Feature Requests

I am always dropping a 4k clip in the 1080p timeline such as stock and needing to quickly change it to 50%. I can click on the value and type it in, but a simple “50%” button would be awesome to make this faster. 

Is it possible to measure the overall time spent working on a Premier Pro project? Is there a log or setting that allows me to see this data? It would be really useful, especially for long and complex edits, divided into different periods of time, to be able to know the actual hours spent on the project.Thank You allAndrea

The new visual analysis tool seems great, haven't had much time to mess around with it but can see the uses.But it feels really annoying that it is a setting and not an action. If I want to import some clips/assets and not have them be scanned I need to turn off the analysis software wide. If further along in the project I do want some clips imported/analyzed I have to turn it on for everything, needlessly having it scan things I don't need to have scanned.For now this will result in me turning off the visual analysis and probably not using it at all.But if I could just select the clips I want analyzed, click and button and have them scanned? That would be great!

I'd like the option to export closed captions as .vtt files. Some of my clients only accept this format, and doing it manually or with different software is either very time consuming or costly.

Löschen von SzenenIch würde es schön finden, wenn man ähnlich wie in Lightroom, gefragt wird ob man ein Footage oder ein Bild oder ein Audiofile nur in Premiere oder auch auf der Festplatte löschen möchte.Das gleiche wäre auch in After Effects denkbar.

It’s similar to the After Effects beta feature (Color Labels for Effects), but the idea is you can color-code certain effects/bins and even maybe even search for labels in the effect search window to find all effects that are labeled under "red." You could find all the effects you labeled red in the red label category, which could be named anything; the basic idea is that it would be near search, where you can filter by the label color. I do know you can label clips in the project window, but it's just a colored square next to them with no way to really sort by labels from what I could gather.

Hi all, I'm trying to build a UXP panel that helps batch-process making merged clips from a full sequence of synched audio, and I've hit some walls that make this kind of workflow much harder than it needs to be. I have tried to tee it up as best I can by making the steps as few as possible, but cannot finish it out because of some limitations in what Adobe makes available to be scripted:1. Native commands aren't scriptable. Commands like Merge Clips and other “right click” actions have no equivalent in the DOM API, and there's no generic way to invoke a menu/context-menu command from a plugin either. This means a plugin can prepare everything perfectly (select the right clips, know exactly what should happen next) but still can't finish the job—the user has to manually right-click and choose the command every single time. Every work around I look for runs into this...I understand why this could be an issue to allow access here, but I should be able to limit the parameters safely but d

I am using Multicam to sync individual video clips with externally recorded audio (using timecode) to prepare for a film edit. When doing this, the resulting multicam clip defaults to whichever piece of media is longest at both the beginning and the end. This often results with black video at either end of the clip due to longer recorded audio during any given take. Can I make it so that the multicam will default to creating a clip using only the length of the video clip? I tried doing this manually by opening the multicam clip in a sequence and trimming the excess audio, but this process (along with being cumbersome) messes up the timecode, which needs to be maintained throughout post production. This seems like functionality that would be available and needed, but I have not been able to find any documentation or discussions on it. Thank you!

Please add the Polish language support

i ve just found out (the hard way, after editing a whole new wedding in the premiere pro 27 beta) that the lumetri panel is missing and i have only the (awfull and unsuable) new color mode. WE WANT THE OLD TRUSTY AND PERFECT lumetri control panel!

Maybe you could add some option in transcript panel to lowercase everything that would be a big help specially when the caption style I want is all lowercase and I don't need to manually change every capital letter to small one. I know you have the uppercase all setting once already converted to captions but lowercase all is not yet available.

Talk about subjects which may have made up words like names for creatures and then attempting to transcribe these words is frustrating as Premire doesn't know the words and will give a horrendous guess at what it thinks it heard.  Instead allow us to add words to premiere's vocabulary before transcribing so it knows what those words are when it hears them. Transcribing 1 hour of commentary only to then realise premiere had been continiously transcribing any non-dictionary word in to a terrible guess to the point it even transcribed swear words and slurs. Allow us to input custom words to add to premiere's vocabulary before transcribing so it transcribes made up words for example name of a creature in a video game.

This one is kind of related to this feature request:  But I miss this feature not only for clips but entirely and especially for timelines.It would be a great additional quality of life feature that reduces multiple steps to only one and make Premiere more keyboard friendly.At the moment it looks like this:I add a marker I split the marker I drag drop the marker end point to the desired position (or set the timecode in the marker popup window)Splitting the marker is only possible by either mouse (alt+click) or the marker popup window where you can set the duration.A command that would take io/out markers as an orientation would be only one step. The other way around would be useful for getting a range you want to export without the need to:Navigate to the range marker start point Set in marker Navigate to the range marker’s end point (of course that can only be done with mouse if you want it to snap to the exact point as the “go to next marker” command ignores the end points of range m

[Moderated edited subject line]   Hi there,   There have been some more accessible anamorphic lenses coming out, and my work bought a couple of them. The video comes out of the camera as 3840x2160, but it's a 1.6x aspect ratio. Currently Premiere can interpret 1.5, but not 1.6, so I end up having to place all of the footage on a timeline and adjust the scale to the right proportions. It would be great if Premiere could add 1.6 in the interpreting panel, so I can continue to use the source monitor as my rushes selection, and not need everything down in the timeline to go through it. It also makes match frame annoying to use.   Thanks!

