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Using AI recognition to be able to align certain elements to the canvas or to eachother would be beneficial for my workflow. If I have for example 100 images of people in different poses, and need to align their faces to the center of the canvas, that is a lot of eyeballing and manual work. However, with AI recognition I believe we should be able to do this now.Faces would be the obvious use case, but if it would be possible to customize this even further that would be spectacular. For example, typing in what to search a batch of images for, such as "XYZ Logo".
When uploading .srt files to Prem Pro, there are no options for specifying the number of lines for captions. In fact, the formatting is an absolute mess. Because the video I was working on is over 30 mins, there was no way I was going to manually reformat the text in the Text window, so I've ended up doing it all in VEED.IO It's so annoying that despite all the money I pay in Creative Cloud subs each month, I still have to take out another subscription with another company because Prem Pro isn't fit for purpose when it comes to captioning. Grrr. Moan ends.
Can we please combine the stroke and fill options window and have a hold click for fill and stroke styles in 2025? It's sort of insane that it takes ten clicks to change the style and color of both fill and stroke. Also, adding a color should enable the stroke or fill and you should also have the option to either put stroke over fill or fill over stroke.
Adobe Premiere has excellent support for automatic transcription, which is very versatile. Since my work involves subtitling videos in Finnish, I would very much like to see Finnish language support in Premiere Pro's automatic subtitling tool as soon as possible.Photoshop's generative AI already knows Finnish, so it should not be impossible to include Finnish language support in Premiere?
I wish to share a collection of images direct from Lightroom Classic to Adobe Frame.io - my client (Getty Images) requested I share images for review this way. (I've previously published a LRC collection on-line). However, they have specifically requested Adobe Frame.io as they are looking to adopt this system widely...The current version of Lightroom Classic has No direct publish, No plug-in for Frame.io that I am aware of, and the desktop app merely opens within a web browser (Safari).Do you have any information on planned integration specifically within LRC ?
For complex situations, I work a lot with PreComps that I prerender to make a final composite.How great would it be when Ae could help in a modern way to manage this.I think of adding a 'Freeze' switch to each layer, as already kind of exists for RotoScoped footage layers..Another great example of this workflow it how Logic Pro does this: simple click a freeze button, and the track / layer is rendered. Unfreeze brings it back to an editable version. This would streamline these kind of workflows, without a lot of hazzle.
With the new credit system implimented I think it would be benificial for users to recieve free credits for rating pictures. MidJourney does it and it works great. This would also be a great PR move that would help combat the sour reputation Adobe has recieved over the past few months.As of now I have no motivation to give my time for nothing, not now that I can do that with other image generation software.
I often use one matte layer for many layers at once, but inverted.Especially when keying.So i use a tracked matte to separate the head/hair from the body, as it needs different keying settings.This matte is then used as an alpha matte for the head and an inverted alpha matte for the body.But then you run into problems with antialiasing, or visible seams, because of the different keying settings.It would be nice to have the possibility to contract/expand and blur to have an overlap (expand matte) with a transition (blur).THX
Let us change the names of layers and sub-layers in the Properties channel by pressing Enter key. For instance, when working with shape layers with a lot of sub-layers inside, it feels weird that you can't rename them there and have to go to the Timeline to do so.
Hey , if you are editing the keywords for many images , it would be so helpfull if there was a "floating info" panel for these informations.if we could get this information while hoping from one image to the next we also could easly see if there is an image without info. The same is true for Adobe Bridge ! cheers Peter
There are hotkeys to move between edit points.Many times when one has applied an effect to multiple clips like a lumetri correction etc,one wants to visually check if clips match, that no duplicate effects have been applied etc.If however there are transitions between clips, like dip to black etc, moving between edits is of no use.One has to manually move playhead a bit forward / backward to a position where the clip has no transition is "clean".A function that could move playhead to previous / next "middle of clip" or "clean" part of clipp with no transitions overlayed, would help imensly in productivity time.It goes without saying that this feature must have a hotkey to be binded to.So if go to next/ previous edtits is cmd+ left/right arrows, the go to "middle of edit" coulb be option or shift and left/right arrow.
- Warp stabilizer on slow motioned clip- Shutter angle in "Position" panel (must)- More built in video transition (must)- Essential Graphics GPU optimization- Simple speed ramping with motion blur- Adding Rotobrush
I was wondering if there were any android tablet apps that are available which can connect to my PC allowing me to use my tablet for various shortcuts and functions within my PC version of Photoshop?
