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AyerSalimParticipant

Please Make Premiere Pro's Title Bar Match Dark Mode Like Photoshop/IllustratorOpen for Voting

Feedback: Please Make Premiere Pro's Title Bar Match Dark Mode Like Photoshop/IllustratorDear Adobe Team,Thank you for your continued efforts in improving Premiere Pro. As a loyal user, I appreciate the powerful tools and workflows the application provides. However, there's a persistent inconsistency in the UI that has been a source of frustration for many users:The Title Bar in Dark Mode Is Still Bright WhiteWhen using Premiere Pro in dark mode on Windows, the application’s title bar remains glaringly white. This disrupts the otherwise cohesive dark theme and creates unnecessary visual strain—especially in low-light environments.Photoshop and Illustrator Handle This BetterApplications like Photoshop and Illustrator already support dark title bars that align with the rest of the UI. This makes the user experience more seamless and visually consistent. Premiere Pro, as part of the same Creative Cloud suite, should offer a similarly polished experience. Why This Matters:Visual Consistency: The bright white bar clashes with the rest of the dark interface.User Comfort: Especially for editors working in dim lighting, the white title bar can be distracting and even cause eye strain.Professional Look: A fully dark UI is not just aesthetic—it signals polish and attention to detail.Suggested Improvement:Please add support for a dark-themed title bar in Premiere Pro, matching how it works in Photoshop and Illustrator. Ideally, this should integrate with Windows’ dark mode settings and/or Premiere's Appearance preferences.Thank you for considering this request. A small UI change like this would greatly enhance the overall experience for many users.

karmart93
karmart93Participating Frequently

After Effects: A Legacy Tool in a Modern WorldOpen for Voting

It’s 2025. I open After Effects and… it feels like I’m still working in 2013.While Blender, Unreal Engine, Houdini, and even newer tools like Cavalry are evolving with bold updates, After Effects has barely moved. Every time a new version drops, it’s disappointing to see tiny improvements disguised as “major features.” It’s as if Adobe is keeping the program on life support without actually developing it.Let’s call it out:Graph Editor – still outdated, clunky, and untouched for over a decade. No real-time preview, no modular behavior, no intelligent UI. No modern easing tools – no built-in bounce, elastic, inertia, or overshoot. You still need to rely on Expression tricks or 3rd-party scripts for basic animation finesse. No native effectors or procedural animation tools – while tools like Cavalry, Cinema 4D, and Notch offer real-time procedural workflows and effectors, After Effects is stuck in manual keyframes and precomp hell. Still no native IK (inverse kinematics) – even simple character rigs require a stack of third-party scripts or plugins. Why isn’t something like Duik, Rubberhose, or Limber native by now? No advanced duplicator – there's no built-in cloner or radial repeater like in Cavalry, Motion, or Mograph. We need a better system for duplicating layers with control over scale, delay, and animation. No node-based workflow – at least give us the option! Every other modern motion software has some form of visual scripting or node logic. 3D? A joke. The “3D” system in AE is laughably outdated. No lighting realism, no proper camera controls, no real viewport. Blender, Unreal, and even free tools are miles ahead. Scripts and plugins are doing Adobe's job – tools like Flow, EaseCopy, Motion Tools, Joysticks 'n Sliders, Duik, etc. are incredible—but many of these should be native. We're duct-taping creativity. Comparing with the rest of the industry:Cavalry offers real-time procedural animation with effectors, duplicators, behaviors, and constraints.Blender has had constant innovation: Geometry Nodes, real-time rendering, asset browser, grease pencil updates, and a thriving dev community.Unreal Engine drops massive features like Nanite, Lumen, MetaHuman, and more—for free.Houdini is evolving faster than entire Adobe departments, and that’s saying something.Here’s what we actually want:A modern graph editor with user-defined easing presets, preview curves, and velocity visualization‌‌ Built-in bounce, overshoot, and motion behaviors — no more relying on expressionsEffectors and procedural animation systems, à la CavalryReal 3D integration or native support for importing scenes from Blender/UnrealA decent cloner/duplicator with delay, randomness, and animation controlsNative IK systems and rigging tools for characters and UI elementsNode-based system as an optional workflowTimeline folders or groupingBuilt-in SVG support and better shape layer toolsGPU acceleration that actually matters in real workflowsWe’re not asking for gimmicks. We’re asking for Adobe to start treating After Effects like it’s part of the future—not a legacy app with patches.If you’re a motion designer, VFX artist, or animator feeling the same, raise your voice. We love After Effects for what it was. But now it needs to evolve—or get left behind.

KeylanHannaParticipating Frequently

Bridge Photo Stacking DESPERATELY Needs An Update: Capture Time, EV, EXP Comp, ETC.Open for Voting

Bridge automated photo stacking is simply a painful existence.  I run a real estate media company and we are shooting thousands of images per day. Our workflow includes stacking 5 image brackets for file management and organization while culling. Bridge's "Auto Stack HDR" is effectively useless. It NEVER works correctly and ithas no customization for stacking parameters. Lightroom at least has a "Stack By Capture Time" feature which is decent but lightroom itself is not a great choice for file manageent. We NEED the abilty to set custom parameters for auto stacking. All of the data needed is in the meta data.  We need options for stacking via Capture TimeSequenceEVExposure CompensationFile TypeCamera Serial Number Any other meta data that may be relevant.  Additionally, Please make selecting the WHOLE STACK the standard and selecting the top image require the option key. I can't think of a reason that someone would want to drag the top image off of a stack without purposfully meaning to do so. We as a company are still using Bridge 2022 because it seems to be the best version before Stacking became completely usuless. Willing to pay a bounty to the engineer or script writer who can make this happen. Fro what I understand, Adobe has some sort of patent on the concept of "Stacking" which means there are no other alternatives that can help.