Announcements

The intrinsic motion effect now has crop parameters. You can use Crop on all your videos and images without the need to add an effect. If you prefer to continue using Crop from the Effects panel, that is still there and continues to be available.   Crop is now included in the Properties panel. Crop parameters can also be accessed via the motion filter in the Effect Controls Panel.   You can also crop directly in the Program Monitor. Click on the new button under the Program Monitor which will bring up a menu to switch between Crop and Transform.       To use Crop in the Properties Panel, select video or image clips in the timeline. You can crop video clips using Left, Top, Right and Bottom controls in the Property panel. . You can reset any crop modifications by using the reset button on the top right of Crop or by using the Undo command.     For more information about the Properties Panel, please refer to the Beta Forums post on the Properties pan

Hey, beta users!    Starting today, August 5, Premiere Pro betas will switch from v24.6 to the next major version, v25. We make this switch once a year when we get close to shipping the last dot release of one major version and switch to the beta of the next major version.    Premiere Pro will guide you through the project upgrade and automatically version the project file. Unless you specifically save over the original file, you will have a backup. Like previous major version changes, Premiere Pro projects saved in v25 cannot be opened in previous versions of Premiere Pro, including the shipping version (v24.5 at the time of this post). This means that a project opened and saved in the beta of v25 cannot be taken back to the shipping version.    It is also required to have v25 of After Effects and Media Encoder to make use of Dynamic Link.  It's recommended that all three be updated at the same time.   As always, we recommend that you do not us

From Adobe Premiere Pro Beta 25.0.0 (Build 43) onwards, users have the option to enable scroll bars in Program and Source monitors. This provides users with an additional mechanism to pan the image in the monitors.       To show/hide the scroll bars in Program and Source monitors: Users can click on Settings icon :wrench: available at bottom right of monitor and then check/uncheck ‘Show Scroll Bars’ to show/hide the scroll bars as per the requirement. Whenever checked, the scroll bars are visible, irrespective of the ‘Zoom level’ of the image in the monitor. The scroll bars are hidden by default.   Feel free to try it out and provide feedback (in case any)! 

We’re happy to announce that the latest beta build of Premiere Pro (25.1x45 and newer) brings a fresh, updated UI for After Effects Mogrts in the Properties panel.    What’s New:   Updated UI: Enjoy a cleaner, more modern look for your Mogrts.Seamless Experience: All Mogrts and controls will function just as they did before, ensuring a smooth transition.New Features in 25.0: If you haven’t explored version 25.0 in beta yet, you’re in for a treat! New Transform and Crop groups are now included in every Mogrt, located in disclosed groups beneath your Mogrt controls.   We can’t wait for you to try out these enhancements and hear your feedback!

We’re always looking for ways to make it faster and easier for you to create and publish your content. Now in Premiere Pro (beta), we’re introducing new export destinations with direct integration for posting to popular video and social media platforms such as Facebook, TikTok, and YouTube.     This is in addition to our existing support for Facebook, Vimeo, X, and YouTube. Simply log-in to your video and social media accounts from right inside Premiere Pro (beta). You can create your posts, add captions, hashtags, and keywords, and then upload them directly without ever having to leave Premiere Pro. All without compromising quality or the ranking of your videos!    Here’s an overview of the new features and what you can publish to each platform:   TikTok (new) You can now export your Premiere Pro video as a TikTok draft or publish directly to TikTok.   Facebook: Along with the existing ability to Post to Facebook pages, you can now publish

Hey Everyone! We're thrilled to announce the beta release of Generative Extend, an AI tool in Premiere Pro designed to address a common challenge faced by video editors: the need for those extra few frames to perfectly time edits and transitions.    What is Generative Extend?  Generative Extend allows you to seamlessly add additional video or audio media to the beginning or end of your clips. You can hold emotional beats longer for greater impact, hide unwanted camera movements, adjust timing without sacrificing quality, extend background audio to cover edits, and more!    Powered by Adobe Firefly Video model, Generative Extend analyzes your footage and audio, then generates up to two seconds or video or 10 seconds of audio that blends seamlessly with your original content. Your data is never used for training purposes.    Generative Extend handles all kinds of content types including humans, landscapes, and animals. And it’s perfect for room tone, am

