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Many offline renderers recommend that textures be converted to .tx format for optimized memory usage. Is there any possibility of directly exporting this file type from Substance applications? It would save the step of converting down the line and could help speed up workflows. Thank you in advance for your help!
I would suggest putting the Change to Color plugin back in premiere. I went to use these features recently and noticed that they removed it in this version.
It's currently impossible within expressions to set the width or height of a Paragraph Text box.This would be a massively helpful feature for text-based templates and animations.
There is an issue with how layer duplication currently works, and I got myself confused. However, an Adobe employee suggested submitting this as a new Idea. The IdeaEither make the duplicates appear under the original by default, or create a checkbox that enables this behavior in the Properties. Alternatively, add a separate command/hotkey (e.g., Alt+D). It would be even better if users could also specify how many layers to duplicate, perhaps on a dedicated panel/tab. Additionally, please add the missing condition check that causes the issue. The IssueThe issue impacts the attached Effects that contain pulldown attributes for layer selection (propertyValueType == 6421), e.g., SetMatte or CC Composite. If that property points to its host layer (i.e., self, index n) and the layer gets duplicated, the host layer moves one position down to index n+1. Yet, the Effect still points to index n, not n+1, which breaks the behavior of the Effect. How Will the Idea Help My Workflow?When I am setting up one layer that I plan to duplicate (e.g., 100 times), it requires testing the crowd behavior, such as for motion graphics or particle simulations. With this change, my layer, where I am doing all the expressions, will stay put next to other top layers containing controls to those expressions, not drift away.Applying the fix would also save me the time of going into every pulldown for every layer and changing it to self for every test I make, which amounts to a lot of time saved. It would be much more convenient to have this feature integrated and fixed by default, rather than relying on a custom-written script, which I resorted to out of desperation.A call for action: if you feel this feature might improve your workflow too, upvote the post, please!
Dear Adobe, I'd like to suggest a new feature for Adobe Premiere Pro 2025. Currently, to move text in the Program Monitor, I have to first select the corresponding layer in the Timeline. This is a time-consuming process. My suggestion is to enable users to directly click and drag text elements in the Program Monitor to reposition them, without needing to pre-select the layer in the Timeline. This would significantly speed up my workflow and make text manipulation much more efficient. Thank you for considering my request. Sincerely, [BLUE BRID]
Looking forward to magic composite, magic blend with shadows. Really love that, and if there was a way to adjust the shadows, color, composite when it pulls in that would be next level. E
Bilder-Libary/Archiv -> Zugriff auf bereits gepromptete Fotos Charaktäre erstellen so wie bei Midjourney bessere Mimik bei Menschen bei WideShots.
It would be interesting to be able to apply textures or patterns to the generated images. In my practical case I would use this function in interior design and fashion, specifically, if I wanted to use a pattern I had made and I wanted to apply it to a dress, an accessory or a piece of furniture it would be very useful to create mockups with different variations and in a shorter time. With Midjourney I think it is possible to do this but it requires a bit of work on the prompt. What do you think?
어플로 사용할때 가로화면에서 UI왼쪽으로 옮기는 기능 좀 추가해주세요 답답해 죽겠어요
Would love to be able to save the ai creations I create from the main text to image input window. Nothing fancy, just a save button to save to my Adobe account files. Instead / aswell as having to import to Adobe Express. Loving the updates too 🙂 Thanks
Can volume keyframes be copied from one track to another... or can multiple tracks with keyframes be adjusted at the same time? If not... it would be super helpful... in Premiere attributes can be copied from one track to another, maybe I am missing how to. In AVID 2 tracks can be adjusted at once keyframe wise. It would be very helpful to have Adobe Audition have this capability, especially since it is the audio mixing program and in theory, there should be more ability to control. Again please let me know if I have overlooked how to... I am new to audition. Many thanks.
I'm pretty sure I'm not the only one who finds it annoying when going to the previous folder (up folder), the views change to whatever is set to that folder. The problem with that is the order changes when going up to the previous folder. (Ex. Sorted alphabetical FIlenames on List view but Sorted in User Order)Also, the file you highlighted will be lost, and you need to find it again on a different view. This is a pain if I have hundreds of footage.Lastly, the nested clips or sequences you created are hard to move to the parent folder, especially if you have multiple subfolders. This is because the view changes from LIST VIEW to ICON VIEW when you UP FOLDER. Can you please retain the view (ex. list view) throughout the entire project when clicking up folder?or maybe add the ability to drag the file or sequence or whatever it is to any tab open tab without opening a new window.
implement eye contact where Artificial Intelligence helps us maintain eye contact with the camera and for video creators with their audience and give that usual effect to the camera. That is, in pre-recorded videos where we are reading a text or script, this would make things easier for us. for example
implementen el contacto visual en donde la Inteligencia Artificial nos ayudea mantener el contacto visual con la camara y para los creadores de videos con su audiencia y dar ese efecto de ver siempre a la camara. es decir en videos pregrabados en donde estemos leyendo un texto o guion, esto nos haria mas facil las cosas.
