Questions

Hi,Starting this week when I send items to the render queue or try to create a proxy from within Premiere Pro nothing shows up in Media Encoder.Media Encoder opens and the dialogues in Premiere all show up as expected but nothing is added to the queue.However from After Effects selecting Export > Add to Adobe Media Encoder Queue... the selected composition is added to the the queue.I can add to the queue directly from AME by Adding Source or Adding Premiere Pro Sequence, I just can't add to the queue, either as an export or create proxies, from within Premiere Pro.This is very frustrating. The only thing I've found in these forums which seems to describe my issue says, 'after a time it fixed itself' which is extremely unhelpful.I've tried clearing all the caches, uninstalling (from the CC app) individual applications, restarting, and reinstalling. I've tried uninstalling the whole CC suite and reinstalling, to no avail.If anyone has any ideas I'd welcome them,Thanks.VersionsAdobe Me

Hi everyone,I am currently developing a script to automate a Transition Pack workflow in Premiere Pro. My goal is to copy specific clips—specifically Adjustment Layers with various Effects—from a "Source Sequence" into a "Main Sequence."I’ve been studying the approach discussed in this 3-year-old thread: Get videoTracks from projectItem and copy video/audioTracks to main sequenceIn that discussion, it was suggested to use sequence.clone() and delete unwanted items as a workaround for the lack of a direct "Un-nested" sequence insertion API.My current implementation: I use sequence.clone() to get a copy of the source sequence containing the transition. I iterate through the tracks of the cloned sequence to find the target trackItem. I retrieve the source via trackItem.projectItem. I then use videoTrack.insertClip(projectItem, time) to place that item into my Main Sequence. The Problem: While the clip is successfully placed in the Main Sequence, all Effects attached to the original

I have another question while migrating from CEP to UXP.I’m trying to retrieve the sequence video frame rate.I referred to this sample:https://github.com/AdobeDocs/uxp-premiere-pro-samples/blob/main/sample-panels/premiere-api/html/src/sequence.tsIn the example, it uses: const videoFrameRate = await settings.getVideoFrameRate(); However, when I try this, I get the following error: settings.getVideoFrameRate is not a function I checked the type definitions here:https://github.com/AdobeDocs/uxp-premiere-pro/blob/main/src/pages/ppro_reference/types.d.tsand I could not find getVideoFrameRate() defined there.So I’m wondering: Was getVideoFrameRate() introduced in version 26? Or is this an error in the sample code? Is there an alternative way to retrieve the sequence video frame rate in UXP for Premiere Pro 25.6.2? For reference, I am currently using Premiere Pro version 25.6.2.

As an Assistant Editor, I have to make EDLs of archival footage/stills/audio used in our sequences. I’ve been exporting the sequence (from our Production) as a Premiere Project, Generate Source Clips, then deleting source clips unrelated to archival (ex. production footage and audio). I then use Simplify Sequence and Flatten all multicam sequences. However, for some reason, the multicam audio remains in the sequence, even when the multicam sequences are completely empty. Is there a way to remove all empty multicam audio clips? Or flatten multicam audio (if it’s empty, it’d flatten to nothing)?

I have big project with some dupes in it. So when I try to use "Edit > Consolidate Duplicates" it does nothing. So I ended up cleaning all project to three clips that are linked to exact same raw footage, no proxies attached and I nothing else in project panel, just those three clips:Still "Consolidate Duplicates" does nothing. Maybe I should look for some other places where Premiere thinks that those are different clips? Any ideas?

Mi é stato installato l’aggiornamento a Premiere Pro 2026 in inglese, mentre la precedente versione (2025) era in italiano.Come posso ottenere la versione 2026 in italiano?

A client wants the copyright symbol (®) to be superscript on a set of captions. Is there anyway to do this. I can only edit an enitre line of caption at a time. 

In this mode, the program does not respond to commands, and the mouse and keyboard do not work. At the same time, the processor, disk, and card load is 2%. When switching to Icon Views mode, the problem disappears. Problem on all versions 23-24 in different versions of drivers and Windows operating system.Materials from different cameras and different formats. Even PROXY! even when selecting a low resolution. I'm working in multi-camera mode!

