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I am new to text based editing, but am finding it very useful in my new job editing tutorial videos. I love that markers can be created right in the transcript. I would like to suggest that BOTH source clip and timeline markers be available to view on the transcript at the same time when on the timeline transcript. The extended marker is at the top of the text in both cases, but maybe the sequence marker could be on top of the text and the clip marker at the bottom of the text. I don't think it would be possible to ADD a marker to a clip when editing a sequence transcript, but to be able to see the clip marker when editing the sequence transcript would be very helpful.
This is a feature request, but after playing with the text-based editing workflow for a few hours, it seems like we need some way to quickly generate markers from the text. Right now, the process seems to be that highlighting a section of a transcript creates in and out points on the timeline. It would be great if right at that moment of selection we could create a marker that spanned those start and end points. This could basically give editors a quick way to mark "good take" or "use this" or "this is the part about childhood" etc etc. Instead, unless I am missing something, it seems like after selecting the text, you have to click into the sequence, then hit "m", then do some other fiddly steps to get the marker to span the points that are already selected from the text. So, is there a way to automatically create a marker that has the in and out points as its boundaries? If not, these should be something to consider for this text-based workflow. It needs some kind of commenting or markup system to go alongside it.
PLEASE can we incorporate folders in Adobe Audition for basic organization! We need to properly collect similar audio assets together, the majority of which have very disimilar file names, into nicely organized folders so that sound design isn't a completely nightmare in Audition.
It'd be nice - but probably not easy - to be able to get the destination Premiere Pro's sequence dimensions (and maybe other things such as frame rate maybe?) into an AE expression. This would allow us, for example, to make a one-size-fits-all mogrt that can be dropped into a PPro timeline and would adapt automagically to the sequence's size - with no input such as scaling needed in PPro. I'm sure I'm not alone in having to export many different formats. I currently often create mogrts with a Format menu control, where the user can select from preset aspect ratios, and some expressions in the mogrt then take care of the positioning and scaling of layers and stuff. But it'd be lovely if this could be auto-detected somehow...perhaps in the same way I can use thisComp.width, maybe a thisSequence.width would get the target sequence's information. Obviously AE has no way of knowing the target sequence's dimensions when I'm setting up the mogrt, so maybe it could default to the current dimensions of the comp.
I love the ability to leverage structure reference to influence FF in how it generates images. However, currently I need to open / import an image created / scanned-in from elsewhere. It would be an awesome to have an in-browser whiteboard within the FF UX to be able to doodle a quick image that then can be directly used by Firefly as a structure reference.
Creating a feature that allows the history to be exported to a text format for Adobe Audition or to be embedded in the metadata of the processed audio (similar to what exists in Photoshop), this would allow seeing exactly what was done to the audio file and provide traceability to the changes, in the forensic field it would be very helpful.
Could it be possible to manage relationship with lib Asset and Document managed in CC?As image and Doc can be linked in AEM?The goal is to list in a doc all linked files: linked pictures and lib assets filesin the other way, selecting a Lib Asset, it could be valuable to list all teh documents wher this lib asset is used.Many Thanks
I sometimes find myself copying and pasting sequence names (eg. adding " with subtitles" or " clean version" to the end of the names of many sequences, especially as everything is now 16:9, 1:1, 9:16...). I might then copy and paste a video clip between sequences. Obviously if I then try to paste the previously-copied " with subtitles" words to the end of another sequence name, nothing happens, because the clipboard now contains a video clip. It'd be nice if PPro (and in fact ALL apps) was clever enough to retain several pieces of clipboard information, and figure out that if I'm in a Timeline Panel, and do "paste", it should paste a previously copied clip; if I'm in a text field (eg. a sequence's name), it should paste a previously copied bit of text, even if I've more recently copied a video clip or chunk of audio. So effectively we'd have several clipboards, each containing a different type of content, and PPro would use whichever is the most appropriate thing to paste, not necessarily just the most recently copied thing.
5 times this month I have entered an innocent prompt that resulted in banned images that I was charged a precious credit for. Why are the credits not refunded when the results are not visible or downloadable? It doesn't seem fair. It didn't matter back when I was employed and could afford the unlimited plan, but now that I am jobless and can no longer afford to pay every monthly credit is precious. Thank you for your empathy and your awesome tools!
