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I'm a professional editor in LA, and there are two changes to this version of Premiere (v25.3) that are driving me and the other editors insane. First is the transition click-and-drag icon that comes up when you hover over an audio clip. They get in the way while trying to select the edge of a clip, and also makes copy and pasting audio transitions from one clip to another extremely difficult. PLEASE make this an OPTIONAL settingSecondly, these new rounded edges make it REALLY DIFFICULT to see where the clips start and end, because from far away, it looks like there are all these gaps in my sequence, and it looks like there are dropped frames everywhere - also it makes my eyes work harder, which is the last thing I need an an editor. I just want to be able to look at my sequence and see that it's wall-to-wall clips PLEASE make these OPTIONAL so the user can decide what look is best for them. My editors and I are using v24 because these small changes make our jobs so much harder
The Spot Healing Brush was a breathrough tool in Photoshop and remains to be one of my favorites. However, it does not support a feature that the "regular" Healing Brush has: Sample Current & Below layers. Instead, it can optionally Sample All Layers [or only current layer] as a checkbox. Can Sample Current & Below layers be added as an option for the Spot Healing Brush, similar to the Healing Brush's drop-down menu implementation? This allows one to place hand-drawn retouching notes on a layer above the retouching layer. The current workaround is to manually toggle the visibility of layers above, which is not efficient. Screenshots of the current (2025 & Beta / 26.5.0 & 26.6.0) UI options attached. Thanks much!
I was surprised after spending a couple hours making an artboard in firefly that I couldnt download or open an editable version of the artboard in any other Adobe product (InDesign, Photoshop, or Illustrator). Seems like an obvious ask.
Right now, when working with multiple video layers (especially in music videos or multicam edits), it seems like all layers are being played and encoded in real time - even the ones completely hidden underneath the top clip. This kills performance, slows down playback, and makes real-time editing painful. Suggestion: Only the visible top layer should be actively played and encoded unless effects or opacity or effects require otherwise. This would massively improve efficiency when stacking clips, comparing shots, or building edits with multiple takes.We shouldn’t have to constantly enable/disable layers just to maintain performance. Let the editor focus on editing. not micromanaging toggles to keep the timeline playable. This change would save time and CPU/GPU cycles for anyone editing layered timelines, especially in high-res workflows.
Could you please add support for the Logitech MX Creative Console in Adobe Camera RAW?Thanks!
It will be good function of Lightroom If It will be possible to convert RAW photo to JPG without exporting to file system out of application. I am using Lightroom for photo management there really missed this functionality. I have really many photos in RAW format, but It could be fine to convert them to small JPG, because of just looking on them on phone or tablet in small quality. I have to export them to small JPG, after that remove original RAW photo and import them again in JPG to Lightroom, that is stupid.
The latest smartphones are equipped with multiple cameras so for photographers they are a bit like having a DSLR with interchangeable lenses. I just acquired one with telephoto and ultrawide lenses in addition to the default wide lens. With the PRO mode of the phone's built-in camera app, it is perfectly possible to select a lens/camera and capture RAW files (DNG format) for editing later in Lightroom. However with the camera included in Lighroom Mobile, you can only use one default lens. To fully exploit the phone hardware and the nice features of the Lightroom camera, it would be really good to be able to select any one of the available physical cameras/lenses. I appreciate that this might mean manufacturer-specifice code in Lightroom but it could be worth exploring what is possible to enhance the interest of the Lightroom camera with the latest phones. [I only have experience of Android phones but I have tagged this post for iPhone as well, assuming it is relevant.]
Hi, every time I want to play a Slideshow, it takes several minutes to calculate this, due to the fact, I have many big panoramas, HDRs etc.. It's been like this for years, app. it's not easy for Adobe to improve performance here. The real problem is though: the cache is deleted, as soon as it's played / you change to another program etc.; and if you wanna play it another time, it starts from scratch again - I keep wondering, why on earth has this been coded like that? Why can't it at least keep the cache of those images, instead of deleting this right away, or give an easy option to save this?I can only export this as a video (or PDF) file, which again takes ages - and for this reason, the app is completely useless for showing slideshows to colleagues / clients etc., it simply always makes a bad impression, unless you export everything in advance (for which you don't always have the time). Also when exporting, there's still no 4K option there, something like 20 years after this turned into a normal resolution for most users... Still max. HD, that's in my view hightly problematic, for core functionality like this.
SMART SEARCH BINS - on steroids Having a more super roided out search bin filter that allows a futher refined filter over 2 max options !Also allowing for Sub folder search filter bins within it to maximise the filter organisation. For instance base level smart bin folder assists with compiling a dump based on a criteria search as normal.Having a sub search folder bin within it allowing users to further filter out elements and moving it into that folder instead over having it populate in 2 places like the default version. This way the search creatia is contained within that folder set over whole project level and not making further instances of that file.