Note: This feature was released with Premiere Pro v24.4. If you've got questions or comments about it, please post to the main Premiere Pro support forum   In Adobe Premiere Pro 24.4 beta, users will be able to leverage the benefits of color management for MXF files utilizing HEVC Intra and Long GOP codecs. The addition of color management for MXF HEVC files promises a more efficient, consistent, and delightful video editing experience for users working with MXF formats from Sony, Canon, and Panasonic cameras.   Color Management available for MXF HEVC media   What is color managed? Color managed means that Premiere Pro reads the color tags in the file metadata and accurately converts your video clips to the sequence color space. If the color spaces of the file and sequence are the same, the Premiere Pro passes the colors through to the sequence without any conversion.

Based on user feedback, we've accelerated audio conforming and peak file (waveform) generation by making it multithreaded, allowing for parallel processing. This allows Premiere to run multiple (up to 4) threads concurrently, making it faster.   Please let us know in the comments if you notice a difference or have any issues.

We've improved audio waveform drawing performance in the latest beta version to make them faster and smoother.   We've also fixed an issue that caused waveforms to flicker on the timeline, especially when scrolling, zooming in or out.   If you're still experiencing the latter issue (or any other waveform issues), we'd love to know about it. Please give your feedback below.

Project creation is now easier with the New Project creation dialog in Premiere Pro. The New Project creation dialog allows you to Name your project Pick a location to store your project Pick a template Skip the Import Mode (your selection is sticky – if you select this, it will remain selected) Access Project Settings including General, Color, Scratch Disks and Ingest Setting   If you don’t want to use the Import mode, you can now go directly to your project and use the Project Panel to import media.  Please try it and give us feedback! Abhi Singh,  Principal Product Manager, Premiere Pro

Linear timecode (LTC) support is now available in Premiere Pro Beta. LTC is encoding of timecode data in an audio signal. It is useful for ensuring accurate synchronization of multiple video and audio sources.    Two Premiere Pro operations benefit from LTC support: creating multi-camera source sequences and synchronizing clips.    In the Clips > Create Multi-Camera Source Sequence dialog, we have added an “Other Timecode” popup menu, with the option to choose LTC. Choosing this option will synchronize the clips using the timecode in the audio track of the clip.    In the Clips > Synchronize dialog, we have not yet added an option to directly choose LTC. To use LTC with Clip > Synchronize, you must first select the clips you want to synchronize, then select Clip > Modify > Timecode > Linear Timecode (LTC). With that done, select the clips on the timeline, then go to Clip > Synchronize > Timecode and click on Ok. Note that the displa

Please note: This feature has been released in Premiere Pro. If you've got questions or comments about it, please post to the main Premiere Pro support forum. Currently for certain supported formats (TIFF, DNxHD, DNxHR, XDCAM HD, etc.), Premiere Pro displays these clips as ‘Not color managed’. For these clips, customers cannot override the color space of these clips . Also, the ability to add any input LUT via ‘Source Clip’ section is disabled.                                                                 Previous behavior of Lumetri Color > Settings > Source Clip for TIFF media    In Adobe Premiere Pro 24.3 beta, customers can now manually override media color space in such cases for all type of supported media formats except raw formats. Additionally, customers will also get an option to appl

With this feature we are adding support to export all text of titles and graphics within a sequence as a CSV or as a text file. We are curious to hear if this is a helpful little addition, how you will be using this feature and what's more helpful to you, CSV or Text.    While the Captions and Transcript tabs in the Text panel already supported this in previous versions, we are now adding this for the Graphics tab so you can export your text used within titles, Premiere and After Effects Mogrts.  This can be handy for quality control of text in a sequence or for handoff to translation.    How does it work? Make sure your sequence is open in the Timeline panel Open the Text panel and switch to the Graphics tab In the overflow menu click on Export to text file... or Export to CSV file         Here is an example of a sequence with one Premiere graphic, one After Effects graphic with the Essential Graphics panel and the Text panel open.    &

