Premiere (Beta)

We have improved Decode performance on Intel  Windows machine for H264 and HEVC.  You should see improved playback, seek and scrub performance on Beta builds. Reverse playback performance is also improved.   Make sure HW preference to enable this feature is enabled. It is supposed to be enabled by default. Steps to enable Hardware-accelerated Decoding: Navigate to Preferences > Media  Select Enable hardware accelerated decoding (requires restart) Restart Adobe Premiere Pro   Refer to this page for Intel HW decode system requirement. https://helpx.adobe.com/in/premiere-pro/system-requirements.html#hardware-acceleration-system-requirements   Please try out and let us know how it is working on latest Beta builds.   Thanks Brajesh

there are problems while exporting videos , like it ignores in/ out work area and render whole sequence , render without captions

Importing SRT with number on a second (or more) line imports the caption line before the number and no more of the file. A  number as the only caption line imports correctly.   For example, this srt imports only one caption with the single line "File 01 Caption 01".       1 00:00:05,042 --> 00:00:07,042 File 01 Caption 01 369 2 00:00:12,000 --> 00:00:14,000 File 01 Caption 02     This was discovered in Release version 23.4.0. bug report: https://community.adobe.com/t5/premiere-pro-bugs/srt-captions-not-filling-timeline-track/idi-p/13843628   It is also present in PR2022.6.4 and this Beta. It is not present in PR2020.   Steps to reproduce:Import srt as described. Result: Complete file does not import.Expected: Full file would import.   Workaround: add a period after the number.  System info    Application: Premiere Pro (Beta) v23.6.0.18    OS: Windows v10.0.19045, RAM: 63.80 GB GB

<how to delete a post>  This was supposed to be in a bug section not discussion.  

A new cloud icon along with a tooltip and an on-click view in Premiere Pro’s header bar displays the local save and cloud sync status for Team Projects. Team Projects saves all your changes as you work both locally and to the cloud.  This cloud icon gives you a visual representation that your project is saved locally and sync’d to the cloud so that you can work with confidence knowing that your project is saved and not going to be lost.     The cloud with a green check icon is a visual representation that your project has been saved locally.     Clicking on the cloud icon provides additional information letting you know when the last local save and sync to the cloud occurred for your project.     After performing an edit, the cloud icon will have two curved arrows to display that the changes are being saved locally.     Clicking on the cloud icon provides additional information letting you know that the project is being saved and the la

This occures on clips / in timelines that have both transcripts and captions on them and seems to be an issue for a few itterations of the beta now. I've had instances where i've had to wait a minute or two for the insert to take place.This translates to sluggish timeline response time and slow very sluggish edit response times.  to clarify - the action is as follow.I have a 'stacked' or dalies timeline loaded into my source monitor with sync'd multiclips inside it. The audio on the multiclips have been transcribed and we have had to add captions into our stacked timeline corrusponding with our multiclips (as the interviews are in a different language and transcripts don't do translations yet ( **Feature request** ) I've also had issues when the captions are on where the video from my video tracks doesn't show up and all i get is a black screen. this tends to get resolved when I toggle the track output off and on again (or sometimes go into the multiclip to do it) W

Just tried to use this feature, but after analysing, nothing happening. No cuts, no binswin11, i9, Nvidia 4090

If I ripple edit a section out of my sequence, then click in the time ruler to return to just before the edit, the cursor moves out to the end of my sequence somewhere. Happens three times in the attached screen recording. [Edit: this is related to having an active search term in the text panel]

Hey Everyone, In recent beta builds (14.3.0 and newer) we've added support for Apple's Afterburner accelerator card which is an optional component available for 2019 Mac Pro systems. Currently we support decode acceleration of ProRes 4444 and 422 codecs using the Afterburner card. Please note: ProRes RAW acceleration via the Afterburner card is not currently supported - although CPU decompression is available for ProRes RAW. The Metal renderer must be selected for use in the applications (this is already the default setting):After Effects (Beta): File > Project Settings... > Video Rendering and Effects > select "Mercury GPU Acceleration (Metal)"Media Encoder (Beta): Preferences > General > Video Rendering > select Renderer: "Mercury Playback Engine GPU Acceleration (Metal) - Recommended"Premiere Pro (Beta): File < Project Settings > General > select Renderer: "Mercury Playback Engine GPU Acceleration (Metal) - Recommended" U

I am seeing the RAM usage go up to 99%. Ignores Prefs>Memory setting to reserve RAM for other apps. After a while it freezes. Seen this on 23.4 and 23.5(Beta) Big production, 40 projects, 20,000 files across local SSD drives.Happens either when I transcribe a bunch of files or where it is making a large number of peak files. Doesn't happen during normal editing or export.Process Explorer minidump taken while it's doing that: https://drive.google.com/file/d/1hqAR8PrJEnWsCzKuqNcQY6Dw4Z9qVh_b/view?usp=share_linkSystem info    Application: Premiere Pro (Beta) v23.5.0.42    OS: Windows v10.0.19045, RAM: 127.90 GB GB, CPUs (logical): 48 (3960x)

