Premiere (Beta)

System info    Application: Premiere Pro (Beta) v26.3.0.71    OS: macOS v15.7.4, RAM: 96.00 GB GB, CPUs (logical): 24Canon R6 HEVC files are clipping blacks with Hardware Decoding enabled on Thunderbolt Displays

It’s very simple and is reproduceable every time.  I upgraded to 26.3 today, and everytime I click file, export, media encoder… media encoder does not start, and premiere just closes. When I open it back up, it says ‘it unexpectedly shut down’, and ask if I want to open the file.  Every time I try, this happens. Restarting does nothing. When i go back to using the non-beta version, everything works perfectly as expected. It’s only a problem in the newest beta. 

Finding the shortcuts to switch between exposure zones a bit clunky. Could you add Previous/Next Zone shortcuts as well as individual ones? Much easier imho –exactly the same as the ones you’ve added to cycle through the Color Hues. Also, it’d be great if shortcuts for Color&Contrast, Color Shift, Detail also worked in Styles.

We want to hear from you — Color Mode feedback surveyColor Mode is now in public beta, and your feedback is going to shape what it looks like at GA.If you've spent time in it, we want to know what's working, what's not, and what you wish existed. The survey only takes a minute and goes directly to the team building it.Fill it out here Thank you for testing Color Mode! 

To make my green screen easier to key I have been using secondary to pump up its hue and saturation, then denoising and blurring it a little, before adding ultra key. How would I do something similar in color mode. I can see that for now at least the Lumetri Color panel is still available as an effect so I could put that onto my clip first, but I’d rather make the full leap to color mode if I can.

I’m currently working with the new Premiere Pro Beta color grading tools and ran into a workflow question.My footage comes from multiple cameras (Sony FX30 and DJI Air 3S), and each camera requires its own specific LUT for proper color matching. The issue is figuring out the best way to manage this efficiently in the new color grading workflow.Right now, I’m unsure how to structure the process so that each camera source automatically gets the correct LUT applied without constantly switching settings or breaking the grading workflow later on.What would be the recommended approach for handling multiple camera-specific LUTs in Premiere Pro Beta? Is there a clean workflow for organizing this in the new system?

Hello Everyone.I’ve been using Premiere Pro’s Lumetri Color panel for a long time, mainly relying on the Lumerti Color Panel, Color Wheel, Curves, and of course the Lumetri Scopes. Sometimes I also add third‑party tools like Maxon Magic Bullet and FilmConvert Nitrate, and I’ve always gotten great results with that workflow.Recently, I tried the new Color Mode, but so far I still prefer the traditional Lumetri Color panel. That might just be because I’m not fully used to the new interface yet. I’m wondering whether, in the future, Adobe will allow us to switch back and forth between the original Lumetri panel and the new Color Mode, or if we’ll eventually be locked into the new system.Thanks.

In the 26.3.0 BETA Build 69 and previous versions I found it impossieble to have an object tracking mask on a person and then something behind them.The preview in Premiere Pro would show the mask correctly (after tracking).Then upon export, the preview would not show the clip at all (same for export). It appeared as if the clip with the mask on opacity was completely gone.But it turns out it was not gone, but a problem of having a Scale / Motion effect changes ont he same clip applied. So opacity masks appear not to correctly handle clip level motion as well as the “Transform” effect. Workaround:At this time, the only workaround I have found is to apply the opacity mask, then nest the clip, and then scale / move / keyframe the nested sequence (in the parent sequence).Then the export includes the mask correctly. I hope future versions can make it so that the opacity masks are correctly applied to the clip without needing to nest the clip.

I'm on a Mac 26.4.1 and when I click on the Color mode controls the window is large & blocks my viewer. I cannot change this because the window blocks everything.

When I am in the colour tab and I click on the tools like masking, pen tool, or the text tool, none of them work on the program monitor, they work in edit mode but that means switching back and forth between both modes constantly to see the effects of changes

Toggeling the grid lines button on the program area does nothing.

Just installed Beta 26.3.0 and switched to the Color window. Touching any of the controls in the color window causes a crash. I can adjust the parameters in the properties panel with no issue. I've tried updating my GPU driver and turning off the color HUD display. It still crashes everytime I touch a control. Applying a Style preset crashes the application about 50% of the time.Windows 11 Enterprise13th Gen Intel(R) Core(TM) i9-13900K (3.00 GHz)128 GB (128 GB usable)NVIDIA GeForce RTX 4090NVIDIA Studio Driver 595.79

After the new Object tool update. I am unable to manually animate the Masks by adding manual path keyframes.  

Last few builds have been difficult to operate the mask feature (any mask type)Can do one mask and then the second mask does not want to show its outline or color overlay.Have to restart the project to be able to continue.W11pro 26.3 B 43, RTX5060.

bugs in color mode:if sort is set to anything but the sequence (default), solo mode is not available and no masks are editable pressing ctrl + \ does not hide the top menu bar (in order to get this to work you first need to press ctrl + \ in edit mode, then switch back to color mode)sort is set to “clip timecode” and my masks are no longer available to manipulate. This is fixed when defaulting to “sequence timecode” sort 

I have a decent computer with 64GB of ram, 6GB of GPU with an Intel Core i7900 3.0GHz. Unfortunately windows won’t let me update to windows 11 (I use windows 10) because of the Trusted Platform Module version 2.0 (TPM 2.0). Today I finally updated Premiere Beta to it’s latest version (26.3.0.067) and when I opened it I got this warning message:  Does this mean that I will be stuck with the current official version of Premiere (26.2.2) “forever”? 

Will Adobe Premiere Pro stop supporting Windows 10 after October 2025?

I've been trying to update my Public Beta installation, but I keep getting the error that it cannot extract files. I've been updating all other CC apps, and have run public beta installs since they started. Here's the event log: Exit Code: 127 -------------------------------------- Summary -------------------------------------- - 1 fatal error(s), 17 error(s), 4 warnings(s) FATAL: Error occurred in extract of package (Name: AdobePremierePro14AllTrial Version: 26.0.0.28). Error code: '127' ERROR: Path:C:\adobeTemp already exists ERROR: Failed to allocate buffer for file C:\adobeTemp\ETRC988.tmp\1\universal\App\Adobe Premiere Pro (Beta).exe of size 951391240 ERROR: Failed memory allocation after sleep also ERROR: Failed to allocate buffer for file C:\adobeTemp\ETRC988.tmp\1\universal\App\Adobe Premiere Pro (Beta).exe of size 951391240 ERROR: Failed memory allocation after sleep also ERROR: Path:C:\adobeTemp already exists ERROR: Failed to allocate buffer for file C:\adobeTe

Premiere beta always crash in color tab

Mogrts aren’t visible after inserting them on the timeline. Did everything possible, clearing cache, restarting the app. They aren’t visible and the app doesn’t throw any error either. But they’re working fine on the regular app.