Feature Requests

Maxon, after acquiring the assets of former Red Giant Software, on 1st of Febuary 2023 announced that they were entering PluralEyes in Limited Maintenance Mode, meaning that the company will continue to provide technical support and critical bug fixes for PluralEyes 2023.0.0 for one year after this announcement.   Of course, the key benefit of using PluralEyes over the Synchronise feature inside PPro was that you could have multiple audio and video clips thrown onto a single timeline and let the software synchronise clips automatically, based on the audio portion, so you could have crisp audio from a single camera attached to a properly placed mic matched to that of other cameras that only recorded audio in-camera or with an on-board shotgun mic. With Synchronise inside PPro you can only do this with one take at a time, not a full day's worth of takes on a single timeline.   For this reason, PluralEyes used to be my go-to solution for synchronisation based on audio.   Pl

While we are able to option/alt-click a marker and drag to give it a duration, it would be a bit quicker to have a keyboard shortcut that would convert an in and out selection to a marker with that duration. And also, to be able to right click a marker duration and have the option to mark that as an in and out selection.

I work for a large telecommunication corporation where our font specifically needs to be set to Optical Kerning to match our brand standards. Currently in Premiere Pro there is no option to adjust the kerning from Metrics to Optical like seen in After Effects or Photoshop. You can select one text at a time and adjust the kerning manually per letter but not as a whole block of text. Although this change seems insignificant it is important to our brand recognition. My current method of creating the proper kerning in either After Effects or Photoshop works but is more time consuming than if it were already set up within Premiere from the get go. See screenshots below of the differences betweeen the kerning option between each piece of Adobe software. Premiere:After Effects:  Photoshop: 

Screenshot from Resolve Preferences - unless I have missed a setting PPro stretches to fill the output raster rather than scale. I would love to see this option in future releases.Thank you.

Hello Adobe team,I'm currently using an AMD Radeon RX 7600 XT GPU on Windows 11 (version 24H2) with the latest WHQL-certified AMD Adrenalin driver (v32.0). I'm running Premiere Pro version 25.3.Premiere Pro detects and utilizes GPU acceleration through OpenCL, and I’m able to use the Mercury Playback Engine GPU Acceleration (OpenCL) renderer successfully. Both hardware decoding and encoding are enabled, and GPU usage is clearly active during playback and exports. Everything works correctly from a performance standpoint.However, the System Compatibility Report still flags my GPU with a warning, suggesting that it may be unsupported or incompatible. I’ve verified through logs (GPUSniffer OpenCL detection, etc.) that the GPU is fully recognized and functional. It appears this is simply due to the RX 7600 XT not being officially whitelisted in Premiere Pro's GPU database.I’m requesting that Adobe consider officially whitelisting the AMD Radeon RX 7600 XT, or at least updating the compatibi

Please add Turkish subtitles in the new version of Premiere pro 

Is it any chance for Speech-to-Text to get a Ukrainian language support in Premiere Pro? That is a huge time saver feature, but it isn't available on Ukrainian. All Ukrainian creators would be eternally grateful for our language support in this great software. 

Do you have any data on how many people use the Anti-flicker Filter? Would none% of users be accurate? Why is that still there? I want to turn it off cos I never use it and it's at the very top of the list of effects.. I'd love it if we could hide/show the various options within the Effect Controls to gain precious space back for the things we don't use.For eg, you'd just right click on Motion and toggle on/off the ones you don't want. Same with Opacity, Time Remapping and any additional effect you add on.  The crop tools are especially egregious. Sure that might be helpful sometimes but for 4 lines of real estate to be constantly in my face when I'm mostly not using it, and then all my additional effects are a large scroll wheel away is very infuriating. This should all be optional. And crop especially should be a twirl down to unveil the 4 crop dimensions, not 4 unmoveable lines.

Instead of resetting all preferences, allow users to reset individual preference sections (for example, Media, Media Cache, Timeline, Playback, etc.).This would save users from losing unrelated settings when troubleshooting a specific issue.

