Questions

In the new beta (26.5 build 13) comparison view is basically nerfed. I can’t use it in color mode to compare one clip to another, which is ESSENTIAL if you shoot with different cameras, but it doesn’t appear in the editing mode program monitor buttons either….which is also an extremely useful tool when comparing footages in order to find splice points, etcetera. PLEASE do not nerf comparison view...it is SUCH an important tool beyond just seeing a “before and after” for color grading!!!!!

The color window does not have an auto button that I have found, and getting between controls such as simple shadows, highlights, dark - where is it? This is much like a watered down version of what DaVinci has. Please keep working on this - it is terrible and really limited.

With build 58, I notice a .prin file is created with the project. Windows says it's an "Adobe Media Intellegence Project Index File." What's that supposed to do???

As posted many times, the new masking tool of the BETA-Version is just great. Thx for that.My issue: I've generated text showing up behind masked objetcs and this shows perfectly in the program window inside PP.(3 layers original video -> Text -> Masked orginal video)If i render the video it is MISSING the "masked original video", meaning the expected effect is not shown.Tried to render in deifferent Enocder settings -> does not workTried to "nest" the clip with this effect and render then -> does not workOS: Windows 11 (most recent)APP: most recent Beta of Premiere and MediaEncodeexpected result: video rendering as shon in program monitor/ Result is: rendered video is missing the track with the masked objectany idea ?br Martin

Hi,Erstellung der automaischen Objektmaske funktioniert hervorragend, aber bei der Initialisierung gibt es keinen Fortschritt. Ereignis: Unbekannte Prozessausnahme. Tracker vor, zurück einzeln oder vor und zurück funktioniert auch nicht. Was mache ich falsch?

Loop Playback is great in Color Mode, but it shouldn’t stay enabled when switching back to Edit Mode - two different use cases, please fix.

Hi, I’m on the latest Premiere Pro Beta. The Object Mask Tool works and tracking is fine, but there’s no highlight/outline showing in the Program Monitor. Overlays are enabled and I tried resetting preferences, but nothing helps. Is this a known bug or is there a workaround?Thanks.

Finding the shortcuts to switch between exposure zones a bit clunky. Could you add Previous/Next Zone shortcuts as well as individual ones? Much easier imho –exactly the same as the ones you’ve added to cycle through the Color Hues. Also, it’d be great if shortcuts for Color&Contrast, Color Shift, Detail also worked in Styles.

I am experiencing hangs and very slow performance when Interacting with the menu bar (file / edit / clip / sequence etc) as well as when manipulating keyframes in the Effects Control Panel. When interacting with those elements, Premiere will hang for anywhere between a few seconds to multiple dozens of seconds, and the cursor will change to a ‘busy’ icon. The application window sometimes also ‘greys out.’ Windows itself will sometimes become unreponsive during these hangs preventing me from switching applications or interacting with the start menu. This issue occurs when any project is open, including new empty projects. It does not occur when a project is not currently open. During these hangs, I notice that Premiere is loading a single thread on my system to 100%, which ends when the program becomes responsive again. The hangs are clearly visible in this process explorer graph below:  There are no other noticable increases on system load; memory, GPU activity, and I/O are appear norm

I have two sequences that both have audio tracks in from some interviews. When I go to transcribe for text editing, it say there was no dialogue found. 

We want to hear from you — Color Mode feedback surveyColor Mode is now in public beta, and your feedback is going to shape what it looks like at GA.If you've spent time in it, we want to know what's working, what's not, and what you wish existed. The survey only takes a minute and goes directly to the team building it.Fill it out here Thank you for testing Color Mode! 

To make my green screen easier to key I have been using secondary to pump up its hue and saturation, then denoising and blurring it a little, before adding ultra key. How would I do something similar in color mode. I can see that for now at least the Lumetri Color panel is still available as an effect so I could put that onto my clip first, but I’d rather make the full leap to color mode if I can.

