Product updates

What's New in Adobe Premiere 26.3Premiere Pro 26.3 is here, bringing new tools for social video creators, improved Firefly workflows, and new creative effects for editors who want more control over their visuals.Single-Word CaptionsIf you've been manually splitting captions to create that one-word-at-a-time style popular on Reels, Shorts, and TikTok, you can finally stop.Premiere can now generate single-word captions directly from a transcript. Simply choose Single Word when creating captions, and Premiere automatically synchronizes each word to your audio. Customize the styling, export your captions, and you're ready to publish.For social-first creators, this is easily one of the most-requested additions in recent memory.Learn more about how to create single-word animated captions › Faster and More Resilient Object MaskingObject Masking continues to improve in 26.3.This release introduces: Faster mask tracking performance New Restore Mask Data functionality for recovering object mask information after project transfers Improved reliability for complex masking workflows If you regularly blur faces, isolate subjects, or create targeted corrections, this is one of the most meaningful under-the-hood improvements in the release. Productions Upgrades: From Hours to MinutesFor editors working with large Productions, this may be the biggest update in 26.3.Premiere now uses a just-in-time upgrade workflow. Instead of opening and resaving every project during an upgrade, Premiere upgrades projects only when they're opened.The result? Production upgrades that could previously take hours—or longer—can now complete in minutes.Automatically Create Sequences from Firefly BoardsIf you use Firefly Boards to plan your edits, Premiere can now do some of the assembly work for you.When importing multiple assets from Boards, Premiere can automatically create a sequence using the same order you selected in Boards, helping you move from concept to timeline with fewer manual steps.Learn more about automatic sequence creation › Workflow Improvements You'll AppreciateThis release includes several smaller improvements that can make a big difference in day-to-day editing: New Timeline preference that lets you control whether Premiere automatically creates additional audio tracks when editing clips into a sequence Significantly faster workspace switching VRAM compatibility warnings to help identify underpowered systems before they become a problem Adobe Stock licensing directly from the Stock panel New Creative Tools New Shape Dissolve TransitionCreate customizable geometric transitions with control over shape, motion, feathering, and timing.From subtle wipes to stylized motion graphics transitions, Shape Dissolve gives editors a new creative option for connecting shots.Learn more about modern transitions ›New Magnify EffectNeed viewers to focus on a specific detail?The new Magnify effect creates a customizable magnifying lens with controls for zoom, shape, borders, shadows, edge softness, and lens distortion. It even includes a Surprise Me option for quickly exploring different looks.Learn more about modern effects › New in Premiere BetaSmarter Object MaskingPremiere Beta introduces a new segmentation model that can identify foreground objects, background objects, and smaller scene elements that were previously difficult to select.Complex masks that once required manual work can often be created with a single click, making Object Masking even more powerful.ARRI Core Codec SupportBeta users can also test support for ARRI's next-generation ARRI Core codec, including workflows designed for extremely high frame-rate capture with the Alexa 35 Extreme camera.Notable FixesPremiere Pro 26.3 also includes numerous fixes and stability improvements, including: Improved reliability for Object Mask workflows Fixes for transcription issues on some Intel Arc systems Program Monitor stability improvements Better handling of HEVC and H.264 media imports Fixes for caption exports, media relinking, and Production workflows Improved compatibility with long-form and compressed media Audio export and audio ducking reliability improvements As always, review the full release notes before updating active projects. Single-Word Captions will probably get the most attention, but the sleeper hits in this release may be the Object Masking and Productions improvements.Which feature will have the biggest impact on your workflow? 

We're back with the next round of our "similar tools" series. Last time we broke down the most commonly confused tool pairs. This time we're looking at two groups of tools that share a job but not a method - because Illustrator gives you more than one way to select an object, and more than one way to set type, and each tool works at a different level.Pick the wrong one and a quick edit turns into a fight with your own artwork. Pick the right one and you stay in full control. Selection Tool vs. Direct Selection Tool vs. Group Selection Tool — Same click, three different levelsThe Selection tool (V) grabs an entire object or group and lets you move, scale, or rotate it as one unit. The Direct Selection tool (A) goes a level deeper, letting you pick individual anchor points and path segments to reshape the artwork itself. The Group Selection tool sits between the two - it selects a single object inside a group without breaking the group apart. Object, path, or group: once you know which level you're working at, selecting stops being a guessing game and becomes precise control. Learn more here.Type Tool vs. Area Type Tool vs. Touch Type Tool — Three ways to set text, one right tool for the jobThe Type tool is your go-to for headings, labels, and short freeform text placed anywhere on the canvas. The Area Type tool flows text inside a shape or container, wrapping it neatly within the boundary you draw - ideal for paragraphs and structured layouts. The Touch Type tool lets you nudge, scale, and rotate individual characters while the text stays fully editable, so you can fine-tune your typography without outlining it. Three tools, three jobs: placing, containing, and refining.Learn more here.Share Your FeedbackWhich of these tools do you reach for most - and which one used to trip you up? Drop a comment and let us know. And if there's another set of Illustrator tools you'd like us to break down next, we're listening.If you found this post helpful, click 👍 Like. Use ⭐ Subscribe to stay informed about future updates. You may also share this post with others who might benefit from these enhancements.

