Questions

Hey guys, I've just edited over an hour's worth of footage using multicam and only just realised that the audio did not change along with my camera changes (It's gameplay, so had the track muted). Does anyone know of a way to salvage this so that I don't have to redo everything? I just need to find a way to copy my cuts/camera changes etc to a new version of the multicam, but I don't know if that's possible? Thanks, Ben

I signed up for the free trial and Adobe does not give any option to download Premiere. I have tried everything including contacting support. It's absurd to me to think you can sign up for software and it doesn't provide you a link to download it.  I downloaded the creative cloud desktop and the only options it gives me are Free Trial and Buy again. No option to download it. Can someone else help me resolve this? I'll just cancel the trial if I can't figure this out. 

Could someone lend me a hand? I'm puzzled by the fact that my videos aren't retaining their vibrant colors during the export process. You can refer to the attached image for clarity. The left side shows the exported version, while the right side displays the Premiere Pro editing file. I would greatly appreciate assistance in configuring the appropriate export settings. For your information, I use Media Encoder to export.

I have faced the issue in exporting a file after rendering. I have deselected "Enable hardware accelerated decoding (requires restart)," and nothing happened. I have changed the "Preview codec to I frame mpeg only" and the issue still persists. I have tried all of the steps needed to fix the issue, but it has not been resolved. I will leave the error below. Would love to hear any other suggestions please.

I have the latest update, but this comes with a bug. That's the first thing I noticed. Source Monitor In and Out markers not working. You can see below the waveforms the in&out piece, but the source monitor waveforms doesn't have the clear distinction between what's marked and what's not.  I will attach a screenshot.Hope you'll fix it ASAP.Thanks!

Hi, there. I'm in multicam mode. I already did quite a bit aof editing and now I need to do some color correction in ONE of the cameras. Since I'm in multicam mode, I can't "see" the individual cameras on my timeline, only the multicam clip. How do I get to them? I don't want to color correct a clip from the multicam clip and then copy/paste the color correction settings to millions of clips from the same camera. Can I color correct a specific camera and all the clips from this camera on the multicam clip follow the settings? Thanks in advance! Take care.

i saved a project, and it suddenly crroupted itself. 25.2.2

Buongiorno,ho importato un video che ho fatto con il mio Samsung Galaxy S24. Inserito il video nella sequenza, questo mi risulta con colori sbiaditi. Anche se inserisco degli oggetti su livelli sovrastanti, anche questi oggetti ereditano la caraztteristica di avere il colore sbiadito. Il semplice inserimento di un cerchio a cui volevo dare il colore di un rosso acceso, nel monitor il rosso risulta essere un marroncino sbiadito.Vado poi ad eseguire il rendering, ei colori risultano poi essere eccessivamente sovrasaturati. Sapete indicarmi il motivo di questa diversità di colori? Grazie 

Hello, I'm having a problem when importing mogrt file in the latest Adobe Premiere Pro version. They're template graphics and I've been told buy the seller of this templates that there should be already the soundtrack of each template, but when I import it in the timeline I don't have any soundtrack, there's just the transition without any sound. Do anybody knows what problem could it be and how to solve it thanks.

The weirdest thing happened all of a sudden.Audio on 1 track/clip specifically won't play audio. HOWEVER, when I scrub I do hear sound and you can see the difference in the audio mixer. I tried:-restarting-dragging clip onto another track-deleting cache

Does anyone else have this problem? I want to record a voice-over and it doesn't work. I checked the internal audio settings of my new MacBook Pro as well as the internal software settings of CC 2019. Both show the VO Mic. And while I see the sound get into the laptop I don't get any audio levels in Premiere. When I tried this with the older version CC 2018 it worked as it always has. Does anyone have a fix? Do I need to install a new plugin? That would be strange, because in the VO record settings it shows that it recognises the mic...Thanks for your help!

 

I have been editing a video in Premiere Pro ( the newest version). And I wanted to delog my video, so I put an adjustment layer and then wanted to put the Flog 2 to BT. 709. But it keeps putting the Phantom_rec709_gamma on top, and no matter what I do, I can't seem to fix it. It also puts that one on if I click Browse and custom. Does anybody know why this keeps happening?

Hallo everyone! I am pretty desperate!Been working on a video project for a week, which has a quickly approaching deadline. After finishing 3 of 6 videos containing drone footage from a DJI Mavic 2 and 4K footage from my new Canon R7 and exporting without issues, I have been stuck on the last one for 2 solid days of trying to figure this out.All shot in 4K 30fps, some color grading and slowing down added but nothing major. No other effects or complex stuff. When exporting, all footage from the R7 runs beautifully, just the drone footage gets stuck. I have tried every single hack online. Export using Media encoder, high bitrate, low bitrate, every export preset, only software, rendering before export, deleting all the drone files from my laptop and copying them back over from my backup hard drive. Nothing works. I am pretty much at the end of my ideas. Solid 20 hours of looking up everything I could find! Please Help!

