Feature Requests

When doing Voice Overs the Auto-Scrolling for the timeline is diabled.Would be nice, if scrolling also works while your are in Voice Over Mode. Not sure if it is a bug, so I ask for a feature request.

Premiere Pro’s current font sizing system (0–400) feels arbitrary and creates unnecessary friction for editors who need consistency across platforms. In most design and creative software—such as Photoshop, Illustrator, and After Effects—font size is measured in pixels (px) or points (pt), which allows for precision and predictable scaling. By adopting “pixel size” as the standard unit in Premiere Pro, Adobe would not only align its video editor with industry norms, but also give editors a clearer, more transferable way to design supers, lower thirds, and captions that match branding guidelines. This change would eliminate guesswork, improve cross-software consistency, and ultimately save time in professional workflows.

I'm surprised no one has asked for this, but, if you're doing most of your keyframing inside of premiere pro, things can get real messy real fast, especially if you need to go back and change things. Is it possible to add the option to change the keyframes colors? This would make it a lot easier to understand quickly what we're looking at when there's a jumble soup of keyframes on a single clip. Using Maya and Blender as inspiration for this and how something so simple can be so effective. Even just different colors for each attribute would already be a massive help.  Thank you!

CURRENT WORKFLOW:I used extended markers to mark good sections of clips, sounds bites, etc.... This is useful because when I'm editing I can open a long interview clip, or long b-roll clip, and quickly see every section of the clip that has good moments or sound bites. THE PROBLEM:There is no quick way to mark an In and Out point that matches the extended marker range. I can navigate directly to the start of the marker using the keyboard and mark an In point, but there is no option to navigate to the end of the extended marker range to mark an Out point. Instead, I have to manually play or click near the end to mark my out point. This is time consuming and inaccurate. FEATURE REQUEST:My feature request is a keyboard shortcut that sets an In/Out point that matches the In/Out point of an extended marker. This would make it faster and more accurate to edit from clips with extended markers.

Can't figure out how I can make a keyboard shortcut to directly go into the master clip settings of a clip selected in the timeline... I'm thinking Shift + 5 goes to the effects panel, but switching to the master clip settings has to be by mouse click??? Would be great to be able to assign 1 keyboard key combo.Keyboard shortcuts:Under Panels > Effect Controls Panel there should be:Select Clip TabSelect Master Tab  But this isn't available. Would be great since I'm colour correcting a lot of R3D footage on a daily basis from within Premiere.

水平方向に中央揃えを一括で全テロップに適用できるようにしてほしいです。いちいちやってらんないです。

To the Adobe Premiere Pro Team,I am a dedicated user of Adobe Premiere Pro and I'm writing to provide some constructive feedback on a specific UI element: the sequence icon in the Project panel.I understand that the icon's design is intended to be functional by visually representing the number of video and audio tracks. However, from a visual design perspective, the current arrangement of the lines often appears unbalanced. The staggered, diagonal pattern, which can resemble a forward-slash (/), lacks visual harmony and symmetry.This lack of aesthetic balance can be a bit jarring and feels inconsistent with the otherwise clean and polished user interface. I believe a minor adjustment to this design could significantly improve the user experience for those who value visual consistency and order in their workspace.I would like to respectfully suggest a redesign that aims for a more balanced aesthetic. For example, a new design could still convey track information while utilizin

Splitting the Frame.io review into two panels is very cumbersome. Everytime I click on a comment, it opens the preview panel, why are those two integrated into one panel? This was a big downgrade from the original UI. The legacy version did this seamlessly. Seeing a playhead just like the souce panel was ideal for scrubbing around the uploaded review. There was even an option to switch it to only view the comments. 

Hello as discussed here (https://community.adobe.com/t5/premiere-pro-discussions/is-it-possible-to-modify-the-default-export-path-to-follow-the-most-recent-import-path/td-p/15515529) and suggested by you I am writing this as a suggestion: It is especially not intuitive when you have to back up to parent folder "exports" from a child folder and keep having to do that every time, I cannot afford to spend brain energy in that proces whereas I already have my mind on so many other tasks.The energy I spend on searching for the import path need to be enough for my project to have an output path ready to be used. Provided I activate the option of course (so others who do not care about this can opt out from this option of course).

When using Team Projects, there is currently no way to revert or discard your own changes. If a user makes some mistakes, changes their mind, or doesn't want to "commit" unnecessary changes to the cloud, they don't have an option to reset to the last shared version. This makes the feature effectively unusable, the user would have to push their changes regardless of whether they are desired or not. What if the changes are project-breaking? There is also no way to view the changes made and/or see a comparison to determine what changes were made.  (It would be great to see two timelines top/bottom and somehow highlight any sections of the timeline that changed) At a minium, we need a "discard" or "ignore" changes because several times I have opened a team project, looked at a timeline, and accidentally "locked" the timeline.