We've all got a beach photo we love — a sunset, a shoreline, one perfect afternoon — sitting at phone resolution, too small to ever print. For this challenge, let's set one free.Welcome back to the Illustrator Creative Challenges, our monthly nudge to open Illustrator, try something new, and share it. Last time, we designed bakery logos; this month, we're tackling one of the most-searched things designers ever do — turning a photo into clean, scalable vector art. A beach, with its bold light and clear depth, is the perfect place to learn it. The BriefTake a beach photo — a holiday snap, an Adobe Stock frame, a sunset you can't forget — and rebuild it as vectors. Flatten it into bold poster shapes, chase a glowing gradient sunset, or go fully graphic: three colors, hard edges, travel-poster energy. The photo is your reference; the look is your call.What to includeA clear focal point — a palm, umbrella, surfer or boat to anchor the eye. Three layers of depth — sky, sea and foreground, on separate layers. A palette and a look you commit to — flat, gradient-rich, or line-art.    Here's mine — and how I got thereI started with a photo from Adobe Stock: https://stock.adobe.com/in/images/woman-enjoying-sunbathing-at-beach/206356322?prev_url=detail.Concept to Vector did the heavy lifting — I placed the photo and picked the Gemini 3.1 [Nano Banana 2] model, and within seconds had editable vectors instead of pixels. I hit Expand, then spent most of my time in Generative Recolor, pushing the palette toward a warmer golden hour set than the original. Finally, a little Pen tool cleanup, and done.Total time: about 15 minutes - most of it spent choosing colors, not drawing. That's the fun of this one: the tools get you 80% of the way fast, and the taste is all yours.Your toolkitThis challenge is built around two ways in — pick whichever suits you:Concept to Vector — our newest tool: feed it your photo, describe the style, get editable vectors. Image Trace — the classic engine. Pick a preset, tune Paths, Corners and colours, then Expand. Recolor Artwork — clean up the palette or reinvent it. Gradients & Gradient Mesh — for skies and water flat shapes can't carry. Pen & Shape tools — to refine whatever the trace doesn't nail.Use all of them, or just Image Trace and a coffee. The goal is to make something you like.How to submitReply to this thread with:Your final vector and the original photo — we love a good before-and-after. A line or two on your process — which features you used and one choice you made. Honestly, this is the best part to read, so don't skip it.Not ready to post art yet? Reply with the beach you're starting from — drop the reference, and we'll cheer you on.Share your feedbackUp next: you choose Challenge #3. We're torn between two ideas the logo-design world can't stop posting — a t-shirt graphic or a tattoo design. Tell us which one you want below — and if you've got a different idea, drop that too.If you found this helpful, hit 👍 Like. Tap ⭐ Subscribe to be first to see the next challenge. And feel free to share it with anyone who'd enjoy joining in.

Want your 3D scenes to feel like they were shot through a real camera lens?With Depth of Field in the Advanced 3D renderer, you can now pull focus on your 3D scene right in the engine, keeping your subject sharp while everything in front of and behind it falls into a soft, natural blur.It works across 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more. No compositing tricks or post blur required. What can you do with it?Add true, camera-accurate depth of field rendered directly in Advanced 3D Keep your subject in sharp focus while backgrounds and foregrounds blur naturally Apply it to 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more Get realistic optical blur instead of faking it with post effects Put it to use in your workflowDirect the viewer's eye to a hero product, logo, or title Add cinematic depth to 3D type and motion graphics Create dreamy, shallow-focus background plates Sell realism on 3D model and material-heavy scenes How to use itSet your composition's 3D renderer to Advanced 3D Add a camera to your composition Enable Depth of Field on the camera Adjust Focus Distance to set what stays sharp Tweak Aperture / Blur Level to control how strong the blur is Pro tipsUse a focus null or layer to lock focus onto a moving subject Smaller focus distance changes feel more cinematic than big jumps Pair with camera movement to make the depth read more naturally Push aperture higher for dreamy, stylized blur—or keep it subtle for realismRead the full article to get started: Enable in-engine Depth of Field ›Have you tried Depth of Field in Advanced 3D yet? What are you focusing on first?Share your thoughts—or your renders—below!

 The latest version of After Effects is here. Bringing powerful new features designed to speed up everyday workflows and reduce manual effort.Leading this release is Depth of Field in the Advanced 3D renderer, letting you pull focus on 3D models, meshes, materials, and text right in-engine. Alongside it, you can now paste Illustrator and SVG content as native editable shape layers, track masks up to 5x faster, copy a rendered frame straight to your clipboard, create swirling organic motion with the new Curl Noise effect, and quickly filter the font list to find variable fonts. This release focuses on helping you get more done with fewer steps.  What's new in 26.3 Depth of Field in the Advanced 3D renderer Create a Depth of Field effect that lets you focus on 3D models, parametric meshes, Substance 3D materials, 3D text, shape layers, and more in Advanced 3D. Learn to enable in-engine Depth of Field ›   Copy and paste Illustrator and SVG content Paste SVG content from Illustrator or other apps directly into After Effects as native, editable shape layers using Edit > Paste. Learn to copy and paste Illustrator and SVG content ›   Updated Mask Tracker Track masks faster and more accurately with the updated mask tracker, now up to 5x faster, with accessible controls that let you start tracking directly from the Timeline panel. Learn about mask tracking in After Effects ›   Copy a frame to the clipboard Capture the currently rendered frame as a still image from the Composition, Footage, or Layer panel and copy it to your system clipboard in a single click. Learn to copy a frame to the clipboard ›   Curl Noise effect for swirling animated 2D patterns Create fluid, organic 2D noise that feels like smoke, water, or ink—ideal for smooth, flowing motion in backgrounds, textures, and abstract animations. Learn about the Curl Noise effect › Quickly find variable fonts by axis Filter the font list to show only variable fonts, making it easier to find the right font. Learn to work with Variable Font Axes ›     Fixed issues in 26.3 This release includes a large number of bug fixes and stability improvements. For the full list, see the official document:View all fixed issues in After Effects 26.3 ›   New in Beta Duplicate layers using Alt/Option-drag Alt/Option-drag a layer to the Composition panel to instantly duplicate it in both 2D and 3D compositions. Learn more ›   Change anchor point in a more efficient way Effortlessly adjust the anchor point on 2D layers with Quick Set Anchor using the Properties panel or a keyboard shortcut. Learn more ›   Effect Controls panel modernization Use the updated Effect Controls panel, built on a modern framework, to view and manage effects with icon-based controls. Learn more ›   Color labels for effects Assign color labels to individual effect instances in the Effect Controls panel to organize, identify, and work with your effects more easily. Learn more ›    Here's how you can update your After Effects👉 Which feature are you trying first? 👉 What's already improving your workflow?Let us know in the comments!