Is it possible to include FFMPEG codecs in Adobe Products? I’ve worked on many low-to-mid-budget documentaries that have .mp4 Long GOP footage, including lots of non-professional footage like iPhone HEVC. Premiere is much better working with this footage than Avid, but we still run into problem after problem. Having FFMPEG codecs in Premiere may help alleviate some of the problems (even if it’s unlikely to address all the problems with iPhone footage).

This is by no means a new request. I have been clamoring for this since Productions launched. But, it's such a basic and critical part of working in Premiere that to not have this feature feels like a collossal oversight.   WE DESPERATELY NEED TO BE ABLE TO SEARCH FOR CLIPS/METADATA/MARKERS ACROSS ALL PROJECTS IN A PRODUCTION.   It's not enough to just be super organized, but for now that's our only option.   BEGGING FOR THIS! PLEASE!

Please add an option to select all clips in the timeline that share the same label color.Example:Right-click a clip → Select → Select All Clips with Same Label Color.Many editors use label colors to organize B-roll, graphics, VFX, SFX, music, and review stages. Currently, label colors only provide visual organization and cannot be used as a selection criterion in the timeline.This feature would significantly speed up editing workflows and make label colors much more powerful for large projects.

Add a preference to prevent the playhead from snapping to audio fade transitions.When adding B-roll and trimming it to match the timing of an existing clip, the playhead often snaps to audio fade handles, making precise positioning more difficult.

Set a rotation parameter (in 90deg steps) in one clip in a way that is applied before all other effects. Useful when the camera tagged the footage as vertical when its really horizontal and vice reversa.Lightroom recognises this problem and offers a shortcut to change rotation.Forums suggest a source clip transform effect. This is impractical for multiple reasons:Slow workflow, fiddly when wrongly rotated files are mixed clockwise and counterclockwise. On top of copy paste the deg. number has to be changed between -90 and 90. clips are not displayed correctly in source viewer not working together with other features like fit / fill frameI think two buttons in the source viewer, representing clockwise and anticlockwise rotation would be reasonable.

Please make rounded corners an option, or have squared corners where clips are touching the same line. I thought I was going crazy because my clips had tons of 1-2 frame gaps and I kept having to zoom way in to see them. Only to find out it's the new update. Cmon. I've been working in PPro full time for 20+ years. this is silly.

since as of right now adobe only supports 50 open clips in the source monitor, the best way to go through the footage i shout throughout the day would be to put the clips in a timeline, open it in the source monitor, and use insert and overwrite from there. sadly this workflow is overly complicated, since i can’t set my in/out markers with x like in the timeline window. since jumping between clips is possible with up and downarrow, it seems like some funktionality is already present.I consider this a key feature in a keyboard only workflow, which most professional editors use. current workaround. go to in → mark in → press downarrow to go to next clips → go one frame back → mark out.The other way i look through my footage is to open all the clips in the source panel, and cycle through them, picking what i like. sadly also this feature is limited, because i can open a max of 50 clips, making it tedious and errorprone, since there is the danger of missing clips when reselecting a new bat

I get that you can draw a new circle by holding shift and then continue to increase / decrease the size while retaining the circle by holding shift. But I want to be able to have an imperfect circle (ellipse) that I’ve already created be able to turn back into a perfect circle. Like I’ve got some weird shaped ellipse and then by holding alt and dragging, it turns back into a circle.The Scale Height and Scale Width parameters could be changed to what is intuitive ie keeping 100% and 100% meaning its the same height / width (not what it 100%/100% resembling what you originally drew as its set up now) or by adding some new parameters added to allow you to revert back to perfect circle.

I waste HOURS just fixing dumb quotes in transcriptions. It’s insane that your transcription AI thinks it’s 1995.This is the single hardest part of my workflow.

