Feature Requests

It would be great to assign a Keyboard Shortcut to delete all Essential Sound Audio Tags from all selected clips at once. Right now deleting all tags from a couple of clips is many steps because you have to do this independently for each category. The reason is that Premiere can auto detect the correct label but it cannot detect Ambience very well. So I would delete the Tag from a couple of Music, Dialog and SFX-Clips on my Ambient-Track in order to quickly tag them all as Ambience-Clips in one step.

Subject: Feature Request: High-Priority Audio Workflow Improvements & Multicam Efficiency​Dear Adobe Premiere Pro Development Team,​I am a professional video director and producer. While I follow Adobe’s AI advancements with interest, I would like to request several practical updates that are crucial for high-end production environments. If implementing complex AI features like "Multicam SmartSwitch" (as seen in DaVinci Resolve) is not feasible in the immediate future, I strongly urge you to prioritize the following audio and source management improvements:​1. Seamless Multi-track Audio Support in Multicam ClipsCurrently, managing numerous audio tracks within a multicam clip is highly inefficient. Please update the system so that a large number of external audio tracks can be bundled with video into a single multiclip. It is technically counterintuitive that audio and video remain disconnected when using 'Match Frame' during multicam editing. We need a unified structure where audio

La verdad que lo que hizo premiere con las máscaras en esta última función ES UN ASCO. Estoy perdiendo dinero pagando esta “herramienta que más que ayudarte te complican”.NO PAGUEN POR ESTO, NO LO USEN, ES MUY MALO.

Hello Adobe Team,I wanted to share some feedback regarding the upcoming Premiere Pro update and the new Color Panel changes.I noticed that in the beta version, the Lumetri Color panel seems to have been removed or replaced. I would strongly like to request that the Lumetri Color panel remains available in future updates.For many editors, including myself, Lumetri is a core part of the workflow. It is fast, familiar, and highly efficient for color correction and grading, especially in professional editing environments where speed matters.While I appreciate the new features and improvements, removing Lumetri could significantly disrupt established workflows for many users who rely on it daily.Please consider keeping the Lumetri Color panel as an option alongside the new Color Panel, so users can choose the workflow that best fits their editing style.Thank you for continuously improving Premiere Pro.

I have just tested the new Object mask from Premiere in After Effects. And I have a question - why is the AE-variant so much better than its original baby from Premiere?I mean you have thought it through and added not only the standard Object mask tracking but also a means to properly correct the mask. I mean these guys:I’ll explain.A Premiere Object mask workflow is this:You select a clip You click on the object mask and get an AI-selection If you want to exclude something from this selection you use the negative mask. But there’s a problem with it - it’s AI too and it often does not deselect what you need to be deselected.Here’s an example:Premiere 26.2, Object mask selected the bridge stand AND the wires. Whatever you do next you will NEVER deselect the wire here:In after effects you have a selection brush tool which works as a brush and it does work in such situations - you draw a negative mask and the selection is gone: So my feature request is adding at least the brush tool to Pr

Great it is, the sequence index misses several essential features that the community has asked for ages.Show black frames or gaps (including the end ones, when you place the playhead at the end of the last element and hit O to select everything to the playhead - it always includes 1 black frame at the end):Show unfinalized effects like Warp Stabilizer not analyzed, an object mask added but not assigned to a single property or effect: Duplicates of the same effects on the same clip\adj layer\nest: Texts having gone past the text layer frame due to the font scale or type:Effects or transitions that have the worst impact on the software performance, i.e. make the timeline red (in huge timelines with many nests and multitrack layer constructions it is often really hard to tell what worsens the performance): 

Please add option to have all red/yellow line sections render in the background to green! Thank you...

era muito mais fácil, intuitivo, e funcional o antigo 

Dear Premiere Pro Team,Let’s be honest—it's time to catch up with the competition and bring Premiere Pro to the forefront of AI-powered video editing.While some recently introduced features may seem trendy from a marketing standpoint, they don’t always reflect the actual needs of working editors who spend hours in front of the timeline.One truly useful and long-requested feature is an AI Video Upscaler.This would allow users to upscale lower-resolution footage to higher resolutions with intelligent detail enhancement—something that is already being done effectively in tools like DaVinci Resolve.Please consider implementing AI-based upscaling in future versions of Premiere Pro. I’m confident that millions of users around the world would greatly appreciate such a practical and powerful improvement.Best regards,Paul Styler

The ability to copy the text from the 'resolve fonts' dialogue,  the missing footage / relink media dialogue and missing effects. dialogue. Both Premiere and AE.Very useful for communicating/requesting with other team members or copying to search for fonts etc.. 

It should be able to arrange the Highlights in Color Management, big difference between Exposure and Hightlights.

​Please, add this tiny item to the Effects panel context menu:So that anyone can select clips or cuts and add a selected effect or transition in one button-click. It’s time.​

From what I can see so far, I think the new Color Mode within Premiere Beta has some awesome features that will make color grading easier, but the controls are a little bit difficult to use.  Keeping the existing controls, it would be great if users could also hover over each color control wheel and use the middle mouse scroll wheel to adjust them.  For bidirectional controls, regular scrolling could adjust vertically and scroll + shift could adjust horizontally.

