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Working in broadcast often means exporting 16 audio channels. Often simmilar to this convention: Channel 1 - Stereo TVIS left Channel 2 - Stereo TVIS right Channel 3 - Stereo English mix left (conforming to EBU-R128) Channel 4 - Stereo English mix right (conforming to EBU-R128) Channel 5 - Stereo dipped M&E left Channel 6 - Stereo dipped M&E right Channel 7 - Mono sync track Channel 8 - Mono English voices (narration, guide VO, comms) Channel 9 - Stereo dipped sync effects left Channel 10 - Stereo dipped sync effects right Channel 11 - Stereo dipped natural effects left Channel 12 - Stereo dipped natural effects right Channel 13 - Stereo dipped spot FX left Channel 14 - Stereo dipped spot FX right Channel 15 - Stereo dipped music left Channel 16 - Stereo dipped music right To be able to deliver like this we create a Audio Track Layout with multiple submixes to accommedate this:In other applications you can hide(or make shy) tracks, making life simpler for the editor. Some busses, are just to create a mono output. No one needs to see or touch these.Thank you for considering.
Please can you do zzom-out option like Midjourney? Thanks
While Firefly is very impressive and have rendered some cool images for me then i feel like I am wasting a lot of "credits" on getting the camera angle correct most of the time. It may be my formulations or descriptions which could use work but I do feel that the current camera angles dont work at all even wyhen selected like the AI just ignores them. Would be nice we could could "hardlock" the angle so the AI dont just ignore it and get more angles like side view, isometric view, working panorama view and so on. Not sure how it could be done but having something that force the AI to actually use the camera angle we want to use would really be helpful if we are looking for a speciffic camera result without having to spend time/credits when it generates something wrong.
This has been a dream for mine for years. Please implement a simple shortcut key to auto straighten (from the crop tool). I realize "R" brings up the crop tool (only in Classic, not mobile) but having an auto straighten key would GREATLY improve workflow. Personally, I am a professional photographer editing about 100,000 photos a year. Unlike most photographers I use an iPad Pro with Lightroom Mobile for many reasons - number one being I edit about 8 hours a day during busy season and I want to sit on a couch instead of a desk. Another huge reason is the ability to move sliders and adjust crops with touch. I am always looking for ways to speed up my workflow on the iPad and auto straighten is something that I do to almost every photo. I do think that LR mobile gets slighted when it comes to keyboard shortcuts - which I partly understand because not everyone with an iPad Pro has a keyboard - but me and some other photogs I know would greatly appreciate some love. Thank you so much for the consideration.
After using the adjustment brush (example Curves to lighten) on part of an image and then wanting to make a second adjustment using the same control but at different settings (example Curves to darken) the only way to make a completely new curves adjustment with this tool is to use the button in the contextual menu bar. The "NEW Adjustment" option should also be in the options bar!
Hi. Is there any way to lock a shape? I have quite complex layer with lots of shapes and when ever I try to select the layer and move it, it selects shape points and tries to move those. It's quite anoying. Only way to move it is with arrow keys on keyboard. So, is there a trick for this? Mikko
Adobe Premiere Pro 1. Clips Sorting in Bin: The default order for clips in the bin should be by name. Currently, clips are arranged randomly, and reorganizing them by name requires a lengthy process. This should be streamlined with an option to set a default sorting order.2. Auto Silence Removal: While silence removal can be done with plugins, these are often expensive, and since we’re already paying for the software, this feature should be included natively. It would be great to see more advanced options like silence detection based on decibels, the ability to automatically trim audio, or integrate external audio with video clips.3. Auto Cut Issues:• When using Auto Cut on 4K clips, it often cuts an extra frame at the end, showing part of the next clip. This needs to be fixed.• Auto Cut does not work properly when audio is removed or manual cuts are made. It should be able to handle clips regardless of edits.4. Folder Integration: It would be useful to right-click on a folder and open it directly in Premiere Pro, similar to how folders can be opened in VS Code. This would improve workflow efficiency.5. MKV Format Support: Please add native support for MKV format. Many of our clips are in MKV, and converting them to other formats is time-consuming.6. Color Shifts During Export: There is a noticeable color shift when exporting a project compared to the working file. The process to fix this (adjusting color settings in Media Encoder from Rec. 709 to others) is too complex. There should be a simple option to retain the original clip’s export settings. This issue especially arises with iPhone footage.
What DOES THIS MEAN?????Why does the Search to attach proxies start searching from the very beginning of the entire file directory IN MY :C DRIVE? Why does it not immediately highlight or visually show/snap to the direct file it has found? I've already done the search for it, it's in :O, in this folder with this date-- why is it diving into my :C drive? I'm IN the folder highlighted to the left.It doesn't tell me what it is, where it found it, any single bit of identifiable information to what I'm attaching my proxy to, where the file is, what it's named, how it found it, where it found it, what is the size, what is the filetype, what the actual hell it's even doing.It just says: Please give us more information. Please utilize some type of genuinely bright and obvious differentiation between menus, highlighted items and views to help us know what is going to happen next. If I'm importing into a current project, where the hell is that imported clip going? There is no identifier.Please give us data to work with.
Hello,I think the strategy is to separate the 2D and 3D products,but is there any idea to port the 3D model catalog function of “Substance 3D Viewer” to “Adobe Bridge” ?If possible, we would like to be able to view both 2D and 3D models together, like UnrealEngine.
I am mixing one design and two images in Freepik, but it doesn't work exactly the same in Adobe. The sample image can provide inspiration, and by taking the color from the other image and blending them, a beautiful result can emerge.
