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I know everybody edits differently, but I would have thought having an in/out point in your sequence would have, in modern editing, meant you have specific part of your sequence you want to edit.Why would PP's new Export bar default to Entire Sequence every export? How can I change this back to what it was before?
I can't wait for the generative videos on Premiere, Fast fill project is amazing, and the demo excels, but I know that we can import video in Photoshop, and it would be very nice, to have the capacity to generate video implanting, and most of all swap backgrounds in motion, also in Photoshop. I also have Premiere and After Effects, but for me, Photoshop is a sacred Adobe environment. I have thousands of shots with a green screen, the whole film was shot with a Red camera, in the studio.I am expecting that release from Adobe, for Premiere, though, I am using Premiere as my editing application choice.
It'd be handy to have the option to set the quality of a 3D comp for both the comp viewer and the final output; when working with heavy 3D comps, it'd be nice to see a rough view in the comp viewer, but to know that when I send it to render, AE will use a better quality output. I know "Draft 3D" exists, but this does not seem to make much difference to the redraw speed. On a similar note, I'd like to see "render only" layers (I've feature-requested this before, a long time ago) which work in the opposite way to "guide layers" - ie. they only show up when rendering, not previewing a comp. This would be handy for things like motion blur, colour grades, etc. which can slow down a redraw, so one turns them off...and has to remember (hopefully) to turn them back on again when rendering.
Mesh Warp should have a "define boundary" option (like in Nuke's Grid Warp) so that the entire screen space doesn't have to be manipulated which just a small area needs to be tweaked.
Hi, I would like to request the following 2 features. Feature Request 1 In the timeline, the ability to select the jumping sequence of the playhead.When jumping the playhead, it will stop at only the following locations which are selected ...(yes/no) At the Beginning of each audio clip (yes/no) At the Beginning of each video clip(yes/no) At the End of each audio clip(yes/no) At the End of each video clip(yes/no) At each Marker on clips(yes/no) At each Marker on the timelineAt minimun, the option to only jump the playhead from the beginning of each audio clip to the next without stopping at the end of each audio clip in between. Feature Request 1In the timeline, the ability to keep the playhead playing while jumping from clip to the next. Currently, when you are playing the playhead, if you jump it to the next clip, it automatically stops and you have to press play again, which can slowdown your workflow. So, I'm requesting the ability to keep the playhead playing after you jump it by pressing shift_down arrow. Thank you,
Hello Adobe, Concerns Console -> Storage -> Individual users folders -> Inactive users Can the option to search for an user in the option Inactive users be added as is already possible in the option Active users? Thanks & with kind regards, Carl
I understand that these are two different programs but i'm curious to why they dont use the same controls with zoom, move etc. And that the UI aren't very similar is also abit wierd tbh. These programs do go hand in hand in photo editing so it would make sense that they looked and operated abit more similarly.By looks different i mean that Lightroom has a more fun/cartoonish vibe to it with sliders etc and Photoshop has a more stale/industrial feel to it which is prefered. You could also make it so holding down scroll wheel access the move key instead of space+mouse1. Affinify photo does this and its very user friendly.Add the right-click brush option to "Selection brush".
Please add a preference to select between standard and reversed layer order so I don't have to use a keyboard shortcut or access the function via a drop-down menu every time I open a new file.
Wouldn’t it make sense to ask Adobe to integrate after effects into premiere, same as fusion is integrated in davinci resolve, since AF is also used for compositing. That’s much more reliable that the mostly broken dynamic link, & also less destructive since over in davinci land you don’t have to replace footage with fusion comp, so if you need to do any adjustments later your footage will be as intact. also the trips between the pages are instantaneous.