I like the enhance audio, but it seems like it is only useful for a final touch on the audio because any edits force all the tracks that are enhanced to re-enhance. If it's been enhanced, and all I'm doing is in/out cuts and reorganizing, why should it need to re-analyze and re-enhance again?
i do not agree with the new upgrade of essential graphics to graphics templates. it doesnt make sense that this premier pro platform becomes a place for non experienced video editors who can buy templates. this shouldnt be on premier pro. this place is for experienced video editors to a certain degree. if everyone can do this, then where is the niche? how professional u will be to your clients or employers? everyone is able and know premier pro. it doesnt make sense at all
Hello again, Adobe Team and Creative Community,I wanted to revisit a topic that I feel is critical to our work and rights as creators using Adobe Photoshop—specifically, the issue of censorship within the generative fill feature. My previous post aimed to ignite a conversation around this, and today, I'm here to emphasize a crucial point: the responsibility and liability of content creation rest entirely with the artist, not with the tools they use.Historically, the tools provided by Adobe have been just that—tools. These are means by which we bring our creative visions to life, whether they're simple sketches or complex digital artworks. The principle has always been clear: what we create and how we use these tools are our responsibility. This is no different with the advent of generative AI technologies. If a creation is deemed inappropriate, the onus is on the creator, not the tool used to make it.By restricting the capabilities of generative fill, Adobe shifts from being a provider of tools to an overseer of content, an unnecessary and unwanted expansion of role. This not only stifles creativity but also sets a concerning precedent where the toolmaker becomes accountable for the user's artistic expression. This is neither practical nor sustainable, especially in a world where artistic mediums and tools are ever-evolving.It’s important to recognize that bad actors will misuse tools regardless of the safeguards in place, and penalizing the entire artistic community for potential misuses is neither fair nor effective. Instead, empowering artists to use tools responsibly, providing education and promoting ethical use, is a more constructive approach.Adobe has the opportunity to lead by example, demonstrating trust in the creative community by rolling back unnecessary censorships. Let's ensure that Photoshop remains a tool that offers limitless possibilities, not limited permissions.Thank you for considering this perspective. I hope we can move towards a solution that upholds the true spirit of creativity and freedom.
Might be a pretty Niche feature request, but its been bugging me for a while, that Im not able to manipulate the blending mode via expressions or keyframes.In my specific case, I work with data driven animation and Im changing the color of a layer based on certain conditions. My layer has to be either Red, Green, Blue or Silhouette Alpha.My workaround for now is creating an extra layer above my main layer, that has its blending mode to Silhouette Alpha and matte it to that layer. Then I add an expression to that layers opacity, to make it turn on/off based on the conditions. Apart from my usecase I think it could also add a lot of creative flexibility being able to animate between all the different blending modes.
AI Avatars for Text-to-Speech? This has to happen.
Many of us have machines at our office, our own machine at home, and a laptop for when we are in the field. Please consider allowing three machines for installs rather than two. This would alleviate the stress of heading out to the field for a few days and having to remember to deactivate one of my other machines to update my files and apps on the laptop before I go. The hotel wifi where I often find myself are not sufficient to download the large media files I need when updating folders. It can take hours. I'm sure there are other creative ways to verify that I am not sharing my license besides the two machine limit. Thanks!
Hello, I have a request for an Adobe capability. I have thousands of hours of footage with people speaking with a variety of different accents. When I upload footage to premiere pro, the Adobe Sensei ML is able to accurately transcribe anywhere from 1/4 to 1/2 of the dialog. The frustrating part is that I already have transcripts for all the footage transcribed perfectly by a human. But there isn't the option to upload the accurate transcripts and have the AI reference and integrate it into Text edit. If this were possible, it would be a game changer. It would also be an incredibly powerful capability for media manangement if production companies could keyword search through entire libraries of video footage this way. Thanks for considering this request
Surely I can't be the only one who shakes their head a bit anytime they open up the CC Desktop app? There was a time when it was fairly useful, and looked as if it were made for the professional customers Adobe depends on. Not today:It'd be one thing to have the Home and Apps screens set up as they are now if we still had the option to customize it. But there's no way around it, leaving us stuck with a cluttered interface crammed with the equivalent of in-game advertising, despite paying for the privelage via our monthly/year subscriptions.
The device tab currently shows what photos you have made edits to in Lightroom by marking them with a pencil icon. Can we take this a step further and have an option to auto export our edits as an edit to the device photo library? Similar to how many iOS editing apps function. Or even just an option as part of the export workflow? Currently I have to export and create a duplicate copy on my device library. I don't want to delete the original most the time for obvious reasons. Edits applied from outside apps to the device library are non destructive, so there is minimal risk.
So when we try to edit a text or a graphic layer and send it to After Effects we find every layer in a precomposition like this and I have to spend time to extract it and for example if i have 100 layers or more this takes hours and hours of work so i hope Adobe fix this and when I import the graphic layer or text layer I want it to be like this like It would normally be in After Effects
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