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Some problems with existing VersionOpen for Voting

Adobe Premiere Pro 1. Clips Sorting in Bin: The default order for clips in the bin should be by name. Currently, clips are arranged randomly, and reorganizing them by name requires a lengthy process. This should be streamlined with an option to set a default sorting order.2. Auto Silence Removal: While silence removal can be done with plugins, these are often expensive, and since we’re already paying for the software, this feature should be included natively. It would be great to see more advanced options like silence detection based on decibels, the ability to automatically trim audio, or integrate external audio with video clips.3. Auto Cut Issues:• When using Auto Cut on 4K clips, it often cuts an extra frame at the end, showing part of the next clip. This needs to be fixed.• Auto Cut does not work properly when audio is removed or manual cuts are made. It should be able to handle clips regardless of edits.4. Folder Integration: It would be useful to right-click on a folder and open it directly in Premiere Pro, similar to how folders can be opened in VS Code. This would improve workflow efficiency.5. MKV Format Support: Please add native support for MKV format. Many of our clips are in MKV, and converting them to other formats is time-consuming.6. Color Shifts During Export: There is a noticeable color shift when exporting a project compared to the working file. The process to fix this (adjusting color settings in Media Encoder from Rec. 709 to others) is too complex. There should be a simple option to retain the original clip’s export settings. This issue especially arises with iPhone footage. 

Add gyro data support to Warp StabilizerOpen for Voting

Over the last few years Sony, Blackmagic, RED, GoPro, and DJI have developed cameras that automatically record gyroscopic motion information into the metadata of video files. This allows for FAR more accurate stabilization in post, ensuring you can smooth out the actual camera movements, instead of the movements that the software visually analyzed and predicted. There are two primary softwares that areused to stabilize footage with gyro data:Sony's Catalyst Browse (and by extension the more feature-rich Catalyst Prepare)Gyroflow There are several problems when using either of these solutions. For both, it is awkward and innefficient to do a round-trip just to stabilize footage. On top of this, Sony's own Catalyst softwares have issues. Catalyst Browse (free) has very limited export options, none of which maintain a 10-bit color space (despite one of the formats being labeled as such; the metadata says otherwise). This is obviously an issue. On top of these, even in Catalyst Prepare (paid) which has more available export formats, the exported footage is softened and does not maintain full quality. GyroFlow does not suffer from the format/softening issues that Sony's programs do, but it is a much more hands-on piece of software. Camera/lens profiles are made by users, and often not accurate, causing issues in stabilization. If a user chooses to build out their own profiles, this can take hours if no reference profiles are available. This issue multiplies when dealing with zoom lenses - something Sony's software seems to navigate on its own.  All of this to say - I would love to see Adobe reconsider adding gyro stabilization to Premiere Pro, whether as an extension to Warp Stabilizer, or as its own tool. It is inconvenient, frustrating, and even damaging to footage to use pre existing softwares, and this feature would benefit many editors if it was found directly in Premiere Pro.