Feature Requests

Please add a feature that allows us to "flatten" a cropped video, exactly like flattening a layer or converting to a Smart Object in Photoshop.Currently, if you crop a video unequally on the left and right, the blue selection box on your screen stays the exact same size as the original, uncropped video. This makes it impossible to just click and drag the cropped area cleanly, because Premiere still selects the hidden parts of the video.We need a built-in way to shrink the selection box so it tightly hugs only the visible, cropped area, allowing us to click and drag the cropped piece freely and smoothly around the screen with our mouse while resetting the center to zero.

Hi,Currently, creating a Multicam Source Sequence requires selecting raw clips in the Project Panel, running Create Multi-Camera Source Sequence, and then editing the resulting multicam clip back into the timeline.If clips are already laid out on multiple video/audio tracks in a Time of Day sequence (e.g., synced manually or through Tentacle Sync Studio or Syncaila, via audio align, or during a rough edit), there is no direct way to bundle them into a Multicam Source Sequence right from the timeline. The only current option is Nest..., which creates a standard nested sequence, not a Multicam-enabled source sequence.I think we can all agree: nested sequences (and manually enabling the multicam function on them) are less reliable, less stable, and carry a much heavier performance overhead.Proposed Solution:Add an option in the timeline right-click context menu (similar to Nest...) called "Create Multicam Sequence".This should:Take the selected stacked clips on the timeline and wrap them

For people who use premiere for multicam work it would be nice to have a solo toggle like we have for audio but on video. This way we can easily click on 1 video to view so that we can adjust lighting, color, or size a little more conveniently. Toggle Explanation Image 

Create the option to integrate premiere with an LLM for editing via MCP.

Request: ‘Zoom to fit’ - or ‘Auto-track height’A function that zooms all tracks to fit the height of the timeline panel...See all tracks in the timeline with a single shortcut Track heights always zoomed to fit the available height of the timeline panel Option to ignore separate audio/video spaces and zoom all tracks to all the available height Want to see all timeline tracks? Hit the shortcut for the new ‘Zoom to fit’ function Tracks too small? Enlarge height of the timeline panel and tracks auto-scale to fit height Tracks too big? Use the existing ‘Minimise all tracks’ shortcutLet’s remove the work currently required to see all timeline tracks - we know you can do it!Cheers, Ben Similar posts around the same issue: seeing all your tracks with zero work...https://community.adobe.com/feature-requests-730/bring-back-the-old-default-track-height-1327501https://community.adobe.com/feature-requests-730/timeline-views-1548039?tid=1548039&fid=730 

SUMMARY When changing the playback frame rate of a clip, the playback adjustment should apply to the high  res footage as well as to the proxy media.  If not (as is the case now), the proxy workflow is basically useless unless generating a new proxy for the clip(s). EXAMPLE Our base frame rate is 25fps. We ingest footage at it's original frame rate and generate proxies at that frame rate, say 24 fps. As Premiere's internal frame rate interpolation often degrades the quality of the footage, we like to change the playback frame rate to 25 fps in cases like this:  However the proxy will still play back at 24fps. This will result in different fames shown when viewing highres vs. viewing proxies, as in this example at the same point in the timeline in highres vs. proxy mode (see track marks):  This issue can only be fixed by creating new proxies. As Premiere has no issue handling the change of playback speed for highres footage, surely

In the latest version of Premiere, you can no longer use the pen mask tool directly within tools like Opacity which wastes so much of an editor’s time for quick masks. In the new version, I have to find the pen mask tool, make the selection and drag and drop it onto Opacity or other effects for it to work. It’s a few extra steps that add up and waste so much time. Please just bring back the option of creating a pen mask from within Opacity directly, while keeping the new additional tool. Personally, the added new separate pen mask tool is not adding anything for me, just adding extra unnecessary steps and I’m sure many other editors feel the same way, thank you.

Recurso de ia para resumir falas longas si baseando em audio e transcrisão para editar depoimentos atraves de resumo feito por ia de terceiros ou local e propetario

Legenda animada por favor

Trocar as novas ferramentas de cor por algo da mesma forma ou o maximo parecido com a aba cor do davinci resolver 

Would love to see a way to change sequence settings across multiple sequences at once.Right now, if I need to convert a bunch of timelines from 1920x1080 to 1080x1920, I have to go one by one or rely on workarounds like nesting or Auto Reframe. It works, but it’s pretty time-consuming and clutters up the project.It would be great if we could:Select multiple sequences in the Project panel and apply the same changes across each sequence only using one interface If allowing each setting to change could cause problems, do something similar to the properties window where only a select amount of settings can be changed Change things like frame size/timebase/Maximum Bit Depth/Render Quality etc. all in one go Choose how clips adapt (scale to frame, keep positioning, etc.)This would be a huge help for social and multi-format workflows where you’re constantly delivering different versions of the same edits.Feels like a small addition that would save a ton of time.

The new Magnify effect is really cool, but it only allows circles and squares, and often we need to highlight a rectangular area, which the current effect doesn't allow.I would like to request better control over the magnifying glass shapes to achieve this effect.