Hi there!  New to multicam editing. I have a 1hr 15min recording with 2 cameras that are made up of seperate clips and an external audio recording. I figured that the easiest way of me putting it together was to sychronise everything then nest the seperate cameras and create a multicam sequence from those nested sequences.  Now my problem is that I want to grade the cameras to make them match better. I thought that putting an adjustment layer in the nested sequences made the most sense. While this has worked in those sequences, the effect does not seem to translate to the multicam sequence. Is there something I’ve done wrong? A particular setting that needs to be turned on?  I have already edited the multicam sequence so I’d rather not add the adjustments to every individual clip. And I can’t add an adjustment layer to the multicam sequence as the cameras need different grades. Is there another method that could work?  Any advice would be appreciated! 

Apologies for being a bit slow on the uptake but has Lens Flare been removed from Premiere 26? I can’t find it anywhere; it’s not even among the Legacy effects.

I’m trying to figure out an issue with some audio mixes where the duration shown in the Premiere browser and timeline does not match the actual duration of the WAV file, even though Media Properties in Premiere show the correct duration (photo attached).I’m working on a Apple Silicon Mac running Sequoia 15.7.3, and editing on Premiere Pro v25.6.4 (although this issue has also happened in previous versions of Premiere and macOS). I sent an AAF to the audio engineer, and the mix he sends back from ProTools comes in with the wrong duration when imported into the same Premiere project.The mix has the initial sync beep, but it appears to be a few frames short at the end. We’ve tested multiple exports:– 24-bit renders– Printing the mix internally in ProTools, then exportingAll results are the same.I also tried importing the file into a completely different Premiere project, and it still reads the duration the same way, so I’m not sure where else to look.Thanks for any insight.  

My Q and W shortcut keys for ripple triming left and right of the playhead are not responsive.I've tried selecting the default keyboard in the dropdown menu of the keyboard shortcuts interface. That did not work.  Edit>Keyboard Shortcuts>Keyboard Layout Preset: Adobe Premiere Pro DefaultI briefly searched the Adobe community for help and the top result involved saving a .kys file for the default keyboard into a folder in my Adobe user profile. This also didn't work.Anyone have any ideas?

See screen rec, CTRL + ~ key does not work as intended:https://drive.google.com/file/d/14MQewn4k0JARiZMowW7ZHDlwAzK3HpuT/view?usp=sharing SPECS Intel Core i9-14900HX NVIDIA GeForce RTX 4060 64GB DDR5 RAM 1TB m.2 SSD [OS, APPS, PROJECTS, EXPORTS] 2TB m.2 SSD [CACHE] All latest Adobe 2026/Win11Pro/and video drivers DELL SE2419HR 24"

je ne peux pas finaliser mon  projet avec PP beta v 26.2  mais oui avec PP v26.01

When playing back Red footage, specifically in a proxy workflow, premiere pro program window goes black while audio continues to play fine.  This has been happening since PP 24.  To fix, in the past, I would switch to the software renderer and that would return video image.  Now, I have to restart PP and either switch that on in startup or continue to work until it fails again. I am on windows 105950 AMD CPUNvidia 3090 GPUAll drivers up to date64 GB ramFootage is on a samsung SSDPP updated to 25.3 but as mentioned, has been occuring since 24 The footage will playback fine and then it won't and I only seem to having issues with Red footage in this manner.  Expected result is continally fine playback with no video dropouts.

Same problem across several versions.  EVERY time I open a project with assets on a cloud drive, including LucidLink, requires manually relinking, and the locate/search function will NEVER search in the folder I have selected. It will literally search every folder on every drive on my machine.  Just fix it. 

When you make the program panel in your timeline fullscreen and you are working with text, when using the shortkey to minimalize it again, you will see the shortkey in the text, so it’s not possible to minimalize the fullscreen without resetting the workspace. This is happening in a lot of versions already. Current version: 26.0.1Macos: Sequoia 15.5 - M1 max 

I’m genuinely curious to get a sense a sense of this. Let me be clear, this post is not about troubleshooting what’s causing the crashes.For weeks now I’ve been triggering multiple crash reports a day, sometimes up to a dozen. I’m typing the same thing into the “Please tell us what led to this error” field and providing my email address every time. I would expect that when you receive 100+ crash reports from the same person with the same problem, you might make good on that statement “Adobe may contact me for fixes and workarounds”But I’ve heard nothing. That’s why I want to know, has anyone in this community EVER been contacted by Adobe with a workaround, after submitting one of these forms?   

