Feature Requests

I like the enhance audio, but it seems like it is only useful for a final touch on the audio because any edits force all the tracks that are enhanced to re-enhance. If it's been enhanced, and all I'm doing is in/out cuts and reorganizing, why should it need to re-analyze and re-enhance again?

i do not agree with the new upgrade of essential graphics to graphics templates. it doesnt make sense that this premier pro platform becomes a place for non experienced video editors who can buy templates. this shouldnt be on premier pro. this place is for experienced video editors to a certain degree. if everyone can do this, then where is the niche? how professional u will be to your clients or employers? everyone is able and know premier pro. it doesnt make sense at all

AI Avatars for Text-to-Speech? This has to happen.

Hello, I have a request for an Adobe capability. I have thousands of hours of footage with people speaking with a variety of different accents. When I upload footage to premiere pro, the Adobe Sensei ML is able to accurately transcribe anywhere from 1/4 to 1/2 of the dialog. The frustrating part is that I already have transcripts for all the footage transcribed perfectly by a human. But there isn't the option to upload the accurate transcripts and have the AI reference and integrate it into Text edit.  If this were possible, it would be a game changer. It would also be an incredibly powerful capability for media manangement if production companies could keyword search through entire libraries of video footage this way. Thanks for considering this request

So when we try to edit a text or a graphic layer and send it to After Effects  we find every layer in a precomposition like this  and I have to spend time to extract it and for example if i have 100 layers or more this takes hours and hours of work  so i hope Adobe fix this and when I import the graphic layer or text layer I want it to be like this like It would normally be in After Effects       

Right now (in v. 25) the timeline scrolling funtion found in here:works fine and helps a lot in my editing but it has two things that need to be optimized:1) in this mode if you drag a marker's tip to change its length, the playhead moves to the part where the marker's tip ends. This is strange.2) Please, Adobe, make the autoscrolling available without the playhead centering. Right now wherever the playhead is once you hit play it is centered everytime. Isn't it better just to autoscroll the timeline from any position of the playhead? Back me up, guys

The new option to be able to crop images directly from Program Monitor in version 25 is really good, but it could be even better! Instead of having to switch between the 2 current options (Crop or Transform), it would be more interesting if the default option was Transform as it always was, but if you drag the Handles while holding the Alt key, instead of resizing, it would crop the images!This workflow works wonderfully in software like OBS-Studio, and I believe it would be a real game changer in Adobe Premiere! 

Does anyone know of a way to move a Mask Object around while holding down the mouse & going to the next frame at the same time. The current functionality of having to release the mouse & going to the next frame is getting old. 

My Keyboard Shortcut window doesn’t fit the screen. So many versions later, I still have to repeatedly hide the Dock to press the OK button. It's a small problem, I know. But, after all these versions, isn't it possible to optimize the window layout a bit to fit 13-inch MacBook screens? Below, I’m attaching a screenshot with a suggestion for optimization.Thank you!

I appreciate that Adobe is coming out with so many fancy features fueled by AI, but it would be great if the company could invest a tiny portion of its resources to finally fix very basic but important UI problems that their products have. For example, I still can't locate a file with a decent window with enough space to scroll down. Please fix this horrible window 🙂

The new option to be able to crop images directly from Program Monitor in version 25 is really good, but it could be even better! Instead of having to switch between the 2 current options (Crop or Transform), it would be more interesting if the default option was Transform as it always was, but if you drag the Handles while holding the Alt key, instead of resizing, it would crop the images!This workflow works wonderfully in software like OBS-Studio, and I believe it would be a real game changer in Adobe Premiere!

Now that we have a properties panel capable of changing several videos at the same time, it would be nice to have a list of the most used Motion presets! It is very common for us to work with clients who follow a pattern of scaled positions when displaying some images, so having the most frequent sizes within easy access would be very useful!! 

Frame.IO V4 only allows exporting one sequence at a time, unlike V3, which supported exporting multiple sequences simultaneously.Please, ADOBE, consider bringing this feature back Frame.IO V4 Não exporta multiplas sequencias, apenas uma por vez. Melhor na V3 que podíamos exportar várias sequencias. Por favor ADOBE volte com esse recurso

When having problems with peak files, it is sometimes necessary to delete all peak files. Every time I reopen my project, I find that Premiere Pro makes a big mistake when re-rendering the Peak files. Namely, the peak files are (apparently) rendered without any sort of priorities being set. This can sometimes lead to very long hold times while waiting for the peak files of the clips in the timeline to be rendered. In my experience and opinion the peak files of the files in the timeline should ALWAYS be prioritized. In general, peak file generation should be "dynamic" and always prioritize the clips that are currently in demand (for example, when I bring up a clip in the source monitor, the corresponding clip should move to the next possible position in the render queue). I believe that the usability could be significantly improved by the proposed changes.

It would be great to export a full timeline from Premier but instead of one video, each video clip on the timeline is exported individually. This is an option in DaVinci Resolve and I've found it to be really useful. Having to do it manually can definitely be a pain.