Issue - When you toggle off the Show FX Badges setting, the clip right click Show Clip Keyframes goes missing.Adobe Premiere Pro version number: v24.6.1 b2Operating system - Windows 11 PCSystem Info: CPU, GPU, RAM, HD:CPU i7-11700KFGPU 3080RAM 64gbHard Drive internal m.2Video format: h264 MP4, but also others as well, this doesn't matter to the bug.Workflow details: This is very simple. I usually edit with the pancake method which makes those little FX Badges annoying because they get in the way of trying to drag clips around. However when I turn them off the Show Clip Keyframes is removed from the right click menu. I use this often for keytframing time remapping and others.Steps to reproduce - (Very important!) Very simple, so same steps as above.Expected result - When Show FX Badges toggle is turned off, it should remove the little FX button on clips, but still keep the Show Clip Keyframes in the right click clip menu.Actual result -&

Hi everyone,With a massive portion of video production today destined for social media, vertical video has become the standard for many Premiere Pro editors. Having a versatile and optimized workflow for vertical formats is more crucial than ever.I do a lot of my rough cuts directly in the Project Panel using Icon View. My workflow consists of hover scrubbing the thumbnails to set In and Out points before inserting the clips into the timeline. However, working with vertical video presents two major friction points in the current UI: 1 - The Need for Pre-Timeline Batch Rotation (Interpret Footage)Many cameras shoot vertical video but save the file horizontally. When these are imported, the thumbnails are rotated 90 degrees sideways in the bin. This makes hover scrubbing and selecting I/O points extremely difficult because I have to tilt my head to see what's happening.Suggestion: Add a Rotation/Orientation override in Modify > Interpret Footage. This would allow us to batch-select si

I would like to have the full editing functionality of the text window transcript tab be available for a clip in the timeline at any stage of the editing process.I would like to be able to update transcripts on clips that have already been edited into a sequence; at present you can’t fully edit the transcript (such as merging or splitting segments or renaming speakers) for a clip once it has been edited into another sequence - but often this is when you find important mistakes in the transcription.  At the moment when I spot these transcript mistakes, I have to match back to the source clip & correct the transcript there, before returning to my edit, which is a rather clumsy & labourious work around, and breaks my editing flow

At the moment you have to hover over a clip in the timeline to show its duration. It would be much more helpful if you could just activate it like the "clipname" for example so it is shown directly on the clip.

When recording voiceover directly into the timeline, have an option to select which bin in the project the clips are placed in. Currently they are added to the top level of the project window so you end up with Guide_VO1….Guide_VO23 in your bin.

For this feature where the gray dialog box appears whenever the mouse hovers over a clip, can we please get a setting to disable this? I understand its use for displaying clip information, but it's disrupting my editing workflow since it often covers audio waveforms and makes it harder to see cut points, and it becomes a real nuisance particularly in complex timelines with multiple tracks. Obviously it's as simple as moving the mouse away from a clip any time it happens, but this occurs very frequently and seeing this hover info over the timeline is something I rarely, if ever, have any need for. 

It would be amazing if framerate could show up in the timeline clip hover popup box. It would be even more amazing if there were a bunch of options you could show or not show in the hover, so that the info displayed was always relevant to your editing style.  For me, I mainly want an easier way to determine the frame rate of a clip on a timeline. Used to be able to right click on the clip and click on properties to determine frame rate, so no need to show different panels or click around in premiere as it was just a right click away, but now properties has been removed from the right click popup. As far as I can tell there is no way to easily see the frame rate without having to show a different panel, like metadata or info, which either requires changing my workspace layout or clicking on different panels to reveal the needed info. This is a lot of extra clicks when I just want to know if I can properly change the speed of my clips. Other good options for framerate

Bring back the Source/Master Clip workflow to the new Color Mode interfaceI am testing the new Premiere Pro Beta, and while I like the idea of an updated color workspace, the current design breaks a vital professional workflow for long-form editors.When editing an hour-long sequence with tons of cuts on my A-roll, I need to color the original source asset once so that it automatically updates every single cut across the entire timeline without affecting my B-roll. In the old Premiere layout, this was easy using the "Source" tab in the Lumetri Color panel.The new Beta Color Mode removes this native Source/Clip toggle entirely. Forcing me to use the Effect Controls panel (which disconnects from the Lumetri Scopes) or manually group dozens of cuts is highly inefficient and creates unnecessary clicks. Please add a dedicated, native Source/Master Clip grading option directly inside the new Color Mode panel with fully integrated scope feedback before this moves out of Beta.

Some times I forget to plug in the cache drive and Premiere (and AE) automatically sets the cache to the internal drive, which forces me to go through preferences to set up the external drive cache again. This shouldn’t happen, and there should be a dialogue asking me to plug in the drive before setting it to the internal drive automatically.   

Allow us to assign a persistent target folder within the Project panel for .mogrts similar to Solids Folder in AE.Currently whenever you import a .mogrt from a library, a “Motion Graphics Template Media” folder is created at the top level of the Project panel. If you reorganize those files, rename/move the folder, or delete the folder and then import another .mogrt, the Motion Graphics Template Media is recreated at the top level again.

Duplicating a sequence or composition in the Project panel is done differently and yields a different result in PP & AE. While changing changing keyboard shortcuts to match should probably be left to user preference at this point, PP allows you to Right Click > Duplicate while this is puzzlingly missing from AE.Even stranger is how duplicating in PP results in “[Sequence Name] Copy [##]” but AE returns “[Composition Name] [#]” and automatically versions up if the name ends in a number. The AE result makes much more sense for professional workflows, and this could at least be a user preference if not standard behavior in PP.