As I am a mouse person and terrible in remembering shortcuts, I would like to see a button for this in the Program Monitor.

Talk about subjects which may have made up words like names for creatures and then attempting to transcribe these words is frustrating as Premire doesn't know the words and will give a horrendous guess at what it thinks it heard.  Instead allow us to add words to premiere's vocabulary before transcribing so it knows what those words are when it hears them. Transcribing 1 hour of commentary only to then realise premiere had been continiously transcribing any non-dictionary word in to a terrible guess to the point it even transcribed swear words and slurs. Allow us to input custom words to add to premiere's vocabulary before transcribing so it transcribes made up words for example name of a creature in a video game.

In the latest update of Premiere Pro, Adobe removed all the obsolete effects and more. For seemingly no good reason. A lot of these effects were used widely and were very helpful. I, for instance, used the Paint Bucket tool to make strokes/outlines for unique shapes and the Change to Color tool often. Adobe posted this with alternatives for the removed effects: https://helpx.adobe.com/premiere-pro/kb/obsolete-effects-transitions-presets-removed.html#:~:text=As%20part%20of%20ongoing%20work,or%20offered%20by%20third%20parties.But these do not go into detail for how to actually achieve these desired effects. Or the recomended method is more cumbersome and time-consuming than the effect that was removed. What's more, some of the alternative suggestions are a vague "3rd party". Which is so asinine! I don't want to go to a 3rd party and download something to achieve what used to be baked into Premiere! This is such a downgrade and I cannot believe Adobe is happy telling everyone th

Right now there’s no way in Premiere Pro to know how much time I actually spent working on a project. I’d love to see a feature that adds a built‑in active editing timer. Here’s what it could do:Count time only when there’s real user activity (mouse clicks, keyboard shortcuts, timeline edits, dragging, etc.).Automatically pause tracking when there’s no interaction.Show the total active editing time per project, and ideally break it down by editing sessions.Maybe allow an exportable report for freelancers, teams, or personal productivity tracking.This would give editors an accurate picture of their workflow and help with billing, scheduling, and productivity. Third‑party trackers exist, but an integrated solution inside Premiere Pro would be far more precise and convenient.

please add Shortcuts for Presets it takes so much time to do it manually( transitions, effects, anything) 

macOS has long had the feature and Premiere has up until recently supported this where I can edit the name an item in the project window and hold down the option key and use the arrow keys to select whole words at a time. Premiere for the most part is very usable with a keyboard, but after reinstalling Premiere, the issue still persists. I tested the feature in the text box to enter this bug report and it’s definitely working within macOS, but no longer in Premiere. I often have long file names to edit when duplicating sequences, so this is a burden now.Premiere: V 25.5.0 (Build 13)macOS 14.7.8

Not sure if this is a bug or a long-term feature request - admins feel free to place this in the appropriate category My Rig:Premiere Pro 25.5.0 Build 13Mac Studio M2 Ultra64GB Ram  1TB internal storage My goal:  I like to use 4k multicam source sequences in my 1080p timelines, as it allows me to dynamcially zoom/pan the cameras for added effect when appropriate.  In multicam preview mode, I would like the preview monitors to respect the resolution and scaling of the timeline being edited.    it seems that the preview monitors honor the scaling of the source multicam sequence regardless of how it is scaled in the main timeline.    If my 4k footage is scaled to 50% on a 1080p timeline, the preview monitors should reflect that for all camera angles.  (see attached screenshot)            Weirdly enough, the main monitor in multicam preview seems to "snap" to the resolution once playbac

Request Summary: Add an option to define the amount of time left between sentences when deleting pauses via the transcript pauses filter.Details: Currently, when deleting pauses using the Text-Based Editing tool, Premiere Pro removes silence entirely and ripples the timeline, leaving no gap between sentences. This can make edits sound abrupt or unnatural, especially in interviews, narration, podcasts, or tutorial content.Feature Proposal:Allow users to set a fixed duration (e.g. 1.5 seconds) to be inserted automatically on both sides (ie. leaving 0.75 seconds of the clip on each side of the extraction) of a deleted pause.This setting could live in the Transcript panel options, alongside the current “minimum pause length” detection setting.Why This Matters:Helps preserve natural speech rhythm and pacingReduces need for time-consuming manual nudgingIncreases usability for creators handling long-form content, podcasts, interviews, or auto-generated narrationThis feature would greatly spee