As of Premiere Pro (beta) version 24.5.0 build 18, you now have access to over 15,000 Sound Effects, ~11K of them being FREE!  We have also added the ability to filter between Free and Premium, exposing over 2K Free Music tracks.  These are all pulling from Adobe Stock.     To access Stock Audio inside Premiere Pro Enter the Audio workspace (or just open Window > Essential Sound panel) In the Essential Sound panel, find the “Browse Tab” NEW – click on Music or SFX NEW – click Free in the Filters section   With Timeline Sync you can press play on a music track or Sound Effect in the Essential Sound panel which will start playback of the media on the timeline, allowing you to preview the cues in the context of your edit to truly give a sense of which track works best.       We want to know what you think.  Please join the conversation below.

We are working on a series of ProRes export performance improvements in Premiere Pro and Media Encoder for macOS and Windows.    The first of these improvements are now in beta and make ProRes exports up to three times as fast as in the current shipping products.   The largest improvements will be seen: Using simpler sequences. When exporting 16-bit ProRes files* When using a high-end computer, with the biggest improvements on Apple silicon computers   You will also see the same performance benefits when creating ProRes proxies, as the same engine powers both export and proxy creation.    We’d love to get your feedback on the first part of our ProRes export performance improvements.    Regards, Fergus   * Currently, Premiere Pro’s ProRes export presets use 8-bit, which is silly. To get the correct quality export, customers need to manually modify the export setting. Coming soon to beta will be updated, 16-bit ProRes presets.

Note: This was released with Premiere Pro v24.3. If you've got questions or comments about it, please post to the main Premiere Pro support forum   In Adobe Premiere Pro 24.3 beta, the flickers observed in Program monitor are fixed. They were spotted in various scenarios such as:  While entering in or exiting from ‘Direct Manipulation’ mode  While selecting ‘Motion’ filter from Effects Control panel  While selecting any kind of graphics item on the timeline  This fix has enhanced the user experience while working with Program monitor in Premiere Pro. 

Auto Tagging automatically categorizes audio clips into one of four tags: Dialogue, Music, SFX or Ambience and shows you the most relevant audio controls in the Essential Sound Panel. You could manually tag clips before, but now Sensei AI will do it for you!   How does it work? Select one or multiple clips in the timeline and run the Auto Tag action from the Essential Sound Panel. If you do not have the Essential Sound Panel open, you can do it so from Windows -> Essential Sound, or switch to the Audio workspace.   The progress panel at the top right will show you tagging is underway, but you can keep working while it runs in the background.   Once the auto tagging is done, the Essential Sound Panel will display the tags that were identified. Any tags that weren’t used will remain greyed out.   Select any clip that has been tagged and the Essential Sound Panel will show you exactly what you need to start working right away. For example, you’ll see EQ for voice

Premiere Pro will now replicate the folder structure exactly when importing folders. In previous versions of Premiere Pro, empty folders and folders containing only one file were not included as part of the import operation; the files would be imported, but not the folder itself. Now, in the latest beta build, 23.6.0 build 15 or later, all folders will now be included when importing assets using File>Import, Drag and Drop, and Media Browser.     In the example pictured.  The following folders would not get turned into bins, now they will. 03 Graphics      – Empty folder would previously get left out 04 Music           – Folder with only 1 item would previously get left out 05 Photos         – Folder with only 1 item would previously get left out 06 Documents  – Empty folder would previously get left out Now all these folders are turned into b

Did you know that there are actually three monitor windows in Premiere Pro?  There are the Source Monitor and Program Monitor that everyone knows and loves, but there is also the Reference Monitor.  We have decided to remove the Reference Monitor due to extremely low usage and awareness.  In the ongoing effort to modernize our codebase and maintain the highest possible quality in the app, we sometimes have to say goodbye to old, out-of-date features.   Don’t worry! We are NOT removing the source monitor. We are NOT removing the external transmit monitor capability (what most people call a reference monitor).  Your AJA and BMD boxes will continue to function! We want to know what you think.  Please join the conversation below.