The render queue gets used a lot, and there are some small tweaks that I think would improve quality of life when using it - hopefully you agree! - Add an audio alert to anything that stops the render happening. For example, the 'This will overwrite...' popup. It's very easy to miss and sit there thinking your render is happening, while this box is awaiting approval. Adding an audio alert would help make it less likely to be missed. - Add a modifier when adding to the render queue to automatically render to the exact comp name, even if an existing render has the same name.The use case is that I often have iterative versions of comps as they are produced, used to test things in edit. Re-rendering over the same file saves time compared to switching to Premiere, re-importing, replacing etc.The specific suggestion is to add a keyboard shortcut that is hard to do accidentally for 'Add to render queue and overwrite' - Ctrl+Alt+Shift+M for example currently seems to be free. The idea would be that using this shortcut would add the current comp(s) to the RQ, and automatically accept that the filename will cause an overwrite.The first time this command is run it should pop a message to alert the user - if accepted future uses of the command would just add the selected comp(s) to the RQ and overwrite the same filename. - Add an option to either fully collapse a line entry in the RQ after rendering is complete. As an additonal idea, having the list auto collapse all successful renders and keep any with errors in an expanded state would be useful to tell at a glance if there were any errors. That or colour-coding the Status column so that any errors or failures were marked in red for easy identification. - Add the option to reverse the sorting order of the render queue, so that new entries go to the top of the list, rather than the bottom. This sits alongside the request to have the RQ scroll all the way down when adding new items (https://community.adobe.com/t5/after-effects-ideas/add-to-render-queue-scroll-to-bottom/idi-p/15401668), as they are both aspects of the same workflow. For me, having them add to the top of the list would feel most convenient, but having a list that exposed the preset options etc without scrolling would also be great. - Just to back up @RobBarrett 's request (https://community.adobe.com/t5/after-effects-ideas/add-overwrite-all-option-when-overwriting-files-from-the-render-queue/idi-p/15400047) - having an option to dismiss all RQ warnings at once would be great. Cheers!
When overwriting multiple files from the Render Queue, this warning is shown and must be dismissed for each file. It would be helpful to have an 'OK to All' checkbox or button to speed up the process when you're sure that you want all files overwritten.
■ IntroductionUp until Premiere Pro version 22, the software included an essential feature called the "Immersive Environment", which allowed users to preview 360° and 3DVR footage in real time using a VR headset.For creators working with stereoscopic video, this feature was **indispensable for adjusting field of view, stereo disparity, and depth** during editing.However, starting with version 23.1, this feature has been completely removed. ■ What’s the Problem?The removal of this feature has led to serious workflow issues:・We now need to export the video every time we adjust the field of view or stereo disparity・Repeated rendering and playback checks significantly increase production time・As a result, I’m still forced to continue using version 22 solely to retain this functionalityStereoscopic adjustments require precise, iterative visual feedback that is only possible through real-time preview in a VR headset.Relying on exported playback is highly inefficient and unsuitable for professional work. ■ Why There Is No AlternativeThis feature cannot be replaced by other tools for the following reasons:・No other Adobe software, including After Effects, provides real-time 3DVR preview support via headset・Other leading video editing software, such as DaVinci Resolve, also lack comparable real-time stereo preview functionality・Therefore, the Immersive Environment in Premiere Pro was unique and highly valuable across the industry ■ Why This Feature Still Matters・Real-time stereoscopic preview is critical in VR content production・Demand for 3DVR video is expanding across many industries—education, medicine, tourism, live events, and the metaverse・The removal of this feature may be affecting many professionals and businesses without alternatives ■ The Risk of Staying on Version 22Though I continue to use version 22, there are growing concerns:・Future OS incompatibility・Lack of security updates・Risk of **losing compatibility with newer features and pluginsThese risks affect not only users, but also Adobe’s product ecosystem over time. ■ A Sincere Request to the Development TeamI truly appreciate Adobe’s continued innovation and the power of Premiere Pro as a professional tool.That’s why I hope the VR production community will also be supported in future updates.Please consider bringing back the"Immersive Environment" VR real-time preview feature** in upcoming releases.Thank you for your consideration. 