The Remove Tool just got even easier to use. It now includes a dedicated Contextual Task Bar (CTB) that brings the most important controls right to your cursor—so you can stay focused on your image, not the options bar.Distraction Removal   Brush +    Brush -    Remove After Each Stroke on/off     Create New Layer on/offWhat’s newKey controls at your fingertipsQuickly access the most-used Remove Tool options without moving your cursor across the screen. Distraction removal drop-down Choose Distraction Removal with the drop-down list.   Add & Subtract brushes Easily refine your selection by adding to or subtracting from the target area. Auto-apply after each stroke Toggle whether Remove runs automatically after every brush stroke. Create on new layer Choose to make edits non-destructive with a simple on/off toggle. Quick feedback button Share feedback on results in just a click—this helps us improve the tool for you. Dynamic action buttonsRemove and Cancel appear when you need them.     We’d love your feedbackGive it a try and tell us what you think:What’s working well? What feels unnecessary? What’s missing?Your feedback helps shape what comes next—thanks for being part of the journey!

Audio CDs have served creators for decades, but the way our customers deliver and distribute audio has fundamentally shifted. In an upcoming release of Adobe Audition (25.3) , we will be retiring the application's built-in CD authoring features. Going forward, customers who need to create audio CDs can do so by exporting their finished audio from Audition and burning it through their operating system's native disc tools. This change reflects how production workflows have evolved. The vast majority of today's deliverables are streaming masters, broadcast files, podcasts, video soundtracks, and digital downloads. CD delivery now sits well outside the day-to-day output of most Adobe Audition users, and the disc burning tools built into modern operating systems already handle the small remaining set of cases where a physical audio CD is required.  What is being removed?The following CD authoring features will no longer be available in Adobe Audition: CD Layout view: The panel used to assemble, sequence, and prepare a collection of tracks for a Red Book audio CD will be removed. This includes the ability to arrange track order, set pre-gaps, and configure CD-specific metadata such as ISRC codes and UPC/EAN identifiers from within Audition.  CD Marker type: The dedicated CD Track marker classification will be retired. Standard marker types (Cue, Range, and so on) will continue to function as they do today and will cover the remaining workflows for navigating, splitting, and exporting audio.  CD display format: The time display option that showed playhead position in CD frames (75 frames per second) will be removed. Standard time displays such as, samples, and bars and beats will continue to be available. What is staying?Extract Audio from CD. Ripping audio from a physical CD into Adobe Audition for editing, restoration, or archival work will continue to be supported. Customers working with legacy material, archival projects, or transferring older content into modern formats can rely on this workflow without change.  How to create an audio CD going forward  For customers who still need to deliver audio on physical CDs, the recommended workflow is straightforward:  Finish and master your tracks in Adobe Audition as you normally would.  Export each track as an individual file. WAV at 16-bit / 44.1 kHz remains the standard for Red Book audio CDs.  Use your operating system's built-in disc burning tools to author and burn the audio CD.                      macOS: The Music app supports creating audio CDs from a playlist.                     Windows: Audio CDs can be burned using the disc burning tools included with the operating system. What this means for existing projects Project files that contain CD layouts or CD-specific markers will continue to open. CD markers will be converted to standard markers, and any CD layout content will appear as ordered tracks that can be exported individually. No audio data is lost in the transition. We recommend exporting any active CD layouts to individual audio files prior to updating, so your finished tracks are preserved in a format that is ready for any downstream burning tool. Why we are making this change?We do not take feature removal lightly. Decisions like this are guided by usage data and the broader direction of audio delivery. CD delivery now represents a small fraction of how our customers ship their work, and the tools to burn an audio CD from exported files are built into the operating systems our customers already use. Given this, the CD authoring features in Adobe Audition are no longer needed to support the underlying workflow. There is also a longer-term consideration. Every feature in an application adds weight, and that weight compounds over time. Decades of accumulated capability make it harder for any product to keep pace with new operating systems, hardware architectures, and the broader platform shifts that affect every customer. Reducing surface area that no longer serves modern workflows lightens that load, which matters for every customer who depends on Audition running well on the platforms they use today and the ones coming next.  Questions and feedback If you have questions about the transition, workflow concerns, or feedback you would like to share with the Audition team, please reach out through the Adobe Audition Community Forum, or submit feedback directly within the application via Help > Submit Feedback. We appreciate the trust our customers place in Adobe Audition, and the depth of work that has shipped through this application over the years. Thank you for being part of the Audition community. 