We are excited to announce the first implementation of Content Credentials in Premiere Pro and Media Encoder! This implementation aims to support transparency about the usage of Adobe’s generative AI features such as (Adobe Firefly).     Content Credentials are a new kind of tamper-evident metadata. They enable creators to add extra information about themselves and their creative process directly to their content at export or download. This information allows creators to receive more recognition for their work, connect with others online, and enhance transparency for their audience.     Content Credentials are part of a growing ecosystem of technologies available through the Content Authenticity Initiative (CAI). Adobe, along with our 2500+ CAI members, is dedicated to restoring trust online by creating a standard way to share digital content without losing key contextual details such as who made it and when and how it was created. &nbs

Earlier this year we debuted Text-Based Editing in Premiere Pro which makes editing video as simple as copying and pasting text. We’ve been excited to see all the ways you’re utilizing this workflow to speed up your rough cut – and we’ve been listening to all the feedback. Now in Premiere Pro (beta) we’re bringing you some of the top feature requests so far: filler words, bulk actions (like remove all pauses), and multichannel audio support.    (If you’re new to Text-Based Editing, check out our HelpX page or explore the workflow with Valentina Vee’s complete beginner’s guide to Premiere Pro.)    Filler Words  Text-Based Editing now allows you to detect “uh” and “umm” filler words, so your transcript is more accurate. Just like with pauses, you can click on a filler word and delete it from your sequence transcript. Because we serve an international audience, Filler words are language agnostic so that they work in all 18 languages supported in Speech to Text.&n

Premiere Pro users can now easily invite collaborators to their project to work together in the same project at the same time using Invite to Edit via the Share Button.   When users invite collaborators from a local XML prproj (Premiere Pro Project file), the project will be converted to a Team Project and users can then add collaborators.    Team Project users can use the Share button to add collaborators directly.     Please use the Invite to Edit feature to add collaborators to your Project.   We want to know what you think.  Please join the conversation below.      Abhi Singh Principal Product Manager,  Cloud and Collaboration  Adobe          

Starting with beta build 23.0x25, Premiere Pro is expanding its alignment capabilities for text and shapes. This is what this change looks like: (How do I install Premiere Pro beta? In the Creative Cloud desktop app, select Beta apps in the left sidebar of the Apps panel. Then select Install for Premiere Pro. You can run beta builds side by side with the release versions of Premiere Pro.)   Description:  So far you were only able to align multiple objects (text and/or shapes) to the selection. For example, aligning three rectangles to the top, means two rectangles move to the same top edge as the highest rectangle. Like this:     While this alignment might be desired in some cases, in others it is not. That’s why we are giving users more flexibility to align based on three different modes:  Align to Video Frame  Align to Video Frame as Group  Align to Selection (this was the default behavior b

New in Premiere Pro (beta) you can choose to show markers in your transcripts in the Text panel so you can leave notes or place bookmarks in the transcript as you’re working! Give it a try and let us know what you think.    We’ve added support for both source clip markers and sequence markers. Markers on source clips are shown when viewing a source clip’s transcript, and markers on sequences are shown when viewing the sequence transcript. However, markers on source clips are not shown when viewing a sequence transcript.      To enable markers, click on the Transcript View Options button in the bottom right of the Text panel, then check the box for Markers. Your transcript will show extra line spacing even if no markers are present.      Work is still underway on this feature, but here is what you can try so far:  Add a single marker: Place your cursor somewhere in the transcript and use the Add Marker keyboard shortcut (Default: M) to add

Premiere Pro now has the option to keep the folder structure exactly the same as the OS filesystem when importing folders through import mode.       Until now, Import Mode did not have the ability to replicate folders on disk as bins in the project.  Import Mode would just import a flat list of files. In some cases, this may be desired, but in most cases, you want to maintain the organization from your folder structure on disc.  Now we provide an option.  Find this in the new “Organization” section in import mode.   We want to know what you think.  Please join the conversation below.