Feature Requests

Most poly WAVs include metadata about track information like kind of mic used, names of characters, etc. E.g. TX, BOOM, MS. This data is unavailable in the metadata display in PP. Would be great to add this to the default metadata options.

This one seems to have been floating around on the forums for a couple of years but we are still pleading. Production Sound Mixers take the time on set to properly label their audio tracknames. Editors need to see these in the Premiere Pro timeline, like this:  In Premiere, the current trackname labels of [Ch.1], [Ch.2].... are not descriptive enough.Currently, tracknames are found under "iXML", buried at the very bottom of the Metadata panel, behind numeruous drop down menus. This is not adequate.  Having this simple piece of metadata in the timeline will save a huge amount of time and headache and is an absolute necessity in professional editing software. Thank you!

Multichannel sound is hard to navigate. Fortunately, Sound Mixers label tracks with actor name/microphone information. Unfortunately, Premiere hides this data behind a wall of dropdown menus:Simply, we need this simple metadata in the timeline. This is a basic necessity for professional editing software which I am really hoping Adobe will be able to implement soon! When we finally have these labels in our timeline, it is going to save us so so much time and headache. For a visual reference, DaVinci Resolve does this perfectly: Thank you for your time! 

Maxon, after acquiring the assets of former Red Giant Software, on 1st of Febuary 2023 announced that they were entering PluralEyes in Limited Maintenance Mode, meaning that the company will continue to provide technical support and critical bug fixes for PluralEyes 2023.0.0 for one year after this announcement.   Of course, the key benefit of using PluralEyes over the Synchronise feature inside PPro was that you could have multiple audio and video clips thrown onto a single timeline and let the software synchronise clips automatically, based on the audio portion, so you could have crisp audio from a single camera attached to a properly placed mic matched to that of other cameras that only recorded audio in-camera or with an on-board shotgun mic. With Synchronise inside PPro you can only do this with one take at a time, not a full day's worth of takes on a single timeline.   For this reason, PluralEyes used to be my go-to solution for synchronisation based on audio.   Pl

While we are able to option/alt-click a marker and drag to give it a duration, it would be a bit quicker to have a keyboard shortcut that would convert an in and out selection to a marker with that duration. And also, to be able to right click a marker duration and have the option to mark that as an in and out selection.

I work for a large telecommunication corporation where our font specifically needs to be set to Optical Kerning to match our brand standards. Currently in Premiere Pro there is no option to adjust the kerning from Metrics to Optical like seen in After Effects or Photoshop. You can select one text at a time and adjust the kerning manually per letter but not as a whole block of text. Although this change seems insignificant it is important to our brand recognition. My current method of creating the proper kerning in either After Effects or Photoshop works but is more time consuming than if it were already set up within Premiere from the get go. See screenshots below of the differences betweeen the kerning option between each piece of Adobe software. Premiere:After Effects:  Photoshop: 

Screenshot from Resolve Preferences - unless I have missed a setting PPro stretches to fill the output raster rather than scale. I would love to see this option in future releases.Thank you.

Hello Adobe team,I'm currently using an AMD Radeon RX 7600 XT GPU on Windows 11 (version 24H2) with the latest WHQL-certified AMD Adrenalin driver (v32.0). I'm running Premiere Pro version 25.3.Premiere Pro detects and utilizes GPU acceleration through OpenCL, and I’m able to use the Mercury Playback Engine GPU Acceleration (OpenCL) renderer successfully. Both hardware decoding and encoding are enabled, and GPU usage is clearly active during playback and exports. Everything works correctly from a performance standpoint.However, the System Compatibility Report still flags my GPU with a warning, suggesting that it may be unsupported or incompatible. I’ve verified through logs (GPUSniffer OpenCL detection, etc.) that the GPU is fully recognized and functional. It appears this is simply due to the RX 7600 XT not being officially whitelisted in Premiere Pro's GPU database.I’m requesting that Adobe consider officially whitelisting the AMD Radeon RX 7600 XT, or at least updating the compatibi

Please add Turkish subtitles in the new version of Premiere pro 

Is it any chance for Speech-to-Text to get a Ukrainian language support in Premiere Pro? That is a huge time saver feature, but it isn't available on Ukrainian. All Ukrainian creators would be eternally grateful for our language support in this great software. 

Do you have any data on how many people use the Anti-flicker Filter? Would none% of users be accurate? Why is that still there? I want to turn it off cos I never use it and it's at the very top of the list of effects.. I'd love it if we could hide/show the various options within the Effect Controls to gain precious space back for the things we don't use.For eg, you'd just right click on Motion and toggle on/off the ones you don't want. Same with Opacity, Time Remapping and any additional effect you add on.  The crop tools are especially egregious. Sure that might be helpful sometimes but for 4 lines of real estate to be constantly in my face when I'm mostly not using it, and then all my additional effects are a large scroll wheel away is very infuriating. This should all be optional. And crop especially should be a twirl down to unveil the 4 crop dimensions, not 4 unmoveable lines.

Instead of resetting all preferences, allow users to reset individual preference sections (for example, Media, Media Cache, Timeline, Playback, etc.).This would save users from losing unrelated settings when troubleshooting a specific issue.

Is it possible to include FFMPEG codecs in Adobe Products? I’ve worked on many low-to-mid-budget documentaries that have .mp4 Long GOP footage, including lots of non-professional footage like iPhone HEVC. Premiere is much better working with this footage than Avid, but we still run into problem after problem. Having FFMPEG codecs in Premiere may help alleviate some of the problems (even if it’s unlikely to address all the problems with iPhone footage).