Beta versions of Premiere, After Effects, and Media Encoder now natively support ARRICORE files from the ARRI ALEXA 35 Xtreme camera. ARRICORE files are approximately half the size of ARRIRAW and are similar in size to ProRes 4444. Unlike ProRes, exposure, white balance, and color tint settings can be changed non-destructively after capture, via the Source tab in the Effect Controls panel.  More information about ARRICORE is available on ARRI’s website:ARRICORE overview Sample footageIf you have any questions or comments, please let us know!

Hey everyone!We are excited to share a new feature in Text-Based Editing: Paper Edit. It is in build 34 of Premiere Beta. Many of you have asked for the ability to highlight multiple sections of a transcript and preview them before creating a new sequence.Here’s how it works:Start from a single Source Clip or an existing Sequence. Click the Paper Edit button  Highlight what you want to keep. When you click into Paper Edit mode, you can read through your transcript and highlight the sections you want to use. Before you commit anything to a sequence, select “Preview.” This allows you to playback the selections and make changes. Click on a selection to omit it. If something doesn’t sound good in your preview, just remove it by clicking on the text. Jump between sections in long sequences. If your raw footage is long, you can quickly jump between sections instead of scrolling endlessly.We would love to hear what you think! Give Paper Edit a spin and let us know if there is anything we can change or add before it officially appears in Premiere.  

The Firefly workspace just got a significant update. Everything you need to create is now in one place, built to help you move faster from idea to finished output.The redesign brings your tools, projects, and inspiration together under a streamlined nav. Here's what's new and where to find it: Home is your creative launchpad - featured workflows, quick-access tools for image, video, and audio, and a prompt bar to jump straight into creating.The New menu helps you quickly get started with Firefly tools. It shows options in two groups: Generate and Create, so you can easily begin different types of creative work.From New, you can quickly create images, videos, or audio, use tools like Boards and Timeline, and start bulk workflows for large creative tasks.Image, Video, and Audio sections each have dedicated workspaces with their full tool sets surfaced upfront. Generate, edit, translate, enhance - it's all there without digging.​​​Boards gives you an infinite canvas for moodboarding, references, and collaborating with your team. Timeline is the video editor - organize clips, generate video, turn raw footage into finished stories.The AI Assistant is a conversational interface woven throughout - prompt it to generate or edit content across any workflow. Try generating creative outputs across workflows.Files keeps everything you've made organized in one place: generation history, your projects, shared files, and deleted items. Try it and tell us what you think!Already explored the new workspace? Reply with your first impressions — what's clicking, what's not, or what you made first. If you run into anything unexpected, drop a post in the community and we'll help you sort it out.Hit 👍 if this was helpful, and ⭐ Subscribe to catch future Firefly updates as they land.

We are pleased to announce the release of Creative Cloud desktop app version 6.10! Over the next few days, the update will be delivered to all countries and subscription types. Please see below for the top features included in this release:Limited Beta of AI Assistant integration within the Creative Cloud desktop app Direct access to Firefly boards and Frame.io storage within the Files tab Updated suggestions and guided workflows for in-app and workflow discovery Encountering an error message during the update process, don’t hesitate to start a new discussion in the Download and Install Community. For more information on diagnosing errors, click here. Please bookmark the Creative Cloud desktop app release notes to be kept up to date on the latest refinements and improvements implemented in the Creative Cloud Desktop app. Continue your discovery of Firefly boards and Adobe Firefly in the Adobe Firefly community.   How will these updates improve your experience? Post below. We want to hear your thoughts!

안녕하세요, 여러분!InDesign 21.4가 새롭게 업데이트되었습니다 🎉이번 릴리스에는 작업 속도를 높이고, 더욱 자유로운 디자인 작업을 도와줄 다양한 기능 개선과 업데이트가 포함되어 있어요. 주요 업데이트이번 릴리스에는 여러분의 피드백을 바탕으로 한 새로운 기능과 개선 사항이 담겨 있습니다. 주요 내용을 소개할게요.다시 작성레이아웃을 고려한 ‘다시 작성' 기능으로 텍스트를 더욱 자연스럽게 맞춰보세요.실제 문장처럼 보이는 텍스트를 빠르게 생성하거나, 문장의 길이와 톤을 조정해 디자인 흐름을 깨지 않으면서도 레이아웃에 딱 맞는 카피를 만들 수 있습니다.​ 자세한 내용은​​​​​ 여기에서 확인해보세요.Adobe Express로 편집하기이제 InDesign을 벗어나지 않고도 이미지 편집이 가능해졌어요! 배경 제거 또는 이미지 보정을 빠르게 진행할 수 있습니다. 사용 방법은 여기에서 확인해보세요.대체 텍스트 개선대체 텍스트 생성 기능이 이제 GPT-4.1 기반으로 업그레이드되어 더욱 정확한 이미지 설명을 제공합니다. 또한 기업 환경을 위한 관리자 제어 기능도 추가되었어요. 자세한 방법은 여기를 참고해주세요. 업데이트에 대해 더 자세히 알고 싶다면 What’s New 섹션도 확인해보세요.🚀 지금 바로 새로운 기능들을 사용해보세요!InDesign에서 최신 업데이트를 직접 경험해보세요. 인디자인 시작하기. 🛠️ 버그 수정 – 여러분의 피드백 덕분입니다아래 이슈들은 커뮤니티 멤버분들께서 직접 제보하고 추천(Upvote)해주신 내용으로, 이번 릴리스에서 수정되었습니다. 문제를 공유해주시고 우선순위를 정하는 데 도움 주셔서 감사합니다! 독일어 환경에서 AI 대체 텍스트 생성 문제 Windows 11 업데이트 이후 Times New Roman 및 Calibri 폰트를 찾지 못하는 문제 '검토용으로 공유' 콘텐츠 업데이트 불가 문제 InDesign 2026 macOS 권한 알림 문제 전체 수정 사항은 릴리즈 노트에서 확인하실 수 있습니다.여러분의 버그 리포트와 업보트는 실제 수정 우선순위에 직접적인 영향을 주고 있어요. 앞으로도 많은 의견 부탁드립니다 🙌 업데이트 방법최신 기능, 개선 사항, 버그 수정을 적용하려면 InDesign을 최신 버전으로 업데이트해주세요. 지금 바로 InDesign 업데이트하기.

