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After Effects 26.5 is here! Bringing powerful new features designed to speed up everyday workflows and reduce manual effort.Leading this release is the new Guides functionality, giving you percentage-based positioning, edge pinning, and custom guide colors for more precise, flexible layouts. Alongside it, you can now keep your propagated Object Matte results cached to disk between sessions, assign color labels to individual effects, and manage your effects in a modernized Effect Controls panel. This release focuses on helping you get more done with fewer steps. What's new in 26.5 New guides functionality Use the new guides, which support percentage-based positioning, edge pinning, custom guide colors, and improved guide editing controls.Learn about grids, guides, and rulers › Disk Caching for Object Matte Disk caching keeps your propagated Object Matte results even after you close the project, freeing up RAM and speeding up work on long clips.Learn about Object M
Welcome back to our series on free After Effects resources from across the web. If you're just joining us, we've already covered Camera Crew by Motion Ape, DUIK Ángela, and Motion Tools Classic, all worth a look.This time we're looking at a big one for anyone who does motion graphics, social content, or fast-turnaround client work. If you've ever wished you had a library of ready-made transitions and elements you could just drag into a comp, the AEJuice Starter Pack is exactly that, and it's free. Meet the AEJuice Starter PackThe AEJuice Starter Pack is a free collection of 100+ drag-and-drop motion graphics assets, delivered through AEJuice's Pack Manager panel. Instead of building common elements from scratch every time, you browse a visual library right inside After Effects, drag what you need onto your timeline, and keep moving.A nice bonus: the Starter Pack works in Premiere Pro too, so it's not just an After Effects tool. What you can do with itThe Starter Pack packs a lot into
Welcome back to our series on free After Effects resources from across the web. If you missed the earlier posts, we covered Camera Crew by Motion Ape and DUIK Ángela, both well worth a look.This time we're keeping it simple, with a small toolkit that a lot of you have probably already used without thinking about it. Motion Tools Classic is one of those tools that just quietly speeds up the boring parts of every animation. Meet Motion Tools ClassicMotion Tools Classic, from the team at Motion Design School, is the original free version of Motion Tools, the everyday animation toolkit that's been trusted by motion designers since 2017. In a world of heavy, do-everything plugins, this one goes the other way on purpose. It's a small, focused set of the tools you actually reach for every day, with nothing extra to get in the way.And it's completely free. What you can do with itMotion Tools Classic keeps things tight and practical:Easing – apply and adjust easing with clean, simple controls
can you please fix mocha AE to work with Mac OS 27.0 golden gate? it wont open now that i upgraded my OS. but i'm able to open mocha pro just fine. i'm using after effects 2025.
I have used After Effects for over 10 years. Over approximately the last two years, a recurring issue has made basic timeline editing unreliable. It still occurs in After Effects 2026 on Windows. This workflow did not previously cause this behaviour.Steps to reproduce in an affected project:1. Open a heavier composition containing multiple animated layers.2. Select multiple layers, particularly all layers in the timeline.3. A blue spinning busy cursor appears and persists. After Effects remains partially responsive, but interaction becomes difficult and the cursor keeps spinning.4. Select a block of keyframes with the intention of copying and pasting them further down the timeline.5. After Effects hangs and the edit cannot be completed.Expected result:Layer and keyframe selection should complete, the busy cursor should clear, and normal copying and pasting should remain possible.Actual result:Selecting layers leaves a persistent busy cursor and partial responsiveness. Subsequently sele
I’m using an M1 Macbook Pro and have updated to After Effects 26.5.0Whenever I bring in an MXF file it either won’t play, or takes a few minutes to generate a few seconds of a preview. I’ve experienced this across the three Macs we use at my work. We’ve reverted to 2025 where the issue isn’t happening.We use a daily ‘master project’ that we duplicate every morning and use for that days work (for work on a daily tv show). If I create a brand new blank project and import an MXF it’ll play it fine, but as soon as I import the original project, it slows again. If I save the project in 26 as a 25 project and open it in 25 there are no issues.
Hi all,The behaviour of the zoom is reversed. When “centered” it follows the cursor and viceversa.
Hello! Some days ago i've found that my after effects eye dropper isn't working properly. I know that it's an old issue, but is there any fix? I need to use ofter to pick colors, and the hex numbers wont match them, unless the color that I want to pick is inside my composition (on project thumbnail it keeps getting the wrong color, same at motion tools plugin that collect the color palette).