Hi!I m an Apple Laptop user and am already forced to loose the camera notch bar space when being in full screen mode of my actual screen as MacOS blacks out the whole Notch line, even though the notch is at a place where no crucial informations are placed = easy to tolerate. But no. Not possible. (?) And being added to that - in Premiere, there is this huge Home bar on top which additionally kills so much space which I dont use while editing. Means with those two conditions I m loosing around 15% of my Laptop screen hight already for nothing. I cant find any solution to switch it off or make it narrowed. And this question is already up for years. So, is there finally a solution??? 🙏 🙏🏼 🙏🏻 🙏🏿

I have another question while migrating marker logic from CEP to UXP.In CEP, the previous code looked like this:var newMarker = markers.createMarker(Number(markerInfo.in)); newMarker.name = markerTitle;newMarker.comments = markerComment;newMarker.end = Number(markerInfo.out);if (markerInfo.colorType) { newMarker.setColorByIndex(Number(markerInfo.colorType));}Since createMarker() returned the marker object, I could immediately modify properties like color.In UXP, however, markers are added using actions.When I use createAddMarkerAction, I’m not sure if there’s a way to: get the newly created marker object back, or keep a reference to it after creation. const project = await ppro.Project.getActiveProject(); let success = false;project.lockedAccess(() => { for (let i = 0; i < markerInfo.length; i++) { const markInfo = markerInfo[i]; const duration = markInfo.out && markInfo.in ? ppro.TickTime.createWithSeconds(markInfo.out - markInfo.in) : ppro.

Hi guys, I’m working on a TV show and i’ve inherited some part of footage from my assistant editor. The workflow we use for audio is standard STEREO 2 ch. However the part my assistant made was set to “adaptive audio”. I just copied/pasted it into my stereo seqence and.. there is “Audio Playback Issue”. Fixed by duplicate etc. Now my sequence looks fine. All files are “mono, 7 ch.” as they should be - however I cannot control Volume as they still act as adaptive. After doing some research I’ve managed to walkaround this - duplicate sequence, delete all audio from the new one and drag/drop it from the previous one using “sent to source”. That brings back my volume settings. However… after reopening project it’s back to “act-as-adaptive” mode.Render and replace also does the work - but I want to keep the files as original. How to fix it, for good? (without re-editing the whole thing) [Premiere CC26] 

Hi Everyone, We have observed quite a few issues reported around Audio/Video sync, we need your help in improving Premiere's editing experience for these footages.If you’ve noticed any AV Sync issues, please share details in this thread:Helpful info to include:Device and hardware details OS / App version Source of media - Camera, Screen recording tool like OBS, etc. Media location  - local or network. Media properties like format, codec details, duration, etc. When the issue happens (always / sometimes / after pause / after seek, etc.) Any workaround you are doing to overcome this problem. Short screen recordings (if possible) If possible please share any such sample media or projectThanks for helping us improve the Premiere !

^^^ Source Window EXPORTED FRAME: crazy blown out ^^^ Source Window, screenshotted (Windows+Shift+S) - so this is what the Source Window LOOKS LIKE to me as I’m working^^^ The same clip in my program monitor in my timeline (no effects added onto the clip in the timeline) -- EXPORTED FRAMECan someone explain why when I export the frame from the Source Monitor that it comes out looking blown out? It doesn’t look like that in the User Interface of Premiere.I have some lumetri color correcting going on in the source, so there’s no difference between the source and the program.Turning off the lumetri effect on the source clip, I get this as an exported frame:But this as a screenshot of the UI in Premiere: Here are my lumetri settings: 

I’m one of four Assistant Editors on a docuseries and we’re very close to turnover on three episodes. I’ve created & saved a custom Label Color preset and would like to share them with the other AEs so they don’t have to recreate the wheel. I can’t find the Label Color preset in Documents (we’re on Mac). Where does Premiere save custom Label color presets?

In the latest version, I'm trying to use the Mosaic effect to cover faces in video. Previously, when you selected the Mosaic option in an Adjustment Layer, it gave you the option to create shapes and resize and rotate them as needed. Now, in both the new Mosaic effect and the Mosaic Legacy effect, the option to create shapes or masks has disappeared.