Adobe製品に関する不具合や機能改善を報告できる場所があるのをご存じですか？製品によっては専用の報告ページ（フォーラムやUserVoiceなど）が用意されており、そちらに投稿することで開発チームに直接フィードバックが届く仕組みになっています。皆様からいただいた不具合の報告や機能改善のアイデアは、実際に製品の改善につながることもあります。 「困ったな」「こういう機能がほしいな」と感じた際は、 ぜひ積極的にご活用ください！  ●まずは投稿先を確認してみましょう製品によって、投稿先が異なる場合があります。日本フォーラムで報告 グローバルフォーラムで報告（※日本語での投稿も可能です） UserVoiceやDiscordで報告適切な投稿先へ報告していただくことで、問題の確認や改善につながりやすくなります。  ●日本フォーラムで報告現在日本フォーラムで報告が可能な製品は以下となります。Photoshop (Beta) フォーラム Premiere フォーラム Premiere (Beta) フォーラム  Substance 3D フォーラム   ●グローバルフォーラムへのアクセス方法と投稿手順 1.表示言語を英語に切り替えますトップページの右上の地球儀アイコンをクリックし、「English」を選択します。選択すると、グローバルのトップページに切り替わります。 2.対象の製品フォーラムに移動します任意の製品フォーラムにアクセスしてください。 3.投稿をしてみましょう画面右上の「Create a post」をクリックし、以下のいずれかを選択します。Report a bug（不具合報告） Report a feature（機能改善の要望）  ●投稿のポイントよりスムーズに対応につなげるため、 質問するときの参考テンプレート も活用いただき、できるだけ詳しい情報を記載してください。不具合の内容や発生状況（できるだけ具体的に） 再現手順 エラーメッセージ（表示されている場合） 製品名とそのバージョン OSとそのバージョン など ●フォーラム以外での報告方法一部の製品では、UserVoiceやDiscordからの投稿を受け付けています。以下の一覧を参考に、該当するページをご確認ください。 フォーラム名 報告ページ Illustrator UserVoice InDesign UserVoice Acrobat / Acrobat Reader / Acrobat DC for Mobile UserVoice Adobe Acrobat Sign / Document Cloud UserVoice Adobe Fonts UserVoice Bridge UserVoice Captivate / Captivate Prime UserVoice Adobe Express 機能改善：UserVoice バグ：フォーラム FrameMaker Tracker  ※Adobe Stockの問題報告についてAdobe Stockサイトにおいて、コンテンツに人物名（アーティスト名を含む）が含まれている、知的財産権を侵害している可能性のあるアセットを確認された場合は、該当のアセットページから問題をご報告ください。 ガイドラインの詳細につきましては以下ページもあわせてご確認ください。コンテンツポリシー：アーティスト名、実在する人物、架空のキャラクターIPガイドライン また、取得したアセットに関する問題やサイトの動作に関する不具合、生成AIラベルが付与されていないケースなどについては、従来通りグローバルのStockフォーラムへご報告をお願いいたします。 ●通常の質問をされたい場合はこちら不具合報告や機能改善のご要望ではなく、操作方法やトラブルのご相談など、 通常の質問については日本フォーラムをご利用いただけます。以下のリンクを参考にお使いの製品フォーラムをご確認のうえ、ご投稿ください。『アドビコミュニティフォーラム』に質問/トピックを投稿する方法不具合の報告や機能改善のご要望は、より良い製品づくりにつながる大切なフィードバックです。気になる点や「こうだったらいいのに」といったアイデアがありましたら、ぜひ投稿してみてください。みなさまからのご報告・ご提案をお待ちしています！

 Welcome back to our series on free After Effects resources from across the web. If you missed the first one, we covered Camera Crew by Motion Ape well worth a look.This time, we're highlighting a tool that, honestly, needs no introduction for a lot of you. But if you haven't tried it yet, you're in for a treat.  Meet DUIK ÁngelaDUIK Ángela is the 17th major version of DUIK, the comprehensive rigging and animation toolkit built by Nicolas Dufresne and the team at RxLaboratory. It's been actively developed for over 15 years, and at this point it's the go-to rigging script for character animators working in After Effects, used in commercials, music videos, indie films, and animated series all over the world.And it's completely free and open source. What you can do with itDUIK brings the kind of rigging tools you'd expect from a 3D application - IK, controllers, bones, constraints, and adapts them for 2D animation in AE. Once you've got a character rigged, you can pose and animate them like a proper puppet instead of fighting with parented layers.But DUIK isn't just for character work. It also includes a deep library of automations that save hours on everyday tasks - wiggle, spring, bounce, swing, wheel, looper, blink, and even walk and run cycles. There are camera controls, expression and scripting helpers, and a full suite of keyframe and interpolation tools for traditional-style animation. Get started: DUIK Ángela Jumpstart by Jake in Motion - a great beginner-friendly walkthrough  Download it here: DUIK Ángela on RxLaboratory  A quick heads-up: DUIK is powerful, which means it has a bit of a learning curve. The first time can feel overwhelming. Stick with it. Once it clicks, you'll wonder how you ever rigged a character without it. The jumpstart tutorial above is the fastest way in.While you're on the RxLaboratory site, take a look at their other tools too - there's quality work across the whole catalog.  Are you a DUIK user already? Drop a comment with your favorite feature, a workflow tip, or a rig you're proud of, we'd love to see it. And if you're brand new to DUIK and try it out this week, share what you make. We celebrate first rigs around here.If you find DUIK useful, consider supporting RxLaboratory - they keep this alive through donations.