Since I have edited on premiere, I have had a multiband compressor preset that I like to put on all my audio. to make it soud big and fat. But recently, it "disappeared" out of my presets. I have attempted to recreate it, and resave it as one of my presets again. But it never "remembers" it. I have to re-do it every time now. I change it to broadcast, I change the attack and release then save the preset. but when i go to use it again, its back at "default" and none of the settings are saved anymore. What can we do to get this fixed back to the way it worked before again? I have a Mac Studio M1 and running premiere 24.6.4

Hllo i just discover the sidechain possibility while studying a course in audio for videoNow I am woring at a project where the background audio should go down when the main person that is telling the sotires, speaksI have always done that  gusing keyfrane..but i would like to use the possibility of sidechain nowIt seems that it is not on premiere..right?what workflow can i use for this case?in general any of you process all the audio track in a daw for a better control? thanks

Hi, since version 24.6.3 I am having following issue.When I select a clip in my timeline, it sometimes activates the effect controls panel for that clip. So the focus is away from the timeline and i cannot move or trim the clip in the timeline before I refocus on the timeline panel.This is irritating. I didn' t have this issue with former versions.Is there some setting to avoid this ? Or is this issue solved in the most recent Premiere version? Sincere greetings,Günther

I'm working as a professional wedding video editor and regularly handle multi-camera edits with 3 angles. I'm trying to automate my timeline structure using Automation Blocks to streamline the color correction workflow. My Editing Setup Camera 1 (Main Cam): Center camera — always goes to V1 (and A1 for audio) Camera 2 (Yellow Label): Cinematic — should go to V2 (video), A1 (audio) Camera 3 (Brown Label): Secondary — should go to V3 (video), A1 (audio) What I Want to Achieve: I need two Automation Blocks scripts   1. Insert Logic During Editing When I select a clip from the Project panel: It should detect the label color (Yellow or Brown) Then automatically insert it into specific tracks (V2 or V3) based on label Audio should always go to A1 This should work on the active sequence, at the playhead position  2. Sort Logic After Editing Once the edit is complete: Script should loop through all clips in the timeline Detect their label co

Hello Adobe Support,I hope you can assist me. I need access to an older version of Adobe Premiere Pro, specifically version 15.4.3, as I am working with .mogrt files that need to be compatible with Adobe Premiere Rush.I understand that this version is no longer available through the Creative Cloud app for standard users. Is it possible to gain access to this version through you, perhaps via a direct download link or another solution?Additionally, I would like to ask if there are any plans to make it possible to export .mogrt files from the latest version of Premiere Pro (25.2.3) in a format that is compatible with Adobe Premiere Rush. This would be extremely helpful for my workflow.

Since yesterday, this error message appears whenever I open Premiere Pro:“Adobe Premiere Pro 2025 is damaged and cannot be opened.”I've tried installing a previous version, but the same error still shows up. My other Adobe apps—Lightroom and Photoshop—work fine. Does anyone know what might be causing this? 

how to fix this error? "Reading and Writing this files metadata (XMP) has been disabled."have atteched a screenshot.Ver. 25.3.2

Hello,I'm using good but not new Nvidia RTX 2080 Ti GPU.My question is simple: is there a big difference between this card and newest like 5080 and 5090? I'm interested about Premiere, After effects and Photoshop.In past times 2080 Ti was top card will it give big boost if replaced to not top 5080 card? Or only 5090? For example on 2080 Ti I can't work smoothly with 8K videos shoot on Sony A1. Even 4K 60pfs or 120 pfs is sometimes laggy. Effects like warp stabilizer takes more time then I want, will new GPU help with this?

I'm running into an issue with Premiere CC 2023. An edit I have has a few spots where there is no video present, so I placed Premiere's "black video" slugs there to fill the empty space. The problem is, when I export the video to a ProRes MOV file, those areas of black are being filled with repeated frames from subsequent shots in my timeline. So instead of black, I get a freeze frame of the surrounding shots instead. Anyone have this happen and possibly know why this is?A few notes, I'm editing on a 2020 Macbook Pro with Monterey 12.7.6. Like I said, this is in CC 2023 (I haven't tried 2024 or 2025 yet, just fyi). I tried pre-rendering in Premiere and using previews to export. I've tried deleting previews and just exporting normally, still the same result. I did try taking the ProRes video that shows the repeated frames into DaVinci Resolve instead to test and it is working properly, so no repeated frames.Not sure what the issue is, but would appreciate any insight.

Hi all.I try to use Warp Stabilizer on a single clip where I ride the bicycle from the beginning to the end. No transitions. Constantly riding and the camera shakes. Length is 15 min.When I use Warp Stabilizer it analyzes and then fails to stabilize. Before this happens, Windows proposes to close the app because of memory eating. Tried on a machine with 8 and 16 GB of RAM.How to stabilize this video? At least the last few minutes

I use descript.com to share edits with the client. The client can easily use the transcript tool to edit the video. They offer an xml download which I can open in premiere and it works great and I get their edits in a PR timeline.  The problem of course is that this timeline references the exported .mp4 file I uploaded to descript. What I want to do now is replace those clips with the timeline that they were exported from so I can then use the right click multicam>enable and then right click "multicam>flatten" to turn all the instances of the nested sequence into the original clips. The result would be the client's edit but now using all the original clips with the ablity to trim add etc. However, selecting all the instances of the .mp4 and loading the timeline to replace them with in the source monitor and going to replace clip "match frame" or not does not keep the I/O of the .mp4 clips, it either has the replacing timeline nests either all start at 0 or all star