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Could we add an option to selectively sync RGB channel adjustments within the Tone Curve panel (e.g., sync only Red, only Green, or only Blue channels)?
I'm sure you do a lot of internal testing and beta testing. I have found when launching product, that the testing is more valuable when it is given to individuals not involved with the project (outside of the project) to really get a sense what is intuitive or not with the interface. The online firefly video app needs more user interaction feedback on screen to make workflow progress. If a buttn press doesn't start a process and just sits there, one may get the idea that it is generating, when it isn't. Alerts, warnings and built in feedback should show as an overlay rather than at the bottom of the screen which may be hidden by screen size use.
Version 15 de Lightroom Desktop Windows 11 avec un PC portable processeur I7 mémoire 16Go carte graphique GEFORCE GTX Forfait Ligtroom + Photoshop 20GO Suggestions Lightroom Desktop Si un nouveau fichier est ajouté dans le cloud par Lightroom Desktop ou Lightroom mobile., Une copie est automatiquement envoyée sur le disque (mode Local LR) dans un répertoire spécifié dans un paramètre de l'application comme cela s'effectue déjà avec LRC. Cela facilitera la cohérence des fichiers entre le Cloud et le Local.
It would be helpful if the Default Media Scaling setting within the Media preferences only affected footage and images. Currently when this is set to scale or fit it also affects MOGRTs. This forces the user to go into the preferences and disable the setting before applying MOGRT files to their sequence.Typically when I build out templates for multiple use-cases and aspect ratios I build a single MOGRT that extends past the bounds of the sequence, allowing the user to select which aspect ratio or dimensions theyr'e working with. In my experience, the transform properties of MOGRTs shouldn't need to be adjusted.
Please improve the subtitles tool! It is great but it has a lot to improve.I use it every day, and it’s really tedious to constantly rearrange the words in each sentence because, by default, it formats subtitles in a very awkward way.For example:“Hi I’m John”“Patrick and I”“like editing”“videos.”It’s something incredibly easy to fix — the AI could easily figure out the most logical way to break sentences!And if not, at least make it easier to manually move words around, like in CapCut — just pressing Enter should send a word down to the next subtitle line.There are also more: when I want to transcribe, it doesn’t ask which language I want, and by default it does it in English or Spanish — often mixing both. I translate videos that contain several languages, so it’s very tedious that I can’t transcribe in multiple languages at once. I end up having to create many subtitle lines: one for each transcription and then another for each translation.You should also add subtitle animations! Come on! Almost 2026
Hello.Thank you for considering this suggestion.When working with character animations inside After Effects, it often happens that some motion paths overlap each other (for example when a character swings its arms or moves its hand).The very serious issue is that After Effects does not provide a way to handle the keyframes themselves precisely.Most of the times, when I select a keyframe in the viewport, After Effects selects an other one close by, making ajusting keyframes that are in very close proximity borderline impossible.Even worse, when I try to adjust a bezier handle, it never gets the right one, and selecting each keyframe to adjust in the timeline doesn't help either.I'm basically asking for a revision of this system, as it makes character animations inside After Effects needlessly sloppy and frustrating.One solution would be to enable a toggle to only display the currently selected keyframe, or alongside it's previous and next ones.I provided an example of what I'm talking about, in the video below.You can see I'm fumbling and failing to be precise, especially since After Effects does not allow zooming any further (2, or 3 additional levels of zoom would mitigate this issue). I must have had this problem for more than 10 years, and I'm starting to grow tired of the endless frustration, especially since After Effects it's shifting its focus on 3D, instead of updating its core functionality which made the software popular in the first place.I love After Effects, and I have been using it nonstop since 2008, but some of its core tools really need to be updated.Cheers,Filippo.Thank you very much.
Pwease and Thank You.