The problem of the Fx badge narrowing the display area of the audio waveform is a problem that should be fixed.1.Place a clip on the audio track of the timeline.2.Change the width of the audio track of the timeline.Result→The display size of the audio waveform changes depending on the width, but the width of the change is not constant!(The Fx badge gets in the way)→This makes the waveform difficult to see, which has a negative impact on editing.SolutionIf you turn off the display of the Fx badge, the width of the change becomes constant.→This is putting the cart before the horse, so I would like it to return to the previous state where there is no effect on the waveform. Fxバッジのせいでオーディオ波形の表示部分が狭くなるのは問題なので修正すべきだ 1.タイムラインのオーディオトラックにクリップを配置する。 2.タイムラインのオーディオトラックの幅を変更する。 結果 →幅によって、オーディオ波形の表示サイズが変化するが、その変化の幅が一定ではない! (Fxバッジが邪魔をしている) →これにより、波形が見にくくなり、編集作業に悪影響がある。 対策 Fxバッジの表示をオフにすると、変化の幅が一定になる。 →本末転倒なので、以前のように波形に影響がない状態にして欲しい。
I wish, I could rate my picture using my evaluation-stars and -colors directly during the import process and adding specific meta-tags maybe just to one photo (and not the entire import).For instance: I am shooting all day for 5 different projects - they all mix on one SD-card. Coming back, I have to go thru the import-process 5 times, looking thru all the pictures over and over again to sort out the pictures for these five projects.Why can ́t I do this straightaway during import? Am I over looking something already there in LR?I hope, you can understand my wish.
Hi there!My name is Carlos Capio, and I'm a passionate newcomer to the world of video editing. Despite my enthusiasm, I often find myself overwhelmed by the vast array of tools and features in Adobe Premiere Pro. I haven't had formal training in video editing, and while there are countless tutorials on YouTube, I sometimes feel lost and frustrated. That's why I believe an AI chatbot integrated within Adobe Premiere Pro could be a game-changer for people like me.My Story:When I first started using Adobe Premiere Pro, I was excited but quickly realized how steep the learning curve could be. Simple tasks like sharpening a video or creating smooth transitions took hours of searching through tutorials and forums. I often didn’t even know the right terms to look up! This constant back-and-forth between the software and external resources was draining and time-consuming.I recently came across a tool called Klutz GPT, which can assist with editing tasks, but it requires a third-party integration and a ChatGPT API account. While it's helpful, it's not as seamless as having an in-built assistant within Adobe Premiere Pro.The Solution I Envision:Imagine a friendly AI chatbot right inside Adobe Premiere Pro that could:Answer Questions Instantly:Whenever I have a question about a specific tool or need advice on how to enhance my video, the chatbot would be there with an instant response.Guide Me Step-by-Step:The chatbot could walk me through processes like sharpening my video or adding cool transitions, making the learning experience smoother and more enjoyable.Generate Helpful Scripts:For someone who isn't familiar with coding, having the chatbot help generate and implement scripts to automate tasks would be incredibly valuable.Offer Personalized Tips:Based on how I use the software, the chatbot could offer personalized recommendations and tips, helping me discover new features and improve my skills.Why This Matters to Me:This AI chatbot would transform my editing experience from frustrating to enjoyable. It would save me time and energy, allowing me to focus on being creative and making great videos. Plus, it would help me and many others fully utilize the incredible features that Adobe Premiere Pro offers without feeling overwhelmed.Conclusion:I believe that an AI chatbot within Adobe Premiere Pro would not only make the software more accessible to beginners but also enhance the experience for seasoned editors. It would be like having a knowledgeable friend by your side, ready to help whenever you need it.Thank you for considering this idea. I’m excited about the potential of this feature and how it could help people like me create amazing videos with confidence and ease.Warm regards,Carlos Capio
The "Increment and Save" command in After Effects serves the fundamental need in professional creative work of preserving the various development stages of a job. Cinema 4D and other pro software packages also have this. Photoshop should too.
Version: All versions of Photoshop Idea #1When Photoshop modifies a file it saves the PS version to the file's properties at "EXIF - Software". This shows that the file has been modified. This, however, gives no indication of "what" or "how much" was done to the file and isn't very useful. I suggest that when the EXIF data is written the current number of History stages be included. While this won't tell what was changed it will show how much has changed. A high number of tool usage would question the veracity of the image.