Most of the time when you're having some tech issue, the first thing out of an Adobe Tech Support person's mouth is - "let's reset all your preferences and settings".   But there seems little recognition that our prefs and settings are completely essential to our work, and there are SO MANY files and various settings that a factory reset of Premiere is typically worse for us than the problem we've called/emailed in for.   The number of times I've simply given up on a tech support call becasue I simply can't contemplate the reset is....MANY.Is there a way to save EVERY setting and preference somewhere before blasting everything back to factory state?   And then a way to bring all of those back once the tech has discovered (as is typical) that, no, that wasn't the issue?  Part of this issue is also the multiplicity of locations the settings and prefs are stored in.  If there was ONE file or folder, it would make it all so much easier.I consider this an absol

If Blue mask lines are  hard to see at times,  as when video behind blends with the blue mask lines ; if there were a simple way to adjust the visibilty of the blue lines could allow for faster easier workflow when reducing strain of seeking the next point on the mask to adjust.  If there were an option to make the blue mask line & anchor point's brightness, hue or saturation would when necessary improve visibility of the mask lines - thus faster work flow. Bright Yellow as a color option for maks lines and points would be a useful option when background video is a heavy blue hue, swiotching to yellow the mask lines would nicely pop

Hello my lovely adobe community!1) In Avid MC we can toggle individualy evey source audio tracks (select or diselect) with the shortcuts and it is very helpfull when we use a multiple audio tracks.In Adobe we can only switch OFF or switch ON all tracks. For Individual selection we should use mouse. Can your engineers solve this problem?2) And from our friends from audio department , they names every channel for us, in Avid MC and DaVinci Resolve we can see in Source Monitor(and probably in timeline they named channels), in Adobe we use only Metadata panel and they cant see names though Mcam(avid can and DaVinci Resolve). 3) And my Final pain (file duration). We can see it in "Info panel"(not comfortable) or when we select file in TL with the mouse(not confortable), BUT not in the TIMECODE panel. I thing, TIMECODE panel should be for any TIMECODE, and for duration. Probably you will add Duration in TIMECODE panel?    

I'd love this to be an option! I am, once again, trying out different music clips against an interview, and want to apply my ducking keyframes to the TRACK and not the CLIP. That way, I could easily delete the music clip from the track, drop a new one on there, and it would be ducked in all the right places. PPro does not need to know or care what clip I have on my music track - it just does the ducking at the TRACK level, regardless of what music is on the track. The ducking keyframes that PPro creates are in no way related to what's on the music track - they depend solely on the presence of dialogue and the settings in the Ducking panel. Talking of those controls - the "Sensitivity" is the wrong way round - setting it to High creates fewer keyframes, and setting it to "Low" creates a keyframe for even the briefest pause in the dialogue. It would be wonderful if we had two "Generate Keyframes" buttons: one that says "Generate Clip Keyframes" and one that says "Generate

Dear Adobe,Please explain why in the year 2025, after multiple AI updates and workflow "improvements," I still can't apply silence detection only between In and Out points on a timeline?The current limitations:Silence detection runs on the entire sequence, ignoring In/Out.No way to apply cleanup just to a selected range or lassoed clips.No distinction between awkward pauses and intentional beats unless we cut, nest, or play XML games.Real-world use case:I'm editing a long interview with an ESL speaker.They pause mid-sentence, stutter, drop filler words — but sometimes take intentional dramatic pauses for emphasis or topic shifts.I don’t want to kill all pauses. I just want to:Tighten mid-sentence dead airRemove “uh, um, like” automaticallyPreserve pacing and story flowApply this only to a selected chunk using In/Out pointsIs that really too much to ask from software that costs this much?

While checking the "Transcript view options" under "Transcript" with "settings search" I noticed I can't make the "minimum pause length." any shorter than 0.10 seconds.This is waaaaaaaay to long. A lot of talking for online content needs to be snappy and fast, pauses between sentences should be instant. There are even videos who use overlaping dialog to keep the words flowing.The transcript is working amazingly other than I can't make the pauses shorter.Is there a setting to bypass the minimum pause length?

If I want to send multiple sequences to the media encoder at, for example, half-resolution there is currently no way to do this. This becomes a bottleneck in particular when I have a number of sequences at different aspect ratios, and there should be a simple way to apply this 50% downscale to all of them, but instead I need to go through them one by one, or send to media encoder in batches. This extra time and effort really adds up for complex deliverables.