Hey Substancers! Simply feature request, altough it should be a default function imho. So sometimes when I import a scene into Substance Painter with cameras, in some cases the order of the cameras are not alphabetical, but seems to be random. I think it is something to do how FBX handles object order. But Substance Painter should not follow this, but sort the name of cameras in the dropdown menu alphabetically instead. Thanks!
Allow the user to rename textureset through the APISometimes our user will have renamed the texturesets imported in our game-engine and we would like to push this rename to the painter project when it gets opened to have consistency but it seems to be currently impossible through javascript or pything as far as I can find
The subject line says all in a nutshell.With every new PS release, while features are appreciated, the stability/speed suffers big time. Crashes, hangs, not working menus ('Export As' looking at you), failing video drivers - it's all getting worse. I'm using AMD Radeon RX 6650 XT GPU with 8GB RAM, fully compatible and supported, latest drivers for W11, always factory-reset before install, yet the instability is huge.Adobe, please work with AMD and other vendors, try to iron out the video bugs. I really feel I'm running a beta-grade software, at best.Brief PC specs:PS v26W11AMD Ryzen 7 3700X32 GB RAMAMD Radeon RX 6650 XTM.2 nvme drive
In Details (full screen) view, I want to quickly move left and right navigating to other photos. I used the mouse wheel for this on Windows previously which was superb. On my Mac, scrolling the mouse wheel a little more quickly causes the action to bounce so the view jumps unpredictably several photos to the left or right. This kind of kills the fast and precise photo navigation I was used to in LR for Mac. The mouse wheel bouncing seems to be a known but accepted behavior on Mac. I therefore suggest we need Adobe to adjust the mouse wheel behavior in LR on Mac to allow quickly and precisely navigating through photos in Details view.
Could it be possible to manage component selection for material asignment or visibilty when dealing with assemblies?when opening some Steps or other Cad files you may open an assembly (e.g. with multiple components), and Substance Viewer detect only "one mesh".Even if there is not any possibility to move components, it could be nice to be able to hide/show those components individually... But at least, and it's nice, even if there is only one mesh, different materials can be assigned to each object...
If there's a a way to convert line text to paragraph text vice-versa
Over the last few years Sony, Blackmagic, RED, GoPro, and DJI have developed cameras that automatically record gyroscopic motion information into the metadata of video files. This allows for FAR more accurate stabilization in post, ensuring you can smooth out the actual camera movements, instead of the movements that the software visually analyzed and predicted. There are two primary softwares that areused to stabilize footage with gyro data:Sony's Catalyst Browse (and by extension the more feature-rich Catalyst Prepare)Gyroflow There are several problems when using either of these solutions. For both, it is awkward and innefficient to do a round-trip just to stabilize footage. On top of this, Sony's own Catalyst softwares have issues. Catalyst Browse (free) has very limited export options, none of which maintain a 10-bit color space (despite one of the formats being labeled as such; the metadata says otherwise). This is obviously an issue. On top of these, even in Catalyst Prepare (paid) which has more available export formats, the exported footage is softened and does not maintain full quality. GyroFlow does not suffer from the format/softening issues that Sony's programs do, but it is a much more hands-on piece of software. Camera/lens profiles are made by users, and often not accurate, causing issues in stabilization. If a user chooses to build out their own profiles, this can take hours if no reference profiles are available. This issue multiplies when dealing with zoom lenses - something Sony's software seems to navigate on its own. All of this to say - I would love to see Adobe reconsider adding gyro stabilization to Premiere Pro, whether as an extension to Warp Stabilizer, or as its own tool. It is inconvenient, frustrating, and even damaging to footage to use pre existing softwares, and this feature would benefit many editors if it was found directly in Premiere Pro.
This should have been so in 1999 with Image Ready and it is amazing that in 2024 I still have to use other 3rd party apps because Adobe is too lame to do the correct thing!Explain why PS or Express will not allow a folder of images to simply and easily be converted into one animated GIF without having to deal with layers and/or videos? Drop a folder of images and an animated GIF is made. If https://www.macgifmaker.com/picgif.html can make it this easy, why can't Adobe?There are FREE 3rd party app for the Mac that do this. Since I have been paying for Adobe products since March 1997, why hasn't this simple thing been added to Adobe?This PISSES ME OFF every time I have to make an animated GIF! Like I said, this should have been so since Adobe Image Ready in 1999. Where are you developers?!?!?!?
This drives me nuts, I shouldn't have to work around it. We pay for this. It ruins any kind of workflow where I need to stay on a specific part of the timeline. When I press pause, the timeline view jumps to where the playhead is in the the timeline. There is no way to turn this off. I do not want it. It's pointless. I lose so much time to this one dumb thing. Fix it, it's easy to fix. People have been complaining for years. There is no good reason why I cannot turn this feature off.
Everytime I open a library in AE it gives me this tooltip that sometimes doesn't even go away with 1 click. Firstly - make the library window remember the last library openSecondly - remove the redundant tooltip from EVERY library use
Suggestion: Panning with the middle mouse button. This is a common interface option with many creative tool apps. Should be an option right beside scroll wheel to zoom!
Hi, As it's already done for dn files of Dn ans ssg files of Ss, could it be possible to the support for asd files of Sb?It could help a little managing files. by the way the support of glb and usd could be a must.
When classifying wildlife photos into albums it's really useful to see which albums a photo belongs to (potentially multiple). You can see this in place on the desktop and the web in the Information section, but not on any mobile app including the iPad. It must be so easy to add this and a really obvious missing feature, so I have no idea why it's not been done by now
Hello, A workshop hosted for XR used Aero to learn AR, however the 'share' option QR code didn't work for anyone as it keeps crashing on the app when it loads. https://adobeaero.app.link/gFkdtguGaOb An example QR code link in question. I use a Samsung Zflip Thanks
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