PROBLEM One very common issue users of LrC have are missing files and folders. Well over 70% of my LrC Help clients come to me with some version of this problem. The existing "Find Missing" tools in LrC work as designed, and many times re-linking one photo winds up re-linking hundreds of other nearby images at the same time. However in many cases, depending on exactly how the images became missing, one winds up having to manually re-link images one at a time which can be an impossible task if there are hundreds or thousands of such images (a client yesterday had over 11,000). SUGGESTIED IDEA In the Import Dialog, add a new checkbox below the "Don't import suspected duplicates" box called "Relink Missing Photos". If this box is checked and there is also a version of the photo in the catalog marked as missing, rather than importing the image and creating a new catalog entry for it, re-link the existing (missing) photo to the location of the one selected for import. WHY Will save copious amounts of time dealing with missing photos.. In most cases where there are loads of missing images, the user used Finder or File Manager to 'restructure' their image storage folder hierarchy. In thses cases, the current physical structure is probably the desired one rather than the one shown in the Folders Panel. Rather than having to re-link folders or files individually, one could go to the Import dialog, and with this checkbox checked could use the "Add" imort mode and accomplish in one step what would otherwise take many days or weeks to accomplish.
Please bring back the "Import to subfolder" in the import dialog. Before this was removed, the default import folder was the previous one (e g "2024/08") and I could choose to put the new files in subfolder "03", and everything landed nicely in folder "2024/08/03". That's one click and three keyboard presses. Now the default value is my last import folder (e g "2024/08/02") and I have to click "Other destanation", get thrown out into Windows Explorer, go back up one level, press "New folder" and create the new folder. That's just extra steps. Please bring back the previous workflow.
I would love to be able to automatically create multiple individual layers from a selected transparent imagem with multiple selections on it. Current scripts (like Selection 2 Layers and SO to Islands) are deficient and don't work very well with any kind of image because they work with masks not the actual selections. We definitely need this natively, which is surprising it still doesn't exist in 2024.
Hi all, I wanted to request the addition / implementation of a small coordinate manager tool, to allow numeric positioning of any selected (control) points and / or bézier handles. I feel like multiple tools could benefit from this. Most notably the path tools (paint/ smudge / erase along path) and the warp projection grid come to mind. I'm trying to paint a character right now and am quite frustrated that this feature is missing. Setting up a precise symmetric warp projection is pretty much infeasible right now, as the only means of doing the same (mirrored) transformation to two opposing grid points is to use snapping, which severely restricts the possible outcomes. The surface tool can't be used on symmetric stuff at all in that regard (correct me if I'm wrong). Furthermore, a coordinate manager would be incredibly helpful to manage path points, e.g. if you want to mirror a path in 3D space. Just activating the symmetry on a path isn't always going to be the right solution for that; what if the original unmirrored path itself isn't needed anymore? I seriously miss a way to check and manipulate control points numerically, and I think it would be a great addition. On a side note: A dedicated option to directly mirror a path (the actual points) along the symmetry plane would also be useful - but that is probably off-topic here, so yeah. Best regards 🙂
Perhaps a nice addition would be the posibillity to fully customize the interface. (Like virtually all the other apps). So tired of this useless but unremovable clutter that treats you like an absolute beginner. Discover this, Get Started that... NO. I've been using Adobe software for over 25 years now, I think I kinda know where to go... Perhaps a "Beginner" and an "Advanced" mode would be helpfull.
This feature request was posted in the discussion forum, but as far as I can tell, it was never posted in the ideas forum. Essentially, the request is to provide separate sliders for text background width and height in the essential graphics panel. Currently, there is only one slider (circled in red) to control both width and height, but the horizontal width is often too small and it would be very useful to be able to control it independently. The only workaround I've found is to add an extra space at the beginning and end of each line of text, which for obvious reasons is not a great solution. Original discussion here:https://community.adobe.com/t5/premiere-pro-discussions/subtitles-appearance-background-size-how-to-unlink-height-and-width/m-p/13050228
Can you please have a feature like Lora Training where we input a series of established images to get a custom puppet maker puppet creation style where we can customize the details of a character illustrated in in the previously provided style?
When saving a picture, it shoud be possibele to save it with a unique (random) name. Then when making a save action, it won't overwrite the original file.
Why does horizontal movement no longer exist in essential graphics? But only the vertical one
Hello can we have a double click on different sequence on timeline tabs to change, I keep changing by accident with the one click when I'm editing rapidly and ruins my flow 🙂
J'ai beaucoup de mal à retrouver des effets, et la liste des icones avec la mongolfiere sont peu explicites. Ce serait bien de proposer une barre de recherche pour les effets (Taper "pix" rendrait Pixel art par exemple). Ce serait pas mal aussi de proposer une image plus grande de l'effet de l'effet, par exemple dans une fenetre flottante ;quand on survolle l'effet en question
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