This video and photo is a comparison between the Ripple edit tool in Premiere 2026 and 2024.I do like the new way you see the clip change in real time as you drag the edges left and right, but I hate when you’re grabbing the second clip and wanting to extend or decrease the size of it, you can’t see a visual preview of how much it will change that Pr24 does show with that blue bounding box.Basically I’d like the real time increase/decreasing of the clip AND a bounding box to appear when changing the length so you know how much it’ll be altered.It’s crazy how much it feels like guesswork when using Premiere 2026 to decrease a clips length using Ripple. 

Now I am fairly new to premiere so I believe ‘Bins’ are source folders to source monitor content from. *Correct me if I am wrong*However, these are not ‘Active’. Meaning if you add content into let's say a ‘_Footage’ folder within a Project folder and have that as a ‘bin’ in your project it won't update as you build/compile that folder locally.This is quite disruptive.Ideally a folder you create that contains all your potential source material in one folder should be ‘Active’ inside your Projects panel. As you build that folder you should automatically be able to source monitor those added files.This turns sequences into new compositions all accessing the same source material within the program within a single project.

Workflow is key. A big obstruction at the moment is when wanting to assess transitions over a composition there is no way to select either a clip or a selection of clips and be able to preview entry, exit or cross. A simple toggle icon in the effects panel is all you need, when selecting the clips you desire to preview you could simply toggle an icon ‘In’ ‘Out’ ‘X’, then playback desired area and this will show the user how the transitions affect the composition. It also allows for quickly noting what transition works where.Effect controls should also reflect this feature and be able to apply changes across selected clips.Ideally a master preview selectable icon could allow for time durations to be selected based on the users needs. 

Premiere 2026 projects cannot be downgraded for import to PR 2026 or earlier due to changes in the 2026 project data structure. Recent discussions about this have not yet been ported to the new forum. The primary previous feature request is here, but may be missing some interim posts. Also, it was primarily an explanation for how to use the non-Adobe methods for changing the project file version number. https://community.adobe.com/feature-requests-730/open-premiere-project-in-older-version-downgrade-project-version-1329162?postid=1329162#post1329162 At a minimum, there needs to be a method for downgraded a PR 2026 project to 2025. A longer term issue is the need, for years, for a more robust converter or for the After Effects procedure for doing a “save as” from a later PR version to some number of earlier versions. January 26, ​@hellopaul4 started a thread titled “Has version "2026" killed the ability to downgrade a project to a previous version?” The most important reply was by ​@Fer

when I hover over the program panel to scroll through the timeline with my scroll wheel on my mouse the update apparently makes it zoom into the video instead of scrubbing through the timeline. This is extremely frustrating. Zooming into the frame is never a feature I wanted so it's completely useless. I need to be able to scrub the timeline with the cursor over the video in the program monitor for more than one reason. One, to fine tune my cuts which is the majority of what I do when I'm editing all day. So, I need this to not be a problem I have to constantly deal with all day every day. The way it suddenly is now there's a fine, unseen line between where I can scrub the timeline and where it zooms into the video and half the time I cross that line and zoom into the video. I then have to select "fit" until it happens again and knocks it out of "fit" into some percentage. Another time when I need the program panel to scrub with the cursor over the video is if I'm moving an object to c

I am new to posting here and hope this is getting to the right place! I would love for the order of columns to save along with metadata presets. In PP 25.1 when I save Metadata display, it does save the columns that I want, but every time I start Premiere, I have to reorder them. For example, in some cases I need Description column all the way to the left, but when I load my preset, it is over to the right and I have to move things to get to it, then drag it over to the left. If there is a solution to this, please let me know! Otherwise, I would love to see a fix for it soon! Thanks!

Premiere Pro's Media Browser has a Double-Column/Split view which is extremely useful. So why can't the Project window also have an option to toggle on/off Split view?As implied by the name, Split view would split the Project window into 2 columns. In the left column, you'd have an always-visible List view of bins and sub bins. In the right column, you’d see a bin’s contents in either List or Icon view. Each column would be independently scrollable, just like in the Media Browser.There are several benefits to this approach.BENEFITS (see attached picture for reference):-Lower bins don’t get pushed out of view when twirling open a bin with lots of content (see points 1 & 2).-You get direct access to over 2X more assets using the exact same screen real-estate (points 1 & 2).-You can use 2 view modes at the same time: List view for bins, where it makes most sense, and Icon view for media (point 3).-When using icon view, you retain direct access to your bins (point 4).Even Premi

Using AI in Adobe Premiere FeaturesAdobe Firefly integrations in Premiere that allow you to remove objects from the background of videos without having to make changes in Photoshop. Additionally, an auto-cut feature for videos that lets you split the video into segments based on where there is sound.For subtitles, there’s a more practical improvement:Default settings for subtitles that let you save colors, fonts, and specific characteristicsDynamic subtitle templates with text and border animations that enhance the quality of subtitles and make them much more visually appealing

Feature request: Make it possible to switch the log monitor to a different color space. Since the new color management improvements the colors in the source monitor and the timeline no longer match. I get  this from a technical standpont but from a creative standpoint this makes no sense to me.I use the source monitor to select my in and out points. I cannot do this if i have to watch the footage in log colors. The image looks washed out, this makes it hard to judge how it wil look on the timeline. It makes it hard to  appreceate the image from a creative standpoint, and it forces me to keep thinking about technical stuff in a creative process.Please make it possible to select a colour space for the source monitor, and default it to the timeline color space. Please upvote this request, thank you.  

It would be great to add a feature where you select a clip/graphic/layer or circle around an area of your sequence and there’s a clean option to return to it’s previous structure. It’s like the older version tool except you don’t have to go scrolling or looking for it and it’s for a specific part of the sequence - not the whole thing. You just highlight or lasso an area of the sequence and pick a history version according to timelines that you want that bit to return to.