I'm not sure if this is best submitted as a bug or an idea. It's an accessibility issue, at any rate. The selection border for selected clips on the timeline in newer versions of Premiere Pro (24.4+ I think?) is quite difficult to see, at least for me with my okay-but-not-great eyesight, at least when using premiere at 4k on a 32" monitor. This isn't a "I don't like the colors" problem, this is a "I really have to study the screen to figure out what clips I have selected" problem. It's probably even harder to find the selected clip(s) for someone with *poor* eyesight! This isn't a "just get used to it" kind of issue. The new selection border is significantly thinner and not as bright as the old selection border, I can't just magically become more able to see it. And believe me, I've tried! I've sent screenshots of old and new premiere to friends and they can't find a selected clip on a dense timeline, either, until I point it out to them, so it's not just me.  

Between updating MacOS and updating Adobe, PluralEyes (formerly Red Giant, but acquired and killed by Maxon) has finally stopped working.  It's end of life/"limited maintenance mode" has finally hammered the final nail in the coffin and there's no way for the program to be opened, much less be used with the Premiere integration feature. My proposal is both simple/elegant and probably very difficult to implement: allow the current Synchronize feature to be fully upgraded:allowing multiple framerates (anywhere from low frame rates to high frame rates - 1-240 or even higher!)multiple clips (or takes) in a single track and multiple tracks (or angles) to synchronize using only audio waveforms (and even increasing gain of existing, scratch-audio level waveforms in the background, if necessary) to find commonalities and sync automagically. The user would simply select clips, right-click and select Synchronize.  The following prompt, not unlike how it currently works,

1. I drag a series of video files to Media Encoder.2. I wait ages for it to import all video files.3. The original preset command is to create an exact copy of the high bitrate 4k file like anybody is doing that.4. I select all, right click the PROXY PRESET that is used most often by most people in all realms.5. it creates 184 NEW COPIES NEXT TO THE ORIGINAL COPIES.6. There is no way to select only the high bitrate copies to delete those, leaving only the proxy files.6.5. Individually select each and every high bitrate copy, and delete. You still haven't even started the proxy workflow yet.7. ????8. Pay Adobe hundreds of dollars every year.Why?Like what is this accomplishing?

Scene Edit Detection often makes cuts where there are not any camera changes, a slight move of the subject, a flicker of light, and sometimes nothing visible at all might make a cut in the timeline. Perhaps a helpful parameter would be a sensitivity switch. Also, it would be nice to restrict the cuts to the video as that was the only track selected.

Hello,As a new user in Premiere Pro, the UI could make it easier to nudge values for different parameters similar to Photoshop, where the arrow keys can be used to change the values easily while reading the numeric field. Also, nudging the keyframes with the arrow keys similar to audio sequencer would be awesome. Thanks.

Hello, Premiere Pro enables comprehensive array of video effects. As such, the UI could prompt the user about applying overly flashing or flaring automations in the sequence, that might be a photokinetic concern for the viewers of the movie. Thanks.

Problem: There is no way to transcribe a specific clip in a sequence, and select one block of transcript to create captions from that specific block of text. I have created a vertical cut down of 46 seconds, from a video of 26 minutes. I want to create captions for JUST that 46 second cut down. I do not want 26 minutes of Premiere trying to spell words it can't understand. I don't want to fix 26 minutes of Premiere being useless, I want to repair 46 seconds and even that is annoying.Workflow Streamlining: The CC button creates an entire sequence of captions, ignoring the in/out points set by the user. I have a 10-minute video, I only want captions for a specific 15 second clip as the wind is too disruptive for accurate captions in software. There is no way to isolate that 15 second clip to be transcribed and captioned. I must suffer with transcribing the entire sequence of windy, jarbled audio that is more often than not incorrect, and mislabelled by Premiere. Steps:1. Create in-o

Dear Adobe Premiere Pro Team, I’d like to suggest an enhancement to streamline the trimming process. Currently, trimming multiple clips to the playhead requires several steps. It would be highly efficient to have a shortcut that instantly trims selected clips to the playhead position with one click. This could function as a “Trim to Playhead” shortcut, cutting all selected clips on the right or left of the playhead in a single action. This tool would save time in complex edits, making workflow more intuitive and responsive. Thank you for considering this improvement! Best regards,Prince R. Asamoah

Working in broadcast often means exporting 16 audio channels. Often simmilar to this convention: Channel 1 - Stereo TVIS left  Channel 2 - Stereo TVIS right  Channel 3 - Stereo English mix left (conforming to EBU-R128)  Channel 4 - Stereo English mix right (conforming to EBU-R128)  Channel 5 - Stereo dipped M&E left  Channel 6 - Stereo dipped M&E right  Channel 7 - Mono sync track  Channel 8 - Mono English voices (narration, guide VO, comms)  Channel 9 - Stereo dipped sync effects left  Channel 10 - Stereo dipped sync effects right  Channel 11 - Stereo dipped natural effects left  Channel 12 - Stereo dipped natural effects right  Channel 13 - Stereo dipped spot FX left  Channel 14 - Stereo dipped spot FX right  Channel 15 - Stereo dipped music left  Channel 16 - Stereo dipped music right  To be able to deliver like this we create a Audio Track Layout with multiple submixes to accommedate this:In oth

Wann gibt es endlich Cinema Übergänge???