 EVENT ALERT: You're Invited!Collectively Creative with Capoor: Exploring creative journeys, one story at a time — we're back with our next designer showcase session!Collectively Creative is a designer showcase series that celebrates the talent within our own community. Each time, one designer takes us behind the scenes of a project they’re proud of - unpacking the ideas, tools, decisions, and workflows that brought it to life. This month, we're thrilled to feature “Nataliia Manych”, Adobe Insider and Adobe Illustrator’s prerelease member, as she dives into a delightful session of creating an artwork live themed "Kawaii Garden: g(d)rowing flowers in Adobe Illustrator" The event is planned for Thursday, 18th June at 8-9 am PST (8:30-9:30 pm IST). You can use the registration link to register - Register here!Whether you're a designer, a curious creative, or someone who appreciates the craft behind good design—this is for you. Let’s get inspired. Let’s learn from each other. Let’s be Collectively Creative! Credits: Gif cover by Nataliia Manych  

EVENT ALERT: You're Invited!Collectively Creative with Capoor: Exploring creative journeys, one story at a time — we're back with our next designer showcase session!Collectively Creative is a designer showcase series that celebrates the talent within our own community. Each time, one designer takes us behind the scenes of a project they’re proud of - unpacking the ideas, tools, decisions, and workflows that brought it to life.This month, we're thrilled to feature “Nataliia Manych”, Adobe Insider and Adobe Illustrator’s prerelease member, as she dives into a delightful session of creating an artwork live themed "Kawaii Garden: g(d)rowing flowers in Adobe Illustrator"The event is planned for Thursday, 18th June at 8-9 am PST (8:30-9:30 pm IST). You can use the registration link to register - Register here!Whether you're a designer, a curious creative, or someone who appreciates the craft behind good design—this is for you. Let’s get inspired. Let’s learn from each other. Let’s be Collectively Creative! Credits: Gif cover by Nataliia Manych  

2026.06.15　問題解消確認済み------------------------------------------------平素よりAdobe製品をご愛顧いただき誠にありがとございます現在、PhotoshopにてFirefly Upscalerを利用するとエラーが表示されアップスケールが実行できない問題を確認しております この問題は弊社技術部門へ修正依頼を上げております。ご迷惑をおかけしますが、問題解消まで今しばらくお待ちいただきますようお願いいたします。 【対象の製品/サービス】Photoshopの生成アップスケール 【対象OS】WindowsとMac【事象の詳細】Photoshopで生成アップスケールを利用する際に「Firefly Upscaler」を利用すると「問題が発生しているため～」とエラーメッセージが表示されアップスケールが実行されません。 【回避策】・生成アップスケールのモデルを「パートナーモデル」の「Topaz」で実行する・ニューラルフィルターの「スーパーズーム」を利用する・Camera Raw で画像を開きなおし「スーパー解像度」を利用する スーパーズームやスーパー解像度の利用方法については以下リンクをご確認ください。画像拡大してもボヤけずきれい！カンタンにできる3つの拡大方法 | アドビ ご案内は以上でございます。調査の進捗や修正が行われた際は当記事にて更新予定でございます。

Hello, The latest Native WinARM Beta Build is now available in CCD.Illustrator on Windows ARM: Now Available in BetaWe are excited to announce that Adobe Illustrator is now available as a native Windows ARM build in beta. This is a first-of-its-kind release for Illustrator on this platform.Known LimitationsThird-party plugins: Not currently supported. CC Libraries panel: Not supported in this build. The panel will not appear in the panel list. AutoCAD (DWG) files: Real DWG format is not supported. Version History panel (cloud documents): Panel does not refresh after saving. Workaround: close and reopen the document. Encrypted PDFs: Not supported. The "Use Precise Cursor" setting is not imported correctly when importing preferencesFor Plugin PartnersWe will share SDK availability details soon.

