my timeline becomes unnecessarily covered/truncated.This isn't a critical issue, just a confusing one and one that it seems like it shouldn't be difficult to address.Thanks for considering separating these column width controls in an upcoming release!
HI there- first of all, amazing work. Adobe Firefly is impressive and is actually being productive for me. I have 25 years of industry graphics experience and some of these comps are really great. Please keep this up. It will save me time. Now, for my idea. Have we thought about keeping a history of some sort? I have lost work when I close tabs and revisit the website hoping that my last comp or prompt is available for me to continue with....but no. I can't see the previous renderings I've spent time on, or the prompts. Is there a way to keep a history of these so I don't have re-work to do? It also may be challenging since my employer has a very tight firewall and blocks any uploads to anything non-approved or proprietary to our firm. ThanksDan
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