This is by no means a new request. I have been clamoring for this since Productions launched. But, it's such a basic and critical part of working in Premiere that to not have this feature feels like a collossal oversight.   WE DESPERATELY NEED TO BE ABLE TO SEARCH FOR CLIPS/METADATA/MARKERS ACROSS ALL PROJECTS IN A PRODUCTION.   It's not enough to just be super organized, but for now that's our only option.   BEGGING FOR THIS! PLEASE!

Please add an option to select all clips in the timeline that share the same label color.Example:Right-click a clip → Select → Select All Clips with Same Label Color.Many editors use label colors to organize B-roll, graphics, VFX, SFX, music, and review stages. Currently, label colors only provide visual organization and cannot be used as a selection criterion in the timeline.This feature would significantly speed up editing workflows and make label colors much more powerful for large projects.

Add a preference to prevent the playhead from snapping to audio fade transitions.When adding B-roll and trimming it to match the timing of an existing clip, the playhead often snaps to audio fade handles, making precise positioning more difficult.

Set a rotation parameter (in 90deg steps) in one clip in a way that is applied before all other effects. Useful when the camera tagged the footage as vertical when its really horizontal and vice reversa.Lightroom recognises this problem and offers a shortcut to change rotation.Forums suggest a source clip transform effect. This is impractical for multiple reasons:Slow workflow, fiddly when wrongly rotated files are mixed clockwise and counterclockwise. On top of copy paste the deg. number has to be changed between -90 and 90. clips are not displayed correctly in source viewer not working together with other features like fit / fill frameI think two buttons in the source viewer, representing clockwise and anticlockwise rotation would be reasonable.

Please make rounded corners an option, or have squared corners where clips are touching the same line. I thought I was going crazy because my clips had tons of 1-2 frame gaps and I kept having to zoom way in to see them. Only to find out it's the new update. Cmon. I've been working in PPro full time for 20+ years. this is silly.

since as of right now adobe only supports 50 open clips in the source monitor, the best way to go through the footage i shout throughout the day would be to put the clips in a timeline, open it in the source monitor, and use insert and overwrite from there. sadly this workflow is overly complicated, since i can’t set my in/out markers with x like in the timeline window. since jumping between clips is possible with up and downarrow, it seems like some funktionality is already present.I consider this a key feature in a keyboard only workflow, which most professional editors use. current workaround. go to in → mark in → press downarrow to go to next clips → go one frame back → mark out.The other way i look through my footage is to open all the clips in the source panel, and cycle through them, picking what i like. sadly also this feature is limited, because i can open a max of 50 clips, making it tedious and errorprone, since there is the danger of missing clips when reselecting a new bat

This is the one and only setting I basically ever change when using the Export tab. Why is it all the way at the bottom?I know you're not going to ever revert back to the superior traditional Export window which allowed you to twirl down sections so this setting was always visible, but please at least move this slider to the top of this new design or something. I'm sure it's one of the most used settings when exporting for Premiere users and we'd greatly appreciate being able to quickly change bitrate!If that's too hard, then at least just put a twirl down button on each subsection like Basic Video Settings, Encoding Settings, Bitrate Settings, Advanced Settings, VR Video.

I get that you can draw a new circle by holding shift and then continue to increase / decrease the size while retaining the circle by holding shift. But I want to be able to have an imperfect circle (ellipse) that I’ve already created be able to turn back into a perfect circle. Like I’ve got some weird shaped ellipse and then by holding alt and dragging, it turns back into a circle.The Scale Height and Scale Width parameters could be changed to what is intuitive ie keeping 100% and 100% meaning its the same height / width (not what it 100%/100% resembling what you originally drew as its set up now) or by adding some new parameters added to allow you to revert back to perfect circle.

I waste HOURS just fixing dumb quotes in transcriptions. It’s insane that your transcription AI thinks it’s 1995.This is the single hardest part of my workflow.

I have been a professional video editor for 20 years. I work daily on video commercials for some of the biggest brands in the world.In my 20 years of professional paid work, I have NEVER even once needed or wanted to use ‘auto bezier’ on keyframes. It is a completely useless feature that for some reason CONSTANTLY resets as the default setting when creating position keyframes. It’s a waste of time for it to default to ‘auto bezier’ everytime I create a position keyframe because I then have to right click the keyframes and convert them back to linear.1) So it should NOT ever change or default from Linear to ‘auto bezier’, unless I SPECIFICALLY click the ‘auto bezier’ option. (Which I never will)2) or there should be a global option in preferences to DISABLE auto-bezier so it can’t even be clicked. This would be great; because I hate auto-bezier so much. It has wasted thousands and thousands of mouse clicks and time over the years... I literally have a preset created in every project I w

After Effects has this option, and for good reason! Auto bezier leads to all sorts of unintentional movement. This is especially newb-unfriendly.This is Unique ID 148 on my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629

As a cinematic video editor, I frequently use slow motion and stabilization together. Currently, Premiere Pro gives an error and forces us to Nest every single clip. Nesting hundreds of clips ruins the editing workflow, makes timeline management messy, and wastes a huge amount of time. Please update Premiere Pro so that the internal 'Order of Effects' handles Speed and Warp Stabilizer together automatically, without needing a Nested Sequence.