Hi everybody.I think the whole mono to stereo is a mess in premiere pro.If I look at Protools for example, there is clearly a difference between a mono and a stereo track. And, if you take two mono clips that you drag onto a stereo track, they'll fit in that stereo track and play stereo. And vice versa, if you take a stereo clip, on a stereo track, and you bring it over two mono tracks, they'll split and behave mono.Premiere is lacking this basic feature. Tracks are... I don't even know if they're mono or stereo. If you bring a stereo clip, it's stereo, if you bring a mono clip, it's mono.You can split a stereo clip by going into the audio attributes of the clip in the media bin, and make it play dual mono. But there's no way to take two mono clips (L and R side of a song for example), and make them behave like a stereo clip. In my case, I'm opening an AAF that has all the audio split out in mono, and now my whole session has a ton of mono clips, that I can't bring back to stereo. I've

I have long wanted to see Premiere have the ability to “SHY” video layers.  Once you work in AE, you realize just how powerful a feature this is.  I contacted Jason Levine at Adobe about a year ago who agreed this is a great feature that would be welcomed by many in the Premiere Pro world.  When you work on projects with many layers, you quickly realize how good a feature this would be to have in Premiere.  Many users have templates they use daily with the same dozen of layers that sit there, locked but not out of sight.  Imagine being able to “shy / hide” those layers with a single click on a button.  Pure magic.  Adobe engineers, PLEASE give my idea a few moments of your time. Thank you.

The Warp Stabilizer UI, in its “Analyzing” state, can be improved. Current behavior is to alternate text between “Time remaining” and “% complete / frames processed.” This is good data, but having to wait to see “the other thing” is annoying. Recommendation:Add a simple “progress bar” behind the text, using the secondary UI color (i.e., the same fill color from the Cancel button), which tracks along with the percent figure.  It will be subtle but visible and will not impact text readability. Remove the “alternating text” behavior. Let the text read simply: “3s ~ 76% ~ 309/404 ~ 5fps” -- the numbers should be self-explanatory enough.  But just in case: Also include an on-hover tooltip to display more verbose text for anyone who’s confused.This is more and better data, in the most likely priority order, in a smaller space. Thanks.

Hi everyone, I am a daily vlogger and almost every Vlog starts with some cinematics with speed ramps. I never edit the opacity of a clip in the timeline. Every time I want to do some speed ramps I have to right-click the clip > Show Clip Keyframes > Time Remapping > Speed. I am not able to do this for several clips at once. Each clip has to go through the process individually.  Is there a way to either set up the Sequence timeline to display the Time Remapping/speed keyframes by default or is there a way to set Show Clip Keyframes > Time Remapping > Speed as a keyboard shortcut. I have tried to find both options with no success. I know it is a small task to do but with daily vlogs every second saved counts. Searching here also didn't help Thank you,Mike

If you all haven't used the Facetune app, you're missing out. It's incredible. It can autotrack your footage and with just a few clicks do a great face refinement that includes a ton of stuff (Even more stuff than what DaVinci Resolve can do). It's really good. Adobe should just buy the FaceTune company and build it into Premiere. It seriously is a game changer. No masking/rotoing/tracking, or any other time consuming tasks. Seriously, it's a 10/10 for features and how well it works. It costs like $72/year though, so I canceled after the free trial.It blows my mind that Premiere isn't the leader in all of this. For the cost of Creative Cloud, Adobe should be the ones with all of these amazing features.PLEASE build into Premiere Pro quick-use features like the FaceTune app.Features that are a must from the Facetune app that are needed in Premiere (All of these auto-track and apply the effect with a slider bar for how much you want the effect):Smooth skin (Softens the skin on your face a

I would love to see the Markers Panel to act more like a Excel Sheet Table. Especially becuase I tend to write a bit more into the "Name" field and that is caped at a fixed length and there apperas to be now way to make it expand to be able to see the full name or at least more of it. Maybe adding the abilitty to resize the left side of the markers panel next to the comments field?Maybe it'd be an option to make the name field also visually line break and display the full title (or at least give the option to do this)? Not sure what the solution would be that would be able to be added. But I'd like to see this updated / improved. Warm Regards,Chris

The new Color tab is a great addition, and I’d love to see it expanded further.First, when opening the Color tab, the Effects Controls panel should automatically open alongside the sequence and viewer windows. In the current beta, using the object mask tool without that panel visible makes it impossible to view keyframes or use auto-tracking, which disrupts the workflow.Second, while it’s helpful that we can target either a Clip or an entire Sequence within the Color tab, it would be even more useful to include the ability to target individual tracks. Editors often work with footage from multiple cameras, each with different log curves, and LUTs aren’t always consistent across them. This is especially important since footage isn’t always organized onto a single track.A potential UI structure could look like:Clip > Sequence > TrackThis added level of control would make color workflows more flexible and efficient.

I think it's really stupid that just to view a downloaded document on Adobe Acrobat I have to pay a subscription. Nobody wants to do that just to open a document that is just greedy

- Transition effects on film impact dashboard panel not working!!!- Enable mercury transmit shortcut for second monitor not working unless I open the preferences window- Default media scaling: fit to frame not working- Grow effect is croping the borders of the object a lot of the times- Marking the in on the source panel is not always resulting in the same frame when put on the timeline- audio scrubbing keeps turning on for some reason- increasing the crossfade audio breaks the clips if the timeline is too zoomed out

The size of keyframes are often easy to miss when trying to click on them. A size preference would be nice to add to the timeline settings. At least twice the size would be ideal.

Hi, I know we got the fancy new search panel but as I see, it’s lacking basic filter functionality based on folder structure.Often I get folder structures with selects, shootings dates, color labels and to put that into context, I need to see the location of those files, best by seeing the folder structure.(Sure, if all was logged into metadata it would be nice but that is not always possible and to be honest, showing a few metadata panels more in the project panel hits the performance a lot and often leads to UI bugs like input fields getting stuck while scrolling and such things).So what do I want to do?The situation is following:A structure like-Day 1--Scene 1--Scene 2-Day 2--Scene 3In each “Scene” folder, there are numerous files, color coded to be selected or to be excluded.Now I want to filter for specific labels but unfortunately the search doesn’t allow for something like Label:Green or Label=Green.A search like “Green” isn’t working either, despite this search/filter is also p