Hello,Latest Beta Build 30.7.11 is now available in CCD. We have below fixes in this build: Relink Multiple Links — More ControlThe Relink file picker now includes a Replace dropdown so you can choose exactly how many links get updated when several selected links share the same source file:Each Link Separately— Open one picker per link; pick a different replacement for each. Useful when same-source links need to diverge. Selected Instances (N)— Replace only the links you picked in the Links panel. All Instances (N)— Replace every instance of that source file in the document in one step.How to try it: In the Links panel, select two or more links, click Relink (or use the menu), and pick a scope from the Replace dropdown before clicking Place. Your last choice is remembered for the rest of the session, so a workflow that prefers one scope doesn't have to re-pick it every time. UV Bugs:[Vote Count : 1] : View menu - Spanish word for "flattening" is misspelledGetPostScriptFontName not working correctly with missing fonts Auto Place multiple files in a grid layout:Auto place of multiple files in grid format request in this uservoice has been fixed in this beta. Do share your feedback. Illustrator now supports auto placement of multiple files in a grid layout.Choose the files to be placed. With a single drag gesture, the grid size is auto calculated. Use arrow keys to increase/decrease the rows/columns, to create a custom grid layout.1. Go to File > Place and choose the files to be placed. 2. Click and drag on the canvas to define the grid area. 3. While dragging, hold Option (Mac) / Alt (Win) to place all files in one gesture with an auto-calculated grid. 4. For a custom grid layout, while dragging, press arrow keys to adjust rows and columns -- Right/Left for columns, Up/Down for rows.

 Leave the tools and menus behind and let AI handle the busywork.   TL; DR (~2 min read): Adobe Acrobat's AI Assistant lets you complete PDF tasks, convert, sign, organize, extract, compress, print, find-and-replace, and more, just by describing what you need, with no menu navigation. It even chains multiple steps in one request and confirms before making changes. Works across business, legal, HR, and student workflows, and integrates with Microsoft 365 and Dropbox. PDFs are a reliable way to share and manage important information, but completing everyday tasks can still require multiple steps. Actions like signing a document or organizing pages are straightforward, yet they can slow you down when you’re handling a large number of files.A simpler way to work is now available. With Adobe Acrobat, AI Assistant lets you complete PDF tasks such as converting, organizing, or signing documents by just telling it what you need done. This makes Acrobat one of the best AI tools for everyday PDF tasks.In this guide, we’ll walk through how to use the AI Assistant to handle common PDF tasks more efficiently. Turn Everyday PDF Tasks into Simple RequestsAdobe Acrobat AI Assistant sits on top of the trusted PDF tools you already use, letting you complete simple tasks or multi-step workflows using natural language requests. Need to delete a page or compress a file? Just ask. That simplicity is built on trust. With over 400 billion PDFs opened or created each year, Adobe has set the standard for secure and dependable document workflows. Now, with AI Assistant, it’s even faster and more intuitive, helping you move from intent to action without second-guessing the results.Whatever you need to get done, convert a PDF, organize multiple files, or extract pages, simply describe what you want to do, and AI handles the rest. It can also streamline more complex tasks, such as how to sign a PDF or how to password-protect a PDF with AI, making it easier to complete work quickly and accurately.By helping you use AI to complete PDF tasks without breaking your workflow, Acrobat is one of the best AI tools for everyday PDF tasks. How to Complete Everyday PDF Tasks with AIWhether you’re editing, organizing, or sharing documents, you can use AI in Acrobat to get it done quickly and efficiently. Here are some common PDF tasks you can do faster with AI: Convert: Just type, “Convert this PDF to Word” or “Turn this Word doc into a PDF.” AI Assistant completes the conversion directly or takes you there in one step, so you don’t waste any time figuring out how to convert a PDF with AI. Sign: Type “Sign this document” to apply your signature or request one from others. There’s no need to navigate any menus; with AI, you can sign a PDF faster and keep the process moving. Organize: Move a page or pages to the desired location, to improve the storyline. Type something like “Swap the order of the last two pages,” and AI does the work for you. Rotate or delete pages: Use natural language such as “Delete the blank pages” or “Rotate pages 3 to 5.” You can refer to page numbers or content, and AI handles how to delete pages from a PDF or rotate them, then confirms with you before making the changes. Extract: Need to find or isolate specific content? You can say things like, “Extract pages with the financial summary.” Instead of searching manually, AI will identify and pull the specific sections, streamlining how to extract pages from a PDF. Compress: Don’t know how to compress a PDF? Tell Acrobat, “Compress this file so I can email it,” and AI will reduce the file size instantly. Print: Need to print a PDF? Type in “Print pages with the signature block,” or “Add watermark on all pages with financial tables,” and AI will locate and send the relevant pages to print in an instant. Find and Replace: Say you’re updating a report from Q3 with Q4 numbers. There’s no need to scour the file for instances of “Q3.” Simply say, “Replace all instances of ‘Q3’ with ‘Q4’,” and AI will update the document in seconds. Perform multi-step commands: You can even combine multiple tasks in one request, such as “Password protect, sign, and print.” AI will execute the workflow from end to end, showing the power of using an AI Assistant to complete PDF tasks in a single step. Update: Before making changes, AI clarifies and confirms your request, so you stay in control and can act with confidence, even when you’re moving quickly.Together, these features make Acrobat one of the best AI tools for completing common PDF tasks, reducing the time and effort you spend working with your files.Next, we’ll show you how these capabilities translate into real-world workflows across teams and everyday document tasks.💬 Was this helpful?If these tips made PDF work easier, we'd love to hear it! Hit Like and jump into the thread to share which feature you're most excited to try. Community Resources:The New Standard for Document Sharing: PDF Spaces Edit PDFs using Acrobat for WhatsApp​​ 