Hi all,    In the latest beta of Premiere Pro (v23.5, build 31), we have added GPU acceleration for RED's R3D raw format on Windows. (GPU acceleration is already shipping for macOS.) GPU support works for AMD, Intel, and Nvidia GPUs that have 6 GB or more of RAM.    If you use R3D format in Premiere Pro, we'd love to get your feedback on this update.    Thanks, Fergus

With the latest Adobe Premiere Pro Beta build, we have enabled Hardware Acceleration decode of HEVC/H264 4:2:2 10 bit on Mac ARM systems. This means that your import performance for files that use this codec will be faster.  If you have a MAC Arm machine, this feature is enabled by default on Premiere Pro.  We recommend that you please clean your media cache once for optimal performance.  This is now available in Beta for Adobe Premiere Pro (Mac ARM), and Adobe Media Encoder (Mac ARM). Please try it and let us know your feedback.  

Where is the toggle proxies button?

I have several legacy projects with media stored on a server. The files were moved on the server and now I have to re-link them to edit the projects. But when I go to re-link the media, I cannot navigate to the server to find the new location. Network drives show nothing, and entering the servername in the search URL shows it can't be found.  I have to copy the files to the local machine to re-link them. This is in beta and release versions. System info    Application: Premiere Pro (Beta) v23.5.0.37    OS: Windows v10.0.22621, RAM: 63.87 GB GB, CPUs (logical): 16

This is the most amazing feature I have ever use!Still some imprecisions detecting words, but definetely this is the next and state-of-art improvement in the video editing field. Congratulations Adobe team!

My dog has a black and white face, after editing and export the whites are blown out while being played on Quicktime but look fine on Premier Pro. Any suggestions?

This feature would be greatly appreciated, thanks!

When I alter the appearance of captions and save the style. the style isn't saved after I close and save the project. When I need to alter captions on another project, there are no saved styles.

Why is this effect still not released as a gpu acc. effect. Its been in beta for ages.

I have a multicam clip with 2 tracks of audio I put into another sequence. In that sequence, the waveforms do not show up, even though that option is checked in my timeline display settings. The timeline does show waveforms from other clips, it's just the multicam clip that does not display waveforms.

Dear Adobe Premiere Pro (Beta) Team,I am writing to strongly advocate for the addition of Arabic language support in Premiere Pro's Speech to Text feature. This has been a long-standing request from many users across the globe, and its implementation would have a substantial impact on your product's reach and appeal.By supporting Arabic in Speech to Text, Adobe can effectively cater to over 350 million native speakers, opening up new markets and sales opportunities. This addition will empower content creators, filmmakers, and TV series producers who work with Arabic media, and solidify Adobe's reputation as a company that listens to and addresses its diverse user base's needs.Ignoring the requests of such a significant number of users undermines Adobe's commitment to inclusivity and global accessibility. By providing Arabic language support in the Speech to Text feature, you demonstrate that Adobe truly values all users, regardless of their native language.Adding Arabic support would p

I've just finished a Youtube video I was editing for commision and I used the remix tool a bunch in this video (I love it) but it won't let me export any versions with the tool used. I consistantly get an error message that says the audio can't be rendered. 

So I am using Premiere to edit reels. I edit the video and then transcribe the sequence to create captions. When I'm done I go to the next video and use "Retranscribe the sequence" option. But after I create the captions with new transciptions, when I start editing them as essential graphics, transcription just keep turning back to older version (transcription of the older video). Why does şt do that?

Project opens with unlinked media. When I try to link it I get the message that I need to install AE Beta. But not only is it installed but it's already open. I tried re-installing AE but that didn't work. Project opens fine in the release version but all my keyboard shortcuts are not set up there so I'd prefer to continue working in Beta.

Color management is now available for log-based media.  This allows for simpler, LUT-free workflows when working with log footage from popular camera makers like Sony, Panasonic, and Canon.  Set the log color space correctly in Modify > Interpret Footage, then place the media on a Rec709 or HDR timeline and Premiere Pro will automatically apply the correct color conversions. Any camera that shoots log can now be used in HDR production easily.   This method transforms log footage to the color space of the sequence in a non-destructive, real-time workflow, rather than the common use of Log>Rec709 LUTs that can clip highlights, shadows and color information.   How It Works: Right-click on a video clip in the Project Window and select Modify > Interpret Footage.     In the Interpret Footage Window, scroll down to “Color Management” at the bottom of the panel. Click “Color Space Override” then use the pull-down menu to assign the format of the selec