Entweder/Oder: Wenn Ihr Euch entscheidet ein Bemaßungswerkzeug einzuführen, dann bitte gleich von Anfang an richtig, damit ich alles, was ich zeichnen auch Bemaßen kann, also auch Kurven, Bögen und Radien. CAD-Tools wird’s mit ihrer Preispolitik eh nicht mehr lange machen …
As a Canadian editor who works with English and French, often in the same project, it would really be useful for me to be able to produce bilingual transcripts. At the moment, when I transcribe a bilingual interview, one of the language comes out as gibberish. I need to do two passes of transcripting, export as CSV and merge in Excel. It's very impractical. Premiere is able to transcribe both languages reasonably well, the next step would be to auto-detect both in the same transcript. Thanks!
Is there a way to add color to a black and white or grey scale photo? If not there should bean option.
As of April 2025, Lr mobile "local" access is restricted to the Albums within the Apple Photos app. I would like access to any local files stored on the iPad, in my case an M2 iPad Pro 6th Gen. This is because I want to copy files from memory cards to local iPad storage, but not upload all files to Adobe Cloud. The Lr import browser can already access iPad Files locations, but this only shows a reduced size import window, unlike import from Connected camera/card, and does not have filtering, e.g. Photos or RAW.
It's become so tedious constantly centering the anchor point. (which there is no easy way to do without a 3rd party tool anyways). I'd love an option or mode to keep it centered regardless of the various tunes that are made to the text layer.
I wish I could pause or deactive a set of keyframes. That way, I don't need to delete them, if I decide I want to use the effect at a later point.Anybody know of a plugin that lets you do this?
Lightroom now supports keyboard shortcuts for assigning color labels — a long-awaited improvement. However, there’s a glaring inconsistency: no shortcut exists to remove a color label (i.e., set it to “None”). This breaks the fluidity of the labeling system. Users can assign Red, Yellow, Green, and Blue with a single keystroke, but removing a label (possibly set by mistake) requires manual menu navigation. It’s inefficient and frustrating for anyone working quickly with large batches of photos. Please add: A shortcut for “None” (e.g., 0 or Shift + 6–9) And maybe a shortcut for “Purple” to complete the set Better yet, allow users to customize shortcuts for all label actions. This small fix would make a big difference for power users. Thanks for listening!
I wish we could copy/paste media between projects without them being offline or shown as missing assets. This would be a huge time saver.
Love the new Remove Tool in Photoshop and the Generative Fill function in the beta version. So powerful and fun to use. But when it comes to eyes and removing glare from glasses, these tools tend to warp and destroy the eyes... Removing glare from glasses is a strugle that takes time, so maybe I'm being a bit optimistic in thinking that a simple remove tool or AI generated function can do the job. But I'm throwing it out there. How about making a dedicated tool for removing glare and reflections, and even shiny forheads and noses? Would be awesome.
Google is the most used search engine, as it comes with drive and google photos for free!! And can buy extra storage as well. I save and share a bunch of photos through Google photos and it would super helpful to be able to import and export or share photos to google photos. Who else would love this!
How can I limit Visual Search to my active sequence (or to a specific bin of clips)? When I type the search phrase in, I see small buttons for "all", "sequence" etc that would seem to serve this purpose, but when I click the "sequence" button I still get results outside of the current sequence that I have active in my timeline window, and when I doubleclick that result it opens the new sequence. How can I limit the scope of my search results?
I think some kind of "sorting mode", in which lightroom displays JPEGs instead of RAWs to decrease load time and transfers any changes (e.g. star rating, flag rating) to the respective raw files would be a great addition. For sorting though, sometimes a couple thousand images, after an event, I need to see the images in full resolution as quickly as possible to judge sharpness, composition, eyes open etc.. With many RAW images, this load time tends to get very slow at some point (even on a 2025 M4 MacBook). Just for reference: If I sort though 1500 images and each takes a second to load because lightroom has to read the large RAW files, thats at least 25 minutes of me just waiting there for images to load. Considering that I only need to see most images for just 1 or 2 seconds to decide whether it is trash or could maybe be good, this really adds up. So it would be great to couple the respective RAW and JPEG files (or generate new JPEGs for this purpose) and have a toggle to switch which of them is being displayed. Then, when I assign a flag or star rating, or even delete an image, that will be done to the RAW aswell, making sorting much faster and less painful. Please feel free to discuss this idea, add your thoughts, or ask questions in case anything is unclear 🙂
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