I really can't believe there's not an easier way to add brushes to favorites folders. Some suggestions: 1. A heart or star icon next to the brush that you can check, maybe there's a dropdown to select which favorites folder you want to add it to. 2. Right click, duplicate, drag brush to favorites folder. You get the idea and I know you're capable of an easy update.
I would like to propose that Adobe, amongst other things, prioritizes the functionality of its useful AI Denoise tool so that it works with JPEGs and Apple ProRaw, etc. I understand that the information in a JPEG is not as detailed as in some RAW files so the utility of the tool might be curtailed a bit, but this has not stopped Topaz, for instance, from extending its functionality to JPEGs etc. Many thanks
Já existe a opção de excluir todas as camadas ocultas, poderia existir a opção de excluir de uma vez todas as pastas vazias.
I really loved the improvements implemented in the audio transcription of the new version 23.4 , and it gave me an idea that could improve it even more!!Now that the tool is smart enough to identify moments of silence, it would be awesome to have a button that could delete all moments of silence from the timeline!! The current version has already greatly streamlined the process! The fact of being able to select each silence and delete them, made tasks that used to take me 30min, to be done in 5! But something that made it automatic in 1 single click, could reduce it to seconds!!
when i impirt some shapes in photoshop photoshop say you could not import more shapes . why and how i can fix this pleas i neeed this hope
When will we get optical kerning in Premiere Pro?It would be great if the type tools in Adobe were consistant across all the applications. Is that even a goal at Adobe, or is there too much fighting amongst the teams? Maybe first start with the color picker and make that the same in all the apps.
This would be helpful for me. For example, when I photograph a beautiful sky, I export it as a high quality file for possible future use in Photoshop's Sky Replacement feature. It would be nice to add the Keyword: Sky-Replacement-Export to the metadata. It might be useful to be able to choose a Metadata Preset as well. What do you think?
If the results displayed are completely different from the prompts you entered, there should be a function to refund the generated credits. There are terms that were not generated correctly, and credits are just wasted.
This is not a complaint about the new timeline colors! But at the same time those color changes were made, another change in premiere was made which made the white selection border for clips on the timeline much less visible. And that's a pretty big problem for me, because I have an extremely hard time seeing which clip (or clips) are currently selected. Several people have mentioned this in the various threads about the timeline color changes, but I'm pretty sure it's gotten buried in those threads and not gotten the attention of Adobe. I don't know if it's hard to see because I'm running at 4k or because I don't have flawless 20/20 vision or what, but this is a serious accessibility issue -- my selection is hard enough to see that I always end up going back to 24.3 so that I can see what I'm doing again, and I really don't want to be stuck on that version forever. This isn't a "get used to it" kind of situation in the same way you can't "get used to" being color blind and suddenly gain the ability to see color. My choices seem to be limited to "don't upgrade past 24.3" and "don't use Premiere", and that sucks. Please, Adobe, I'm begging, please fix this. PUt it back the way it was. Make the selection border size configurable. Come up with some other more visible way to indicate what is selected on the timeline. I don't really care about the specifics, as long as it actually becomes easy to see my selection again. Please?
Hi all, I'm adding abstract backgrounds to isolated objects and sometimes I'm so happy with the result that I would like to apply the same background to another object. If I simply copy/paste the prompt, I never get the same results.When I play with MidJourney (or similar), there is something called a "seed" that allows to stay very close to the original picture. Is there something similar with the generative fill? Thanks
Someone post a picture file with extension .Jfif and my problems isthat I can't open the file, the only way for open the file is rename the suffix in .Jpg
The essential graphics tool is almost useless unless we can use the colors feature of our Creative Cloud Libraries in Premiere. Please enable Libraries Colors in Premiere!
feature request: please add the "fill" feature that After Effects has into premiere. yes I know I could put a red solid on screen and use track matte in premiere. but its always such a pain the butt when things get moved around. FxFactory pro actually has a fill feature effect for premiere. i just dont have it installed right now. and native implementation in premiere would be great
Instead of photo generator u can involve or represent in music generator with emotions it usefull for people's and my project also please discuss and mail to me
Hello, I'm sure I was once able to search by Synced Collection's name also in Lightroom Mobile on my iPhone and iPad, right? But I can't anymore on Mobile. I still can on my Mac on Lightroom Classic. What takes? I have 67.500 photos synced and hundreds if not thousands of Synced Collections. I can't browse them fast and easy. I need to find a Synced Collection via search. Could that be reasonable request to ask? Thanks!
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