We've been working on a significant evolution of Photoshop's core systems — and are eager for your input. We're evolving Photoshop to be faster, smoother, and with the focus on helping you be more productive by giving you greater creative control. We’re actively listening to your needs, and are taking action to modernize the technologies that power Photoshop. This isn't a single feature update, it's a long-term effort to upgrade Photoshop's core systems: how it performs on complex documents, how it takes advantage of the latest hardware, and how it opens the door to new capabilities made possible by AI.  This is a long-term investment in the future of Photoshop, and we're excited to start sharing more of where we're headed. As we continue to make progress, we'll share updates along the way and invite your feedback to help shape the experience. What we're buildingThe first major milestone is a new compositing engine — powered by the GPU — that brings real-time performance, non-destructive filters without Smart Object workarounds, and significantly faster visual feedback on even the most complex documents. This foundation will unlock powerful AI and hardware capabilities. This is actively in development and we'll share progress here as each piece gets closer to your hands.  We're working closely with Nvidia, Microsoft, Apple, Intel, AMD and other technology leaders to ensure Photoshop takes full advantage of the latest advances in hardware and software. These collaborations help us push performance further, unlock new capabilities and continue evolving Photoshop for the future. Recently, you may have seen some of this work highlighted at the NVIDIA Computex keynote and Microsoft Build. Together with NVIDIA, we’re  bringing you optimized hardware with our new engine to accelerate your workflows. We're also collaborating with Microsoft on new platform-level optimizations in Windows designed to help Photoshop run faster and more efficiently. These efforts represent just the beginning of a broader investment in the technologies shaping the future of creative work.  To follow along and be part of it, join our new group — The Evolution of Photoshop. That's where we'll keep you up to date, post what's next, and listen directly to your feedback. It's the best way to help shape where Photoshop goes from here with this initiative. What we need your help with: What are your favorite adjustments? Blend modes? Layer Effects?  Do you have examples where performance gets in the way of your workflow?  What's most important to your workflow? Join the group and tell us there — we're reading everything and we want your opinions.Markus MielkeDirector of Product, Photoshop 

NOW LIVE — the June 2026 security updates for ColdFusion 2025 and ColdFusion 2023 have been released. This update includes important security fixes that mitigate vulnerabilities related to arbitrary code execution, arbitrary file write, information disclosure, stored cross-site scripting, and security feature bypass. What’s includedThe June 2026 release contains:Tomcat upgrades. See the respective tech notes for more details. Security fixes for multiple vulnerabilities (including remote code execution and privilege escalation vectors). Patches to harden request handling, deserialization paths, and template parsing logic. Updates to packages.Why you should install this updateThese fixes close high‑ and critical‑severity vulnerabilities that could be used by attackers to execute code, elevate privileges, or access sensitive data. Applying the update reduces risk to your production and development environments.Download the updatesColdFusion 2025 updates ColdFusion 2023 updatesSee the tech notesColdFusion (2025 release) Update 9 ColdFusion (2023 release) Update 20Feedback and supportAs always, if you encounter issues after updating or need assistance planning your rollout, contact support or reply to this post with details. Your feedback helps us prioritize follow‑up fixes and clarifications.Thanks,Team ColdFusion

Keeping your Layers panel organized just got a whole lot easier. Layer Cleanup in Photoshop 27.6 and above automatically deletes empty layers and renames layers based on their content, so you can focus on creating, not housekeeping. With a single action from the Layers panel, Photoshop scans your document and removes blank pixel or text layers that tend to pile up during exploration. At the same time, it can intelligently rename layers, giving them clear, descriptive names that reflect what’s inside, so you no longer have to guess what “Layer 37 copy 2” contains. You’re in control of how much cleanup happens. Run it across the entire document for a full reset, or apply it only to selected layers when you want to tidy up as you go. Here is a quick tutorial demonstrating this feature.   Why this mattersFaster navigation in complex files Cleaner handoffs when sharing PSDs with teammates Less friction when revisiting older projects Better layer discipline without manual effortWhether you’re polishing a final file or jumping between ideas mid‑flow, Layer Cleanup automatically keeps your workspace lightweight and readable. Learn more about deleting empty layers and renaming layers in your document › Join the conversationHow do you usually organize your layers: strict naming from the start, or cleanup at the end? Share your reviews and workflow (or before‑and‑after layer panels) with the community.

Adobe Firefly のさまざまな活躍シーンをわかりやすくまとめたサイトを作成しました。初心者の方でも楽しく学べる内容となっており、誰でもスムーズに理解できるよう Adobe Firefly の基本から活用方法を紹介しています。ぜひ新しいサイトをご覧いただき、Adobe Firefly の魅力を体感してください！Creative Cloud のライセンスで Adobe Firefly が使えます

Illustrator 2026 30.3 バージョン Mac版で、透明マスク（Opacity Mask）と描画モード（Blend Mode）を併用した際に、正しく表示できない事例が報告されています。 ＜再現性の手順（例） ＞マゼンタ100％の四角系オブジェクトを作成 白の四角系オブジェクトとグラデーションを準備 白の四角系オブジェクトとグラデーションで不透明マスクを作成し、マゼンタの上に乗せ、不透明マスクを「スクリーン」に変更 ＜結果＞Mac版Illustrator 2026で正しいグラデーション表示にならない（白い表示になってしまう）Mac版Illustrator 2026での表示 同じ手順で作成したオブジェクトは、Windows環境 Illustrator 2026 で開いても事象は発生しないことを確認しています。Windows版 Illustrator 2026での表示また、Mac版 Illustrator 2025 バージョンでも事象は発生しないことも確認しています。Mac版Illustrator 2025での表示 本件につきまして早急な修正に向けた調査を開始しております。進捗情報が入りましたら、こちらで共有させていただきます。修正までの間、ご注意頂いますようお願い申し上げます。この度はご不便をおかけしていることをお詫び申し上げます。