Very simple idea, while dragging audio clips on the timeline, continually show the waveform rather than showing a blank box. This functionality is present in Audition, and is incredibly useful for manual synchronization. See attached gif for further explanation of what I mean by the "blank box".I'm aware you can sort of already achieve this by "nudging" the audio clip, but it would be great if this were always available when dragging. Thanks!
Have multiple smart collection sets defined under Collections in a Collection Set. Select multiple smart collection with Shift Click Context Menu > Export Smart Collection Settings... Save Note that when the Save Panel appears, there is only one file name displayed in the editable field. Check the output folder and there is only one file that matches the last selected. Multiple selection is being ignored.
Please add a new tool in AE that could deform the layer mesh by the vertices I set. Same as in Spine or Moho. Puppit tool doesn't quite do what I need it to do. It places polygons at its own discretion and you can't make sure that there is only one polygon between each point (as it is implemented in Spine).
Hebrew containing punctuation characters does not update to RTL in MOGRTs (2024+). Attached a sample Hebrew SRT.Here is Line 1 of the SRT. It should appear as the image below:Here is the string typed out: שלום שלום! Please look closely, because it is appearing incorrectly on this forum display. The punctuation glyph "!" is reversed.It also appears this way (incorrectly) in a MOGRT. Here is comparing an Essential Graphics Text Layer with RTL enabled to a MOGRT.White is Text Layer, red is MOGRT text. The text layer inside the MOGRT was set to LTR before exporting from AE. Users must pick either LTR or RTL before exporting. But in Premiere Pro, there is no way to change this MOGRT text from LTR to RTL. If a user picks RTL before exporting, they have the reverse problem of flipped punctuation for LTR languages. Isn't the Universal Text Engine supposed to identify RTL languages and update if-needed? If not, how can 1 template support both LTR and RTL languages?I attached an AEP (I would attach sample .mogrts, but they are not supported by the file browser on this forum). Feel free to ask for clarification. Thanks!
How do I hide the marching ants around a selection in the iPad version of Photoshop? In regular Photoshop there's a key command ⌘H but with no keyboard I don't know what to do. Thanks
PLEASE give us a feature in the Settings that allows us to choose to turn off the Pixel Grid by default. It's so inefficent to have to manually turn it off on every single file, even when using keyboard shortcuts. The Pixel Grid used to be hidden by default. I don't know why Adobe found it nessary to change to be shown by default.Adobe PLEASE PLEASE PLEASE let users choose for themselves and add a checkbox to the Setting dialong window.
I don't think the price is high but the main point is do we want to buy or rent or both buy and rent but now there is only one option just rent or subscribe everyone wants to support the original program but I am a minority who choose not to rent or pay monthly yearly for temporary use in the future there may be more options such as buy and use permanently no need to rent monthly yearly or may add a free option that can be used permanently but may be able to use only some things which the free option is in many antivirus programs that have free and premium options.
Make Loupe Live really Live parroting everything i do on Monitor 1 to Monitor 2 such as zooming or cropping The 2nd monitor Loupe - Live\Normal is almost perfect for going through images with clients but for one issue or lack of, and thats when, on the 1st monitor i click to zoom, it doesn't zoom in when i zoom in monitor 2. Seems like such an easy additon and makes sense it would do that especially on the Loupe- Live feature. I mean it moves the image when i move my mouse on Monitor 1 so why woudln't it zoom in when i do? I understand you can on monitor 2 click on it and zoom in if it's live and doing what i'm doing on monitor 1, i would like for it to actually zoom when i do as well. Or crop. But rteally just zoom is what i'm after. Helps to pixel peep with clients or just show sections when they are looking at it on the big screen and i can't easily run myn mouse over and click on monitor 2. So, my idea is to allow the Loupe - Live (or even both Live and Loupe Normal) to support zooming from Monitor 1
I have a feature request for Lightroom Classic, with a concept illustration which I threw together. When I prepare our wedding photography, my clients often want an artisitic version but also want the original. Each of our favorite effects is applied in essence to a virtual copy. By having something like this, it'll lessen the time and steps in the process. Thoughts?
Hi probably my idea is too weird but I was thinking to the white balance sliders, on Lr and LrC, and something cross my mind when I starting using more frequently in Ps "blend if " option. Wouldn't it be easier and practical to have the Kelvin slider with two arrows or buttons that can I split (as they are structured in blend if) to add or remore yellow or blue within the part that I'm working with??example: while masking sky, I can decide that on the darkest part of the sky add more yellow and on the lightest adding a hint of blue. A cloudy sky normally isn't too blue or too yellow, is a mix of colors, with dominants yellow, blue and so on, so a single slider is not enough, to be creative. I think adding option to split it will give more room to creators to enhance colors.
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