Questions

The title is self explanatory 

When I run my video on premiere pro timeline the video plays but it stops automatically like how I dont get it when it stops I have to play it again then it stops again and sometimes the video plays slow on timeline I tried fixing it like clear cache and everything changing to GPU acceleration and all ,downloaded studio driver from Nvidia as I have rtx 5060ti gigabyte graphics card but nothing worked and yeah with some videos the colors don’t match like the videos look washed out the video doesn’t look colorful like the original video does anyone have any answer..? Lemme know

Hola estoy usando la versión beta 27 y tengo problemas al cargar los videos a la línea de tiempo me dice que no se puede leer el archivo de origen carga una parte del audio y lo de mas no, pense que era por el disco movi todo el proyecto a otro disco (ambos son ssd) y me sigue dando el mismo error que puede ser?

looking to try out the color mode on the beta but it stays crashing on me, photo for context 

Help

I’ve been told its been moved to the toolbar but i don’t see it there. Is anyone else having this issue? Very frustrating!

I have updated to the same, but I’m having an issue with my clip thumbnails. Sharing a screenshot. Reinstalled it, restarted the Mac, Cleared Cache files, and still doing whatever I can.  

Hello Everyone.I’ve been using Premiere Pro’s Lumetri Color panel for a long time, mainly relying on the Lumerti Color Panel, Color Wheel, Curves, and of course the Lumetri Scopes. Sometimes I also add third‑party tools like Maxon Magic Bullet and FilmConvert Nitrate, and I’ve always gotten great results with that workflow.Recently, I tried the new Color Mode, but so far I still prefer the traditional Lumetri Color panel. That might just be because I’m not fully used to the new interface yet. I’m wondering whether, in the future, Adobe will allow us to switch back and forth between the original Lumetri panel and the new Color Mode, or if we’ll eventually be locked into the new system.Thanks.

I have a system in place for my projects, do the basic color correction and add the Fuji ETERNA filter in the Creative panel and today, 072126, it's not working. I worked yesterday before it asked me to update. I don’t appreciate the forcing us to move to the new Color Workspace, it's not conducive for an already established workflow. I really slows everything down. And now a HUGE part of my color grading is gone because I cant find the same effect in the Color Workspace.Can you please add the Lumetri Color back? I will have to move to Davinci is you are forcing me to use their color system.

I composed a project on Beta a couple of months ago and need to make a change. So far, I am locked out of accessing Premiere Pro Beta. Is there a workaround for getting my project back?

I just bought creative cloud recently and there is no Beta version tab. I don't know what to do. They said Cloud Update is already updated.Beta Premiere Pro is installed separately, but even though it is in the cloud, it still doesn't work, what should I do?

The new AI tool is impressing me, despite some shortcomings…BUT; the tool needs some notification improvements, aligned with the ‘progress’ bar on the Prem icon, it be helpful to add a ‘processing AI’ progress bar or Icon, but also a notification badge that indicates waiting on user response.When it's doing something quick, it's not a big deal to not have these.  But my last test it's been processing for about 7 min, and I wanted to do something else while it worked on it.  Missing some prompts waiting on approvals. 

 We’re excited to introduce a new generative workflow in Premiere. The new Generative Media Tool lets you generate sound effects and video exactly where you need them, directly in your timeline.  Simply select a range in your timeline, describe what you want, and you can generate media directly into your edit. Whether you need missing ambience, a custom sound effect, b-roll, a cutaway or an establishing shot, you can stay focused on editing without switching applications. To add the visual context of your project, use the eyedropper to sample reference frames without leaving the timeline.   Generate Sound Effects in ContextNow you can generate custom sound effects directly in the Premiere timeline.Select any audio range, describe the sound you want, and generate multiple variations that match the duration of your selection.Need more control? You can use your voice to guide the timing and intensity of the sound effect, making it easier to create sound effects that feel natural in your e

I’d love to see a third option in comparison view where it shows the clips side by side fully. Not just half and half. 

I want to take the sequence settings off of only one clip and edit it freely for color 

I want to work in a wide color space in Premiere, and I have a lot of experience doing exactly this in DaVinci Resolve. In Resolve, the ACES Transform / Color Space Transform node converts all my media to a wide working space, and the output transform tone maps beautifully. Critically, Resolve's tone mapping lets me push an image and fill the scopes as much as possible without breaking.In Premiere, the same approach falls apart. With tone mapping on, I get badly shifted colors and the overall image sits low in the scopes. When I try to push brightness up, the tone mapper caps me well before I can fill the scope.. it just pushes back down. I tried all the algorithms. Max RGB lets me push higher (closer to how Resolve behaves), but it introduces very odd hue shifts, and the highlight saturation control produces unnatural results. That makes grading wide-gamut footage in Premiere a real pain point.. effectively unusable.Right now this is genuinely breaking my workflow. I keep having to ro

I placed some video clips onto one sequence, end-to-end, then set the sequence Start Time to match the first clip.  Then, I asked the Assistant to move all the video clips on that sequence to their respective timecodes, so that the first frame of timecode for each clip would match the sequence timecode. The Assistant said it couldn’t do that because the clip timecodes aren’t visible to it. 

I have two sequences that both have audio tracks in from some interviews. When I go to transcribe for text editing, it say there was no dialogue found. 

I am experiencing hangs and very slow performance when Interacting with the menu bar (file / edit / clip / sequence etc) as well as when manipulating keyframes in the Effects Control Panel. When interacting with those elements, Premiere will hang for anywhere between a few seconds to multiple dozens of seconds, and the cursor will change to a ‘busy’ icon. The application window sometimes also ‘greys out.’ Windows itself will sometimes become unreponsive during these hangs preventing me from switching applications or interacting with the start menu. This issue occurs when any project is open, including new empty projects. It does not occur when a project is not currently open. During these hangs, I notice that Premiere is loading a single thread on my system to 100%, which ends when the program becomes responsive again. The hangs are clearly visible in this process explorer graph below:  There are no other noticable increases on system load; memory, GPU activity, and I/O are appear norm

Hi!Talking about Color-Panel: In a music video I have around 400 single clips (many cuts, different cameras sceneries, light situations etc.).So e. g. I create a color group “studio, red light, Sony 7sIII” of 30 clips doing a grading as Im doing with many groups getting matched to e. g. ““studio, red light, ARRI cam”. 5 days later I’d like to change grading of just Sony footage in that specific scene: As in the overview those groups look similar after color correction, I m a bit lost how to identify the clips belonging just to Sony footage. (just one example)my trick for now: clicking at the group and over exposing extremely, so I can see the white and “damaged” in the overview. But this is a horrible work around which does not really help.So, in overview: how can I identify or/and filter clips belonging to a certain group?

Ever since the update 4~ days ago premiere becomes so laggy when editing 4k files especially in color mode, the scopes become useless. I have the footage on one internal NVME gen 4 m2 ssd. the cache and scratch disks on another and the the cpu on another. all NVME g2m4. will attach other specs below. help would be great.Using Premiere Beta v26.5

I’m unable to make any changes in the Preferences tab because the error **"Invalid type conversion"** keeps appearing whenever I try to update the settings. What could be the problem and solution for this?