【要望】Premiere Pro ver.23以降で廃止された「イマーシブ環境(VRゴーグルによるプレビュー)」機能の復活を希望します ■ はじめにPremiere Pro ver.22までは、VRゴーグルを使って360°・3DVR映像をリアルタイムでプレビューできる「イマーシブ環境」機能が搭載されていました。この機能は、VR編集における画角や視差の微調整に不可欠なツールであり、非常に多くの制作者にとって重要な存在でした。しかし、ver.23.1以降、この機能が完全に廃止されました。 ■ 何が困っているのか?現在は以下のような課題に直面しています:・画角や視差を調整するたびに、動画を書き出して確認する必要がある・書き出し・レンダリング・再確認を繰り返すことで、作業時間が大幅に増加・そのため、今でもver.22を使い続けざるを得ない状況立体視映像の調整は繊細で、リアルタイムに目視確認しながら調整することが不可欠です。書き出し後にヘッドセットで確認する方法では、効率面でも表現面でも大きな支障が生じています。 ■ なぜ代替できないのか?以下の点から、この機能の復活は他では代替できません:・After Effectsなど、Adobeの他製品でもリアルタイム3DVRプレビュー機能は提供されていない・DaVinci Resolveをはじめとする他社製編集ソフトでも、同等の機能は実装されていない・よって、Premiere Proのイマーシブ環境は業界全体でも非常に貴重な機能でした ■ この機能が求められている理由・VR映像制作の現場では、リアルタイムでの立体確認が不可欠・教育、医療、観光、イベント、メタバースなど、3DVR編集のニーズは今後ますます広がる・機能の廃止により、多数のプロフェッショナルや事業者が影響を受けている可能性 ■ ver.22を使い続けるリスク現在はver.22を使用していますが、以下のようなリスクがあります:・今後のOSアップデートで非対応になる可能性・セキュリティアップデートが提供されない・他の新機能やサードパーティプラグインとの互換性が失われていく懸念これは、クリエイター側だけでなく、Adobeにとっても望ましい状況ではないはずです。 ■ 開発へのお願い日々進化を続けるPremiere Proの開発に敬意を表します。だからこそ、3DVRや立体映像の制作現場でも安心して使い続けられるツールであってほしいと願っています。ぜひ、今後のアップデートで「イマーシブ環境(VRリアルタイムプレビュー)」機能の復活をご検討ください。
Please can you make this small amendment when adding a comp to the render queue. Just auto scroll to bottom when you have a large render history, it always defaults to just showing you the comp name and the tick box, I want it to scroll down so I can see the render settings, output module and output to options, without having to scroll down, It's a little thing but after 13 years is infuriating.Thanks
It will be a great feature if we have an option to collect or move all the unused footage to a subfolder in the FInder/File Explorer. so we can delete manage footage and storage more easily. I work for a marketing agency and i often get 30-40gb of footage for a 30 sec reel. I'll also have to make variatiations in the future so i cant really get rid of all footage. Now i consolidate and collect files into a different folder after a project is done. but that is really messy and doesn't keep my original folder structure. so it will be sooo helpful if i can just select all unsed footage from inside of premier pro and movie it or even an option to delete it from system storage. What do you guys think?
Hello,Is it possible to remove the case-sensitive option for search in the Project panel? So when I type 'dog on the beach,' it shows both 'Dog on the beach' and 'dog on the beach' files?Thanks.
It's too weak. It needs to be more versatile. Maybe even allow airbrush to be enabled so the blur effect can build-up like water on a watercolor painting.
Hey, It's quite surprising that after all these years, Adobe Premiere Pro still doesn't have a "Solo" button for video tracks, similar to what we have for audio tracks — or like the Solo switch in After Effects.When working on complex timelines with many video layers, it becomes time-consuming to manually turn visibility on/off just to focus on one specific track. A simple Solo toggle for video tracks would make editing and troubleshooting much faster and cleaner.This would be a wonderful and long-overdue addition to Premiere Pro's usability.
Selection Snapping Request for Photoshop on iPad Request: Add the ability to turn snapping on or off for selection tools (e.g. Lasso, Marquee, Object Selection) in Photoshop for iPad. Current issue: Users currently cannot disable snapping when making selections, which affects precision — especially when working near edges or complex compositions. Expected behavior: Just like in the desktop version, users should have access to: Snap toggle Snap To > Layers, Guides, Grid, etc. Ideally available in the gear/settings menu when a selection tool is active. This would give users more control and accuracy, especially for fine retouching, cutouts, or composite work. Thanks!
Can we have this option in after effects, so simple but helpful
The recent Premiere Pro update has made it so that audio and video tracks are now twice as large as they used to be - like it's FCPX or something. For those of us that consistently use as many as 10 or more layers on a timeline, this is a nightmare; as I can shrink the tracks, sure, but they're either too small or too big. I've been using this program for over 10 years now, my workspaces and editing style is built around the old standard track height and having to manually adjust each new layer as it gets created is costing me too much time.
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