I have been a professional video editor for 20 years. I work daily on video commercials for some of the biggest brands in the world.In my 20 years of professional paid work, I have NEVER even once needed or wanted to use ‘auto bezier’ on keyframes. It is a completely useless feature that for some reason CONSTANTLY resets as the default setting when creating position keyframes. It’s a waste of time for it to default to ‘auto bezier’ everytime I create a position keyframe because I then have to right click the keyframes and convert them back to linear.1) So it should NOT ever change or default from Linear to ‘auto bezier’, unless I SPECIFICALLY click the ‘auto bezier’ option. (Which I never will)2) or there should be a global option in preferences to DISABLE auto-bezier so it can’t even be clicked. This would be great; because I hate auto-bezier so much. It has wasted thousands and thousands of mouse clicks and time over the years... I literally have a preset created in every project I w

As a cinematic video editor, I frequently use slow motion and stabilization together. Currently, Premiere Pro gives an error and forces us to Nest every single clip. Nesting hundreds of clips ruins the editing workflow, makes timeline management messy, and wastes a huge amount of time. Please update Premiere Pro so that the internal 'Order of Effects' handles Speed and Warp Stabilizer together automatically, without needing a Nested Sequence.

In Premiere Pro, Fit to Fill (Change Clip Speed) currently works when: loading a single source clip in the Source monitor and set In/Out, or loading a source sequence as a nest and perform a 4‑point edit. However, if “Insert and overwrite sequences as individual clips” while working from a source sequence (typical “reel” workflow), Fit to Fill is not available. To use Fit to Fill, I have to match‑frame back to the underlying clip in the source sequence, set In/Out again there, then perform the 4‑point edit from that original clip. That breaks the flow and ignores the In/Out I already marked in the source sequence.My common workflow: I build source reels as sequences (dailies, selects, etc.). I load those sequences in the Source monitor with “insert/overwrite sequences as individual clips” so I can cut pieces of those reels directly into the main timeline. Sometimes I want to do a Fit to Fill: I mark In/Out on the source reel and In/Out on the program timeline and expect Premiere

I've been using Premiere Pro for many years, and I genuinely love the software. It's still my primary editor because it's fast, reliable, and integrates perfectly with the Adobe ecosystem.However, I honestly feel that Premiere Pro is slowly falling behind when it comes to modern social media editing.The editing industry has changed dramatically over the last few years. Today, YouTube Shorts, Instagram Reels, TikTok and Facebook videos are a huge part of professional video production. Unfortunately, Premiere still lacks many features that have become standard for this type of work.Some examples:Responsive text backgrounds with rounded corners. Individual background boxes for each text line instead of one large rectangle. Modern text animation presets for social media. Word-by-word caption animations. Better kinetic typography. More caption styles. AI-powered subtitle correction (too many words are still transcribed incorrectly). Better responsive text boxes. Easier creation of reusable

Please copy the After Effects “Render Queue” incorporating it into Premiere. Reason: helpful list of renders with links to the render's location on the drive. It's saved me many times.AE Render Queue with clickable links to saved drive locations. 

Add support for editing with media remaining in place on external USB-connected drives (such as via the Files app) on iOS and iPadOS. LumaFusion is a great example of a iPhone/iPad app that allows this (as do Resolve and Final Cut on iPad)

The new masking tool in premiere is terrible. I’m so tired of adobe taking thousands of my dollars for their subscription based crap, and then implementing “updates” that no one asked for while there are bugs that haven’t been fixed for 10 years. With the new masking tool, I now have to double the amount of steps and triple the amount of time it takes to make a basic mask transition with a straight object passing through the frame. When I have keyframes ON and move the position/path each frame, it doesn’t create a new keyframe. I have to manually click it for EVERY. SINGLE. FRAME. This is ridiculous. You would think oh, the tracker can track a straight line across the screen? WRONG. If its slightly out of focus, like something in your foreground would probably be, it doesn’t even know what it is tracking. To make this ridiculous and stupid change and then to NOT have a legacy mode is even more stupid. Why am I paying adobe for this garbage? As soon as my subscription is up with adobe,