I’m currently working with the new Premiere Pro Beta color grading tools and ran into a workflow question.My footage comes from multiple cameras (Sony FX30 and DJI Air 3S), and each camera requires its own specific LUT for proper color matching. The issue is figuring out the best way to manage this efficiently in the new color grading workflow.Right now, I’m unsure how to structure the process so that each camera source automatically gets the correct LUT applied without constantly switching settings or breaking the grading workflow later on.What would be the recommended approach for handling multiple camera-specific LUTs in Premiere Pro Beta? Is there a clean workflow for organizing this in the new system?

Hello Everyone.I’ve been using Premiere Pro’s Lumetri Color panel for a long time, mainly relying on the Lumerti Color Panel, Color Wheel, Curves, and of course the Lumetri Scopes. Sometimes I also add third‑party tools like Maxon Magic Bullet and FilmConvert Nitrate, and I’ve always gotten great results with that workflow.Recently, I tried the new Color Mode, but so far I still prefer the traditional Lumetri Color panel. That might just be because I’m not fully used to the new interface yet. I’m wondering whether, in the future, Adobe will allow us to switch back and forth between the original Lumetri panel and the new Color Mode, or if we’ll eventually be locked into the new system.Thanks.

I have a decent computer with 64GB of ram, 6GB of GPU with an Intel Core i7900 3.0GHz. Unfortunately windows won’t let me update to windows 11 (I use windows 10) because of the Trusted Platform Module version 2.0 (TPM 2.0). Today I finally updated Premiere Beta to it’s latest version (26.3.0.067) and when I opened it I got this warning message:  Does this mean that I will be stuck with the current official version of Premiere (26.2.2) “forever”? 

Will Adobe Premiere Pro stop supporting Windows 10 after October 2025?

Noticed that even in the beta there is no support yet for ARRICORE. Will the ARRI SDK be updated soon? The format has been out for quite a while and we have had to deal with the format in some projects already.

In the old Lumetri color panel there was an “auto” button that got levels and colors to a good starting place. I can’t find an auto button in this new Color system of 26.3.0 beta. Is it there?

I have an ellipse mask in Premiere Beta v26.3.0.061 to create a vignette. I want to resize the whole thing but I only have bezier handles that warp the ellipse unevenly. How do I get back the bounding box that lets me resize the mask evenly?

Is there a way to capture a grade and a look that can be used on a completely different project/timeline with the new color mode? (We know them previously as LUTs) is there a LUT equivalent? My issue is we will shoot various pieces of content with the same setup and lighting and edit them separately. How can I copy that grade onto a new timeline/project or clips on a new timeline or clip outside of the one is was created on?

I am experiencing a flickering issue with the Color Mode in my current build of Beta (v 26.3.0.057 (2026-04-26)). Upon trying to figure it out in these forums, I noticed that there should be a new build that was released 2026-04-28. However, this build is inaccessible to me through Creative Cloud and it even says that my Premiere Beta is up to date.I really want to mess around with the Color Mode but it’s completely unusable right now with flickering when I try to change the exposure, contrast, etc. I also can’t properly sample a highlight or shadow and I can’t see any previews at all when I hover over the color and contrast tools. This is clearly a bug that was solved so I’d really like to update so I can continue practicing.I am working from Wisconsin and I’m working on a Mac, which is the only reason I can think of why I might not have the update yet. Please let me know if anyone else is experiencing this or if anyone knows how I can update Beta!! Thank you!!

Hello everyone,I am a sports video editor and a self-taught coder. For the past few month, I’ve been running a custom local broadcast console inside Premiere Pro to generate dynamic overlays (scoreboards, team rosters, timers) for rugby match highlights. Because traditional MOGRTs were too heavy for rapid iteration and batch exporting, I built a hybrid architecture using CEP, React, and a local Node.js server. I am now looking to migrate this entire project from CEP to UXP to future-proof the tool, but I need some guidance to ensure I can port it without breaking my core rendering engine. My Current CEP Architecture (How it works today)Since there is no native way to render HTML/CSS animations into a transparent video or image sequence directly within the Premiere Pro panel, I had to build an external renderer:Frontend: The CEP panel runs a React 18 / TailwindCSS UI where I configure the match data. Local Server: The panel communicates with a local Node.js server running in the backgro