It would save a lot of time if you could paste copied settings and the Auto edit on lighting process at the same time instead of having to go through each photo one at a time after you've pasted your edit settings.
what if you could save as .ico and .icl and .cur file with photoshop with advanced option like saving for web..... and have posiblity to save several version 32 bit 48x48.... and better brush and pattern gradiant manager
Would love custom fonts and Adobe fonts available to use as a watermark in Lightroom mobile.
Hi Adobe Team,I am writing to express my strong frustration regarding the latest Adobe Camera Raw updates (v18.4 / v18.4.1). [1, 2]With the latest update, the automatic limitation feature for mass automation/batch processing was completely removed or broken. Because of this regression, I was forced to manually limit and process hundreds of images individually, which completely ruined my high-volume workflow and cost me hours of manual labor. [1]Due to this severe limitation, I had to uninstall the latest version and downgrade back to version 18.3.2 just to keep my daily business running. Batch automation is a core requirement for professional photographers, and removing or breaking this automation constraint makes the plugin unusable for mass editing. [1, 2]Please treat this as a critical bug or regression and restore the automatic limitation for batch workflows in the next patch.System Environment:Previous Working Version: v18.3.2 Broken Version: v18.4 / v18.4.1 Windows 11 Thank you, and I hope this will be fixed immediately.Best regards,Christoph
Add right-click or Transform options bar commands such as:Fit to Canvas — scale proportionally to fit within canvas bounds Fill Canvas — scale proportionally to fully cover the canvas Stretch to Canvas — scale non-proportionally to exactly match canvas width & heightThis would be a huge time-saver for compositing, mockups, and batch workflows.Currently, Free Transform (Ctrl+T) treats the layer's own size as 100%, so there's no quick way to scale it to the canvas. We have to manually calculate percentages or type in the canvas dimensions in pixels. Premiere Pro already offers convenient Scale to Frame Size / Set to Frame Size commands — Photoshop needs the same!
I would like to request that Adobe Express adds a “Match & Move” transition between scenes/pages.This would allow objects, text, images, shapes, and design elements that appear across two scenes to smoothly animate from one position, size, or rotation to another. For example, if the same product image appears on Scene 1 and Scene 2, Adobe Express could automatically move and scale it into its new position instead of using a standard fade, slide, or zoom transition.This feature would open up a lot of creative animation possibilities, especially for social media content, reels, product reveals, carousels, explainer videos, animated brand posts, and more polished scene-to-scene motion.It would be especially useful if Adobe Express could detect matching elements automatically, or allow users to manually select which elements should be linked between scenes.This would make Adobe Express much stronger for motion design while still keeping it simple and accessible for everyday users.
I am trying to find a sewing paragon generator and designer, but I can’t seem to find one that works all right for me. I think it would be helpful if Adobe Express added away from me to design or generate my own swimming patterns generating them with AI or designing them with pictures drawings or features already in Adobe Express
Loving Project Neo so far! Since the web canvas handles smooth lighting and gradients so well (assuming it's a WebGL/WebGPU + React Three Fiber backend), the current 8-bit/24-bit output can heavily introduce color banding on clean 3D surfaces and backdrops. {which is right now very poor for materials like mica, acrylic compare to Adobe after effect, Maxon cinema 4d }. Material panel can be extended with more few details as well.Could we get options for high bit-depth exports (like 16-bit PNGs) along with true 4K resolution output to preserve crisp details? { if add more pixels in export it choke tab and crash browser }Also, down the road, please consider a native desktop app wrapper. Running this locally would drastically unlock hardware performance for rendering heavy 3D scenes without browser limitations. Thanks!
Premiere Pro users sometimes want to open their project in an earlier version. Here’s the quickest way to open your projects in an earlier version. Only 4 steps to revert the PP version. This assumes you have 7-Zip installed. It’s free and awesome and why would anyone not have it! 🙂 Also, that you have a COPY of your project that you will be converting. ++++ Make a Copy of your project with a New Name in the same folder as the original ++++ 1) Right-Click the COPY of the project and from the 7-Zip menu select “Open Archive” 2) In 7-Zip there is one file same name as the project – Right-Click the file and select EDIT* 3) On the fourth line change the Version = “??” Change the number portion to “1” Save and Close 4) 7-Zip will ask you if you want to update that file in the archive, Select <OK> That’s it! When you open the project Premiere Pro will say it is from a Previous Version, and will give it a new name as usual. *Of note, on step 2, the bigger your project the longer it takes to open. Here’s a link to an online program which requires you to upload the file but will do the above for you. https://joshcluderay.com/downgrade-premiere-project-converter Of course you loose any new features of the later version you edited with.