Hi,Just upgraded to 25.2.2 and I am having a strange issue with adding layers its like it randomly clips or switches color space from one frame to the next. Only started happening after upgrading AE and NVIDIA.The screenshots are from the same project just different frames, as you will see it also affects the scopes. Only effect used is 'Fast Box Blur'Switching to 'Software Only' fixes the issue
Ever since version 25.2 we have been noticing a weird bug.We work in 32bit ACES exclusively.Every now and then we come across a composition that just clamps all the HDR values down to 1.I've managed to isolate a comp like that and the problem itself:- AE ver 25.2 or later (even Beta)- comp has minimum 3 layers- at least two layers must be in Add mode - both have to have motion blur turned on- motion blur in the comp is on The problem fixes itself in any of the following cases:- one of the layers gets hidden - so that only one additive layer remains- you disable motion blur in the comp- you disable motion blur on one of the layers, so that only 1 layer has motion blur- you switch renderer from GPU to software- you open the same project in AE 25.1 This occurs rarely, but if we find a comp like that it bugs out on all our machines- rtx 4xxxx or rtx5xxxx- win10 or win11- throughout the last year we've reinstalled gpu drivers 3-4 times already I have an example project - I can upload it, ju
I attempt to launch After Effects, but it reaches “scanning folder usdGeom” or some other “usd” file, and then it creates two “crash files” on my desktop and stops launching. I have attempted to launch it in “safe-mode”, “reset preferences”, “manage plugins” etc. to the same result. I am not currently running any plugins. Restarting my computer didn't change anything. Pressing the “update” button in creative cloud for AE didn’t seem to launch anything.Recently, I received a message from Photoshop that the scratch-disk was full, so perhaps I have accidentally deleted something important while trying to remove temporary files in the adobe files. However, Photoshop ran fine after removing some large files from my computer. I must have this program for work! Please help me resolve this.
Does anyone remember the good old days when software worked?Have made some good work with Trapcode Form in the past - pushed it quite far exploring it’s capabilities and use-cases.Now it seems, on my Mac at least, to be be extremely unstable - to the point of un-useable on latest After Effects
Red Giant Trapcode Suite 버전은 15.1.8 이고 정식 라이센스도 보유 중입니다.After Effects 버전은 2026 입니다. Trapcode Suite 설치하면 다른 건 다 잘 깔리는데, Particular만 설치가 안 됩니다. 답변 부탁드립니다. I have Red Giant Trapcode Suite version 15.1.8 and also hold a full license.The version of After Effects is 2026. When I install Trapcode Suite, everything else installs fine, but Particular doesn't.
Hi there. Maybe it is a bug but I noticed strange behaviour.My compositions are set to 25fps, every .png sequence imported is set to 25fps. My Preview windows is set to 25fps. However when I import .wav file it is being interpret as 30fps. When I try to playback it in Footage windows it is pitched down. When I change framerate in Preview window to 30fps it plays exactly as it is suppose to, but then preview of my comp is pitched and sped up.When I manually adjust timecode of the .wav file in Interpret Footage window it says “… Base 30”. I assume that it automatically interpret footage as 30fps when I am trying to handle it outside the comp. When I add it to the comp and play it back in 25fps it works fine. What sucks is that I need to override timecode according to the inner timecode of the footage and cut it in exact frame. However I cannot to that because of 30fps vs 25fps.Is there a way to change Base framerate?
They open up with a white green noise and there are 2/5 of the composition screen two-bar glitch at the bottom Providing the link to some test footage of .CRM from Canon C50: https://drive.google.com/drive/folders/1hJBx_KVy20I0wjVHAtCzzhE_orua7zrx?usp=sharing
Whenever I apply 3D animation to any of my videos, it gets stuck at the 'initializing' stage and doesn't proceed any further.
I'm running into what feels like a workflow dead end in After Effects, and I'm wondering how experienced users deal with this.Here's my setup: I have multiple levels of nested precomps. Deep inside those precomps are vector shape layers with effects applied (for example CC Bend It, used to animate things like plants or grass bending in the wind). My top-level precomp is placed inside the main composition and treated as a 3D layer. The issue appears when I animate a 3D camera.Without Continuously Rasterize, everything works correctly, but as soon as the camera gets closer, the entire precomp becomes soft/blurry (Depth of Field is disabled). I understand that's expected because AE is treating the precomp like a rasterized image.If I enable Continuously Rasterize on the precomp, the image stays perfectly sharp, which is exactly what I want. However, this creates two new problems: The internal transforms of the nested layers can change, although enabling 3D on the appropriate precomps
Have tried all sorts of varieties of drivers, hardware acceleration on/off, Windows display scaling, high DPI Windows compatibility settings for application launch, nVidia Control Panel app settings, different cables, ports on my GPU, etc. Even fresh installed Windows 11 and AE and still have the issue. The most frustrating is the preferences panel does not size properly and cuts off buttons/options - making it basically useless.Clipped preferences window.In addition to that, pretty regular flickering of UI elements when resizing panels.Often the mouse cursor's hit detection boxes when resizing is extremely narrow. Divider borders feel like "dead zones". The mouse sometimes doesn’t change to the resize icon. System info Application: After Effects v26.5.0.89 OS: Windows v10.0.26200, RAM: 93.61 GB GB, CPUs (logical): 32GPU - nVidia RTX 4080, Studio Driver 616.92
Hi,Hopefully I can describe this correctly…I’m essentially looking to pair/join the bottom anchor points of the green rectangle with the top anchor points of the orange rectangle, so that I can animate the boxes changing their depth up and down whilst the overall group never changes height or width.Does that make sense?Can anyone help with this?CheersSteve
Please add safezone options for current social media platforms to After Effects and Premiere!99% of the videos I create professinally are for social media campaigns, yet there are only guides in AE for broadcast safezones.
Hi everyone, ever since I updated AE to version 26.0.0 I have experienced render times as much as ten times slower than it used to be in version 25.x.x. For now, I have rolled back installation to a 25 version, but I would very much like to keep up with the versions, including all new features.I read somewhere that I'm not the only one bumping into this problem.What can I do to solve it? To be clear: I can create a project in v 2026 and it renders terribly slow; when I save it as 25.x version and then switch to AE v2025 everything works at proper render times.Will there be an update for v 2026 that solves this problem?
I'm a learner, but I'm pretty sure it is not supposed to work like this. First off, I'm on Windows 11 using the most updated version of AE. To the best of my knowledge, the settings in my AE are the default, "fresh out of the oven" AE settings. The issue: I had made a simple track matte animation and was exploring with the pre-comp feature. The animation itself was a very simple move-from-position-A-to-position-B animation and there was a matte applied to it so that it would appear to scroll into a selected region. Now, I had precomposed this and selected a region of interest in the new precomp. After deciding I didn't like the region I had selected, I hit ctrl+Z. That undid the animation though, not the last action performed that was the selected region of interest. I can fiddle around with this and get back to the original state it was in, but is this how it's supposed to work? I guess I could see it, but it seems rather incovenient.
Steps to recreate:-Create a Comp-Create a text layer (point or paragraph doesn’t matter)-Type in something like test01, or test6, or MyLayer72 (Must have a number at the end)-On the layers SourceText add the expression: thisLayer.name-Duplicate the layer at least 2 times (1 time does not appear to recreate the issue)-Highlight the duplicated layers and change the font size. The name of the selected layers will start climbingWorks in ‘Legacy ExtendScript’ and ‘Javascript Expression’ engine.Can recreate it in After Effects 26.0.0 and 25.1.0 Windows
ADOBE PLEASE FIX THIS AS IT IS A PITA!!!!!!!!! DOES ANYONE HAVE THIS PROBLEM??? So I open a file through either Recent or from selecting a file on the Welcome screen when I open AE… and make edits, do work, and save this file with new filename date (which is how I work - new day sees update file with _Sep4 (today)) so that I have daily backups, and go to save it, and it saves into the last folder I had used from a previous different client job. If I am not paying attention because I ASSUME WHEN I OPEN THE FILE THROUGH THE WELCOME SCREEN OR THAT HOME SCREEN WHERE IT LISTS LATEST/RECENT FILES THAT IT WOULD KNOW WHERE THAT FILE CAME FROM, BUT NO. This has been a PITA for years now. PLEASE FIX!
I have found a reproducible After Effects file-import problem when using an SMB network volume on the macOS Golden Gate beta.When I try to import a PNG file from a network path containing Icelandic characters, After Effects displays:After Effects error: File exists but couldn't be open for reading (3 :: 0) Example failing path:/Volumes/markadsdeild/Markadsdeild/Sjónvarp/06 On-Air grafík/01 SÝN/Vatnsmerki/01 Renders/01 Taka 2/01 Hvítt/Syn-vatnsmerki-hvitt_00025.png The file is visible in Finder and can be copied to my local Desktop. After copying it locally, After Effects imports it successfully.I also tested the same file on the same network volume using an ASCII-only folder and filename:/Volumes/markadsdeild/AE_test/test_00025.png That version imports successfully into After Effects.This suggests that After Effects may be encountering a path or Unicode-normalization problem when accessing files through an SMB volume. The problem appears to involve Icelandic characters such as í, ó,
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