Most poly WAVs include metadata about track information like kind of mic used, names of characters, etc. E.g. TX, BOOM, MS. This data is unavailable in the metadata display in PP. Would be great to add this to the default metadata options.
Para este modelo que es muy creativo, 1800 caracteres es limitar la creatividad del modelo, es lo suficientemente inteligente para leer y realizar escenas complejas, mínimo pondría 2200 caracteres. Gracias!Lourdes @iapulse
When syncing a People/Person Mask from one photo to another, the correct person isn't recognized on the synchronized photos if there is more than one person in the photo. Since the mask is already generated using AI, this should really be possible. Especially fun when the people are wearing really different outfits. f.e. I wanted to paste a mask of the grooms suit onto other pictures within a very similar stack of pictures and on all the synchronized photos it selected the white wedding dress of the bride.
Dear Community,Dear After Effects Team @Adobe Why is there still no way to group layers without pre-composing within a single composition?I imagine it to function just like groups in Photoshop, where you expand a group to reveal all layers within. This will open up entirely new workflows. I came across a plugin created by Petter Bergmar called "FoldLayers": https://vimeo.com/121569449Is it really this complicated to natively implement such a functionality into After Effects? Can wait to receive aducated reponses.Kind regards
Could you add the ability to take three sketches of an object from different angles to generate a better 3d Turntable?
For now I can use a car front image to generate a 3D car turntable, but of course the tail lights are all “guess work” by the AI. Is there a way I can provide car’s multiple images from font, back, side, and even the bottom of the car so that the 3D turn table generated would be more accurate?
Add a presentation mode for Firefly Boards. Would be easier to show your Boards to your boss. Maybe also add a Zoom-Cursor to easily move closer to a cluster of information.I would need a presentation mode in Boards to show my work to my boss without having to show my browser tabs or anything. Simple presentation. Maybe also a Zoom-Tool, to circle certain areas to quickly zoom into specific topics. Like a Mindmap i’d like to have clusters of information, to which i can quickly refer via zoom areas within a presentation mode.
Maxon, after acquiring the assets of former Red Giant Software, on 1st of Febuary 2023 announced that they were entering PluralEyes in Limited Maintenance Mode, meaning that the company will continue to provide technical support and critical bug fixes for PluralEyes 2023.0.0 for one year after this announcement. Of course, the key benefit of using PluralEyes over the Synchronise feature inside PPro was that you could have multiple audio and video clips thrown onto a single timeline and let the software synchronise clips automatically, based on the audio portion, so you could have crisp audio from a single camera attached to a properly placed mic matched to that of other cameras that only recorded audio in-camera or with an on-board shotgun mic. With Synchronise inside PPro you can only do this with one take at a time, not a full day's worth of takes on a single timeline. For this reason, PluralEyes used to be my go-to solution for synchronisation based on audio. Please Adobe, can you look into expanding this functionality of the Synchronise feature so that in a year's time, we won't miss the PluralEyes plugin? Thanks. [Edited for clarity: this needs to include putting all clips our of one camera on one track, rather than the current Premiere behavior of putting each successive segment on a higher video track.]
When navigating through the Adobe Stock audio library and listening to different music, it’s near-mandatory to use the mouse. So this means multiple clicks, moving the mouse to the middle part of the song to get the main “vibe” of the music and when not satisfied, scroll and click on next music. For 2 or 3 files, this would be acceptable. But when searching for music, it’s dozens, if not hundreds of tracks to go through manually and it’s a literal pain to go through.Please integrate hotkeys to make it easier : space > play/pause, up/down arrow : previous or next track in list, left/right arrows : -10 sec / +10 sec.
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